Perfume
Perfume
by Patrick Süskind
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Scent, Sight, and the Grotesque Theme Analysis

Themes and Colors
Growing Up and Becoming Human Theme Icon
Power and Control Theme Icon
Creative Genius vs. Convention and Assimilation Theme Icon
Upward Mobility and Social Movement Theme Icon
Scent, Sight, and the Grotesque Theme Icon
LitCharts assigns a color and icon to each theme in Perfume, which you can use to track the themes throughout the work.
Scent, Sight, and the Grotesque Theme Icon
Scent, Sight, and the Grotesque Theme Icon

While the novel's focus is on scent more than anything else, it relies heavily on descriptions of scent that are highly visual in nature. This combination works to create a grotesque landscape, simultaneously repulsive and beautiful, that draws the reader in and pushes them away in turn.

The entire premise of the novel is based on the idea that scent is more powerful than anything else, and most importantly, that this power isn't known or accessible to the average person. Grenouille then becomes a strange combination of a genius, as he's aware of and able to manipulate this power better than anyone, and a monster, as he possesses no scent himself. Further, even after the marquis introduces him to cosmetics, Grenouille doesn't have the looks to inspire anything but disgust or sympathy, if anyone even takes notice of him. Directly opposite Grenouille, then, are the 25 girls he murders, and specifically Laure. She not only has a powerful and alluring scent; she's extremely physically beautiful as well. In this way, the murders of the girls by Grenouille can be seen as more than just murders in the name of creating the perfect perfume; they're an attempt to obtain and control something that Grenouille himself is entirely incapable of being: irresistibly appealing, both physically and in an olfactory sense.

Despite Grenouille's purposeful rejection of sight in favor of scent throughout his life, he finds that the two senses are connected, and experiences varying degrees of awe and horror at this discovery. Part of Grenouille's early fear and later hatred of people stems from the fact that, as a child, he passed through crowds entirely unnoticed. However, once Grenouille creates a personal perfume for himself, he finds that he attracts neutral attention while in public. Notably, Grenouille's personal perfume is made from a horrific combination of ingredients including moldy cheese and cat feces. The description of these ingredients serves to offend the reader on multiple fronts and heighten the sense of the grotesque.

In particular, the combination throughout the novel of descriptions of scent and sight create an almost oppressively disgusting yet fascinating reading experience, which then works to suggest a sense of absurdity and black humor. Grenouille as a child and an adolescent almost inspires sympathy from the reader, as do figures such as Madame Gaillard, but their actions (such as Grenouille's murder of the girl from the Rue de Marais) also serve to repel and disgust the reader. One can almost laugh at Grenouille attempting to ascertain if he has a personal scent, but the consequence of Grenouille's discovery leads him down an unimaginably horrific path.

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Scent, Sight, and the Grotesque Quotes in Perfume

Below you will find the important quotes in Perfume related to the theme of Scent, Sight, and the Grotesque.

Part 1, Chapter 3 Quotes

Wasn't it Horace himself who wrote, “The youth is gamy as a buck, the maiden's fragrance blossoms as does the white narcissus...”?—and the Romans knew all about that! The odor of humans is always a fleshy odor—that is, a sinful odor. How could an infant, which does not yet know sin even in its dreams, have an odor? How could it smell?

Related Characters: Father Terrier (speaker), Jean-Baptise Grenouille, Jeanne Bussie
Page Number and Citation: 16
Explanation and Analysis:
Father Terrier is rationalizing to himself why the infant Grenouille doesn't smell. Note here the implication that children don't smell, but adults do; this assertion helps later to raise the question of whether Grenouille truly comes of age, as while he manufactures a human scent for himself, his body never naturally produces one. Further, Father Terrier mentions explicitly the blossoming of the “maiden's fragrance,” which provides some foreshadowing for later events. Grenouille comes to realize later in life that these “blossoming” maidens possess the best scents, and possessing these scents himself then becomes Grenouille’s goal. Father Terrier also equates this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperior

Part 1, Chapter 4 Quotes

But to have made such a modest exit would have demanded a modicum of native civility, and that Grenouille did not possess. He was an abomination from the start. He decided in favor of life out of sheer spite and sheer malice.

