In Punching the Air, Amal Shahid is wrongfully convicted of a violent crime at the age of 16, largely because of how society perceives him: not as a child, but as a threat. The novel illustrates systemic racism as a force that actively shapes Amal’s life even before his official arrest and argues that the criminal justice system is designed to devalue and silence young Black voices under the pretension of “law and order.” During his trial, the court dismisses Amal’s version of the story that a group of White boys jumped him. Meanwhile, the court positions Jeremy Mathis, the White victim left in a coma, as innocent by default. The prosecution builds its case on racial stereotypes, portraying Amal as angry and dangerous when he is anything but. Even supposedly well-meaning people, like his White art teacher Ms. Rinaldi, reinforce this image by painting him as a troubled student in need of saving. These mischaracterizations distort who Amal is and ultimately seal his fate. His trial becomes a study in optics: what he looks like, what others project onto him, and how the system is predisposed to believe those projections.
Inside the juvenile detention center, Amal encounters institutional racism that is just as brutal and insidious. Officer Beale, who openly wears a tattoo of a hanged Black baby on his forearm, embodies the unchecked violence and bias that exists within the prison system. His tattoo becomes a symbol of how deeply racism is embedded into the very structures that are meant to “rehabilitate.” Meanwhile, Amal learns from Imani and Dr. Bennu that the Thirteenth Amendment to the U.S. Constitution contains a loophole that effectively allows slavery to persist within the prison system, framing incarceration as a modern extension of centuries-old oppression. Characters like Superintendent Cheryl-Ann Buford reinforce the system’s indifference, overseeing young Black inmates while refusing to understand or engage with their reality. Even the racial divisions among inmates mirror the conditioning enforced by a racist society. Only in Imani’s poetry class do these walls begin to break down, hinting at what could be possible in the absence of a system designed to keep them divided.
Systemic Racism and Injustice ThemeTracker
Systemic Racism and Injustice Quotes in Punching the Air
Pages 3-45 Quotes
That’s life, Amal
You have to respect it
she’d say
Maybe ideas segregate like in the days of
Dr. King, and no matter how many marches
or Twitter hashtags or Justice for So-and-So
our mind’s eyes and our eyes’ minds
see the world as they want to
Did Amal ever display emotions that were—
Yes, Ms. Rinaldi said
That’s why I work so hard with Amal
To channel his anger into his art
I’ve never hidden from thunder and fireworks
and angry shouts and gunshots and sirens
as if
I’ve never been afraid of monsters and
predators and animals and
my own face
So it wasn’t about
who threw the first punch
It was about courts, turf, space
Me and them other boys
were just trying to go home
Pages 46-93 Quotes
and I thought I won, I had a rep
for being this hard little kid that nobody could mess with
and I didn’t even know how I was supposed to feel—
The only book
I gave Clyde was
The Rose That Grew from Concrete
I was definitely
trying to tell him something
because Tupac was a poet
So this bus this bus
is the streets the courts the park
on wheels engine roaring
A ship headed for the new world
and we’re all in here in shackles
Pages 94-143 Quotes
I always hated it Sagging
draws showing ass exposed
I wore mine high, right at the waist
sweatpants cinched at the ankles
with Adidas or Vans
As if bad paintings of smiling birds will
remind us that we’re still kids and
the metal doors will remind us
that we’re prisoners
My eyes are glued to that tattoo
I stare
at the details, the lines on the rope
the baby’s eyes closed, with tears
coming down its cheeks
Its skin made blacker
against his pale arm
Pages 144-188 Quotes
Seeing my mother makes me feel like
there’s a hole in my heart
Seeing my lawyer makes me feel like
he put that hole there
Poetry? Oh, that’s a perk, Mr. Shahid
A treat for those who do
What they’re supposed to
I’m over here spitting rhymes behind bars
They thought the box would get me
like Kunta in captivity
but I’m still free
Those guys didn’t touch my face
so she doesn’t know how my
insides have already
turned to dust
and it can’t rise
because it’s trapped here
in my belly
Here, we’re not even paint
We’re a box of cheap markers
that don’t even blend well
The shit that forces you
to stay in the lines or else
the colors will bleed
The colors will bleed
Pages 189-231 Quotes
But we lived in the same building I was born in
and paid the same rent my whole life, so we were good
But on the other side, the big houses
(some painted in bright colors, others run-down)
got fixed up nice and painted over in grays and beiges
making that part of our hood look like a futuristic suburb
and soon there were invisible lines we couldn’t cross
like we can’t go where the nice places are
That’s what Uncle Rashon always says
That school teaches you what to think
not how to think and nobody raises
their hands except to give
the right answer
The teacher only
asks questions to hear
the right answer
and Kadon was right
I needed a crew to sit next to me
to be my four corners so that I’m not cornered
We’re the butterflies, I said
and the things we do are like wings
We do shit every day, he said
How come shit ain’t changed
Nah, I said
Everything is changing something
every day, even this conversation
Pages 232-286 Quotes
You been quiet, he says
Staying out of trouble
It’s almost like
you ain’t supposed to be here
I’m not, I mumble
It’s not up to me, he says
But for now, I see you, Shahid
Keep your head up and head down
at the same time, feel me?
But you gotta understand
when one of you fall
everybody falls
or takes the fall
You know what I’m saying?
Pages 287-342 Quotes
Butterfly, you’d have to promise me
you’ll change them out there, too
It can’t just be me
They gotta be different, too
I know your type, Amal
You think the world owes you
something
You think you’re innocent
and you don’t deserve to be
here
But guess what?
You’re here now
and you’re not going
anywhere
Pages 343-386 Quotes
They said my mural
was against the facility’s guidelines
No gang colors, signs, or symbols



