Picnic at Hanging Rock
by Joan Lindsay

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Nature, Repression, and Colonialism Theme Analysis

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Nature, Repression, and Colonialism Theme Icon
Nature, Repression, and Colonialism Theme Icon

The titular setting of Picnic at Hanging Rock is also its central symbol, and the locus of one of its most important themes. Hanging Rock is a volcanic formation in Victoria, Australia which was, for tens of thousands of years, a sacred meeting-place for several Aboriginal tribes. It is enormous, remote, and—in spite of the picnic grounds and privies which have sprung up at its base to make tourists more comfortable—a place of wild, untamed terrain. When three schoolgirls and their governess go missing during an excursion to the rock, the local community—which has long viewed the rock as a serene place to gather, eat, read, and laze—must reckon with the rock itself, (and the larger Australian countryside around it) as an imposing, dangerous, and perhaps even vengeful presence. As the novel progresses, Lindsay shows how the forces of British colonialism have sought to repress, contain, and even obliterate nature. By linking colonialism’s cruelty toward Aboriginal Australian people and natural wonders to the forces of repression which colonial society enacts upon young, white females (like those who go missing at the rock), Lindsay argues that there is a powerful connection among the forces of nature, colonialism, and repression. 

Throughout Picnic at Hanging Rock, Joan Lindsay shows how three central forces—nature, repression, and colonialism—feed on and grow from one another, creating a vicious cycle of misery, violence, and fear. Nature in the world of Picnic at Hanging Rock is a peculiar thing. Though the characters in the novel live in the midst of the untamed (and perhaps untamable) bush, they are all largely removed both physically and emotionally from any meaningful interaction with the natural world around them. The Appleyard College schoolgirls are, on Saint Valentine’s Day of 1900, brought on a picnic to Hanging Rock but are discouraged from exploring or climbing the rock itself. They’re repeatedly warned of how dangerous it is, yet they are told little of its history or sacred significance. The girls are permitted only on the picnic grounds—and even there, they’re watched closely by their governesses. The girls’ stilted, controlled relationship to the natural world represents underlying colonialist anxieties about the power of nature. Aware of the sacred, symbolic significance of landmarks like Hanging Rock, British settlers seek to tame and sanitize these places. The attempt to wrangle and control nature thus ties in with the force of repression—not just of the natural world, but of human nature, history, and sexuality.

Lindsay implies that repression is a byproduct of colonialism. The impulse to sanitize, tame, and control nature as a means of asserting a society’s dominance over a certain region or native group, she suggests, also influences how that society treats its own. The schoolgirls at the center of the novel are controlled day and night by their strict headmistress, Mrs. Appleyard, and their many teachers and governesses. The girls must wear gloves, hats, and corsets even in miserable heat; they are strapped to posture-correcting boards as punishment for slumping; their meals, friendships, and conversations are monitored nonstop. All of this is done in the name of the girls’ presentability, to be sure, but their strict minding is also perpetuated in the name of maintaining their safety. The ways in which the Appleyard girls are repressed, controlled, and cordoned off from the world around them is, of course, nowhere near comparable to the brutality, violence, and abject cruelty perpetrated against the Aboriginal Australians the society in which these girls live has displaced. Lindsay, however, uses the girls to suggest that colonialism is a brutal and hungry force which requires not just the oppression of those it supplants, but the repression of those it claims to benefit, in order to function.

Colonialism is the engine behind the forces of repression and control which, throughout the novel, oppress and minimize both the natural world and the individuals who have populated it in the past and the present alike. While the Aboriginal Australian individuals who have been removed from their ancestral land to make room for the colonial society that has sprung up around Hanging Rock and Mount Macedon are never seen in the novel, Lindsay implies that the very techniques of obliteration and oppression meant to make their lands habitable and safe for the white settler population have, in fact, doomed the most vulnerable members of that new population. Whether the mystical properties found up on Hanging Rock—a sacred Aboriginal Australian site that has now become little more than a tourist attraction—is itself somehow responsible for the pattern of death, destruction, and loss which unfolds throughout the novel is unclear. What is clear, however, is that Lindsay, in making the rock the novel’s central setting and symbol, is suggesting that the forces of colonialism are not absolute in power. Whether by some mystic force of retribution enacted by nature itself, by the rebellion of a colonialist society’s repressed and frustrated members, or simply by the inherent failures of a system predicated on such desperation for total control, Lindsay argues that just as the tragedy of Hanging Rock comes to loom over those who live around it like a shadow, so too will the unignorable atrocities of colonialism soon come to obscure everything in their path.

