Paradise Lost
by John Milton

Paradise Lost: Paradox 3 key examples

Definition of Paradox

A paradox is a figure of speech that seems to contradict itself, but which, upon further examination, contains some kernel of truth or reason. Oscar Wilde's famous declaration that "Life is... read full definition
A paradox is a figure of speech that seems to contradict itself, but which, upon further examination, contains some kernel of truth or reason. Oscar... read full definition
A paradox is a figure of speech that seems to contradict itself, but which, upon further examination, contains some kernel... read full definition
Book 3
Explanation and Analysis—God and His Throne:

In Book 3, when God appears for the first time, Milton describes him as a "fountain of light"—a rich instance of imagery that also includes a paradox: 

Thee Father first they sung omnipotent,

Immutable, immortal, infinite,

Eternal King; thee Author of all being,

Fountain of light, thyself invisible

Amidst the glorious brightness where thou sitt’st

Throned inaccessible, but when thou shad’st

The full blaze of thy beams, and through a cloud

Drawn round about thee like a radiant shrine,

Dark with excessive bright thy skirts appear,

Yet dazzle Heav’n, that brightest Seraphim

Approach not, but with both wings veil their eyes.

Book 4
Explanation and Analysis—Satan's Misery:

In Book 4, as Satan journeys to Paradise, he experiences "many doubts with himself" (as Milton notes in his preface to the Book), which he voices in a soliloquy that features a paradox:

Nay curs'd be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; my self am Hell; 
And in the lowest deep a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heav'n.
O then at last relent: is there no place
Left for repentance, none for pardon left?

Unlock with LitCharts A+
Explanation and Analysis—Adam & Eve Introduced:

In Book 4, Adam and Eve are introduced—naked and majestic—in an extended descriptive passage that features a paradox: 

A whole day’s journey high, but wide remote

From this Assyrian garden, where the Fiend

Saw undelighted all delight, all kind

Of living creatures new to sight and strange:

Two of far nobler shape erect and tall,

Godlike erect, with native honour clad

In naked majesty seemed lords of all,

And worthy seemed, for in their looks divine

The image of their glorious Maker shone,

Truth, wisdom, sanctitude severe and pure,

Severe, but in true filial freedom placed;

Whence true authority in men; though both

Not equal, as their sex not equal seemed;

For contemplation he and valour formed,

For softness she and sweet attractive grace,

He for God only, she for God in him...

Unlock with LitCharts A+