Potiki

by Patricia Grace

Tangimoana Tamihana Character Analysis

Tangimoana is the second child of Roimata and Hemi and the sister of James, Manu, and Toko. Her mother describes her as impatient and irritable, like the sea. She is deeply protective of those she loves, especially her younger brothers Manu and Toko. In school, her favorite subjects are the humanities, and from a young age, she aspires to become a writer. As she grows older, the Tamihana clan encourages (and provides the necessary support for) her to go to college and make the most of her quick intelligence. Tangimoana’s fierce side comes into view as the community makes its stand against the greed and violence of Mr. Dolman. She, James, and her boyfriend Pena are among the group which blows up the construction site and trashes the construction equipment in the wake of Toko’s murder. Although she’s certain to face legal consequences for these actions, she faces them without fear.

Tangimoana Tamihana Quotes in Potiki

The Potiki quotes below are all either spoken by Tangimoana Tamihana or refer to Tangimoana Tamihana. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Indigenous Rights and Oppression  Theme Icon
).

14. Toko Quotes

Earlier when preparing the house for the meeting, some had thought that we should bring in a table for the man’s plans and papers, and a chair for the man to sit on, but my mother Roimata disagreed.

She said to let the man be like everyone else because that would be good psychology.

“You mean let him sit on the floor in his suit and sock feet so he’ll feel a fool, him not being used to our ways?” Tangimoana said.

“Tangi, I didn’t mean that, not exactly. I meant let the boot be on the other foot for a change. Let him feel what we sometimes feel…in different situations.”

“It’s exactly what you meant no matter how nice you put it,” said Tangimoana. And al the women laughed while they unrolled the whariki [floor mats] and the boys put the mattresses down on them.

Related Characters: Toko (Tokowaru-i-te-Marama) (speaker), Roimata Kararaina, Tangimoana Tamihana, Mr. Dolman
Page Number and Citation: 96-97
Explanation and Analysis:

19. Roimata Quotes

“Looking down from the road. You can see. Half hidden, but you can see. Put there, by … someone, to take the water down and do … harm. Someone from the job.”

“And all this too,” Hemi said. “It took a man and a machine to do all this.”

[…]

[Matiu] and Timoti and the other three men, as well as Tangimoana and Tania, took over the work that we’d been doing.

No one spoke then. We stood in silence about the dinghy, our feet being pulled further and further into the mud of our own turangawaewae, our own standing place. It was a world of silence, an unfamiliar world, a world of other, a world of almost drowning. We stood, not speaking, only trying to search and sort the other, the almost drowning, to find a pattern and a sense, to work through piece by piece to get us home.

Related Characters: Roimata Kararaina (speaker), Matiu (speaker), Hemi Tamihana (speaker), Tangimoana Tamihana, Timoti, Mr. Dolman
Page Number and Citation: 125
Explanation and Analysis:

22. Hemi Quotes

He did not want anger, or sorrow to turn him … against people. It wasn’t his way. In his whole life he had never kept anger in him, against people. Now … it was hard. Now, it was the soil that saved him, the need to feed the whanau. And there it was again. People. People needing people. Tangimoana wouldn’t agree with driving feelings into the soil, digging over the loss and hurt, just struggling day to day. “The minute you’re born,” she’d say to him, “You nose is in the ground. But I’ll die, no sweat, if I can do it saying I’m me, and knowing that someone believes it. […]

Well he wasn’t sure. It sounded wrong. He’d tried to say things to her, to help her with … anger. Tried to dig her anger in, alongside his own. But no […]

Related Characters: Tangimoana Tamihana (speaker), Hemi Tamihana, Mr. Dolman
Page Number and Citation: 144
Explanation and Analysis:

25. Roimata Quotes

We have known what it is to have had a gift, and have not ever questioned from where the gift came, only sometimes wondered. The gift has not been taken away because gifts are legacies, that once given cannot be taken away. They may pass from hand to hand, but once held they are always yours. The gift we were given is with us still.

His death had been with us a long time but not the manner of it. The manner of his death, that is where the pain is—the manner of his death, and the brokenness and suffering of the little bird. His death brought Tangimoana back to us, brought others to us, gave us much that is good, but is it enough, can it be enough?

Related Characters: Roimata Kararaina (speaker), Manu Tamihana, Mr. Dolman, James Tamihana, Toko (Tokowaru-i-te-Marama) , Tangimoana Tamihana
Page Number and Citation: 155
Explanation and Analysis:

26. Roimata Quotes

“We all got up and went out. It was still too dark to see but we heard the machines start up. We could hear them pushing rubble down the hill, pushing down what had been built. We saw the torches and the fires. Then we all went back to bed.”

“All of you?”

“All.”

“Didn’t you want to know what was happening?”

“We did, so we got up and went out. Once we found out what it was we went back to bed.”

“Could you identify …”

“We could not. It was not light enough to see.”

“Surely you would have been interested in knowing who …?”

“We were not interested.”

“Why not?”

“If we’d been able to identify people we’d have been able to help you with your inquiry. We’ve helped you before on two occasions, as you know. We were not satisfied, not happy with what you made the inquiries show …”

Related Characters: Stan Tamihana (speaker), James Tamihana, Mr. Dolman, Pena, Roimata Kararaina, Tangimoana Tamihana
Page Number and Citation: 164-165
Explanation and Analysis:

29. Potiki Quotes

But the doorway, suddenly, had become the toothed aperture. It was suddenly the toothed aperture through which all must pass.

The night was edged now, and clamorous.

All the stars were falling.

*

And from this place of now, behind, and in, and beyond the tree, from where I have eversight, I watch the people.

The people work and watch and wait. They pace the tides and turn the earth. They stand, listening on the shores.

They listen, hearing mostly the quiet. It is the quiet that is trees growing, the sidling of fish through water, the hovering cloud, the open-eyed quiet of the night.

Related Characters: Toko (Tokowaru-i-te-Marama) (speaker), Tangimoana Tamihana, James Tamihana, Roimata Kararaina, Manu Tamihana
Page Number and Citation: 180
Explanation and Analysis:
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Tangimoana Tamihana Character Timeline in Potiki

The timeline below shows where the character Tangimoana Tamihana appears in Potiki. The colored dots and icons indicate which themes are associated with that appearance.
1. Roimata
Love and Community  Theme Icon
...in the first person, Roimata Kararaina introduces herself and her family—husband Hemi Tamihana; children James, Tangimoana, Manu, and Tokowaru-i-te-Marama—to readers. Her eldest, James, is “quiet, sure, and patient.” Her middle child,... (full context)
4. Roimata
Indigenous Rights and Oppression  Theme Icon
The Power and Importance of Stories Theme Icon
Life and Death Theme Icon
Roimata describes the day when Toko is born. James and Tangimoana are seven and six years old, respectively, and Mary is late joining the family for... (full context)
Love and Community  Theme Icon
Life and Death Theme Icon
Ability and Disability Theme Icon
Tangimoana approaches Mary and, from what Roimata can see, argues with her. She takes the object... (full context)
5. Roimata
Indigenous Rights and Oppression  Theme Icon
...Manu struggles when he turns five and she sends him to school with James and Tangimoana. Hemi seems to know intuitively that the best place for Manu is at home, the... (full context)
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
...from school, stories about the earth’s place in the universe and people’s place on earth. Tangimoana contributes stories about people, some of whom she knows, some of whom she makes up... (full context)
6. Toko
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
Ability and Disability Theme Icon
...too young “borning mother” (Mary) tried to leave him in the ocean. But his sister Tangimoana rescued him and Roimata wrapped him in blankets and Manu lay beside him as he... (full context)
8. Toko
Indigenous Rights and Oppression  Theme Icon
The Power and Importance of Stories Theme Icon
...there’s a big fish waiting for him in the lagoon. So, when Hemi, James, and Tangimoana gather the lines for baitfish, he selects the heavy, deep-sea hook and line for himself.... (full context)
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
Life and Death Theme Icon
Back at the house, Hemi, Roimata, James, Tangimoana, and Toko clean the fish and drop it into a brine. The proceedings upset Manu.... (full context)
10. Hemi
Indigenous Rights and Oppression  Theme Icon
The Power and Importance of Stories Theme Icon
Sustenance and Sufficiency  Theme Icon
...mostly gratitude for his life. Roimata returned to him. She survived a dangerous delivery with Tangimoana, and Manu had lived even though he spent the first weeks of his life in... (full context)
11. Roimata
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
...is anxious, but Hemi insists that “everything we need is here.” He tells her—and James, Tangimoana, Manu, and Toko—the story of how it was before, when the family (and Roimata’s father)... (full context)
12. Toko
Indigenous Rights and Oppression  Theme Icon
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
Toko knows about the new story from the newspapers and from Hemi, James, and Tangimoana, who are all involved with Te Ope. It starts when Rupena’s grandson, Hemi’s friend Reuben,... (full context)
14. Toko
Indigenous Rights and Oppression  Theme Icon
Toko, Manu, and Tangimoana fear the men in suits and what they represent. Manu has nightmares. Tangimoana tries to... (full context)
Indigenous Rights and Oppression  Theme Icon
...long, and now it’s time to turn the tables. Later, while Mr. Dolman is talking, Tangimoana interrupts to call him a “stupid bastard.” Stan and Hemi are angry, but Granny Tamihana,... (full context)
Indigenous Rights and Oppression  Theme Icon
Ability and Disability Theme Icon
...Hatred and judgment flash in his eyes. Now Toko understands why Granny Tamihana laughed at Tangimoana’s outburst, which expressed feelings she has but has learned to keep to herself to avoid... (full context)
17. Toko
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
Life and Death Theme Icon
...with the children, Granny Tamihana, Mary, and his aunties at the time. The aunties and Tangimoana are upset by the allegations but try to reserve judgment. Toko knows immediately that his... (full context)
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
...have been protesting and trying to resist the development. The community welcomes their friends, but Tangimoana tells the reporters off impatiently as the aunties send children to fetch the men and... (full context)
18. The Urupa
Indigenous Rights and Oppression  Theme Icon
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
Life and Death Theme Icon
Back when James, Tangimoana, Manu, and Toko were small, Granny Tamihana would always send them to the urupa with... (full context)
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
Life and Death Theme Icon
James, Tangimoana, Manu, and Toko would talk about what they imagined the afterlife to be like—mostly like... (full context)
19. Roimata
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
After a while, Matiu, Timoti, and Tangimoana arrive with hot drinks. Matiu and Timoti confirm the group’s suspicions that someone dammed the... (full context)
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
...wharenui as he studies to be a woodcarver. They bring food and supplies. Pena and Tangimoana start to fall in love. (full context)
20. Toko
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
...in the communal kitchen to weep and sing. There’s talk about an investigation, which angers Tangimoana. They all know who is responsible, she says. They knew last time, too, for all... (full context)
21. Toko
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
...begins to gather the materials for the wharenui and to plan its construction. Toko and Tangimoana tell stories while weaving wall panels together. Craftspeople (including James) begin new poupou. Their names... (full context)
22. Hemi
Love and Community  Theme Icon
Sustenance and Sufficiency  Theme Icon
Hemi worries most about Tangimoana, whose love-fueled anger has burned ever brighter since the fire. Eventually, she left so that... (full context)
23. Roimata
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
...from the ashes. From death, new life will spring. But it’s still hard, especially with Tangimoana gone. (full context)
25. Roimata
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
Life and Death Theme Icon
Tangimoana comes home for the three-day period of mourning. She goes up to the construction site... (full context)
26. Roimata
Indigenous Rights and Oppression  Theme Icon
Love and Community  Theme Icon
...the third night of mourning. They seem to be up to something, and Pena and Tangimoana don’t come home that night. But she’s too exhausted to wonder why. (full context)
28. The Stories
The Power and Importance of Stories Theme Icon
Love and Community  Theme Icon
Life and Death Theme Icon
...But in telling it there, he gave new meaning to Toko’s life. The young woman (Tangimoana) reads a poem about “the color red,” which associates red with death and fire but... (full context)