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 21
Explanation and Analysis:
The narrator is describing Grenouille's first minutes of life, where his cry saved him from a death of neglect directly following his birth. The description here begins to develop Grenouille's character as a misanthropic “abomination,” even as an infant. While Grenouille doesn't truly understand his own misanthropy until he's an adult, and while Grenouille's lived experiences certainly teach him to hate people, the narrator posits here that this misanthropy was inherent to Grenouille from birth. This idea helps to further distance Grenouille from the reader, as the idea of an infant who is already malicious and inhuman is both strange Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaec

Part 1, Chapter 5 Quotes

With words designating non-smelling objects, with abstract ideas and the like, especially those of an ethical or moral nature, he had the greatest difficulty. He could not retain them, confused them with one another, and even as an adult used them unwillingly and often incorrectly...

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 25
Explanation and Analysis:
The narrator is describing how Grenouille learned to speak and acquired language. It was a slow process, as only words that denoted objects that smelled held Grenouille's interest. The problem of language follows Grenouille throughout his life. While he does eventually learn enough spoken language to function in the world, he never becomes a great conversationalist, because people don't hold interest for him. He later learns the language of perfume and learns how to write out formulas and measure ingredients, but he only learns these skills because he understands that possessing these skills will allow him to pass for a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Part 1, Chapter 8 Quotes

Grenouille knew for certain that unless he possessed this scent, his life would have no meaning... the mere memory, however complex, was not enough.

Related Characters: Girl from the rue de Marais, Jean-Baptise Grenouille
Page Number and Citation: 41
Explanation and Analysis:
Grenouille has discovered the girl from the rue de Marais, who possesses an intoxicating scent, and he decides that he must possess the scent himself by killing her. While it's been obvious from the beginning that Grenouille is strangely obsessive about scent, this takes that obsession to a sinister extreme. His disregard for humans and life itself becomes apparent, as he later suffers no remorse nor even acknowledges that he murdered the girl. Further, this event becomes a turning point for Grenouille and his life. The discovery of this scent allows him to begin to plan for his future and Dolorem et quae. Exercitationem non aut. Even

It was as if he had been born a second time; no, not a second time, the first time, for until now he had merely existed like an animal with a most nebulous self-awareness. But after today, he felt as if he finally knew who he really was: nothing less than a genius.

Related Characters: Girl from the rue de Marais, Jean-Baptise Grenouille
Page Number and Citation: 43
Explanation and Analysis:
Grenouille is in bed after killing the girl from the rue de Marais. It becomes obvious that killing the girl and possessing her scent is a turning point for Grenouille, as it catapults him onto his journey of self-discovery. It provides him with a higher power, essentially, with which to organize both his life and his vast mental collection of scents. His conception of himself as a genius (and thus set apart from the general human population) also begins to develop Grenouille's misanthropy as something conscious, and that he's even proud of. While Grenouille asserts that everyone will love both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam conse

Part 1, Chapter 11 Quotes

The man was indeed a danger to the whole trade with his reckless creativity. It made you wish for a return to the old rigid guild laws. Made you wish for draconian measures against this nonconformist, this inflationist of scent.

Related Characters: Giuseppe Baldini (speaker), Pélissier
Page Number and Citation: 53
Explanation and Analysis:
Baldini is on a mental rant against Pélissier, a rival perfumer, but he also rails against the changing times in which he finds himself. Here, Baldini specifically recalls the guild laws of the middle ages, which set out strict guidelines for the creation of perfumes. Following those guidelines, presumably, Pélissier wouldn't be able to access the success he enjoys in the mid-18th century, and Baldini would still be considered a successful and well-established perfumer. This passage also highlights Baldini's love of rules and regulations in general. He later insists that Grenouille learn to write out formulas and measure ingredients, which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt.

