Purgatorio
by Dante Alighieri
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Virgil Character Analysis

Virgil, a poet of the first century B.C.E., accompanies Dante through Purgatory as a guide, leader, and father figure. Virgil is wise, patient, and loving, though he can also be stern, warning Dante not to waste precious time on his journey. Because Virgil is not a Christian (he lived before Christ was born), yet is regarded as virtuous, he resides in the relatively benign section of Hell known as Limbo and is given special leave to enter Purgatory, though he cannot accompany Dante beyond it. Throughout the journey, Virgil delivers discourses on the nature of love and sin, which illuminate Dante’s understanding of what he witnesses in Purgatory as well as Dante’s own spiritual journey towards God. During the journey through Purgatory, several souls of poets, like Sordello and Statius, are in awe of the chance to meet Virgil, their literary hero. Indeed, Virgil’s epic poem The Aeneid greatly inspire Dante’s own writing.

Virgil Quotes in Purgatorio

The Purgatorio quotes below are all either spoken by Virgil or refer to Virgil. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Purgatory and the Heavenward Journey Theme Icon
).

Canto 3 Quotes

It’s madness if we hope that rational minds
should ever follow to its end the road
that one true being in three persons takes.

Content yourselves with quia, human kind.
Had you been able to see everything,
Mary need not have laboured to give birth.

You saw the fruitless yearning of those men
who might have had that yearning satisfied,
now given them eternally to mourn.

Plato, I mean, and Aristotle, too, and many more with them.’

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 169
Explanation and Analysis:
As Virgil and Dante begin their journey through Purgatory, Dante is puzzled by the fact that Virgil’s form casts no shadow, whereas his does. In response, Virgil cautions Dante not to expect to be able to grasp the “why” behind everything he sees using his rational mind. “One true being in three persons” refers to the Christian doctrine of the Trinity—a markedly difficult-to-understand teaching and a good example of something that no human being can presume to fully understand. For a Christian, it’s an article of faith that should be accepted, but that doesn’t mean a Christian should pry into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

Canto 7 Quotes

There is a place down there not grim with pain
but only with sad shades whose deep laments
sound not as screams but melancholy sighs.

I take my place with children – innocents
in whom the bite of death set lethal teeth
before they’d been made free of human sin.

And there I stay with all who were not clothed
in those three holy virtues – though I knew,
and, guiltless, followed all the other four.

Related Characters: Virgil (speaker), Sordello
Page Number and Citation: 189
Explanation and Analysis:
As they climb the lower terraces of Purgatory, Dante and Virgil meet the soul of a man named Sordello, a poet, who wants to know more about Virgil’s fate in the afterlife. This prompts Virgil to describe conditions in Limbo, a less tormenting section of Hell. Unlike darker regions of Hell described in Dante’s Inferno, Limbo is a more benign place marked by sadness and the deprivation of God’s presence instead of pain and suffering. Virgil lives there with the souls of infants who had not received the sacrament of baptism before dying (through which souls, inheriting Adam’s sin, are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit

Canto 12 Quotes

We were, by now, ascending that great stair.
And I, it seemed, was lighter now by far
than I had seemed while still on level ground.

So, ‘Tell me, sir,’ I said, ‘what weight has now
been lifted from me, so I almost feel
no strain at all in walking on my way?’

He answered: ‘When the “P”s that mark your brow,
remaining still, though growing now more faint,
have all (as is the first) been sheared away,

your steps will then be conquered by good will
and, being thus impelled towards the heights,
will feel no strain but only sheer delight.’

Related Characters: Virgil (speaker), Dante (speaker)
Related Symbols: Journeys and Climbing
Page Number and Citation: 215
Explanation and Analysis:
When Dante and Virgil explore Purgatory, the journey is envisioned as a strenuous climb up a mountain, with different sins being cleansed on successively narrower ledges of the mountain. At the beginning of the journey, an angel inscribes seven “P”s on Dante’s forehead, standing for the seven primary sins (“sin” in Latin is peccatum). As Dante proceeds through each level, the angel attending that level brushes away the relevant “P,” symbolizing the purging of that particular sin. Dante notices that, as he climbs higher, his steps—which felt so heavy at first—feel lighter and lighter, suggesting as that sins are purged, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

Canto 15 Quotes

Because your human longings point to where
portions grow smaller in shared fellowship,
meanness of mind must make the bellows sigh.

If love, though, seeking for the utmost sphere,
should ever wrench your longings to the skies,
such fears would have no place within your breast.

For, there, the more that we can speak of “ours”,
the more each one possesses of the good
and, in that cloister, caritas burns brighter.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 227
Explanation and Analysis:
This somewhat obscure passage is simply Virgil’s way of describing generosity and human reciprocity to Dante. The two have just proceeded through the level of Purgatory where the sin of envy is purged, and Dante has had the appropriate “P” (signifying Peccatum, or sin) erased from his forehead by the Angel of Generosity—generosity being the virtue that sinners should adopt in the effort to cleanse themselves of envy. As they continue heading upward, Virgil takes the opportunity to deliver a discourse on an aspect of love. He explains that, when it comes to generosity, human beings typically assume that sharing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

Canto 17 Quotes

Neither creator nor created thing
was ever, dearest son, without’ (he starts)
‘the love of mind or nature. You know that.

The natural love can never go astray.
The other, though, may err when wrongly aimed,
or else through too much vigour or the lack. […]

Hence, of necessity, you’ll understand
that love must be the seed of all good powers,
as, too, of penalties your deeds deserve.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 238
Explanation and Analysis:
Halfway through the poem, when Dante and Virgil have to stop climbing for the night, Virgil takes the opportunity to explain the nature of sin—the theory governing the cleansing of sin in Purgatory. Virgil explains that, contrary to expectation, all sin arises from love. Every created human being is endowed with what he calls “the love of nature”—which is basically instinct—and “the love of mind,” or love governed by the rational will. It’s this latter form of love that gets a person into trouble. Such love can get off course in three major ways, which correspond to the three major Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

If love is slack in drawing you to view –
or win – that good, then this ledge, where we’re now,
after your fit repentance, martyrs you.

And other goods will not bring happiness,
not happy in themselves, nor that good source
of being, seed and flower of all that’s good.

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 239
Explanation and Analysis:
In this quote Virgil further elaborates on the nature of sin as it’s rooted in love, particularly defective and excessive forms of love. Arriving on the level of Purgatory where sloth is purged, Virgil explains that everyone has some inkling of the ultimate Good (God), but that not everyone pursues that Good with all their ability (that is, their rationally directed love doesn’t pursue God avidly enough). That’s why the sin of sloth must be purged by instilling the virtue of zeal in its place. As for the remaining levels of Purgatory, the nature of sin is that people pursue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Vel

Canto 21 Quotes

Tremors strike here when any soul feels pure
and rises, newly cleansed, to start its climb.
And that cry follows as the soul ascends.

The will alone gives proof of purity
when, wholly free to change its sacred place,
it aids and sweeps the soul up, willing well.

Related Characters: Statius (speaker), Virgil, Dante
Related Symbols: Journeys and Climbing
Page Number and Citation: 257
Explanation and Analysis:
Near the top of their climb up Mount Purgatory, Dante and Virgil are startled by an earthquake and a shout of praise from nearby penitents. Upon questioning their present guide, Statius, they learn that whenever a soul a liberated from Purgatory, the entire mountain shakes. Statius’s point in these lines has to do with the role that individual will plays in a soul’s liberation. In short, it’s not that a cleansed soul is granted release, but that the soul chooses release (“the will alone gives proof of purity”) because his or her will has become completely free at last (“willing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Canto 23 Quotes

While I, through these green boughs, fixed searching sight
as might some hunter tracking little birds,
who spends his life in vain on that pursuit),
my more-than-father spoke. ‘Dear son,’ he said,
‘do come along. The time appointed us
should be more usefully divided out.’

Related Characters: Dante (speaker), Virgil
Page Number and Citation: 265
Explanation and Analysis:
In this passage, Dante and Virgil reach the level of Purgatory allotted to the gluttonous. When they first arrive, however, Dante looks more like a sightseer than someone seeking spiritual understanding, peeking through the branches of trees at the souls present instead of proceeding on his pilgrimage. Virgil duly scolds him, reminding him that they have a set time appointed for their journey through the afterlife and should use it as effectively as possible. This is a reminder that Purgatory isn’t a place for curiously observing others’ sins, but for diligent labor on behalf of one’s own sin. While this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque er

Canto 27 Quotes

Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.

And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.

Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?

Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not be made the balder by one hair.

Related Characters: Dante (speaker), Virgil (speaker)
Page Number and Citation: 284
Explanation and Analysis:
This passage explains that the penance of the lustful involves passing through a wall of purifying fire—something all souls must go through as the exit Purgatory. The same is true for Dante; the wall of purifying is the last obstacle that stands between him and the Earthly Paradise, where he will meet Beatrice. It’s also the first time in his journey through Purgatory that Dante balks at what he faces, and Virgil speaks moving words of encouragement to his “son,” reminding him that, all the way through Hell and Purgatory, he hasn’t steered Dante wrong, and he won’t do so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debi

Then, firmly, Virgil fixed his eyes on me,
saying: ‘The temporal and eternal fires
you’ve seen, my son, and now you’re in a place
where I, through my own powers, can tell no more.

I’ve drawn you here by skill and searching mind.
Now take what pleases you to be your guide.
You’re now beyond the steeps, beyond all straits. […]

No longer look to me for signs or word.
Your will is healthy, upright, free and whole.
And not to heed that sense would be a fault.
Lord of yourself, I crown and mitre you.’

Related Characters: Virgil (speaker), Dante
Page Number and Citation: 287
Explanation and Analysis:
These final words from Virgil movingly conclude the fatherly guidance he’s given Dante all the way through Inferno and now Purgatorio. He explains to Dante that he can no longer serve as guide. In part, this is because Virgil has only been granted leave to journey this far; he’s not a Christian, and as such, he's been presented throughout Purgatorio as lacking the requisite grace to draw near to God. The even bigger reason for Virgil’s departure, though, is that Dante is now capable of being his own guide. His will has been purified by the journey through Purgatory, so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M
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Virgil Character Timeline in Purgatorio

The timeline below shows where the character Virgil appears in Purgatorio. The colored dots and icons indicate which themes are associated with that appearance.
Canto 1
Purgatory and the Heavenward Journey Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Dante sees a respectable-looking, white-bearded old man, who asks Dante and Virgil what they’re doing here—have the laws changed, allowing inhabitants of Hell to enter Purgatory? Virgil... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Cato instructs Virgil to gird Dante with a reed belt and to wash Dante’s face. After Cato leaves,... (full context)
Canto 2
Purgatory and the Heavenward Journey Theme Icon
It’s now sunrise, and Virgil and Dante walk along the shore. Suddenly, Dante sees a light moving swiftly across the... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
The souls huddle on the shore, taking in their new surroundings. They ask Virgil and Dante for directions to Mount Purgatory, but Virgil explains that they, too, are pilgrims.... (full context)
Canto 3
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
As Dante and Virgil continue on their way, Dante is puzzled by Virgil’s lack of a shadow. Virgil tells... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
Dante and Virgil arrive at the mountain’s base. The mountain is forbiddingly steep. A group of souls, looking... (full context)
Canto 4
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
From this first terrace of Purgatory, Dante and Virgil follow the excommunicated souls and climb up a steep, narrow passage. After scrambling on hands... (full context)
Canto 5
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
Dante and Virgil continue their climb up the Second Terrace. They come across a group of souls chanting... (full context)
Canto 6
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...prayers to various unshriven penitents, Dante manages to extricate himself from the crowd. Dante asks Virgil if the people’s requests are in vain, since he recalls that Virgil’s own writings suggest... (full context)
Purgatory and the Heavenward Journey Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As Virgil and Dante continue the climb, they meet another familiar soul, this one silent and haughty.... (full context)
Canto 7
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
Virgil identifies himself to Sordello, explaining that he has been barred from Heaven for his lack... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Sordello leads Dante and Virgil to a cliff, overlooking a valley filled with beautiful flowers and a sweet aroma, where... (full context)
Canto 8
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
As Virgil and Dante draw nearer to the group of penitents, an old acquaintance of Dante’s, Nino,... (full context)
Canto 9
Purgatory and the Heavenward Journey Theme Icon
...sweeping him into the sky. Waking, he finds that it’s morning, and that he and Virgil have been carried to the portal of Purgatory proper. A lady named Lucia carried Dante,... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Virgil and Dante climb three steps—the first of marble, the second of rough stone, the third... (full context)
Canto 10
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
The gate of Purgatory slams shut behind Dante and Virgil, and they climb cautiously up a narrow, zigzagging cleft of rock. They eventually stop to... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Dante and Virgil notice humanlike forms moving toward them, but their appearance is strange, as they are bent... (full context)
Canto 11
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
In response to Virgil’s questioning, the souls direct him and Dante along a less-difficult path. One soul introduces himself... (full context)
Canto 12
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
As Virgil and Dante continue to climb, Dante notices fine carvings along the path, depicting various biblical... (full context)
Canto 13
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
As Dante and Virgil climb to the next level, they reach another ledge curving around the mountain, this one... (full context)
Canto 14
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
As the two figures move on, Dante and Virgil hear the voices in the air reciting examples of envy, like Cain slaying his brother... (full context)
Canto 15
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
Dante and Virgil continue their climb and are greeted by a joyful angel who encourages them to climb... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...of Pisistratus, and the stoning of Stephen. These visions leave Dante reeling, and he tells Virgil about what he’s seen. As they journey onward, they see a thick cloud of smoke... (full context)
Canto 16
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
Virgil guides Dante through the enveloping smoke of the third level of lower Purgatory. They hear... (full context)
Canto 17
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...song, “Blessed are the peacemakers.” Night falls, and it’s too late to climb further, but Virgil explains that the next circle is where the sin of sloth—“the love of good […]... (full context)
Love, Sin, and God Theme Icon
Free Will Theme Icon
Virgil takes the opportunity to discuss the nature of sin. Every created thing, he explains, possesses... (full context)
Love, Sin, and God Theme Icon
Virgil elaborates on the three types of sin being purged in Purgatory. The first three types... (full context)
Love, Sin, and God Theme Icon
The next types of sin, Virgil explains, are those which “[run], in broken order, after good.” The first of these, sloth,... (full context)
Canto 18
Love, Sin, and God Theme Icon
Free Will Theme Icon
Dante asks Virgil to explain love further. Virgil explains that the human mind tends toward things that give... (full context)
Love, Sin, and God Theme Icon
Free Will Theme Icon
Dante understands Virgil’s words but is nevertheless confused. If love is drawn by an object outside of a... (full context)
Canto 19
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
...and other mariners), another woman, looking “holy and alert,” appears and silences the siren. When Virgil rips the siren’s guts open, Dante awakens, realizing it’s been a dream, and Virgil urges... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As the two continue their climb, Dante is distracted by the nightmare of the siren. Virgil says that the next level of Purgatory will help explain things. As they ascend, Dante... (full context)
Canto 20
Free Will Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As Dante and Virgil continue climbing, Dante hears a weeping voice calling out examples of poverty, greed’s opposite—such as... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
After Dante and Virgil move on, Dante is alarmed when the entire mountain shakes violently. All the souls cry... (full context)
Canto 21
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
Dante and Virgil are overtaken and greeted by an unidentified soul. The figure explains that the tremors happen... (full context)
Purgatory and the Heavenward Journey Theme Icon
Virgil wants to know who this soul might be, and he identifies himself as Statius, an... (full context)
Canto 22
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Having been cleansed by an angel of the sin of covetousness, Dante follows Statius and Virgil upward. Kindly, Virgil asks Statius how a wise man like himself ended up doing such... (full context)
Canto 23
Love, Sin, and God Theme Icon
Time Theme Icon
As Dante idles behind Virgil and Statius, Virgil urges him onward, reminding him that their appointed time should be used... (full context)
Canto 25
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Dante, Virgil, and Statius continue their climb, reaching a narrow stairway they must climb single-file. Seeing Dante’s... (full context)
Canto 27
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...passing through the fire, they can’t be purged. When Dante stares uneasily into the fire, Virgil encourages him, promising that though the fire will be painful, it will never harm him.... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Time Theme Icon
Virgil, Dante, and Statius step into the fire. Immediately, the heat is so intense that Dante... (full context)
Purgatory and the Heavenward Journey Theme Icon
...contemplating her image—“seeing, for her, is all—as doing is for me.” When Dante wakes up, Virgil assures him that, today, all his desires will be satisfied. Encouraged by this, Dante hurries... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
When they reach the top step, Virgil looks firmly at Dante and says that he’s guided Dante through Hell and Purgatory, but... (full context)
Canto 30
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
...chariot, 100 angels sing, “Blessed art thou who comest,” as well as a line from Virgil’s Aeneid: “With full hands give lilies.” As flowers drift around the chariot from the angels’... (full context)
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
A voice reproves Dante for weeping at Virgil’s absence. At the sound of his name, Dante turns and sees Beatrice, still veiled, looking... (full context)