Phaedrus
by Plato
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Socrates Character Analysis

Socrates (c. 470 B.C.–399 B.C.) was Plato’s teacher and appears as a main character in many of Plato’s dialogues, including Phaedrus. Though he left no writings of his own, he is considered the founder of Western philosophy. He was executed for alleged impiety at the end of his life. In Phaedrus, Socrates is roughly in his 50s, and he has a long conversation about love and rhetoric with the young student Phaedrus. He describes himself as “sick with passion for hearing people speak,” which he refers to as the practice of philosophical dialectic. In this dialogue, he offers one speech parodying Lysias’s views on love, then a longer speech defending love as a type of god-given madness that, rightly channeled, leads to a philosophical life. He also explores the nature of the soul at length and subsequently argues that a thorough knowledge of the soul is indispensable to the science of rhetoric.

Socrates Quotes in Phaedrus

The Phaedrus quotes below are all either spoken by Socrates or refer to Socrates. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Soul’s Struggle for Wisdom Theme Icon
).

227a-230e Quotes

Phaedrus — if I don’t know Phaedrus, I’ve forgotten even who I am. But I do, and I haven’t; I know perfectly well that when he heard Lysias’ speech he did not hear it just once, but repeatedly asked him to go through it for him, and Lysias responded readily. But for Phaedrus not even that was enough, and in the end he borrowed the book and examined the things in it which he was most eager to look at, and doing this he sat from sun-up until he was tired and went for a walk […] knowing the speech quite off by heart, unless it was a rather long one. He was going outside the wall to practice it, when he met the very person who is sick with passion for hearing people speak — and […] he was glad, because he would have a companion in his manic frenzy, and he told him to lead on.

Related Characters: Socrates (speaker), Phaedrus, Lysias
Page Number and Citation: 4
Explanation and Analysis:
At the beginning of Phaedrus, Socrates (probably in his 50s at this time) comes upon young rhetoric student Phaedrus (probably in his 20s), who has just come from hearing famed speechwriter Lysias giving a speech about love. Socrates asks to hear Phaedrus’s rendition of the speech, but Phaedrus somewhat coyly pretends he couldn’t possibly deliver such a great speech well. But Socrates sees through the enthusiastic novice’s “modesty” and knows he’s not only carrying a copy of the speech on his person, but that he’s likely been studying it ceaselessly in an attempt to memorize it. The “person … sick Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

But, Phaedrus, while I think such explanations attractive in other respects, they belong in my view to an over-clever and laborious person who is not altogether fortunate; just because after that he must set the shape of the Centaurs to rights, and again that of the Chimaera, and a mob of such things […] if someone is skeptical about these, and tries with his boorish kind of wisdom to reduce each to what is likely, he’ll need a good deal of leisure. As for me, there’s no way I have leisure for it all, and the reason for it, my friend, is this. I am not yet capable of ‘knowing myself’, in accordance with the Delphic inscription; so it seems absurd to me that while I am still ignorant of this subject I should inquire into things which do not belong to me.

Related Characters: Socrates (speaker), Phaedrus, Lysias
Page Number and Citation: 6
Explanation and Analysis:
As Phaedrus and Socrates walk along the banks of the Ilissus River in search of a place to sit and go over Lysias’s speech, Phaedrus asks whether they are near the spot where the Greek wind-god Boreas kidnapped the legendary princess Oreithuia. He then asks Socrates if, “for goodness’ sake,” he really believes this “fairy-tale” to be true. In response, Socrates shares some explanations he’s heard “wise people” give for this story, such as that Oreithuia was pushed off the rocks by the wind and drowned. But his bigger point is that a “clever” person who takes the time to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

231a-234c Quotes

Yet how is it reasonable to give away such a thing to someone in so unfortunate a condition — one that no person with experience of it would even try to prevent? For the ones who suffer it agree themselves that they are sick rather than in their right mind, and that they know they are out of their mind but cannot control themselves; so how, when they come to their senses, could they approve of the decisions they make when in this condition? Moreover, if you were to choose the best one out of those in love with you, your choice would be only from a few, while if you chose the most suitable to yourself out of everybody else, you would be choosing from many; so that you would have a much greater expectation of chancing on the man worthy of your affection among the many.

Related Characters: Phaedrus (speaker), Lysias (speaker), Socrates
Page Number and Citation: 8
Explanation and Analysis:
This quote comes from Lysias’s speech, read aloud by his admirer Phaedrus, at the beginning of the dialogue. Lysias’s argument is that it’s better to respond to the sexual advances of someone who’s not in love with you than to the advances of someone who is. Lysias’s speech doesn’t follow a logical progression, but at the heart of his argument is the claim that people in love aren’t in their right mind, so it’s foolish to enter a relationship with someone in that state. He also assumes that anyone who experiences this unfortunate condition of “madness” will inevitably return to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

234d-241d Quotes

In everything, my boy, there is one starting-point for those who are going to deliberate successfully: they must know what they are deliberating about, or they will inevitably miss their target altogether. Most people are unaware that they do not know what each thing really is. So then, assuming that they know what it is, they fail to reach agreement about it at the beginning of their enquiry, and, having gone forward on this basis, they pay the penalty one would expect: they agree neither with themselves nor with each other. So let us, you and I, avoid having happen to us what we find fault with in others: since the discussion before you and me is whether one should rather enter into friendship with lover or with non-lover, let us establish an agreed definition of love, about what sort of thing it is and what power it possesses, and look to this as our point of reference while we make our enquiry as to whether it brings help or harm.

Related Characters: Socrates (speaker), Phaedrus, Lysias
Page Number and Citation: 15
Explanation and Analysis:
This quote comes at the beginning of Socrates’s first speech in Phaedrus, which he gives on the spot in response to hearing Lysias’s speech from Phaedrus. From the beginning, it’s important to observe that Socrates’s speech is meant to be a parody of Lysias’s speech. In the lines above, he indirectly critiques what he heard Lysias failing to do at the beginning of his own speech: giving a clear definition of “love” that would have allowed his speech to stay internally consistent, and also ensure that his hearers were on the same page with him and with each other. Socrates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui au

241e-243e Quotes

When I was about to cross the river, my good man, I had that supernatural experience, the sign that I am accustomed to having — on each occasion, you understand, it holds me back from whatever I am about to do — and I seemed to hear a kind of voice from the very spot, forbidding me to leave until I make expiation, because I have committed an offence against what belongs to the gods. Well, I am a seer; not a very good one, but like people who are poor at reading and writing, just good enough for my own purposes; so I already clearly understand what my offence is. For the fact is, my friend, that the soul too is something which has divinatory powers; for something certainly troubled me some while ago as I was making the speech, and I had a certain feeling of unease, as Ibycus says (if I remember rightly), ‘that for offences against the gods, I win renown from all my fellow men’. But now I realize my offence.

Related Characters: Socrates (speaker), Phaedrus, Lysias
Page Number and Citation: 21
Explanation and Analysis:
After Socrates gives his speech in response to Lysias, he prepares to depart from the riverbank where he’s been sitting with Phaedrus. However, he senses some sort of supernatural nudge—he doesn’t make its nature exactly clear—warning him that he’s displeased the gods in some way. He later goes on to explain that, by casting “love” as a form of undesirable madness and thus a bad thing, his speech has been impious. Love is a god, so his speech (and Lysias’s, for that matter) has been slanderous. It’s especially wrong to try to win applause from people by disrespecting the gods, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qu

244a-257b Quotes

[It is not true that] when a lover is there for the having, one should rather grant favors to the one not in love, on the grounds that the first is mad, while the second is sane. That would be rightly said if it were a simple truth that madness is a bad thing; but as it is, the greatest of goods come to us through madness, provided that it is bestowed by divine gift. The prophetess at Delphi, no less, and the priestesses at Dodona do many fine things for Greece when mad, both on a private and on a public level, whereas when sane they achieve little or nothing; and if we speak of the Sibyl and of others who by means of inspired prophecy foretell many things to many people and set them on the right track with respect to the future, we would spin the story out by saying things that are obvious to everyone.

Related Characters: Socrates (speaker), Lysias, Phaedrus
Page Number and Citation: 23
Explanation and Analysis:
Socrates begins his second speech, having received supernatural prompting to better honor the god Love. He starts by straightforwardly refuting what Lysias argued in his speech (that it’s better to gratify someone who’s not in love with you). Lysias built his argument on the assumption that “madness” is a universally bad thing; Socrates dismantles this assumption by distinguishing between different types of madness and asserting that madness caused by the gods is actually a good thing. As examples, he mentions Delphi, where Greeks would go to hear the prophecies of one of the most popular oracles, or sibyls; Dodona was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offic

About its form we must say the following: that what kind of thing it is belongs to a completely and utterly superhuman exposition, and a long one; to say what it resembles requires a lesser one, one within human capacities. So let us speak in the latter way. Let it then resemble the combined power of a winged team of horses and their charioteer. Now in the case of gods, horses and charioteers are all both good themselves and of good stock; whereas in the case of the rest, there is a mixture. In the first place, our driver has charge of a pair; secondly, one of them he finds noble and good, and of similar stock, while the other is of the opposite stock, and opposite in its nature; so that the driving in our case is necessarily difficult and troublesome.

Related Characters: Socrates (speaker), Phaedrus
Related Symbols: The Soul-Chariot’s Horses
Page Number and Citation: 26
Explanation and Analysis:
Here, in his second speech, Socrates is discussing the soul. He says that it’s beyond human capacities to truly describe the soul as it is, but that it’s possible to say something about what the soul resembles. He therefore introduces a myth for this purpose, using the metaphor of a winged chariot that circles the heavens, led by two horses. He explains that gods have “horses” which are unvaryingly excellent, so they enjoy a smooth and pleasant flight; the souls of all other creatures, however, are variable, and the “charioteer” has a much more difficult time keeping them under control. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

This is the life of gods; of the other souls, the one that follows god best and has come to resemble him most raises the head of its charioteer into the region outside and is carried round with the revolution, meanwhile being disturbed by its horses and scarcely seeing the things that are; while another now rises, now sinks, and because of the force exerted by its horses sees some things but not others. The remaining souls follow after them, all straining to reach the place above but unable to do so, and are carried round together under the surface, trampling and jostling one another, each trying to get ahead of the next. So there ensues the greatest confusion among the sweating competitors, and in all of it, through their charioteers’ incompetence, many souls are maimed, and many have their wings all broken; all of them with great labor depart without achieving a sight of what is, and afterwards feed on what only appears to nourish them.

Related Characters: Socrates (speaker), Phaedrus
Related Symbols: The Soul-Chariot’s Horses
Page Number and Citation: 28
Explanation and Analysis:
Developing his myth of the charioteer with its horses as a metaphor for the soul, Socrates explains why most people’s souls fall back to earth and don’t gain a sight of the heavenly realities beyond the rim of heaven. Those souls who follow the most “godly” course in life (among them philosophers, as Socrates later explains) do manage to peek beyond the heavens, but even they must pilot their straining horses, so they aren’t able to take in very much. Those whose bad horse is even more unruly are repeatedly yanked back toward the earth, meaning that their view of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut a

When the agreed time comes, and they pretend not to remember, it reminds them; struggling, neighing, pulling, it forces them to approach the beloved again to make the same proposition, and as soon as they are close to him, head down and tail outstretched, teeth clamped on its bit, it pulls shamelessly; but the same thing happens to the charioteer as before, only even more violently, as he falls back as if from a starting barrier; still more violently, he wrenches the bit back and forces it from the teeth of the horse of excess, spattering its evil-speaking tongue and its jaws with blood and, thrusting its legs and haunches to the ground […] When the bad horse has had the same thing happen to it repeatedly and it ceases from its excess, now humbled it allows the charioteer with his foresight to lead, and when it sees the boy in his beauty, it nearly dies of fright; and the result is that then the soul of the lover follows the beloved in reverence and awe.

Related Characters: Socrates (speaker), Phaedrus
Related Symbols: The Soul-Chariot’s Horses
Page Number and Citation: 36
Explanation and Analysis:
In this quote, still in the midst of Socrates’s second speech, Socrates explains the process of “taming” one’s unruly “horse” in the context of a relationship with a lover. He says that even if one makes an “agreement” with one’s bad horse (representative of one’s sexual appetites) that they’ll submit to the good horse (restraint), this goes out the window when the beloved shows up. He offers a vivid picture of the bloody, strenuous efforts involved; the charioteer must yank the horse relentlessly to keep it in check. Once this has happened enough times, the horse is gradually subdued; it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Un

And then, well, if the better elements of their minds get the upper hand by drawing them to a well-ordered life, and to philosophy, they pass their life here in blessedness and harmony, masters of themselves and orderly in their behavior, having enslaved that part through which badness attempted to enter the soul and having freed that part through which goodness enters; and when they die they become winged and light, and have won one of their three submissions in these, the true Olympic games - and neither human sanity nor divine madness has any greater good to offer a man than this. But if they live a coarser way of life, devoted not to wisdom but to honor, then perhaps, I suppose, when they are drinking or in some other moment of carelessness, the licentious horses in the two of them catch them off their guard, bring them together and make that choice which is called blessed by the many, and carry it through…

Related Characters: Socrates (speaker), Phaedrus
Related Symbols: The Soul-Chariot’s Horses
Page Number and Citation: 37
Explanation and Analysis:
Here Socrates is beginning to wrap up his second speech on love. He continues to expound on the blessings enjoyed by those who, helped by sexual restraint, achieve a philosophical life. Not only do they enjoy a more harmonious life on earth, but their souls also become winged, able to fly to heaven once again. The term “three submissions” is a wrestling reference, comparing the soul-struggle with Olympic competition—once a soul has succeeded in mastering itself for three lifetimes in a row, according to Plato’s thought, it’s liberated forever and need never be weighted down by a body again. When Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut al

These are the blessings, my boy, so great as to be counted divine, that will come to you from the friendship of a lover, in the way I have described; whereas the acquaintance of the one not in love, which is diluted with a merely mortal good sense, dispensing miserly benefits of a mortal kind, engenders in the soul that is the object of its attachment a meanness that, though praised by the many as a virtue, will cause it to wallow mindlessly around the earth and under the earth for nine thousand years.

Related Characters: Socrates (speaker), Phaedrus, Lysias
Page Number and Citation: 38
Explanation and Analysis:
Here Socrates brings his speech praising love to a close by comparing the friendship of a lover with the acquaintance of one who isn’t in love. He’s just finished explaining some of the glorious benefits that come from a relationship with a lover—especially the chance to train one’s soul philosophically in the hope of regaining fellowship with the gods. Notably, such a relationship does not include sex, no matter how much the two partners may have had to struggle with deep desire for one another. Such a friendship inevitably looks strange in the eyes of the world. In contrast, a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Reru

257c-274a Quotes

Socrates: Well then, for things that are going to be said well, and beautifully, mustn’t there be knowledge in the mind of the speaker of the truth about whatever he means to speak of?

Phaedrus: What I have heard about this, my dear Socrates, is that there is no necessity for the man who means to be an orator to understand what is really just but only what would appear so to the majority of those who will give judgement; and not what is really good or beautiful but whatever will appear so; because persuasion comes from that and not from the truth.

Related Characters: Phaedrus (speaker), Socrates (speaker)
Page Number and Citation: 42
Explanation and Analysis:
At this point in Phaedrus, the action shifts from speeches on love to what has been Socrates’s overriding concern—what makes for good speaking versus bad. He engages in a dialogue with Phaedrus on the subject, hoping to guide the enthusiastic young man beyond his superficial fondness for flashy oratory toward a more profound understanding of how rhetoric works. Socrates suggests that in order to speak well, one must know the truth of his subject; however, Phaedrus contends that truth is secondary—it’s more important that the speaker be persuasive, making his points appear beautiful, regardless of whether they’re good and beautiful Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor aspe

Socrates: …[I]t would be [ridiculous] when I tried in earnest to persuade you by putting together a speech in praise of the donkey, labelling it a horse and saying that the beast would be an invaluable acquisition both at home and on active service, useful to fight from and capable too of carrying baggage, and good for many other purposes.

Phaedrus: Then it would be thoroughly ridiculous.

Socrates: Well then, isn’t it better to be ridiculous and a friend than to be clever and an enemy? […] So when an expert in rhetoric who is ignorant of good and bad finds a city in the same condition and tries to persuade it, by making his eulogy not about a miserable donkey as if it were a horse but about what is bad as if it were good, and — having applied himself to what the masses think — actually persuades the city to do something bad instead of good, what sort of harvest do you think rhetoric reaps after that from the seed it sowed?

Related Characters: Socrates (speaker), Phaedrus (speaker)
Related Symbols: The Soul-Chariot’s Horses
Page Number and Citation: 42
Explanation and Analysis:
As Socrates and Phaedrus continue their conversation about what constitutes good rhetoric, Socrates puts forward a silly scenario as an example. If, out of ignorance, he made a persuasive speech recommending a donkey as an excellent animal of war, the outcome would be merely ridiculous. However, if a rhetorically savvy speaker who’s ignorant of the truth tries to persuade a likewise ignorant populace to do something bad, then the outcome could be far worse. Through this exchange, Socrates argues that speaking that isn’t firmly grounded in the truth isn’t simply harmless. Speech is always meant to achieve some sort of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

Socrates: Isn’t this sort of thing, at least, clear to anyone: that we’re of one mind about some things like this, and at odds about others? […] When someone utters the name of iron, or of silver, don’t we all have the same thing in mind?

Phaedrus: Absolutely.

Socrates: What about the names of just, or good? Doesn’t one of us go off in one direction, another in another, so that we disagree both with each other and with ourselves? […] So in which of the two cases are we easier to deceive, and in which does rhetoric have the greater power?

Phaedrus: Clearly in those cases where we go off in different directions.

Socrates: So the one who means to pursue a science of rhetoric must first have divided these up methodically and grasped some mark which distinguishes each of the two kinds, those in which most people are bound to tread uncertainly, and those in which they are not.

Related Characters: Phaedrus (speaker), Socrates (speaker)
Page Number and Citation: 46
Explanation and Analysis:
Socrates and Phaedrus continue their discussion of rhetoric. Socrates is trying to help Phaedrus understand the importance of clearly defining one’s terms at the beginning of a speech. There are certain terms that nearly anyone will understand—concrete things like iron or silver that evoke a particular image in people’s minds. However, when one takes up more abstract subjects such as justice, goodness, or love, much greater care must be taken. That’s because such subjects don’t bring up concrete images in most people’s imaginations, and the speaker can’t assume that his listeners’ understanding is the same as his own (or as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut

Now I am myself, Phaedrus, a lover of these divisions and collections, so that I may be able both to speak and to think; and if I find anyone else who I think has the natural capacity to look to one and to many, I pursue him ‘in his footsteps, behind him, as if he were a god’. And the name I give those who can do this - whether it’s the right one or not, god knows, but at any rate up till now I have called them ‘experts in dialectic’.

Related Characters: Socrates (speaker), Phaedrus (speaker)
Page Number and Citation: 51
Explanation and Analysis:
Socrates has been explaining to Phaedrus the importance of properly gathering and dividing different concepts in order to establish a clear beginning in one’s speech. For example, in his second speech, he took care to divide up the topic of madness appropriately (into human and divine categories) so that his audience would clearly understand what he meant by the term, and be able to follow his argument that divine madness is good. Now Socrates explains that this practice of collecting and dividing is nothing other than dialectic—the process, through step by step questioning of an interlocutor, of seeking the truth. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

The method of the science of medicine is, I suppose, the same as that of the science of rhetoric. […] In both sciences it is necessary to determine the nature of something, in the one science the nature of body, in the other the nature of soul, if you are to proceed scientifically, and not merely by knack and experience, to produce health and strength in the one by applying medicines and diet to it, and to pass on to the other whatever conviction you wish, along with excellence, by applying words and practices in conformance with law and custom.

Related Characters: Socrates (speaker), Phaedrus (speaker)
Page Number and Citation: 56
Explanation and Analysis:
Socrates and Phaedrus have been discussing the topic of rhetoric. They’ve just finished listing some of the great Greek orators, like Gorgias and Tisias, and the components of crafting a speech as presented in conventional rhetorical handbooks—pieces like the preamble, exposition, proofs, and recapitulation. They’ve also discussed how important it is for the orator to have a thorough understanding of the soul before proceeding to speak in public; without this, he’s no better than a medical quack who passes himself off as a doctor while knowing only a handful of remedies. Wrapping up their discussion, Socrates draws a parallel between Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Veli

274b-279c Quotes

You, as the father of letters, have been led by your affection for them to describe them as having the opposite of their real effect. For your invention will produce forgetfulness in the souls of those who have learned it, through lack of practice at using their memory, as through reliance on writing they are reminded from outside by alien marks, not from within themselves by themselves. So you have discovered an elixir not of memory but of reminding. To your students you give an appearance of wisdom, not the reality of it; thanks to you, they will hear many things without being taught them, and will appear to know much when for the most part they know nothing, and they will be difficult to get along with because they have acquired the appearance of wisdom instead of wisdom itself.

Related Characters: Socrates (speaker), Thamus (speaker), Theuth, Phaedrus
Page Number and Citation: 62
Explanation and Analysis:
This quote comes in the final section of Phaedrus, when Socrates and Phaedrus discuss the appropriateness of writing, particularly writing speeches. By way of illustration, Socrates offers the tale of an Egyptian god, Theuth (Thoth) who is said to have discovered letters. When he presents this exciting new technology to King Thamus, he claims that writing will be the perfect memory aid for people. But Thamus, as quoted above, tells him he’s overestimated the potential of letters. When people come to rely on writing, he claims, they won’t truly remember things, rooting them in their minds; instead, they’ll just refer Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

Yes, Phaedrus, because I think writing has this strange feature, which makes it truly like painting. The offspring of painting stand there as if alive, but if you ask them something, they preserve a quite solemn silence. Similarly with written words: you might think that they spoke as if they had some thought in their heads, but if you ever ask them about any of the things they say out of a desire to learn, they point to just one thing, the same each time. And then once it is written, every composition trundles about everywhere in the same way, in the presence both of those who know about the subject and of those who have nothing at all to do with it, and it does not know how to address those it should address and not those it should not. When it is ill-treated and unjustly abused, it always needs its father to help it; for it is incapable of either defending or helping itself.

Related Characters: Socrates (speaker), Phaedrus
Page Number and Citation: 63
Explanation and Analysis:
As Phaedrus and Socrates continue their discussion of writing, Socrates turns from the fable of Theuth and Thamus and shares his own reflections on the limitations of this practice. He compares it to painting, which conveys the appearance of living beings. If one tries to speak to a painting in the hope of learning something, however, he’s quickly disappointed; the figures maintain an eternal silence. Similarly, written words convey an impression of wisdom, but they can’t be questioned or directly interacted with in any way—they just “trundle about.” The problem with this, from a Socratic perspective, is that learning takes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Pos

But I think it is far finer if one is in earnest about those subjects: when one makes use of the science of dialectic and, taking a fitting soul, plants and sows in it words accompanied by knowledge, which are sufficient to help themselves and the one who planted them, and are not without fruit but contain a seed from which others grow in other soils, capable of rendering that seed forever immortal, and making the one who has it as happy as it is possible for a man to be.

Related Characters: Socrates (speaker), Phaedrus
Page Number and Citation: 65
Explanation and Analysis:
As their discussion of writing comes to a close, Socrates has just told Phaedrus that he thinks of writing as more of an amusing indulgence than a serious pursuit—something that people might use to store up reminders for themselves in old age, but not something that’s really beneficial to anyone outside of the self. On the other hand, he asserts that dialectic is the appropriate method by which to deal with serious subjects. That’s because it can be “planted” and “sown” within the soul of the person who’s best fitted to receive the knowledge of the farmer, or teacher. Unlike Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volup

Until a person knows the truth about each of the things about which he speaks or writes, and becomes capable of defining the whole by itself, and, having defined it, knows how to cut it up again according to its forms until it can no longer be cut; and until he has reached an understanding of the nature of soul along the same lines, discovering the form of speech that fits each nature, and so arranges and orders what he says, offering a complex soul complex speeches containing all the modes, and simple speeches to a simple soul: not until then will he be capable of pursuing the making of speeches as a whole in a scientific way, to the degree that its nature allows, whether for the purposes of teaching or for those of persuading either, as the whole of our previous argument has indicated.

Related Characters: Socrates (speaker), Phaedrus
Page Number and Citation: 65
Explanation and Analysis:
At the conclusion of the dialogue, Phaedrus asks Socrates to remind him of what they’ve discussed together that day, and Socrates offers the above summary in response. In short, to be able to speak or write well, one must be able to define one’s subject and divide it appropriately; understand human souls in general and the types of speeches best suited to each type of soul; and gather all of this together in a scientific theory and practice. In other words, Plato shows, through Socrates, that the art of rhetoric is really a subspecies of philosophy. Through its unusual structure, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem ac
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Socrates Character Timeline in Phaedrus

The timeline below shows where the character Socrates appears in Phaedrus. The colored dots and icons indicate which themes are associated with that appearance.
227a-230e
The Soul’s Struggle for Wisdom Theme Icon
Rhetoric and Philosophy Theme Icon
Socrates comes upon Phaedrus outside the city walls of Athens. He asks his young friend, “Where... (full context)
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Socrates asks if Lysias had been “feasting you all with his speeches.” Phaedrus says that it... (full context)
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With a heavy dose of sarcasm, Socrates remarks that Lysias’s speech sounds admirable, and that if only he were arguing in favor... (full context)
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The Limits of Writing Theme Icon
Socrates retorts that if he knows Phaedrus at all, Phaedrus asked to hear Lysias’s speech not... (full context)
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Phaedrus agrees to run through the speech, but Socrates asks to see what’s hidden under Phaedrus’s cloak. It’s a copy of the speech, as... (full context)
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Socrates and Phaedrus find a shady spot on the riverbank where they can sit and read... (full context)
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When Socrates speaks poetically of the beauties of the spot, Phaedrus remarks that Socrates is an extraordinary... (full context)
231a-234c
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Phaedrus reads Lysias’s speech to Socrates. Lysias begins by claiming that he will not “fail to achieve the things I ask... (full context)
234d-241d
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Phaedrus finishes reading Lysias’s speech and asks Socrates what he thought of it. Socrates replies that he was “beside himself” listening to the... (full context)
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Phaedrus says that Socrates is “talking nonsense,” and that Lysias’s speech lacked nothing worth saying on the subject. Though... (full context)
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Socrates calls upon the Muses for help with his speech. He opens by telling the story... (full context)
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Socrates quotes the imaginary lover as saying that most people fail to establish the subject of... (full context)
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Socrates explains that, in order to distinguish between a man who’s in love and one who... (full context)
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In a brief aside, Socrates asks Phaedrus if he thinks that Socrates, too, is under divine inspiration. Phaedrus agrees that... (full context)
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An excessive lover, Socrates goes on, will even keep his beloved in a weak physical condition and try to... (full context)
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...falls out of love and returns to his senses, leaving his “previous mindless regime,” says Socrates, the indignant boyfriend will realize that his lover doesn’t intend to make good on his... (full context)
241e-243e
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Socrates explains that there’s no need for a lengthy speech lauding the opposite characteristics from those... (full context)
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Socrates then tells Phaedrus he will have to make another speech. He explains that as he... (full context)
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Phaedrus asks in surprise what offense Socrates could have committed, and Socrates reminds him that Love is a god, the son of... (full context)
244a-257b
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Socrates begins his second speech. He opens by saying that it isn’t true that “one should... (full context)
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Socrates explains that the prophetess at Delphi, for instance, can only serve Greece when she’s mad,... (full context)
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...help lover and beloved.” This kind of madness brings about the greatest good fortune, and, Socrates adds, “the proof will be disbelieved by the clever, believed by the wise.” In order... (full context)
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Socrates asserts that “all soul is immortal.” He explains that souls never stop moving, are not... (full context)
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Socrates says that explaining what kind of thing the soul is would be far too difficult... (full context)
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Socrates goes on to explain why some creatures are mortal and some immortal. He says that... (full context)
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Socrates explains that when the gods travel to the summit of heaven, they have an easy... (full context)
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Mortal souls that best follow the gods, continues Socrates, manage to control their horses just well enough to catch a glimpse of heavenly reality.... (full context)
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Socrates explains that the soul that is able to glimpse the most during its journey gets... (full context)
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Socrates explains that the reason a philosopher’s thought more easily becomes “winged” is because, through memory,... (full context)
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Socrates sums up this final and best kind of madness as “the madness of the man... (full context)
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Socrates elaborates that when souls received their “final initiation” in the heavens, they saw simple, unchanging... (full context)
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Depending on which god a lover followed in his travels among the heavens, Socrates explains, he will tend to seek out and encourage similar characteristics in a beloved—for instance,... (full context)
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Socrates next returns to the image of the good and bad horse and describes their respective... (full context)
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...lover, he will be overawed by the goodwill of his “divinely possessed” new friend. Gradually, Socrates says, the wings of both lover and beloved are nourished by the beauty each sees... (full context)
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Socrates concludes his speech by again contrasting the divine blessings that accompany friendship with a lover... (full context)
257c-274a
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Phaedrus praises Socrates’s speech and admits that Lysias now appears “wretched” to him by comparison. He muses that... (full context)
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Socrates asserts that writing speeches itself isn’t to be considered shameful, but speaking and writing poorly... (full context)
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Socrates asks whether, if something is going to be said well and beautifully, it’s necessary that... (full context)
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Socrates gives an example, imagining a scenario where Socrates wanted to persuade Phaedrus to defend himself... (full context)
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Wanting to establish the point that a ridiculous friend is better than a clever enemy, Socrates gives another scenario—that of a rhetorical expert, knowing nothing of good and bad, who finds... (full context)
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Socrates then moves to the argument that “unless [Phaedrus] engages in philosophy sufficiently well, neither will... (full context)
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Socrates and Phaedrus decide to examine Lysias’s speech and Socrates’s own, in order to see whether... (full context)
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Socrates stops Phaedrus after he’s read a few lines. He points out that, when people use... (full context)
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Phaedrus and Socrates agree that “love” is a more abstract, uncertain type of thing, and Phaedrus aptly points... (full context)
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After Phaedrus reads the beginning of Lysias’s speech again, Socrates points out that Lysias didn’t even “begin from the beginning,” but tried “to swim through... (full context)
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In contrast to Lysias’s speech, Socrates points out how he began his second speech by first distinguishing between human and divinely... (full context)
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Socrates and Phaedrus talk for a while about the various components of a proper speech, according... (full context)
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Socrates explains that, just as it’s important in the science of medicine to understand the nature... (full context)
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Socrates says that a rhetorician must understand the various types of souls and how various types... (full context)
274b-279c
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Socrates says that they must finally turn to the subject of “propriety and impropriety in writing.”... (full context)
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Socrates continues the story: King Thamus told Theuth that Theuth’s affection for letters had led him... (full context)
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Socrates and Phaedrus talk about this story and its implications. Socrates remarks that writing has a... (full context)
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Socrates says there’s a better kind of speech—that which is “written together with knowledge in the... (full context)
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Socrates compares the science of dialectic to farming—it takes “a fitting soul, plants and sows in... (full context)
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As Socrates and Phaedrus wrap up their conversation, Socrates remarks that he thinks Isocrates will turn out... (full context)