Part 1, Chapter 14 Quotes

But he at once felt the seriousness that reigned in these rooms, you might almost call it a holy seriousness, if the word "holy" had held any meaning whatever for Grenouille...

Related Characters: Jean-Baptise Grenouille, Giuseppe Baldini
Page Number and Citation: 67
Explanation and Analysis:
Grenouille is delivering skins from Grimal to Baldini and is now inside a perfume shop for the first time in his life. Here, the reader is asked to consider Grenouille's relationship to religion itself and religious ideas in general. While Grenouille is said to have never understood words that signify non-concrete ideas, this alludes to the idea that he has some understanding of the ideas themselves if not the language that describes them. This also begins to draw a connection between scent, religion, and power. In Baldini's shop, Baldini (or Grenouille) has the power and ability to create scents. While Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occae

The tick had scented blood. It had been dormant for years, encapsulated, and had waited. Now it let itself drop, for better or for worse, entirely without hope. And that was why he was so certain.

Related Characters: Giuseppe Baldini, Jean-Baptise Grenouille
Related Symbols: The Tick
Page Number and Citation: 69
Explanation and Analysis:
Grenouille is in Baldini's perfume shop for the first time and is possessed with the thought that he belongs there. The narrator likens Grenouille to a tick throughout the novel, most often when Grenouille is a child and a young teenager. By comparing Grenouille to a tick, the narrator is able to build the narrative that Grenouille is not only ugly and a parasite of society, but functions and makes decisions based on little more than instinct and base desire. In this case, we see that Grenouille understands immediately and instinctively that he can learn everything he needs to know Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Your grandiose failure will also be an opportunity for you to learn the virtue of humility, which—although one may pardon the total lack of its development at your tender age—will be an absolute prerequisite for later advancement as a member of your guild and for your standing as a man, a man of honor, a dutiful subject, and a good Christian.

Related Characters: Giuseppe Baldini (speaker), Jean-Baptise Grenouille
Page Number and Citation: 77
Explanation and Analysis:
Baldini has decided to allow Grenouille to try and create a copy of the perfume “Amor and Psyche,” believing full well that Grenouille will fail. This passage sets out a number of Baldini's misconceptions about Grenouille. While Baldini is certainly correct that Grenouille experiences nothing close to humility (and never will), he incorrectly assumes that Grenouille desires to advance in the way that Baldini lays out here. Grenouille comes to understand that obtaining journeyman's papers through the guild is necessary for carrying out his goals, but he doesn't wish to be a famous perfumer per se. Honor is also a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ip

Part 1, Chapter 17 Quotes

But by using the obligatory measuring glasses and scales, he learned the language of perfumery, and he sensed instinctively that the knowledge of this language could be of service to him.

Related Characters: Jean-Baptise Grenouille, Giuseppe Baldini
Page Number and Citation: 92
Explanation and Analysis:
Grenouille has just made the move to work for Baldini as an apprentice, and the narrator is describing how Grenouille acquires the language of perfume. Remember that Grenouille doesn't need this language at all to make exceptional perfumes; his superhuman sense of smell is enough for him. However, to exist and move freely within the world and not raise suspicion, he needs to know this language, as it allows him to pass as normal. Grenouille understands that in order to accomplish his goals, he must exist alongside the rest of humanity. The acquisition of the language of perfume mirrors his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Opt

Part 2, Chapter 27 Quotes

... he clapped his hands and called his servants, who were invisible, intangible, inaudible, and above all inodorous, and thus totally imaginary servants...

Related Characters: Jean-Baptise Grenouille
Related Symbols: Grenouille's Inner World
Page Number and Citation: 128
Explanation and Analysis:
The narrator is describing Grenouille's evening activities in his imaginary “inner fortress.” While Grenouille's inner empire provides insight into what Grenouille wishes the world would be (odorous in a way he finds pleasing; himself as the god or ruler), the particulars of Grenouille's servants indicate how Grenouille feels about humanity. Notably, Grenouille wishes to be served. He wishes for someone else to fetch him things and perform menial tasks. However, in his perfect world, these people simply perform tasks without actually existing in any way. This indicates just how intense Grenouille's self-involvement is, as he cannot even bring himself to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum d

That odor had been the pledge of freedom. It had been the pledge of a different life. The odor of that morning was for Grenouille the odor of hope. He guarded it carefully. And he drank it daily.

Related Characters: Jean-Baptise Grenouille
Related Symbols: Grenouille's Inner World
Page Number and Citation: 129
Explanation and Analysis:
The narrator is describing Grenouille's daily "debaucheries" he takes part in within his inner palace, which include drinking bottles of scent collected in the past. Returning to the time this drink was collected (Grenouille's first walks around the city without permission while employed by Grimal), the reader begins to understand how important freedom is to Grenouille. While this desire for freedom is entirely related to Grenouille's misanthropy, it also functions to humanize him for the reader. Freedom is a common desire, and the circumstances of Grenouille's employment were inarguably inhumane and cruel. Thus, by indicating that this sense of freedom Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. V

Part 2, Chapter 29 Quotes

What he now felt was the fear of not knowing much of anything about himself... He could not flee it, but had to move toward it.

Related Characters: Jean-Baptise Grenouille
Related Symbols: Grenouille's Inner World
Page Number and Citation: 137
Explanation and Analysis:
In his cave, Grenouille has just experienced a terrifying dream in which he was nearly suffocated by his own nonexistent body odor. After thinking about it for a while, he feels this new fear—that he has no self-knowledge. This realization then begins to alter Grenouille's planned path from one of simple domination of scent to one in which he seeks to understand something about himself and figure out his place in the world. This places Grenouille's later development of faux human perfumes as a marker of adulthood and coming of age, as this moment suggests the idea that Grenouille is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at

Part 2, Chapter 30 Quotes

“You will realize for the first time in your life that you are a human being; not a particularly extraordinary or in any fashion distinguished one, but nevertheless a perfectly acceptable human being.”

Related Characters: Marquis de la Taillade- Espinasse (speaker), Jean-Baptise Grenouille
Page Number and Citation: 144
Explanation and Analysis:
Following Grenouille's departure from the volcano, he is taken in by the marquis and provided with clothes and makeup, which the marquis is here offering Grenouille a mirror to look at. Notice the language used here, specifically the use of "human." By following the logic of the novel, coming of age and becoming an adult naturally entails becoming fully human, as children are treated as less than- or sub-human. This moment, then, stands as a stepping-stone in Grenouille's quest to come of age and become human, as this is the first time another person calls to his attention that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

Part 2, Chapter 32 Quotes

For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they could not escape scent. For scent was a brother of breath... He who ruled scent ruled the hearts of men.

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 155
Explanation and Analysis:
Grenouille is sitting in a church in Montpellier after successfully testing his human perfume. He realizes now that he has the power to control people through scent. This passage gets at the underlying premise of the novel: that scent is the most powerful sense of all, and most importantly, that it is inescapable and works subconsciously. This explains both Grenouille's power, as well as the draw of the girl from the rue de Marais and Laure Richis. The girls' scents work subconsciously to make people love them and find them exceptionally beautiful, and Grenouille specifically states that while the girls Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde

Part 3, Chapter 35 Quotes

No, he wanted truly to possess the scent of this girl behind the wall; to peel it from her like skin and to make her scent his own. How that was to be done, he did not know yet. But he had two years in which to learn. Ultimately it ought to be no more difficult than robbing a rare flower of its perfume.

Related Characters: Jean-Baptise Grenouille, Laure Richis
Page Number and Citation: 172
Explanation and Analysis:
Having just arrived in Grasse, Grenouille catches the scent of Laure Richis, whose scent is very similar to that of the girl from the rue de Marais. Grenouille then vows to possess this scent. While this stands primarily as a moment of foreshadowing, it also provides evidence of Grenouille's maturation and scientific mind, as he chooses not to murder Laure and rob her of her scent immediately. Essentially, he conceptualizes his last murder as childish and clumsy, which sets this one up to be significantly more sophisticated. While he doesn't yet know how to truly possess this scent, he's conducted Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debiti

Part 3, Chapter 38 Quotes

What he coveted was the odor of certain human beings: that is, those rare humans who inspire love. These were his victims.

Related Characters: Jean-Baptise Grenouille, Laure Richis, Girl from the rue de Marais
Page Number and Citation: 188
Explanation and Analysis:
The narrator has finished describing Grenouille's process of learning how to take scent from humans, and this final statement sets the stage for Grenouille's future endeavors in working with human scent. Remember that Grenouille's first cry as an infant was a cry for life but against love. Here as an adult, by robbing young girls of their lives and robbing those around them of inspirations of love, Grenouille further brings this relationship between life and love into question. Undeniably, Grenouille doesn't understand love. He never feels it or experiences it. Rather, his misanthropy is what leads him to embark upon Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re

Part 3, Chapter 40 Quotes

The farmer who discovered her was so disconcerted by the gruesome sight that he almost ended up a suspect himself, when in a quivering voice he told the police lieutenant that he had never seen anything so beautiful—when he had really wanted to say that he had never seen anything so awful.

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 194
Explanation and Analysis:
Grenouille has just committed his first murder in Grasse. He murders young girls by clubbing them on the head, and the girls are found naked and with their heads shaved. The farmer's difficulty upon discovering the girl gets at one of the primary devices of the novel, which is exposing the often fragile relationship between beauty and horror. This relationship creates a push and pull effect on the reader throughout the novel, in which one moment the reader is drawn into a description of something fascinating and beautiful, and the next moment is repelled when it takes a turn for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provide

Part 3, Chapter 48 Quotes

He was also disgusted by the murderer. He did not want to regard him as a human being, but only as a victim to be slaughtered.

Related Characters: Antoine Richis, Jean-Baptise Grenouille, Laure Richis
Page Number and Citation: 232
Explanation and Analysis:
Following Laure's murder, Grenouille is arrested, tried, and sentenced to a gruesome death. While Grasse prepares for the execution as if for a festival, in his grief Richis experiences only sadness, failure, and disgust at the murderer. While Richis is developed primarily as one of the "good guys" in the novel, Süskind also draws a number of comparisons between Richis and Grenouille. In this instance, Richis wishes to be able to regard Grenouille in the exact same way that Grenouille thinks of his victims—as something less than human, a creature that needs to die in order to accomplish a goal. D

Part 4, Chapter 51 Quotes

And though his perfume might allow him to appear before the world as a god—if he could not smell himself and thus never know who he was, to hell with it, with the world, with himself, with his perfume.

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 252
Explanation and Analysis:
Grenouille is traveling back to Paris to die after using his perfume in Grasse. His experience in Grasse was supposed to be a fulfilling one in which he experienced immense power and domination over the town's residents, but instead, he finds himself very disillusioned. We see here that while Grenouille wanted some combination of love or hate from his perfume, what he truly wanted was to understand himself. As Grenouille's understanding of the world is so intensely tied up in how he experiences it in terms of scent, Grenouille feels he cannot understand himself unless he can understand how he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne

They were uncommonly proud. For the first time they had done something out of love.

Related Characters: Jean-Baptise Grenouille
Page Number and Citation: 255
Explanation and Analysis:
When Grenouille returns to Paris, he uses the entire bottle of his perfume to commit suicide. The people referenced here, a group of prostitutes and thieves, are suddenly inspired to dismember and eat Grenouille when they smell his perfume. This, then, is final line of the novel, which drives home the importance of Grenouille's relationship to love (and the novel’s perception of love and passion in general). Grenouille never experienced interpersonal love himself, but targeted those individuals who inspired love in others (and whose scent inspired a kind of love in him). Consequentially, the perfume he created from the scents Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque o