Paradise Lost
by John Milton

Paradise Lost: Allusions 5 key examples

Definition of Allusion

In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals, historical events, or philosophical ideas... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to... read full definition
Book 1
Explanation and Analysis—Satan's "Monstrous Size":

In Book 1, Milton uses allusions and simile to convey Satan's enormous stature and power: 

Thus Satan talking to his nearest mate
With head up-lift above the wave, and eyes
That sparkling blaz'd, his other parts besides
Prone on the flood, extended long and large 
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian, or Earth-born, that warr'd on Jove,
Briareos or Typhon, whom the Den
By ancient Tarsus held, or that sea-beast 
Leviathan, which God of all his works
Created hugest that swim th' ocean stream...

Book 4
Explanation and Analysis—The Good Angels:

In Book 4, Milton describes the good angels preparing to battle Satan after he has been discovered in Paradise, and employs an allusion and a simile to describe them:

While thus he spake, th’ angelic squadron bright

Turned fiery red, sharp’ning in moonèd horns

Their phalanx, and began to hem him round

With ported spears, as thick as when a field

Of Ceres ripe for harvest waving bends

Her bearded grove of ears, which way the wind

Sways them; the careful ploughman doubting stands

Lest on the threshing floor his hopeful sheaves

Prove chaff.

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Explanation and Analysis—Eden's Splendor:

In Book 4, Milton uses a series of allusions to describe Eden/Paradise: 

Not that fair field

Of Enna, where Prosérpine gath’ring flow’rs

Herself a fairer flow’r by gloomy Dis

Was gathered, which cost Ceres all that pain

To seek her through the world; nor that sweet grove

Of Daphne by Orontes, and th’ inspired

Castalian spring, might with this Paradise

Of Eden strive...

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Book 5
Explanation and Analysis—Morning in Eden:

In Book 5, Adam awakes next to Eve in Eden, and their morning is described with rich imagery (as well as a few allusions):

Now Morn her rosy steps in th’ eastern clime

Advancing, sowed the earth with orient pearl,

When Adam waked, so customed, for his sleep

Was airy light, from pure digestion bred,

And temperate vapours bland, which th’ only sound, 

Of leaves and fuming rills, Aurora’s fan,

Lightly dispersed, and the shrill matin song

Of birds on every bough; so much the more

His wonder was to find unwakened Eve

With tresses discomposed, and glowing cheek,

As through unquiet rest: he on his side

Leaning half-raised, with looks of cordial love

 Hung over her enamoured, and beheld

Beauty, which whether waking or asleep,

Shot forth peculiar graces; then with voice

Mild, as when Zephyrus on Flora breathes,

Her hand soft touching, whispered thus.

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Book 9
Explanation and Analysis—Satan as Serpent:

In Book 9, Milton uses a series of allusions to describe the serpent whose form Satan has assumed to seduce Eve:

So spake the Enemy of mankind, enclosed

In serpent, inmate bad, and toward Eve

Addressed his way [...]

Amidst his circling spires, that on the grass

Floated redundant: pleasing was his shape,

And lovely, never since of serpent kind

Lovelier, not those that in Illyria changed

Hermione and Cadmus, or the god

In Epidaurus; nor to which transformed Ammonian Jove,

or Capitoline was seen,

He with Olympias, this with her who bore Scipio the heighth of Rome.

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