Piranesi
by Susanna Clarke
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Themes and Colors
Human vs. Inhuman Worlds Theme Icon
Science and the Pursuit of Knowledge Theme Icon
Memory and Identity Theme Icon
Friendship, Betrayal, and Loyalty Theme Icon
LitCharts assigns a color and icon to each theme in Piranesi, which you can use to track the themes throughout the work.
Memory and Identity Theme Icon
Memory and Identity Theme Icon

Piranesi explores the intersection of memory and identity. At the start of the novel, Piranesi has a well-defined sense of identity. Though some mystery surrounds his name—it was given to him by the Other, but he knows it was not originally his—he does not question who he is or what his purpose is. A so-called  “Beloved Child of the House,” he sees it as his mission in life to explore the House and record and revel in its many mysteries. As far as he knows, this has always been his existence and always will be. However, as Piranesi becomes aware of strange gaps in his memory, he begins to question his identity—both in the past and the present. As such, his journal, historically a bastion of his identity and purpose, suddenly becomes a source of uncertainty. In it are journal entries he does not remember writing, people he cannot recall, unfamiliar words, and even missing pages. 

In time, Piranesi unravels the mystery of his past: the victim of amnesia, Piranesi was once known as Matthew Rose Sorensen. This revelation shakes him to his core, undermining his sense of identity. While he does not remember his past life as Matthew, neither can he fully sever his ties to it; Matthew Sorensen still lives inside him, occasionally revealing himself in small ways. Because of this, Piranesi is forced to balance his past and present selves, being neither fully one nor the other. Though few experience such a radical split of identity, Piranesi’s struggle is nevertheless a relatable one, serving as a metaphor for the constant struggle to balance who a person is with who they used to be. Ultimately, Piranesi’s comfort in the real world as Matthew Sorensen, and his ability to continue to visit the House despite residing in the real world, suggests that this balance is indeed possible if a person is able to use their memories to inform their present.

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Memory and Identity ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Memory and Identity appears in each part of Piranesi. Click or tap on any chapter to read its Summary & Analysis.
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Memory and Identity Quotes in Piranesi

Below you will find the important quotes in Piranesi related to the theme of Memory and Identity.

Part 1 Quotes

The Other organizes his time meticulously and never permits our meeting to last longer than one hour. If he requires my presence at other times, he calls out ‘Piranesi!’ until I come. Piranesi. It is what he calls me. Which is strange because as far as I remember it is not my name.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House
Page Number and Citation: 9
Explanation and Analysis:
This quote underscores the peculiar relationship between Piranesi and the Other. Though they are supposedly best friends and colleagues—in fact, each other’s only friend and colleague—their partnership appears to be an unequal one, with the Other solely setting the terms of their relationship. Despite Piranesi’s clear desire to spend time with him, for instance, he limits their meetings to only one hour a week, only breaking the rule when it suits him (notably, when Piranesi waves to him in an earlier chapter, the Other completely ignores him). When he does break the rule, he does so by calling Piranesi until Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Vo

In accordance with the first system, I have named two years 2011 and 2012. This system strikes me as deeply pedestrian. Also I cannot remember what happened two thousand years ago which made me think that years a good starting point. According to the second system I have given the years names like ‘The Year I named the Constellations’ and ‘The Year I counted and named the Dead.’ I like this much more. It gives each year a character of its own. This is the system I shall use going forward.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker)
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 25
Explanation and Analysis:
Here, Piranesi expresses confusion over his use of two different dating systems for his journals. He does not understand why he would use numbers like 2011 and 2012, suggesting that they are not only “pedestrian,” but nonsensical: he is not 2000 years old, so why would he choose such a date as a “starting point”? This line of reasoning, while logical to Piranesi, begs serious questions for readers of the novel.  Piranesi may be unfamiliar with the Gregorian Calendar—the calendar to which such dates belong. But his readers are not, and the calendar’s presence in Piranesi’s world—alien though it may Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omni

Do trees exist? Many things are unknown. Once—it was about six or seven months ago—I saw a bright yellow speck floating on a gentle Tide beneath the Fourth Western Hall. Not understanding what it could be, I waded out into the Waters and caught it. It was a leaf, very beautiful, with two sides curving to a point at each end. Of course it is possible that it was part of a type of sea vegetation that I have never seen, but I am doubtful. The texture seemed wrong. Its surface repelled Water, like something meant to live in Air.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker)
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 17
Explanation and Analysis:
Under the journal heading of “Do trees exist?” Piranesi recounts his encounter with a strange yellow “leaf” floating on the water. With its curved sides and a surface that repels water, it does not resemble the sea vegetation he is accustomed to, and Piranesi wonders at its origins. Such perplexity is both comical and mysterious, as the answer to Piranesi’s confusion seems to lie within the very title of his entry: this type of leaf clearly belongs to a tree. Piranesi, however, appears completely oblivious to this fact, as well as to his own knowledge of it. It is almost Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit

Part 2 Quotes

I saw a black scribble against a grey Sky and a flicker of bright red; words drifted towards me – white words on a black background. At the same time, there was a sudden blare of noise and a metallic taste on my tongue. And all of the images – no more than fragments or ghosts of images really — seemed to coalesce around the strange world, ‘Batter-Sea.’ I tried to get a hold of them, to bring them into sharper focus, but like a dream they faded and were gone.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 26
Explanation and Analysis:
In the aftermath of the Other’s so-called experiment, Piranesi’s experiences a series of strange sensations. Though none of the sensations solidify into anything intelligible—he describes them as “no more than fragments or ghosts of image”—it is clear to Piranesi that they are revolve around the word “Batter-Sea.” Though the Other claims the word to be meaningless, Piranesi’s reaction suggests otherwise. It is not only strong, but specific, like a flashback or a suppressed memory attempting to resurface; he sees colored writing, tastes something “metallic,” and hears a sudden “blare of noise.” Clearly, the word has triggered something in Piranesi, even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro per

So this, as far as I can tell, is what the birds told me. A message from Afar. Obscure Writing. Innocence eroded. Interesting. I will allow some time to elapse—say a few months—and then I will examine this communication again to see if the intervening events can shed any light upon it (and vice versa).

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), 16/Raphael , The Other/Dr. Valentine Ketterley
Related Symbols: The House , The Great and Secret Knowledge
Related Literary Devices:
Page Number and Citation: 43
Explanation and Analysis:
Here, Piranesi attempts to interpret a message from the birds. This is a testament to the strength of Piranesi’s bond with the animals of the House, not just in that he is able to understand them, but that also that they would choose to communicate with him in the first place. Clearly, they share the same feelings of interconnectedness that Piranesi does and see it as their duty to help him. Their shared lexicon of the House’s various statues proves essential in this venture, for it is through them the birds attempt to warn Piranesi of coming events, flying to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit al

That being said, it occurs to me to wonder why it is that the House gives a greater variety of objects to the Other than to me, providing him with sleeping bags, shoes, plastic bowls, cheese sandwiches, notebooks, slices of Christmas cake, etc. , etc., whereas me it mostly gives fish. I think perhaps it is because the Other is not as skilled in taking care of himself as I am. He does not know how to fish.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 54
Explanation and Analysis:
This passage underscores one of the central ironies of Piranesi’s character. Though a rigorous scientist when it comes to exploring and cataloguing the House and its many wonders, he rarely inspects his relationship with the Other with the same level of scrutiny. He assumes on very little evidence that the Other is his friend, and as is the case here, and he is quick to dismiss any evidence to the contrary. The Other’s seemingly miraculous ability to procure supplies otherwise unavailable in the House, such as sleeping bags and shoes and batteries, for instance, should send off alarm signals for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu

Two memories. Two bright minds which remember past events differently. It is an awkward situation. There exists no third person to say which of us is correct. (If only the Sixteenth Person were here).

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House , The Great and Secret Knowledge
Page Number and Citation: 71
Explanation and Analysis:
Piranesi contemplates the difficulty of confirming the Other’s claim concerning his memory loss. Without a third, independent party to verify one of their versions of the events, the question of what really happened becomes a matter of debate. Though Piranesi does not believe the Other would lie to him, neither does he necessarily trust another person’s version of events over his own. This problem gets at the very heart of the question of what is “truth,” and whether memory is a reliable source of knowledge. As a narrative device, this epistemological problem puts the reader in a unique position: readers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be

“You said you met 16. But you also said 16 does not know the way here. Meaning that you must have met him in his own Hall or, at any rate, in some Remote Region. This surprises me because I do not believe you have undertaken any long journeys since I have known you.” I smiled at the Other, awaiting his answer, which I fully expected would be very interesting.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley , 16/Raphael
Related Symbols: The House
Page Number and Citation: 76
Explanation and Analysis:
Here, Piranesi exposes the logical holes in the Other’s narrative about his meeting with 16. In typical Piranesi fashion, however, he does not assume deception or ill-will on the part of the Other, but rather “smile[s],” patiently awaiting what he expects will be an “interesting” answer. It does not occur to him that to consider the possibility that the Other might be lying. As such, this moment highlights one of the core ironies of Piranesi’s character. While he is incredibly perceptive as a scientist, easily spotting the logical gaps in the Other’s story, he is radically unperceptive when it comes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

Part 3 Quotes

I stopped reading and stood up, breathing hard. I had a strong urge to fling the Journal away from me. The words on the page—(in my own writing!)—looked like words, but at the same time I knew they were meaningless. It was nonsense, gibberish! What meaning could words such as ‘Birmingham’ and ‘Perugia’ possibly have? None. There is nothing in the World that corresponds to them. The Other was right after all. I had forgotten many things!

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley , Stanley Ovenden , Dr. Laurence Arne-Sayles/the Prophet
Related Symbols: The House
Page Number and Citation: 108
Explanation and Analysis:
Reading his own journal entry for Stanley Ovenden, Piranesi realizes that he has indeed forgotten much from his own past. Though the writing is clearly his, he has no recollection of writing it, and many of the words used appear as “gibberish” to him, like Birmingham. This is a pivotal moment in the story, for while such words do not “correspond” to anything in his world, they do correspond to things in the reader’s world, namely cities. For the first time, then, the reader and Piranesi’s understanding and interpretation of events begin to dramatically diverge. The reader, recognizing the scenes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tem

Part 4 Quotes

I forget. I forget. Yesterday I could not think of the word for lamp-post. This morning I thought that one of the statues spoke to me. I passed some time (about half an hour I think) talking to it. I am LOSING MY MIND. How horrible, how terrible to be in this dreadful place and MAD. I am DETERMINED TO KILL him before this happens. Before I forget why I HATE HIM.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House
Page Number and Citation: 127
Explanation and Analysis:
This note, assembled by Piranesi from the scraps found in the gull nests, depicts Piranesi—or rather, Matthew Rose Sorensen—during his descent into madness after he first came to the House. Though Piranesi is personally unsure of the writer’s identity, several clues indicate it is him. Not only does the person describe themselves as losing their memory, a fate which has clearly befallen Piranesi, but it also describes their habit of speaking to statues. Though obvious to the reader, Piranesi’s failure to recognize himself as the writer is not entirely surprising. Despite the parallels between their situations, Piranesi and the author Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Reru

Are you Matthew Rose Sorensen?

I am… I stuttered. I am…

At first I could get no further than this.

I am… I am the Beloved Child of the House.

Yes.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley , 16/Raphael
Related Symbols: The House
Page Number and Citation: 162
Explanation and Analysis:
Emerging from the flashback induced by 16’s message, Piranesi attempts to answer her question: “Are you Matthew Rose Sorensen?” Though he does not explicitly say so, it is clear from the strength of his reaction, and the nature of the flashback, that he recognizes this name as his own—or at least, the name he used to go by. Despite this, Piranesi does not immediately embrace it as his own. Instead, the revelation sparks an identity crisis, exemplified by Piranesi’s inability to finish the sentence, “I am…” His past and present selves have collided, and while he has long known that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi qui

Part 6 Quotes

My last thought before I fell asleep was: He is dead. My only friend. My only enemy.

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), The Other/Dr. Valentine Ketterley
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 216
Explanation and Analysis:
This quote encapsulates the complexity of Piranesi’s feelings towards the Other after his death. Despite the Other’s betrayal and imprisonment of him, Piranesi clearly still harbors some feelings of affection for him, counting him as both his “only friend” and “only enemy.” This duality speaks to Piranesi’s unique predicament, having only known—or remembered knowing—one other person in the world. The Other is thus the exemplar for all the different kinds of people that theoretically exist in the world, both friend and enemy. This fact makes it far harder for Piranesi to simply forget his friendship with the Other, fabricated and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

This annoyed me. ‘I do not see why you say I can only see a representation in this World,’ I said with some sharpness. ‘The word “only” suggests a relationship of inferiority. You make it sounds as if the Statue was somehow inferior to the thing itself. I do not see that that is the case at all. I would argue that the Statue is superior to the thing itself, the statue being perfect, eternal, and not subject to decay.’

Related Characters: Piranesi/Matthew Rose Sorensen (speaker), 16/Raphael , Dr. Laurence Arne-Sayles/the Prophet
Related Symbols: The House
Related Literary Devices:
Page Number and Citation: 222
Explanation and Analysis:
Here, Piranesi’s challenges Raphael’s implied hierarchy between their two worlds, questioning her assumption that a representation is inherently inferior to the thing it represents. In fact, from his perspective, the statues (which represent various ideas and concepts), “being perfect, eternal and not subject to decay,” are superior to the things represent. This belief borrows heavily from the Greek philosopher Plato’s theory of forms, the idea that the physical, or real, world is less “true” than the eternal forms from which it is derived. Piranesi clearly agrees with this position, a product not only of his bias towards the House, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaqu