Poe's Stories

Poe's Stories

Themes and Colors
Rivals and Doppelgangers Theme Icon
The Dead and the Living Theme Icon
The Gothic Style Theme Icon
Self, Solitude, and Consciousness Theme Icon
The Power of Memory Theme Icon
LitCharts assigns a color and icon to each theme in Poe's Stories, which you can use to track the themes throughout the work.
The Gothic Style Theme Icon

Originating in 18th Century England, Gothic Literature was an important and distinctive movement in literary history, with a body of definite themes and symbols that has grown and changed as the genre has spread across the world and across time. But some core aspects remain definitive of the Gothic style, including: Gloomy settings like castles, dungeons, prisons and vaults; haunting figures, ghostly and somewhat unreal; symbols and colors that suggest the gory and supernatural. The Gothic style of Poe’s stories ties them all together, with their morbid, gory, suspense-filled plots and solitary, romantic settings, like the location of Prince Prospero’s strange masquerade. Colors black and red, and visual symbols like evil eyes and black cats, vaults and cellars, create a very recognizable gothic world, so that all Poe’s stories seem to belong in one collection. Poe is famous for bringing Gothic literature into the Victorian era and incorporating psychology into their themes, making the supernatural more believable and close to home.

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The Gothic Style ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of The Gothic Style appears in each story of Poe's Stories. Click or tap on any chapter to read its Summary & Analysis.
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The Gothic Style Quotes in Poe's Stories

Below you will find the important quotes in Poe's Stories related to the theme of The Gothic Style.
Manuscript Found in a Bottle Quotes

A feeling, for which I have no name, has taken possession of my soul – a sensation which will admit of no analysis, to which the lessons of bygone times are inadequate, and for which I fear futurity itself will offer me no key.

Related Characters: Narrator (M.S. Found in a Bottle) (speaker)
Page Number: 16
Explanation and Analysis:

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The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their fingers fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of Allan columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

Related Characters: Narrator (M.S. Found in a Bottle) (speaker)
Related Symbols: Eyes
Page Number: 19
Explanation and Analysis:

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All in the immediate vicinity of the ship is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.

Related Characters: Narrator (M.S. Found in a Bottle) (speaker)
Related Symbols: Architecture
Page Number: 20
Explanation and Analysis:

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Ligeia Quotes

The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing upon the body of Rowena.

Related Characters: Narrator (Ligeia) (speaker), Lady Rowena of Tremaine
Page Number: 123
Explanation and Analysis:

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The Fall of the House of Usher Quotes

I know not how it was – but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible.

Related Characters: Narrator (The Fall of the House of Usher) (speaker)
Related Symbols: Architecture
Page Number: 126
Explanation and Analysis:

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William Wilson Quotes

Let me call myself, for the present, William Wilson. The fair page now lying before me need not be sullied with my real appellation. This has been already too much an object for the scorn – for the horror – for the detestation of my race.

Related Characters: William Wilson (speaker)
Page Number: 168
Explanation and Analysis:

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A large mirror, – so at first it seemed to me in my confusion – now stood where none had been perceptible before; and, as I stepped up to it in extremity of terror, mine own image, but with features all pale and dabbled in blood, advanced to meet me with a feeble and tottering gait.

Related Characters: William Wilson (speaker)
Page Number: 186
Explanation and Analysis:

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The Murders in the Rue-Morgue Quotes

Had the routine of our life at this place been known to the world, we should have been regarded as madmen – although, perhaps, as madmen of a harmless nature. Our seclusion was perfect. We admitted no visitors.

Related Characters: Narrator (The Murders in the Rue Morgue; The Purloined Letter) (speaker), Auguste Dupin
Page Number: 242
Explanation and Analysis:

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The Tell-Tale Heart Quotes

I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture.

Related Characters: Narrator (The Tell-Tale Heart) (speaker), The Old Man
Related Symbols: Eyes
Page Number: 187
Explanation and Analysis:

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And have I not told you that what you mistake for madness is but over-acuteness of the sense? – now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

Related Characters: Narrator (The Tell-Tale Heart) (speaker)
Page Number: 189
Explanation and Analysis:

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The Pit and the Pendulum Quotes

I had swooned; but will not say that all of consciousness was lost. What of it there remained I will not attempt to define, or even to describe; yet all was not lost. In the deepest slumber – no! In delirium – no! In a swoon -- no! In death – no! even in the grave all is not lost. Else there is no immortality for man.

Related Characters: Narrator (The Pit and the Pendulum) (speaker)
Page Number: 44
Explanation and Analysis:

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Looking upwards I surveyed the ceiling of my prison. […] In one of its panels a very singular figure riveted my whole attention. It was the painted figure of Time as he is commonly represented, save that, in lieu of a scythe, he held what, at a casual glance, I supposed to be the pictured image of a huge pendulum, such as we see on antique clocks.

Related Characters: Narrator (The Pit and the Pendulum) (speaker)
Related Symbols: Architecture
Page Number: 50
Explanation and Analysis:

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The Black Cat Quotes

I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket! I blush, I burn, I shudder, while I pen the damnable atrocity.

Related Characters: Narrator (The Black Cat) (speaker), The Black Cat (speaker)
Related Symbols: Eyes
Page Number: 194
Explanation and Analysis:

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The Masque of the Red Death Quotes

The external world could take care of itself. In the meantime it was folly to grieve, or to think.

Related Characters: Prince Prospero
Page Number: 37
Explanation and Analysis:

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[…] while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation.

Page Number: 39
Explanation and Analysis:

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The Cask of Amontillado Quotes

I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.

Related Characters: Narrator (The Cask of Amontillado) (speaker), Fortunato
Page Number: 208
Explanation and Analysis:

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