Paradise

by

Toni Morrison

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Steward Morgan is Deek’s twin brother and one of the leaders of Ruby. He is the more outspoken of the brothers, known for “inflammatory speech” in contrast to his subtler brother. The twins work together in all things, maintaining their stronghold over Ruby without ever needing to discuss it with each other. Steward and his wife Dovey are unable to have children, so Steward takes K.D. under his wing to groom as the Morgan heir. Steward is also violently opposed to any deviation from his notions of acceptable femininity, and his fixation on what a woman should be drives his hatred for the Convent. This culminates in Steward leading the attack on the Convent, where his murder of Connie drives a rift between Steward and Deek.

Steward Morgan Quotes in Paradise

The Paradise quotes below are all either spoken by Steward Morgan or refer to Steward Morgan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Gender, Race, and Power Theme Icon
).
Grace Quotes

However disgusted both were, K.D. knew they would not negotiate a solution that would endanger him or the future of Morgan money. His grandfather had named his twins Deacon and Steward for a reason. And their family had not built two towns, fought white law, Colored Creek, bandits and bad weather, to see ranches and houses and a bank with mortgages on a feed store, a drugstore and a furniture store to end up in Arnold Fleetwood’s pocket. Since the loose bones of his cousins had been buried two years ago, K.D., their hope and their despair, was the last male in [the] line […]. His behavior, as always, required scrutiny and serious correction.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith, Arnette Fleetwood, Arnold Fleetwood
Page Number: 55
Explanation and Analysis:
Seneca Quotes

[Steward] wondered if that generation––Misner’s and K.D.’s––would have to be sacrificed to get to the next one. The grand- and great-grandchildren who could be trained, honed as his own father and grandfather had down for Steward’s generation. No breaks there; no slack cut then. Expectations were high and met. Nobody took more responsibility for their behavior than those good men.

Related Characters: Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith
Related Symbols: The Oven
Page Number: 94
Explanation and Analysis:

[Elder] never got the sight of that whiteman’s fist in that colored woman’s face out of his mind. Whatever he felt about her trade, he thought about her, prayed for her till the end of his life. […] Steward liked that story, but it unnerved him to know it was based on the defense of and prayers for a whore. He did not sympathize with the whitemen, but he could see their point, could even feel the adrenaline, imagining the fist was his own.

Related Characters: Steward Morgan, Elder Morgan
Page Number: 94-95
Explanation and Analysis:
Lone Quotes

The women in the Convent were for [Steward] a flaunting parody of the nineteen Negro ladies of his and his brother’s youthful memory and perfect understanding. They were the degradation of that moment they’d shared of sunlit skin and verbena. They, with their mindless giggling, outraged the dulcet tones, the tinkling in the merry and welcoming laughter of the nineteen ladies who, scheduled to live forever in pastel shaded dreams, were now doomed to extinction by this new and obscene breed of female. He could not abide them for […] desecrating the vision that carried him and his brother through a war, that imbued their marriages and strengthened their efforts to build a town where the vision could flourish.

Related Characters: Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan
Related Symbols: The Convent
Page Number: 279
Explanation and Analysis:
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Paradise PDF

Steward Morgan Quotes in Paradise

The Paradise quotes below are all either spoken by Steward Morgan or refer to Steward Morgan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Gender, Race, and Power Theme Icon
).
Grace Quotes

However disgusted both were, K.D. knew they would not negotiate a solution that would endanger him or the future of Morgan money. His grandfather had named his twins Deacon and Steward for a reason. And their family had not built two towns, fought white law, Colored Creek, bandits and bad weather, to see ranches and houses and a bank with mortgages on a feed store, a drugstore and a furniture store to end up in Arnold Fleetwood’s pocket. Since the loose bones of his cousins had been buried two years ago, K.D., their hope and their despair, was the last male in [the] line […]. His behavior, as always, required scrutiny and serious correction.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith, Arnette Fleetwood, Arnold Fleetwood
Page Number: 55
Explanation and Analysis:
Seneca Quotes

[Steward] wondered if that generation––Misner’s and K.D.’s––would have to be sacrificed to get to the next one. The grand- and great-grandchildren who could be trained, honed as his own father and grandfather had down for Steward’s generation. No breaks there; no slack cut then. Expectations were high and met. Nobody took more responsibility for their behavior than those good men.

Related Characters: Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith
Related Symbols: The Oven
Page Number: 94
Explanation and Analysis:

[Elder] never got the sight of that whiteman’s fist in that colored woman’s face out of his mind. Whatever he felt about her trade, he thought about her, prayed for her till the end of his life. […] Steward liked that story, but it unnerved him to know it was based on the defense of and prayers for a whore. He did not sympathize with the whitemen, but he could see their point, could even feel the adrenaline, imagining the fist was his own.

Related Characters: Steward Morgan, Elder Morgan
Page Number: 94-95
Explanation and Analysis:
Lone Quotes

The women in the Convent were for [Steward] a flaunting parody of the nineteen Negro ladies of his and his brother’s youthful memory and perfect understanding. They were the degradation of that moment they’d shared of sunlit skin and verbena. They, with their mindless giggling, outraged the dulcet tones, the tinkling in the merry and welcoming laughter of the nineteen ladies who, scheduled to live forever in pastel shaded dreams, were now doomed to extinction by this new and obscene breed of female. He could not abide them for […] desecrating the vision that carried him and his brother through a war, that imbued their marriages and strengthened their efforts to build a town where the vision could flourish.

Related Characters: Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan
Related Symbols: The Convent
Page Number: 279
Explanation and Analysis: