Purgatorio
by Dante Alighieri
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Dante Character Analysis

Dante Alighieri, a citizen of 13th- and 14th-century Florence, Italy, is the poet and author of The Divine Comedy and the protagonist of Purgatorio. After journeying through Hell in Inferno, Dante the pilgrim now travels through Purgatory with Virgil, his guide. As Dante travels through Purgatory, his shadow frequently attracts attention from the penitent souls he encounters, because his shadow indicates that, unlike the souls, Dante is alive. As a character, Dante is inquisitive, ardent, and emotional. He is passionately devoted to Beatrice, a woman he’s loved from afar since childhood. Indeed, it was Beatrice’s prayers that initiated Dante’s journey and whose beauty draws him constantly upward as he travels through Hell and Purgatory and finally reaches Heaven. He also frequently looks to his beloved father figure, Virgil, for guidance and reassurance. As he works his way through Purgatory, Dante enjoys meeting and questioning the souls of people he knew personally or has heard of. These meetings, frequently marked by tears of pity and even humorous exchanges, form much of the drama of Dante’s journey and also illustrate the nature of the soul’s purging of sin. These conversations reveal that Dante is fervently opposed to the political corruption of the Catholic Church of his day and of Italian politics. When Dante attains the Earthly Paradise at Purgatory’s summit, he is overcome by the sight of Beatrice, as well as her condemnation of his earthly sins. He confesses his sinfulness and, after witnessing allegorical pageants depicting the history, corruption, and hope of the Church, and then bathing in a river, is prepared to continue his journey to Heaven.

Dante Quotes in Purgatorio

The Purgatorio quotes below are all either spoken by Dante or refer to Dante. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Purgatory and the Heavenward Journey Theme Icon
).

Canto 1 Quotes

To race now over better waves, my ship
of mind – alive again – hoists sail, and leaves
behind its little keel the gulf that proved so cruel.

And I’ll sing, now, about that second realm
where human spirits purge themselves from stain,
becoming worthy to ascend to Heaven.

Here, too, dead poetry will rise again.
For now, you sacred Muses, I am yours.
So let Calliope, a little, play her part […]

Related Characters: Dante (speaker)
Related Symbols: Music, Song, and Singing
Page Number and Citation: 160
Explanation and Analysis:
These are the opening lines of Dante’s Purgatorio. In the first part of the Divine Comedy, Inferno, Dante saw defeated souls in Hell, those without hope of Heaven. Now, in Purgatory, the whole tone of the epic poem shifts to one of certain hope (“to race now over better waves […] dead poetry will rise again”).The souls here must spend years or even centuries purging their sins by learning to practice the corresponding virtues. But despite this, these souls know that they will eventually arrive in Heaven. Much as souls suffering in Purgatory must rely on divine grace to help Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedi

Canto 2 Quotes

Celestial, at the stern, the pilot stood –
beatitude, it seemed, inscribed on him –
and, ranged within, a hundred spirits more.

‘In exitu Israel de Aegypto’:
they sang this all together, in one voice,
with all the psalm that’s written after this.

[…]

The crowd that now remained, it seemed, was strange,
astray there, wondering, looking all around,
as people do, assessing what is new.

Related Characters: Dante (speaker)
Related Symbols: Music, Song, and Singing
Page Number and Citation: 165
Explanation and Analysis:
This quote describes one of Dante’s first sights in Purgatory—a ship filled with penitent souls sailing towards it, an angel at the helm. Even before the souls arrive, they sing in anticipation. In exitu Israel de Aegypto is the beginning of the text of Psalm 114, “When Israel went out from Egypt.” This Psalm refers to the Israelites’ departure from enslavement in Egypt, as God parted the Red Sea to aid their escape. Allegorically, then, the Psalm points to the sinners’ rescue from slavery to sin by God’s grace, which also underscores the point that Purgatory is a place of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necess

Canto 3 Quotes

It’s madness if we hope that rational minds
should ever follow to its end the road
that one true being in three persons takes.

Content yourselves with quia, human kind.
Had you been able to see everything,
Mary need not have laboured to give birth.

You saw the fruitless yearning of those men
who might have had that yearning satisfied,
now given them eternally to mourn.

Plato, I mean, and Aristotle, too, and many more with them.’

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 169
Explanation and Analysis:
As Virgil and Dante begin their journey through Purgatory, Dante is puzzled by the fact that Virgil’s form casts no shadow, whereas his does. In response, Virgil cautions Dante not to expect to be able to grasp the “why” behind everything he sees using his rational mind. “One true being in three persons” refers to the Christian doctrine of the Trinity—a markedly difficult-to-understand teaching and a good example of something that no human being can presume to fully understand. For a Christian, it’s an article of faith that should be accepted, but that doesn’t mean a Christian should pry into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

Canto 11 Quotes

This final prayer is made, O dearest Lord,
not for ourselves (we now have no such need).
We speak for those behind us, who’ve remained.’

Then praying, for themselves and us, ‘God speed’,
these shadows made their way beneath such loads
as sometimes in our nightmares can be seen. […]

We surely ought to help them cleanse the marks
that they bore hence – till, light in weight and pure,
they’ve power to rise towards the wheeling stars.

Related Characters: Dante (speaker)
Related Symbols: Stars, Journeys and Climbing
Page Number and Citation: 207
Explanation and Analysis:
This quote describes the prayer of the proud, the sinners occupying the lowest level of Purgatory proper. Each group of penitents in Purgatorio has been assigned a specific prayer that’s fitted to the particular sin they’re striving to purge. On this level, the prayer of the prideful is the Lord’s Prayer—perhaps the most familiar Christian prayer—which is fitting because of its focus throughout on humble dependence on God instead of oneself. As Dante listens to the souls recite this prayer, he notices the commentary they offer on the last section, which asks for protection from Satan. The sinners specify that, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque i

Canto 12 Quotes

We were, by now, ascending that great stair.
And I, it seemed, was lighter now by far
than I had seemed while still on level ground.

So, ‘Tell me, sir,’ I said, ‘what weight has now
been lifted from me, so I almost feel
no strain at all in walking on my way?’

He answered: ‘When the “P”s that mark your brow,
remaining still, though growing now more faint,
have all (as is the first) been sheared away,

your steps will then be conquered by good will
and, being thus impelled towards the heights,
will feel no strain but only sheer delight.’

Related Characters: Virgil (speaker), Dante (speaker)
Related Symbols: Journeys and Climbing
Page Number and Citation: 215
Explanation and Analysis:
When Dante and Virgil explore Purgatory, the journey is envisioned as a strenuous climb up a mountain, with different sins being cleansed on successively narrower ledges of the mountain. At the beginning of the journey, an angel inscribes seven “P”s on Dante’s forehead, standing for the seven primary sins (“sin” in Latin is peccatum). As Dante proceeds through each level, the angel attending that level brushes away the relevant “P,” symbolizing the purging of that particular sin. Dante notices that, as he climbs higher, his steps—which felt so heavy at first—feel lighter and lighter, suggesting as that sins are purged, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

Canto 15 Quotes

Because your human longings point to where
portions grow smaller in shared fellowship,
meanness of mind must make the bellows sigh.

If love, though, seeking for the utmost sphere,
should ever wrench your longings to the skies,
such fears would have no place within your breast.

For, there, the more that we can speak of “ours”,
the more each one possesses of the good
and, in that cloister, caritas burns brighter.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 227
Explanation and Analysis:
This somewhat obscure passage is simply Virgil’s way of describing generosity and human reciprocity to Dante. The two have just proceeded through the level of Purgatory where the sin of envy is purged, and Dante has had the appropriate “P” (signifying Peccatum, or sin) erased from his forehead by the Angel of Generosity—generosity being the virtue that sinners should adopt in the effort to cleanse themselves of envy. As they continue heading upward, Virgil takes the opportunity to deliver a discourse on an aspect of love. He explains that, when it comes to generosity, human beings typically assume that sharing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

Canto 16 Quotes

You, living there, derive the cause of all
straight from the stars alone, as if, alone,
these made all move in mere necessity.

Yet were that so, in you would be destroyed
the freedom of your will – and justice fail
in giving good its joy and grief its ill.

The stars initiate your vital moves.
I don’t say all. And yet suppose I did,
you’re given light to know what’s good and bad,

and free will, too, which if it can endure
beyond its early battles with the stars,
and if it’s nourished well, will conquer all.

Related Characters: Marco Lombardo (speaker), Dante
Related Symbols: Stars
Page Number and Citation: 233
Explanation and Analysis:
In this quote, Dante talks with a soul named Marco Lombardo on the level of Purgatory where the sin of wrath is purged. Dante wants to better understand the underlying cause of human sin. Marco says that people tend to attribute their misdeeds to the promptings of the “stars”—that is, to natural, instinctual urgings. But this isn’t true, Lombardo explains; if it were, then how could people be justly punished in Purgatory or rewarded in Heaven? While nature might give rise to certain inclinations in people, people are also endowed with a “light,” or judgment, and “free will,” which enable Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corru

So law is needed to apply this brake.
A king is needed, with the skill to see
the towers of that true city, at the least.

The laws are there. Who sets his hand to these?
There’s no one. For the shepherd out ahead,
though he can chew the cud, has not split hooves.

Related Characters: Marco Lombardo (speaker), Dante
Page Number and Citation: 233
Explanation and Analysis:
After explaining to Dante the nature of free will, Marco Lombardo also explains that government fulfills a role within human society that’s somewhat equivalent to the role that judgment plays in a person’s conscience. Law helps curb human impulses—at least, that’s the ideal. When the law is interpreted and applied by a ruler who glimpses “the true city”—the heavenly ideal—then society will be governed justly. However, this is seldom the case in practice, and this, Lombardo suggests, accounts for present societal disarray, particularly in divided, war-torn Italy. His reference to “the shepherd” who “has not split hooves” is a slightly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

Canto 17 Quotes

Neither creator nor created thing
was ever, dearest son, without’ (he starts)
‘the love of mind or nature. You know that.

The natural love can never go astray.
The other, though, may err when wrongly aimed,
or else through too much vigour or the lack. […]

Hence, of necessity, you’ll understand
that love must be the seed of all good powers,
as, too, of penalties your deeds deserve.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 238
Explanation and Analysis:
Halfway through the poem, when Dante and Virgil have to stop climbing for the night, Virgil takes the opportunity to explain the nature of sin—the theory governing the cleansing of sin in Purgatory. Virgil explains that, contrary to expectation, all sin arises from love. Every created human being is endowed with what he calls “the love of nature”—which is basically instinct—and “the love of mind,” or love governed by the rational will. It’s this latter form of love that gets a person into trouble. Such love can get off course in three major ways, which correspond to the three major Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

If love is slack in drawing you to view –
or win – that good, then this ledge, where we’re now,
after your fit repentance, martyrs you.

And other goods will not bring happiness,
not happy in themselves, nor that good source
of being, seed and flower of all that’s good.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 239
Explanation and Analysis:
In this quote Virgil further elaborates on the nature of sin as it’s rooted in love, particularly defective and excessive forms of love. Arriving on the level of Purgatory where sloth is purged, Virgil explains that everyone has some inkling of the ultimate Good (God), but that not everyone pursues that Good with all their ability (that is, their rationally directed love doesn’t pursue God avidly enough). That’s why the sin of sloth must be purged by instilling the virtue of zeal in its place. As for the remaining levels of Purgatory, the nature of sin is that people pursue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Vel

Canto 18 Quotes

Soon they were on us. For they moved at speed,
racing towards us, that great multitude.
And two ahead were shouting, weepingly. […]

‘Quick! Quick! Let’s lose no time through lack of love!’
so all of those behind now shouted out.
‘For zeal in doing good turns grace new green.’

Related Characters: Dante (speaker)
Page Number and Citation: 243
Explanation and Analysis:
This quote describes Dante’s arrival on the level of Purgatory where the sin of sloth is purged. Sloth is a unique sin because, unlike sins resulting from love wrongly aimed (like envy) or those resulting from love for things less than God, sloth is the result of insufficient love for God. There’s a humorous note in the penance of slothful souls. Because, during their earthly lives, these souls were too lazy in their love for God, in Purgatory they must learn the virtue of Zeal by doing everything hastily. Here, for instance, the penitent souls run so fast that Dante Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod

Canto 19 Quotes

Because our eyes were fixed on earthly things,
at no point raised to look towards the heights,
so justice sinks them here within the earth.

Since avarice extinguished all our love
for any good – and so good works were lost –
justice here holds us tight within its grip.

Related Characters: Pope Adrian (speaker), Dante
Page Number and Citation: 249
Explanation and Analysis:
In the level of Purgatory where avarice (desire for earthly power and gain) is purged, Dante questions a figure whom he soon learns is the soul of a pope who died within Dante’s lifetime. Pope Adrian V was elected Pope in 1276, having previously served as a papal representative to England. He died later the same year that he ascended to the papal throne. Dante’s readiness to use ecclesiastical figures as examples in his poetry has already been well established in the Inferno. His use of Adrian as an example of avarice suggests Dante’s broader attitude about the combining of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Canto 21 Quotes

Tremors strike here when any soul feels pure
and rises, newly cleansed, to start its climb.
And that cry follows as the soul ascends.

The will alone gives proof of purity
when, wholly free to change its sacred place,
it aids and sweeps the soul up, willing well.

Related Characters: Statius (speaker), Virgil, Dante
Related Symbols: Journeys and Climbing
Page Number and Citation: 257
Explanation and Analysis:
Near the top of their climb up Mount Purgatory, Dante and Virgil are startled by an earthquake and a shout of praise from nearby penitents. Upon questioning their present guide, Statius, they learn that whenever a soul a liberated from Purgatory, the entire mountain shakes. Statius’s point in these lines has to do with the role that individual will plays in a soul’s liberation. In short, it’s not that a cleansed soul is granted release, but that the soul chooses release (“the will alone gives proof of purity”) because his or her will has become completely free at last (“willing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Canto 23 Quotes

While I, through these green boughs, fixed searching sight
as might some hunter tracking little birds,
who spends his life in vain on that pursuit),
my more-than-father spoke. ‘Dear son,’ he said,
‘do come along. The time appointed us
should be more usefully divided out.’

Related Characters: Dante (speaker), Virgil
Page Number and Citation: 265
Explanation and Analysis:
In this passage, Dante and Virgil reach the level of Purgatory allotted to the gluttonous. When they first arrive, however, Dante looks more like a sightseer than someone seeking spiritual understanding, peeking through the branches of trees at the souls present instead of proceeding on his pilgrimage. Virgil duly scolds him, reminding him that they have a set time appointed for their journey through the afterlife and should use it as effectively as possible. This is a reminder that Purgatory isn’t a place for curiously observing others’ sins, but for diligent labor on behalf of one’s own sin. While this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque er

And all these people, weeping as they sing,
because their gullets led them past all norms,
are here remade as holy, thirsting, hungering.

Cravings to eat and drink are fired in us
by perfumes from that fruit and from the spray
that spreads in fans above the greenery.

Related Characters: Forese (speaker), Dante
Page Number and Citation: 267
Explanation and Analysis:
When they reach the level of the gluttonous, Virgil and Dante encounter the soul of a close earthly friend of Dante’s named Forese, who explains the nature of the penance undertaken here. On earth, gluttonous people’s insatiable desire for food and drink had “led them past all norms,” meaning that they failed to limit themselves to reasonable amounts of what they craved. In Purgatory, therefore, they’re forced to learn how to endure hunger and thirst as they are constantly surrounded by the scent from a tempting fruit tree. This passage provides two important reminders of the nature of Purgatory. First, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

Canto 25 Quotes

Open your heart. Receive the coming truth.
Know this: when once the foetal brain is brought
to full articulation in the womb,

the Primal Cause of Motion turns in joy
to see so much of Nature’s art, and breathes
new breath of spirit filled with power within,

which draws all active elements it finds
into its being and thus forms one soul
which lives and feels and turns as conscious self.

Related Characters: Statius (speaker), Dante
Page Number and Citation: 276
Explanation and Analysis:
This rather obscure passage considers a theory of the formation of the human soul. After visiting the level of the gluttonous, Dante is puzzled as to why the spiritual bodies of the penitents—which do not require sustenance, after all—are so withered and thin from fasting. At this point, his and Virgil’s guide, Statius, explains the philosophy behind this apparent paradox. To put it briefly, souls are created out of the same material as bodies and, because of this direct connection, accurately reflect the truth about the individual’s body. Building on this point, Statius clarifies the further point that God directly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligen

Canto 27 Quotes

Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.

And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.

Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?

Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not be made the balder by one hair.

Related Characters: Dante (speaker), Virgil (speaker)
Page Number and Citation: 284
Explanation and Analysis:
This passage explains that the penance of the lustful involves passing through a wall of purifying fire—something all souls must go through as the exit Purgatory. The same is true for Dante; the wall of purifying is the last obstacle that stands between him and the Earthly Paradise, where he will meet Beatrice. It’s also the first time in his journey through Purgatory that Dante balks at what he faces, and Virgil speaks moving words of encouragement to his “son,” reminding him that, all the way through Hell and Purgatory, he hasn’t steered Dante wrong, and he won’t do so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debi

Then, firmly, Virgil fixed his eyes on me,
saying: ‘The temporal and eternal fires
you’ve seen, my son, and now you’re in a place
where I, through my own powers, can tell no more.

I’ve drawn you here by skill and searching mind.
Now take what pleases you to be your guide.
You’re now beyond the steeps, beyond all straits. […]

No longer look to me for signs or word.
Your will is healthy, upright, free and whole.
And not to heed that sense would be a fault.
Lord of yourself, I crown and mitre you.’

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 287
Explanation and Analysis:
These final words from Virgil movingly conclude the fatherly guidance he’s given Dante all the way through Inferno and now Purgatorio. He explains to Dante that he can no longer serve as guide. In part, this is because Virgil has only been granted leave to journey this far; he’s not a Christian, and as such, he's been presented throughout Purgatorio as lacking the requisite grace to draw near to God. The even bigger reason for Virgil’s departure, though, is that Dante is now capable of being his own guide. His will has been purified by the journey through Purgatory, so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M

Canto 30 Quotes

Risen from body into spirit-form,
my goodness, power and beauty grew more strong.
Yet I to him was then less dear, less pleasing.

He turned his steps to paths that were not true.
He followed images of failing good
which cannot meet, in full, their promises.

Related Characters: Beatrice (speaker), Dante
Page Number and Citation: 302
Explanation and Analysis:
When Dante arrives in the Earthly Paradise at the summit of Mount Purgatory, he finally meets his beloved Beatrice face to face. Beatrice had been the object of Dante’s ardent love on earth, and following her death, she became for Dante the symbol not just of all things good and holy, but of God’s loving union with the human soul. Seeing from Heaven that Dante had fallen into sinful habits and was bound for damnation, Beatrice originally sent Virgil’s soul to rescue Dante by leading him through the afterlife. When Dante finally sees her again, however, the reunion isn’t quite Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non invento

Canto 33 Quotes

However, since these pages now are full,
prepared by rights to take the second song,
the reins of art won’t let me pass beyond.

I came back from that holiest of waves
remade, refreshed as any new tree is,
renewed, refreshed with foliage anew,

pure and prepared to rise towards the stars.

Related Characters: Dante (speaker)
Related Symbols: Stars, Journeys and Climbing
Page Number and Citation: 318
Explanation and Analysis:
These closing words of the Purgatorio some up Dante’s journey so far and look ahead to his subsequent travels through Paradise, which are chronicled in Paradiso. The last thing Dante must do in the Earthly Paradise is to bathe in the river Eunoe, which (after the river Lethe erased the memory of his sins) restores his memory of the past, only now without shame or remorse. Thus he’s now able to commit himself anew to telling his story, with a richer spiritual understanding than he had before. Like a tree sprouting with renewed life, Dante is a more mature, fruitful Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessit
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Dante Character Timeline in Purgatorio

The timeline below shows where the character Dante appears in Purgatorio. The colored dots and icons indicate which themes are associated with that appearance.
Canto 1
Purgatory and the Heavenward Journey Theme Icon
Time Theme Icon
Having left Hell behind, Dante will now speak of Purgatory, the realm where souls cleanse themselves for Heaven. He invokes... (full context)
Purgatory and the Heavenward Journey Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Dante sees a respectable-looking, white-bearded old man, who asks Dante and Virgil what they’re doing here—have... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Cato instructs Virgil to gird Dante with a reed belt and to wash Dante’s face. After Cato leaves, Virgil and Dante... (full context)
Canto 2
Purgatory and the Heavenward Journey Theme Icon
It’s now sunrise, and Virgil and Dante walk along the shore. Suddenly, Dante sees a light moving swiftly across the sea, growing... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
The souls huddle on the shore, taking in their new surroundings. They ask Virgil and Dante for directions to Mount Purgatory, but Virgil explains that they, too, are pilgrims. Awed, the... (full context)
Canto 3
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Love, Sin, and God Theme Icon
As Dante and Virgil continue on their way, Dante is puzzled by Virgil’s lack of a shadow.... (full context)
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Love, Sin, and God Theme Icon
Time Theme Icon
Dante and Virgil arrive at the mountain’s base. The mountain is forbiddingly steep. A group of... (full context)
Canto 4
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Love, Sin, and God Theme Icon
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From this first terrace of Purgatory, Dante and Virgil follow the excommunicated souls and climb up a steep, narrow passage. After scrambling... (full context)
Canto 5
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Love, Sin, and God Theme Icon
Time Theme Icon
Dante and Virgil continue their climb up the Second Terrace. They come across a group of... (full context)
Canto 6
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By promising prayers to various unshriven penitents, Dante manages to extricate himself from the crowd. Dante asks Virgil if the people’s requests are... (full context)
Purgatory and the Heavenward Journey Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As Virgil and Dante continue the climb, they meet another familiar soul, this one silent and haughty. When Virgil... (full context)
Spiritual Power vs. Earthly Power Theme Icon
Dante continues his tirade, naming several rival Italian families, including the Montagues, Capulets, and others, who... (full context)
Canto 7
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Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Sordello leads Dante and Virgil to a cliff, overlooking a valley filled with beautiful flowers and a sweet... (full context)
Canto 8
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Love, Sin, and God Theme Icon
As Virgil and Dante draw nearer to the group of penitents, an old acquaintance of Dante’s, Nino, recognizes him.... (full context)
Canto 9
Purgatory and the Heavenward Journey Theme Icon
Dante falls asleep and dreams of a golden eagle sweeping him into the sky. Waking, he... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Virgil and Dante climb three steps—the first of marble, the second of rough stone, the third of bright-red... (full context)
Canto 10
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Love, Sin, and God Theme Icon
The gate of Purgatory slams shut behind Dante and Virgil, and they climb cautiously up a narrow, zigzagging cleft of rock. They eventually... (full context)
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Love, Sin, and God Theme Icon
Dante and Virgil notice humanlike forms moving toward them, but their appearance is strange, as they... (full context)
Canto 11
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Love, Sin, and God Theme Icon
Free Will Theme Icon
...remaining on earth. They continue on their way, each bearing his or her assigned load. Dante observes that those on Earth ought to help these sinners through their own prayers. (full context)
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Love, Sin, and God Theme Icon
In response to Virgil’s questioning, the souls direct him and Dante along a less-difficult path. One soul introduces himself as Omberto Aldobrandesco, offspring of a noble... (full context)
Canto 12
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
As Virgil and Dante continue to climb, Dante notices fine carvings along the path, depicting various biblical and classical... (full context)
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Love, Sin, and God Theme Icon
Free Will Theme Icon
...of steps that will lead them more easily upward, and he brushes his wings across Dante’s forehead, erasing the first of the seven “P”s. As the two climb, they hear voices... (full context)
Canto 13
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Love, Sin, and God Theme Icon
As Dante and Virgil climb to the next level, they reach another ledge curving around the mountain,... (full context)
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Free Will Theme Icon
Dante asks if any of these pitiful souls is Italian, and a soul named Sapia, a... (full context)
Canto 14
Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Two souls, leaning on one another, approach Dante to ask him about his origins. When Dante identifies himself as originating from the banks... (full context)
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Love, Sin, and God Theme Icon
As the two figures move on, Dante and Virgil hear the voices in the air reciting examples of envy, like Cain slaying... (full context)
Canto 15
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Free Will Theme Icon
Dante and Virgil continue their climb and are greeted by a joyful angel who encourages them... (full context)
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Love, Sin, and God Theme Icon
Arriving on the next level, Dante sees a vision of Mary discovering Jesus in the temple, the near-execution of Pisistratus, and... (full context)
Canto 16
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Love, Sin, and God Theme Icon
Free Will Theme Icon
Virgil guides Dante through the enveloping smoke of the third level of lower Purgatory. They hear souls singing... (full context)
Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
...now joined. When these two forms of power are connected by force, nothing good follows. Dante wants to question Lombardo further, but Lombardo must turn back, seeing the angel in the... (full context)
Canto 17
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Love, Sin, and God Theme Icon
As Dante emerges from the cloud of smoke, he sees visions of wrath, such as the hanging... (full context)
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...other people’s harm. This takes the form of pride, envy, and wrath, as he and Dante have already seen. (full context)
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...of that good. The other types fall short of seeking the greatest good (God). As Dante will soon see, these include sloth, avarice, greed, and lust. (full context)
Canto 18
Love, Sin, and God Theme Icon
Free Will Theme Icon
Dante asks Virgil to explain love further. Virgil explains that the human mind tends toward things... (full context)
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Free Will Theme Icon
Dante understands Virgil’s words but is nevertheless confused. If love is drawn by an object outside... (full context)
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Time Theme Icon
After this exchange, Dante suddenly sees a multitude of people running towards them. The two at the forefront are... (full context)
Canto 19
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Free Will Theme Icon
Before sunrise, Dante is approached by a cross-eyed, decrepit crone who begins to sing attractively—she’s a siren. Just... (full context)
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Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As the two continue their climb, Dante is distracted by the nightmare of the siren. Virgil says that the next level of... (full context)
Canto 20
Free Will Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As Dante and Virgil continue climbing, Dante hears a weeping voice calling out examples of poverty, greed’s... (full context)
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Love, Sin, and God Theme Icon
After Dante and Virgil move on, Dante is alarmed when the entire mountain shakes violently. All the... (full context)
Canto 21
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Free Will Theme Icon
Dante and Virgil are overtaken and greeted by an unidentified soul. The figure explains that the... (full context)
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...“nurse in poetry,” his inspiration. When Statius says he wishes he’d lived in Virgil’s time, Dante can’t suppress a smile, and he reveals that Virgil is his guide, standing before them... (full context)
Canto 22
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Love, Sin, and God Theme Icon
Having been cleansed by an angel of the sin of covetousness, Dante follows Statius and Virgil upward. Kindly, Virgil asks Statius how a wise man like himself... (full context)
Canto 23
Love, Sin, and God Theme Icon
Time Theme Icon
As Dante idles behind Virgil and Statius, Virgil urges him onward, reminding him that their appointed time... (full context)
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Love, Sin, and God Theme Icon
Free Will Theme Icon
One of the figures addresses Dante, and though Dante doesn’t recognize the wasted face, the voice is familiar—it’s his old friend... (full context)
Canto 24
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Love, Sin, and God Theme Icon
As Forese and Dante walk along, Forese identifying some of his fellow penitents, Dante is approached by a poet... (full context)
Canto 25
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Love, Sin, and God Theme Icon
Dante, Virgil, and Statius continue their climb, reaching a narrow stairway they must climb single-file. Seeing... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...narrow rim. They hear the lustful penitents singing the hymn “God of supreme clemency,” and Dante sees spirits walking through the flames. After they finish singing the hymn, the spirits call... (full context)
Canto 26
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
The souls walking within the fire are puzzled by the fact that Dante is evidently alive. But before he can answer their curious questions, Dante is distracted by... (full context)
Canto 27
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...angel tells the souls that without passing through the fire, they can’t be purged. When Dante stares uneasily into the fire, Virgil encourages him, promising that though the fire will be... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
Virgil, Dante, and Statius step into the fire. Immediately, the heat is so intense that Dante wishes... (full context)
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Dante falls asleep and dreams of a young girl singing and picking flowers; she identifies herself... (full context)
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Love, Sin, and God Theme Icon
Free Will Theme Icon
When they reach the top step, Virgil looks firmly at Dante and says that he’s guided Dante through Hell and Purgatory, but he can’t show him... (full context)
Canto 28
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Love, Sin, and God Theme Icon
Dante emerges into a bright, fragrant forest, eager to take it all in. The wood is... (full context)
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Love, Sin, and God Theme Icon
Dante asks the lady to explain this place, and she explains that it’s the Earthly Paradise—a... (full context)
Canto 29
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Love, Sin, and God Theme Icon
...says, “blessed are they whose sins are covered.” Then she walks along the brook, with Dante following on the opposite bank. As they round a curve, the lady enjoins Dante to... (full context)
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Love, Sin, and God Theme Icon
...by a group of seven elders garlanded with flowers. The procession stops in front of Dante, and thunder is heard. (full context)
Canto 30
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...from the angels’ hands, a white-veiled lady in a green robe and red dress appears. Dante, sensing “the ancient power of what love was,” begins to tremble and instinctively turns toward... (full context)
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Love, Sin, and God Theme Icon
A voice reproves Dante for weeping at Virgil’s absence. At the sound of his name, Dante turns and sees... (full context)
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Love, Sin, and God Theme Icon
Beatrice addresses the angels above, explaining that Dante’s grief and guilt for his sin are fully surfacing at last. In her youth, she... (full context)
Canto 31
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Love, Sin, and God Theme Icon
Weeping and overcome, Dante stammers out a confession that, indeed, after Beatrice’s death, he was distracted by “mere things... (full context)
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Love, Sin, and God Theme Icon
Then, Dante finds himself being drawn into the stream by Matilda’s grip. After he’s been submerged in... (full context)
Canto 32
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Overwhelmed, Dante cannot stop staring at Beatrice until his gaze is forcibly turned aside by the Graces.... (full context)
Spiritual Power vs. Earthly Power Theme Icon
Time Theme Icon
Dante is lulled to sleep by the beautiful hymn, and Matilda awakes him sometime later. She... (full context)
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...as well as a giant; the two frequently embrace. When the whore is distracted by Dante, the giant becomes enraged and beats her; the two then disappear into the surrounding woods. (full context)
Canto 33
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Then the whole group continues on their way, but after a little while, Beatrice gives Dante a piercing glance, knowing he has questions. Finally, Dante pulls himself together to ask Beatrice... (full context)
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Love, Sin, and God Theme Icon
...diverging streams in the distance, and Matilda explains that this is Eunoe. She draws both Dante and Statius toward the water. Dante takes an inexpressibly sweet drink and withdraws from the... (full context)