By drawing attention to the ways in which the forces of nature, repression, and colonialism intersect and interact, Lindsay ultimately suggests that any society built on the erasure and subjugation of the peoples, histories, and places that preceded it will fail, falling victim to its own rhetorical and ideological traps. The eerie exodus of schoolgirls up onto the peaks of Hanging Rock—and their subsequent disappearance—serves as a complex metaphor for the irresistible pull of nature, the impossibility of repressing curiosity and sexuality, and the unstable foundation created by colonialist methods of world-building.

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Nature, Repression, and Colonialism ThemeTracker

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Nature, Repression, and Colonialism Quotes in Picnic at Hanging Rock

Below you will find the important quotes in Picnic at Hanging Rock related to the theme of Nature, Repression, and Colonialism.

Chapter 1 Quotes

Whether the Headmistress of Appleyard College […] had any previous experience in the educational field, was never divulged. It was unnecessary. With her high-piled greying pompadour and ample bosom, as rigidly controlled and disciplined as her private ambitions, the cameo portrait of her late husband flat on her respectable chest, the stately stranger looked precisely what the parents expected of an English Headmistress. And as looking the part is well known to be more than half the battle…

Related Characters: Mrs. Appleyard
Page Number and Citation: 3
Explanation and Analysis:
In the opening pages of Picnic at Hanging Rock, Joan Lindsay introduces the novel’s central character (and biggest enigma,) Mrs. Appleyard. The strict headmistress of Appleyard College—an academic institution for young ladies located in the rural Victoria countryside—is a buttoned-up and closed-mouthed widow whose mysterious past remains unclear to everyone around her. This passage suggests that Mrs. Appleyard actively wants to remain unknowable to her colleagues and students—she knows that as long as she “look[s] the part,” no one will poke into her past or disturb her for details about her life and qualifications. Mrs. Appleyard’s obsession with control—over her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferen

“I have instructed Mademoiselle that as the day is likely to be warm, you may remove your gloves after the drag has passed through Woodend. You will partake of luncheon at the Picnic Grounds near the Rock. Once again let me remind you that the Rock itself is extremely dangerous and you are therefore forbidden to engage in any tomboy foolishness in the matter of exploration, even on the lower slopes. […] I think that is all. Have a pleasant day and try to behave yourselves in a manner to bring credit to the College.”

Related Characters: Mrs. Appleyard (speaker), Mademoiselle Dianne de Poitiers
Related Symbols: Hanging Rock
Related Literary Devices:
Page Number and Citation: 7
Explanation and Analysis:
In this passage, as Mrs. Appleyard prepares to send her boarders off for an afternoon picnic at Hanging Rock—a nearby volcanic formation which has become a tourist attraction—she instructs them as to how they should conduct themselves while away from the school grounds for the afternoon. She hopes to control not just their behavior but their appearances as well, reminding them that they are not to remove their gloves until they have passed through the last town in the area and entered the wilderness. Even out in the bush, however, the girls are not permitted to relax physically or behaviorally Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptat

Chapter 2 Quotes

Insulated from natural contacts with earth, air and sunlight, by corsets pressing on the solar plexus, by voluminous petticoats, cotton stockings and kid boots, the drowsy well-fed girls lounging in the shade were no more a part of their environment than figures in a photograph album, arbitrarily posed against a backcloth of cork rocks and cardboard trees.

Related Symbols: Hanging Rock
Page Number and Citation: 16
Explanation and Analysis:
This lyrical and descriptive passage offers a glimpse of the Appleyard College girls’ picnic at Hanging Rock. Even out in the bush, enjoying an afternoon at the base of one of Victoria’s most immense and impressive natural wonders, the girls are “insulated” from the nature all around them. The trappings of their outfits press against their bodies, constant reminders of the ways in which the girls are expected to essentially ignore their surroundings and focus on behaving like proper ladies. The girls are not even close to being a “part of their environment”—the repressive forces of the social graces necessitated Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. V

If Albert was right and they were only schoolgirls about the same age as his sisters in England, how was it they were allowed to set out alone, at the end of a summer afternoon? He reminded himself that he was in Australia now: Australia, where anything might happen. In England everything had been done before: quite often by one’s own ancestors, over and over again. He sat down on a fallen log, heard Albert calling him through the trees, and knew that this was the country where he, Michael Fitzhubert, was going to live.

Related Characters: Michael (Mike) Fitzhubert, Miranda, Marion Quade, Irma Leopold, Edith Horton
Related Symbols: Hanging Rock
Page Number and Citation: 23-24
Explanation and Analysis:
In this passage, Michael Fitzhubert—a young Englishman visiting his wealthy aunt and uncle at their summer home in Mount Macedon—watches the four Appleyard College girls leap over the creek near where he and his family are picnicking in order to ascend Hanging Rock. Michael is surprised that the girls have been allowed to wander off on their own. This shows that Michael, a member of the same wealthy, mannered social class as the girls before him, is intimately aware of the repressive society rules enforced both in his home of England and in Australia. Mike, however, is new to this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

Chapter 3 Quotes

“I feel perfectly awful! When are we going home?” Miranda was looking at her so strangely, almost as if she wasn’t seeing her. When Edith repeated the question more loudly, she simply turned her back and began walking away up the rise, the other two following a little way behind. Well, hardly walking —sliding over the stones on their bare feet as if they were on a drawing-room carpet… […] “Come back, all of you! Don’t go up there – come back!” She felt herself choking and tore at her frilled lace collar. […] To her horror all three girls were fast moving out of sight behind the monolith.

Related Characters: Edith Horton (speaker), Miranda, Marion Quade, Irma Leopold
Related Symbols: Hanging Rock
Page Number and Citation: 32
Explanation and Analysis:
As four girls from Appleyard College—Miranda, Marion, Irma, and the ungainly Edith, who has tagged along with them—climb higher and higher up Hanging Rock, the rock itself seems to exert strange, supernatural forces upon the girls. They become tired and dizzy and frequently stop to rest and nap; once terrified of nature, they allow insects and amphibians to crawl all over them as they doze. In this passage, Edith awakes from a nap to find that her schoolmates are headed trancelike up the mountain. She tries to stop them, but they seem almost possessed as they “glide” forward away from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus po

Chapter 5 Quotes

The Headmistress, after a night passed in staring at the wall of her bedroom interminably whitening to the new day, was on deck at her usual hour with not a hair of the pompadour out of place. Her first concern this morning was to ensure that nothing of yesterday’s happenings should be so much as whispered beyond the College walls.

Related Characters: Mrs. Appleyard (speaker)
Related Symbols: Hanging Rock
Page Number and Citation: 43
Explanation and Analysis:
This passage, which unfolds in the early morning hours just after Mrs. Appleyard receives the news about the disappearances of three schoolgirls and one governess at Hanging Rock, demonstrates the drive to control the narrative around the mystery which will motivate Mrs. Appleyard for the rest of the novel. Mrs. Appleyard is haunted by the news of what’s happened—but her immediate concern, as this passage shows, is not necessarily for the wellbeing of her colleague or the charges who have been lost. Mrs. Appleyard, rather, is “first[ly] concern[ed]” with how to control those still at the college and ensure they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asper

For three consecutive mornings the Australian public had been devouring, along with its bacon and eggs, the luscious details of the College Mystery as it was now known to the Press. Although no further information had been unearthed and nothing resembling a clue, […] the public must be fed. To this end, some additional spice had been added to Wednesday’s columns’ photographs of the Hon. Michael’s ances­tral home, Haddingham Hall […] and of course Irma Leopold’s beauty and reputed millions on coming of age.

Related Characters: Michael (Mike) Fitzhubert, Irma Leopold
Related Symbols: Hanging Rock
Page Number and Citation: 52
Explanation and Analysis:
This passage demonstrates Joan Lindsay’s disdain for both the unstoppable mechanism that is the dreaded “Press” and the insatiable mob that is the ravenous public. One of the major themes in the novel is that of scandal and gossip—as the “College Mystery” generates intrigue, mystery, and horror throughout the small rural community that has sprung up around Mount Macedon and the surrounding areas, it becomes irresistible fodder for the upper and working classes alike. Mrs. Appleyard’s disdain for this machine mirrors Lindsay’s—but Mrs. Appleyard’s particular hatred of the press is entwined with her desire to control the narrative around the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperi

Chapter 6 Quotes

“All my life I’ve been doing things because other people said they were the right things to do. This time I’m going to do something because I say so —even if you and everyone else thinks I’m mad.”

Related Characters: Michael (Mike) Fitzhubert (speaker), Albert Crundall
Related Symbols: Hanging Rock
Page Number and Citation: 66
Explanation and Analysis:
In this passage, Michael Fitzhubert attempts to cajole his friend (and his family’s hired coachman) Albert Crundall into joining him on an independent search of Hanging Rock. This passage reveals Michael’s intimate connection to several of the novel’s major themes. Michael, who has had an upper-class upbringing in England, speaks in this passage of the feelings of repression and confinement he’s struggled with all his life. Though Michael’s upbringing is a picnic compared to Albert’s rough coming-of-age in a dilapidated orphanage, Mike (as he prefers to be called) does struggle with very real feelings of being minimized, controlled, and influenced Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae vol

Chapter 7 Quotes

The road wound its charming leisurely way between sleeping gardens still heavy with dew and shadowed by the upper moun­tain slopes. Swathes of virgin forest ran right down to an immaculate tennis lawn, an orchard, a row of raspberry canes. […] Mike was enchanted by this strangely favoured country where palms, delphiniums and raspberry canes grew side by side.

Related Characters: Michael (Mike) Fitzhubert
Page Number and Citation: 72-73
Explanation and Analysis:
As Mike and Albert set off on their clandestine journey to Hanging Rock to undertake their own search for the missing Appleyard College girls, they pass, at dawn, through the just-waking neighborhood surrounding Mike’s aunt and uncle’s summer estate. Mike notices as he rides on that the “immaculate” neighborhood, dotted by tennis lawns and carefully pruned orchards, brushes up against the tangling “virgin forest” of the Australian bush. This passage speaks to the ways in which repression and colonialism attempt to wrangle nature to fit their pristine standards—and the ways in which those forces often fail to properly obscure or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperi

He laid his head on a stone and fell instantly into the thin ragged sleep of exhaustion, waking with a sudden stab of pain over one eye. A trickle of blood was oozing on to the pillow. The pillow was as hard and sharp as a stone under his burning head. […] At first he thought it was the sound of birds in the oak tree outside his window. […] It seemed to be coming from all round him —a low word­less murmur, almost like the murmur of distant voices, with now and then a sort of trilling that might have been little spurts of laughter.

Related Characters: Michael (Mike) Fitzhubert
Related Symbols: Hanging Rock
Page Number and Citation: 81
Explanation and Analysis:
In this passage, Mike falls asleep while journeying up the rock in search of the missing Appleyard College girls. Just as the girls felt sleepy and unable to resist napping on their own ascent, Mike falls suddenly into a deep, disorienting sleep. When he comes to, there is a deep gash on his head which trickles blood—evidence, seemingly, that while Mike has been perceiving himself to be “asleep,” he has either been attacked or has injured himself while falling prey to powerful forces beyond his control. This dark, disorienting passage adds to the air of mystery concerning what forces Hanging Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Chapter 8 Quotes

Greatly to Mrs. Cutler’s surprise the lamb had been brought in just as she had been lying on the Rock, without a corset. A modest woman, for whom the word corset was never uttered by a lady in the presence of a gent, she had made no comment to the doctor […] Thus the valuable clue of the missing corset was never followed up nor communicated to the police. Nor to the inmates of Appleyard College where Irma Leopold, well known for her fastidious taste […] had been seen by several of her classmates, on the morning of [the picnic] wearing a pair of long, lightly boned, French satin stays.

Related Characters: Mrs. Cutler , Irma Leopold
Page Number and Citation: 95-96
Explanation and Analysis:
When Irma Leopold is found alive on Hanging Rock, Albert Crundall and a local doctor and policeman rush her back to Lake View to recover. There, she’s put into the care of Mrs. Cutler, the gardener’s wife, who is also an able nurse. However, when Irma arrives, Mrs. Cutler is so “modest”—or repressed—that she doesn’t mention the fact that Irma isn’t wearing a corset. This fact, the narrator reveals, might have led to a break in the case, given that Irma was widely known for being “fastidious” and always outfitted in fine corsets beneath her dresses and skirts. This passage Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis

Chapter 9 Quotes

Sara had just reached the door when she was called back. “I omitted to mention that if I have not heard from your guardian by Easter I shall be obliged to make other arrangements for your education.”

For the first time a change of expression flickered behind the great eyes. “What arrangements?”

“That will have to be decided. There are Institutions.”

“Oh, no. No. Not that. Not again.”

“One must learn to face up to facts, Sara. After all, you are thirteen years old. You may go.”

Related Characters: Mrs. Appleyard (speaker), Sara Waybourne (speaker), Mr. Jasper Cosgrove
Page Number and Citation: 108
Explanation and Analysis:
In this passage, Mrs. Appleyard calls Sara to her office. Sara has, since the start of the novel, been Mrs. Appleyard’s most-hated student—but in the wake of the disappearances at Hanging Rock, as Mrs. Appleyard’s need to regain control of her college and her environment grows, she’s become steadily more cruel to Sara with each passing day. Sara, an orphan, is the school’s youngest boarder. Her guardian, Mr. Cosgrove, is often remote and out-of-touch, though kind enough to Sara on his visits. Here, Mrs. Appleyard lets Sara know that if she does not find a way to pay her outstanding Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptat

Chapter 10 Quotes

The girl so far had remembered nothing of her experiences on the Rock; nor, in Doctor McKenzie’s opinion or that of the two eminent special­ists from Sydney and Melbourne, would she ever remember. A portion of the delicate mechanism of the brain appeared to be irrevocably damaged. “Like a clock, you know,” the doctor explained. “A clock that stops under a certain set of unusual conditions and refuses ever to go again beyond a particular point.”

Related Characters: Doctor McKenzie (speaker), Irma Leopold
Related Symbols: Hanging Rock
Page Number and Citation: 113-114
Explanation and Analysis:
In this passage, Lindsay explores the psychological damage Irma experiences in the wake of her ordeal at Hanging Rock. Irma was discovered physically unharmed—but since recovering from the shocked and exhausted state in which she came home, she’s been unable to recall any details of her time up on the rock. Doctor McKenzie speculates that Irma’s mind is somehow insulating her from what she’s experienced by stopping “like a clock.” Doctor McKenzie couldn’t possibly know that on that fateful afternoon at Hanging Rock, all watches stopped as soon as the group crossed onto the picnic grounds—but the eerie connection between Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupt

Chapter 12 Quotes

They see the walls of the gymnasium fading into an exquisite transparency, the ceiling opening up like a flower into the brilliant sky above the Hanging Rock. The shadow of the Rock is flowing, luminous as water, across the shimmering plain and they are at the picnic, sitting on the warm dry grass under the gum trees. […] The shadow of the Rock has grown darker and longer. They sit rooted to the ground and cannot move. The dreadful shape is a living monster lumbering towards them across the plain, scattering rocks and boulders. So near now, they can see the cracks and hollows where the lost girls lie rotting in a filthy cave.

Related Characters: Irma Leopold, Mademoiselle Dianne de Poitiers
Related Symbols: Hanging Rock
Related Literary Devices:
Page Number and Citation: 141
Explanation and Analysis:
During Irma’s visit to the school, she pops into the gymnastics class being led by Mademoiselle, her favorite teacher, in order to bid her and the rest of the Appleyard girls goodbye. As Irma steps into the gymnasium, however, her presence is met not with happy laughter or kind smiles but with abject fear and even hatred. As the girls watch Irma approach, they begin to have a kind of collective flashback to the picnic at Hanging Rock in which they all see the shadow of the rock transform into a terrible monster. The horrific vision is full of both Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae e

Chapter 15 Quotes

The clock on the stairs had just struck for half past twelve when the door of Mrs. Appleyard’s room opened noiselessly, inch by inch, and an old woman carrying a nightlight came out on to the landing. An old woman with head bowed under a forest of curling pins, with pendulous breasts and sagging stomach beneath a flannel dressing-gown. No human being - not even Arthur - had ever seen her thus, without the battledress of steel and whalebone in which for eighteen hours a day the Headmistress was accustomed to face the world.

