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Even though Marjane crafts a very pro-Iran drawing for her test, she draws on Western imagery to do so. This reflects how Marjane is figuring out how to combine her Western sensibilities with those of her home country. At this point, this works for her and makes her feel as though she can build a life in Iran. But Reza might also be correct—it’s impossible to ignore the Iranian rules (like the veil) that Marjane consider repressive.