Related Characters: Mrs. Appleyard, Sara Waybourne
Page Number and Citation: 185
Explanation and Analysis:
In this passage, Mrs. Appleyard sneaks from her room in the middle of the night in order to peek in at the now-empty room that once belonged to Sara and Miranda—two girls who are now gone from the college forever. Mrs. Appleyard, normally a repressed and collected woman who would never allow herself to be seen in a certain manner of undress, now stalks through the college in that very disheveled state. This speaks to the fact that her mind and faculties have broken down in the wake of all she’s been through lately—from the disappearance at Hanging Rock to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit e

Chapter 16 Quotes

About ten minutes later she was out in the drive waiting for the trap at the front door. She was wearing a long navy blue coat and a brown hat with a feather sticking up that I’ve seen her wearing when she goes to Melbourne. She was carrying a black leather handbag and black gloves because I wondered why a person would think of gloves at such a time.

Related Characters: Mr. Edward Whitehead (speaker), Mrs. Appleyard
Page Number and Citation: 197
Explanation and Analysis:
In this passage, Mr. Whitehead, the gardener at Appleyard College, delivers a police report to Constable Bumpher concerning his discovery of the body of Sara Waybourne in the hedges behind the school—and all that happened after. Mr. Whitehead describes finding the girl’s mutilated corpse and immediately rushing up to tell Mrs. Appleyard about what he’d found. The woman reacted emotionally but not necessarily with surprise, unleashing an animalistic scream before collecting herself and ordering Mr. Whitehead to ready a carriage to take her into town immediately. Mr. Whitehead describes his shock upon seeing Mrs. Appleyard come downstairs to head into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

Nothing else was said until we came to the bend in the road where you can first see the Hanging Rock coming up out of the trees in the distance. I pointed it out to her and said something about the Rock having made a lot of trouble for a lot of people since the day of the Picnic. She leaned right across me and shook her fist at it and I hope I never have to see an expression like that on another face.

Related Characters: Mr. Ben Hussey (speaker), Mrs. Appleyard
Related Symbols: Hanging Rock
Page Number and Citation: 198
Explanation and Analysis:
In this passage, Mr. Ben Hussey, the owner of a local cab company which often lends its services to Appleyard College, describes being asked by Mrs. Appleyard to drive her out to Hanging Rock on the day of her death. As he recalls bringing Mrs. Appleyard around “the bend in the road where [one] can first see” the rock itself, he informs Constable Bumpher, to whom he’s giving a police report, of the horrifying reaction the headmistress had upon seeing the rock itself for the first time in her life. This passage offers some key insights into the ways in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minim

To the left, on higher ground, a pile of stones . . . on one of them a large black spider, spread-eagled, asleep in the sun. She had always been afraid of spiders, looked round for something with which to strike it down and saw Sara Waybourne, in a nightdress, with one eye fixed and staring from a mask of rotting flesh.

An eagle hovering high above the golden peaks heard her scream as she ran towards the precipice and jumped. The spider scuttled to safety as the clumsy body went bouncing and rolling from rock to rock towards the valley below. Until at last the head in the brown hat was impaled upon a jutting crag.

Related Characters: Mrs. Appleyard, Sara Waybourne
Related Symbols: Hanging Rock
Page Number and Citation: 200-201
Explanation and Analysis:
In this passage, Mrs. Appleyard—who has traveled out to Hanging Rock to see and confront the place herself—finds herself face-to-face with a horrible vision of the “rotting” corpse of Sara Waybourne, a boarder whom she may or may not have murdered. At the sight of Sara’s body—either a trick of Mrs. Appleyard’s own guilty conscience or a projection created by the mysterious forces at work atop Hanging Rock—Mrs. Appleyard flings herself off the mountain to her death. This passage deepens the mystery of what happened to the Appleyard College girls who went missing on Hanging Rock. Because Mrs. Appleyard seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusant