Purple Hibiscus
by Chimamanda Ngozi Adichie
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Chapter 1 Quotes

I waited for him to ask Jaja and me to take a sip, as he always did. A love sip, he called it, because you shared the little things you loved with the people you loved. Have a love sip, he would say, and Jaja would go first. Then I would hold the cup with both hands and raise it to my lips. One sip. The tea was always too hot, always burned my tongue, and if lunch was something peppery, my raw tongue suffered. But it didn’t matter, because I knew that when the tea burned my tongue, it burned Papa’s love into me.

Related Characters: Kambili Achike (speaker), Jaja (Chukwuka Achike), Papa (Eugene Achike)
Related Literary Devices:
Page Number and Citation: 8
Explanation and Analysis:
In this symbolically loaded passage, we witness Kambili, the heroine of the novel, waiting to sip a cup of her Papa's hot tea with her brother, Jaja. Kambili and Jaja are used to these "love sips," and in fact they look forward to them, as they seem to prove their Papa's love for them. The ritual is so much a part of Kambili's life that she associates her father's love itself with hot tea: they're both (supposedly) good for her, even if they hurt her in the short term.We have yet to witness the full extent of Papa's violence to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Ex

Papa was staring pointedly at Jaja. “Jaja, have you not shared a drink with us, gbo? Have you no words in your mouth?” he asked, entirely in Igbo. A bad sign. He hardly spoke Igbo, and although Jaja and I spoke it with Mama at home, he did not like us to speak it in public. We had to sound civilized in public, he told us; we had to speak English. Papa’s sister, Aunty Ifeoma, said once that Papa was too much of a colonial product. She had said this about Papa in a mild, forgiving way, as if it were not Papa’s fault…
“Mba, there are no words in my mouth,” Jaja replied.
“What?” There was a shadow clouding Papa’s eyes, a shadow that had been in Jaja’s eyes. Fear. It had left Jaja’s eyes and entered Papa’s.
“I have nothing to say,” Jaja said.

Related Characters: Papa (Eugene Achike) (speaker), Jaja (Chukwuka Achike), Kambili Achike
Page Number and Citation: 13
Explanation and Analysis:
In this passage, Papa--who has just made his family members try his company's new batch of cashew juice--notices that his son, Jaja, is conspicuously silent. Jaja seems to finally be standing up to his abusive, tyrannical father by refusing to parrot the usual praise that is expected of him.We will see that Kambili and Jaja are known for their silence and obedience, but here Jaja starts to turn that silence into a weapon against Papa--by refusing to even speak to Papa, Jaja robs his father of some of his power.The ideas of speech and silence here are also heavily influenced Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

I lay in bed after Mama left and let my mind rake through the past, through the years when Jaja and Mama and I spoke more with our spirits than with our lips. Until Nsukka. Nsukka started it all; Aunty Ifeoma’s little garden next to the verandah of her flat in Nsukka began to lift the silence. Jaja’s defiance seemed to me now like Aunty Ifeoma’s experimental purple hibiscus: rare, fragrant with the undertones of freedom, a different kind of freedom from the one the crowds waving green leaves chanted at Government Square after the coup. A freedom to be, to do.

Related Characters: Kambili Achike (speaker), Jaja (Chukwuka Achike), Mama (Beatrice Achike), Aunty Ifeoma
Related Symbols: The Purple Hibiscus
Page Number and Citation: 15-16
Explanation and Analysis:
As the first chapter draws to a close, we're introduced to the basic structure of the novel, as well as its dominant motif. The novel will be narrated in flashback, so that by the end, we'll fully understand why Papa broke Mama's figurines, and how their family came to be so divided. Furthermore, Adichie introduces us to the purple hibiscus that will come to stand for the characters' sense of freedom and creativity--a freedom that can't be destroyed by repressive parents or governors, try as they might.The purple hibiscus, Kambili tells us, is free and "experimental"--a sure sign of its Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusa

Chapter 4 Quotes

Papa changed his accent when he spoke, sounding British, just as he did when he spoke to Father Benedict. He was gracious, in the eager-to-please way that he always assumed with the religious, especially with the white religious.

Related Characters: Kambili Achike (speaker), Father Benedict, Papa (Eugene Achike)
Page Number and Citation: 46
Explanation and Analysis:
Here, we see how submissive and toadying Papa is around representatives of the colonial order. Father Benedict is a powerful white priest, who was trained in European schools and embodies the European civilization (the Judeo-Christian values on which the Western world was built). Papa is so respectful of Western culture that he treats Father Benedict with exaggerated respect, speaking to him in a gracious "eager-to-please" way that Kambili can see through immediately (although she doesn't see anything wrong with it yet).Papa is a mess of contradictions: he's politically brave, personally tyrannical, rigidly religious, and impressively philanthropic, and yet he ultimately Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Chapter 5 Quotes

“They are always so quiet,” he said, turning to Papa. “So quiet.”
“They are not like those loud children people are raising these days, with no home training and no fear of God,” Papa said, and I was certain that it was pride that stretched Papa’s lips and tightened his eyes.
“Imagine what the Standard would be if we were all quiet.”
It was a joke. Ade Coker was laughing; so was his wife, Yewanda. But Papa did not laugh. Jaja and I turned and went back upstairs, silently.

Related Characters: Kambili Achike (speaker), Papa (Eugene Achike) (speaker), Ade Coker (speaker), Yewande Coker, Jaja (Chukwuka Achike)
Page Number and Citation: 58
Explanation and Analysis:
In this passage, Papa talks with his friend and business partner Ade Coker about child-rearing policies. Ade points out that Papa's children, including Kambili, are always very quiet--to the point where they never make a sound in public. Papa is clearly very proud of his children; he thinks that his violent parenting methods are justified, since by beating his children they'll be calm and well-behaved at all times (not like other children "these days". Ade points out the strange contradiction in Papa's life: he's a political advocate who uses journalism and his voice (the Standard) to criticize the existing political Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

“Ifeoma could not afford it.” Papa-Nnukwu shook his head. “Since the father of her children died, she has seen hard times. But she will bring them this year. You will see them. It is not right that you don’t know them well, your cousins. It is not right.”
Jaja and I said nothing. We did not know Aunty Ifeoma or her children very well because she and Papa had quarreled about Papa-Nnukwu. Mama told us. Aunty Ifeoma stopped speaking to Papa after he barred Papa-Nnukwu from coming to his house, and a few years passed before they finally started speaking to each other.

Related Characters: Papa-Nnukwu (speaker), Kambili Achike (speaker), Papa (Eugene Achike), Mama (Beatrice Achike), Jaja (Chukwuka Achike), Aunty Ifeoma
Page Number and Citation: 65
Explanation and Analysis:
This quote reaffirms the schism within Kambili's family--a split that is based around Papa's pride and rigid adherence to his own brand of religious dogma. Kambili and Jaja are only allowed to visit their grandfather, Papa-Nnukwu, for fifteen minutes each Christmas, and never to accept food or drink from him. Here Papa-Nnukwu's brief update highlights how different Papa is from his sister, Aunty Ifeoma. Papa is rich; Ifeoma is poor and widowed. Papa is dogmatic and strict; Ifeoma is openminded and independent. Papa places religion over family; Ifeoma does the opposite (she is a Christian too, but still loves and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Chapter 7 Quotes

“…But you know Eugene quarrels with the truths that he does not like. Our father is dying, do you hear me? Dying. He is an old man, how much longer does he have, gbo? Yet Eugene will not let him into this house, will not even greet him… Eugene has to stop doing God’s job. God is big enough to do his own job. If God will judge our father for choosing to follow the way of our ancestors, then let God do the judging, not Eugene.”

Related Characters: Aunty Ifeoma (speaker), Papa-Nnukwu, Mama (Beatrice Achike), Papa (Eugene Achike)
Page Number and Citation: 95-96
Explanation and Analysis:
Here Kamibili overhears her mother talking with Papa's sister, Aunty Ifeoma. Ifeoma is immediately shown to be a strong, confident woman, in contrast with the (relatively) submissive Mama. Ifeoma is the only one willing to tell the truth about Papa--that his ideals and rigid obsession with rules are getting in the way of real familial love and basic human concerns. Papa-Nnukwu, Papa and Ifeoma's father, is dying, but Papa won't visit or help him because Papa-Nnukwu refuses to give up practicing traditional Igbo rituals. (Ifeoma, for her part, is still a Christian, but an openminded one willing to blend Western Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Acc

Papa wanted Father Benedict to hear our confession. We had not gone in Abba because Papa did not like to make his confession in Igbo, and besides, Papa said that the parish priest in Abba was not spiritual enough. That was the problem with our people, Papa told us, our priorities were wrong; we cared too much about huge church buildings and mighty statues. You would never see white people doing that.

Related Characters: Kambili Achike (speaker), Papa (Eugene Achike), Father Benedict
Page Number and Citation: 104
Explanation and Analysis:
In this passage, Papa takes his family to Father Benedict's house for confession instead of going to the Nigerian priest at their church. Papa notes that Father Benedict is more "spiritual," while the church in Abba, by contrast, is more concerned with worldly goods than heavenly ones. Outrageously, Papa notes that white people simply wouldn't be so materialistic.Adichie is being bitterly ironic here, since 1) Western people are plenty materialistic, obviously, and 2) the religious colonization of Nigeria--i.e., the cultural movement that converted Papa to Christianity--was itself motivated by the materialistic desire to steal Nigeria's natural resources. Missionaries and priests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae vo

Chapter 8 Quotes

I did not say anything else until lunch was over, but I listened to every word spoken, followed every cackle of laughter and line of banter. Mostly, my cousins did the talking and Aunty Ifeoma sat back and watched them, eating slowly. She looked like a football coach who had done a good job with her team and was satisfied to stand next to the eighteen-yard box and watch.

Related Characters: Kambili Achike (speaker), Aunty Ifeoma
Page Number and Citation: 120-121
Explanation and Analysis:
Here, Kambili has gone to visit Aunty Ifeoma in her home. There, Kambili is shocked to find a very different kind of household than the one she is used to. Unlike Papa, Aunty Ifeoma encourages noise and conversation--indeed, she seems to enjoy sitting back and listening to her children argue and bicker, as if she's done a "good job" raising them and teaching them to debate about issues freely. Papa, of course, acts like a god in his own home--a tyrant with moral authority in all things--and prefers his wife and children to remain silent at all times, unless they're Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ips

“I hear he’s very involved in the editorial decisions. The Standard is the only paper that dares to tell the truth these days.”
“Yes,” Aunty Ifeoma said. “And he has a brilliant editor, Ade Coker, although I wonder how much longer before they lock him up for good. Even Eugene’s money will not buy everything.”
“I was reading somewhere that Amnesty World is giving your brother an award,” Father Amadi said. He was nodding slowly, admiringly, and I felt myself go warm all over, with pride, with a desire to be associated with Papa.

Related Characters: Aunty Ifeoma (speaker), Father Amadi (speaker), Kambili Achike (speaker), Ade Coker, Papa (Eugene Achike)
Page Number and Citation: 136-137
Explanation and Analysis:
In this passage, Kambili meets Father Amadi, a young, handsome priest. Amadi is impressed to hear that Kambili's father is Eugene Achike, since he knows Eugene to be an important philanthropist and advocate for political freedom: Eugene is regarded as something of a hero among the Nigerian people. Amadi tells Kambili about some of her father's most impressive achievements: as a writer and journalist, he's one of the only figures in the country who dares to criticize the Nigerian leadership, a decision that might eventually lead him into prison (along with his editor, Ade Coker).The passage is notable because it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

Father Amadi led the first decade, and at the end, he started an Igbo praise song. While they sang, I opened my eyes and stared at the wall… I pressed my lips together, biting my lower lip, so my mouth would not join in the singing on its own, so my mouth would not betray me.

Related Characters: Kambili Achike (speaker), Father Amadi
Page Number and Citation: 138
Explanation and Analysis:
Kambili and Jaja have had their eyes opened during their brief time with Aunty Ifeoma and her family. Unlike Father Benedict, Ifeoma's priest Father Amadi is young, openminded, and, most importantly, is accepting of Nigerian and Igbo traditions as being equally valuable to Western Catholic doctrine. As we've already learned, Papa considers Igbo to be a language that is inferior to English, and is even "heathen" in its origins, but Father Amadi embraces Igbo as another language of praise for a universal, life-affirming God. This worldview is obviously more appealing than Papa's, but at this point Kambili is still very Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

Chapter 10 Quotes

Amaka and Papa-Nnukwu spoke sometimes, their voices low, twining together. They understood each other, using the sparest words. Watching them, I felt a longing for something I knew I would never have.

Related Characters: Kambili Achike (speaker), Amaka, Papa-Nnukwu
Page Number and Citation: 165
Explanation and Analysis:
Amaka, Kambili's cousin, and Papa-Nnukwu, Kambili's grandfather, are very close: they clearly love each other deeply, and over the years have developed a close personal language, to the point where they can speak only a few words and understand each other completely. Kambili is jealous of her cousin's close relationship with her grandfather; she wishes that Papa had allowed her to spend more time with Papa-Nnukwu growing up. In short, Kambili is seeing the consequences of his own father's close-mindedness: because Papa didn't get along with his father, Kambili never got to visit her grandfather growing up. She feels that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

“How can Our Lady intercede on behalf of a heathen, Aunty?”
Aunty Ifeoma was silent as she ladled the thick cocoyam paste into the soup pot; then she looked up and said Papa-Nnukwu was not a heathen but a traditionalist, that sometimes what was different was just as good as what was familiar, that when Papa-Nnukwu did his itu-nzu, his declaration of innocence, in the morning, it was the same as our saying the rosary.

Related Characters: Kambili Achike (speaker), Papa-Nnukwu, Aunty Ifeoma
Page Number and Citation: 166
Explanation and Analysis:
The divide within Kambili's family couldn't be clearer in this passage. Kambili has been raised by her Papa to believe in the strictest interpretation of Catholicism; she believes that God doesn't respond to heathens--i.e., those who haven't taken communion and who don't interpret Catholicism correctly. Thus, when Kambili hears Ifeoma praising the Virgin Mary for Papa-Nnukwu's improving health, she doubts that God will listen to prayers on the behalf of a "heathen." Aunty Ifeoma pauses, as if trying to keep from saying something too harsh, and then diplomatically tries to correct some of Kambili's beliefs without attacking Papa too directly: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

I laughed. It sounded strange, as if I were listening to the recorded laughter of a stranger being played back. I was not sure I had ever heard myself laugh.
“Why did you become a priest?” I blurted out, then wished I had not asked, that the bubbles in my throat had not let that through. Of course he had gotten the call, the same call that all the Reverend Sisters in school talked about when they asked us to always listen for the call when we prayed. Sometimes I imagined God calling me, his rumbling voice British-accented. He would not say my name right; like Father Benedict, he would place the emphasis on the second syllable rather than the first.

Related Characters: Kambili Achike (speaker), Father Amadi, Father Benedict
Page Number and Citation: 179-180
Explanation and Analysis:
In this passage, Kambili begins to reluctantly shed some of her preconceptions about life and religion, while moving on to accept others. She's spending time with Father Amadi, who she seems to like a lot. Amadi gets Kambili to loosen up and stop being so silent, and before long, Kambili is laughing for the first time in the entire novel. Kambili asks Amadi why he became a priest, but then regrets this and tells us, the readers, that she knows the answer: God calls priests to the profession.Kambili's idea of God's "calling" shows us how Eurocentric her worldview is because Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

“Ifeoma, did you call a priest?” Papa asked.
“Is that all you can say, eh, Eugene? Have you nothing else to say, gbo? Our father has died! Has your head turned upside down? Will you not help me to bury our father?”
“I cannot participate in a pagan funeral, but we can discuss with the parish priest and arrange a Catholic funeral.”
Aunty Ifeoma got up and started to shout. Her voice was unsteady. “I will put my dead husband’s grave up for sale, Eugene, before I give our father a Catholic funeral. Do you hear me? I said I will sell Ifediora’s grave first! Was our father a Catholic? I ask you, Eugene, was he a Catholic? Uchu gba gi!” Aunty Ifeoma snapped her fingers at Papa; she was throwing a curse at him. Tears rolled down her cheeks.

Related Characters: Aunty Ifeoma (speaker), Papa (Eugene Achike) (speaker), Ifediora, Papa-Nnukwu
Page Number and Citation: 188-189
Explanation and Analysis:
Papa-Nnukwu has died, and Papa has also arrived to pick up his children. In the immediate aftermath of Papa-Nnukwu's death, we're reminded of the discord within his family: as soon as he hears the news, Papa argues with Aunty Ifeoma about how their father should be buried. Papa is so strict in his religious beliefs that he refuses to give his father a "pagan"--i.e., not totally Catholic--funeral, despite the fact that Papa-Nnukwu was a "pagan" for his entire life. Papa seems more upset that his father didn't convert to Catholicism before death than he is with his father's death itself. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

“Kambili, you are precious.” His voice quavered now, like someone speaking at a funeral, choked with emotion. “You should strive for perfection. You should not see sin and walk right into it.” He lowered the kettle into the tub, tilted it toward my feet. He poured the hot water on my feet, slowly, as if he were conducting an experiment and wanted to see what would happen. He was crying now, tears streaming down his face… I watched the water leave the kettle, flowing almost in slow motion in an arc to my feet. The pain of contact was so pure, so scalding, I felt nothing for a second. And then I screamed.
“That is what you do to yourself when you walk into sin. You burn your feet,” he said.

Related Characters: Papa (Eugene Achike) (speaker), Kambili Achike (speaker)
Related Literary Devices:
Page Number and Citation: 194
Explanation and Analysis:
In this chilling, emotional passage, Papa punishes Kambili for not telling him that she was spending time with her "heathen" grandfather, Papa-Nnukwu, and was even sharing a room with him. With tears in his eyes, Papa pours boiling water on Kambili's feet, telling her that she must avoid sin at all costs.Papa is a tragic character--he seems to be motivated by his sincere love of religion, not just his sadistic need for control. Thus, he tells Kambili that she's precious and hurts her in the same instant: he's so concerned for her soul that he's willing to "condition" her to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

Chapter 11 Quotes

Ade Coker was at breakfast with his family when a courier delivered a package to him. His daughter, in her primary school uniform, was sitting across the table from him. The baby was nearby, in a high chair. His wife was spooning Cerelac into the baby’s mouth. Ade Coker was blown up when he opened the package—a package everybody would have known was from the Head of State even if his wife Yewande had not said that Ade Coker looked at the envelope and said “It has the State House seal” before he opened it.

Related Characters: Kambili Achike (speaker), The Head of State (“Big Oga”), Yewande Coker, Ade Coker
Page Number and Citation: 206
Explanation and Analysis:
Ade Coker, whose character was inspired by real-life Nigerian journalist Dele Giwa, is assassinated in his own home (just as Giwa was). Ade is a courageous editor and journalist who uses his influence to criticize the Nigerian leadership, like Papa himself. Here, the Nigerian Head of State (never named, but probably based on real-life dictator Ibrahim Babangida) sends Ade a package, marked with his official seal. Ade opens the package, not thinking that the head of state would try to murder him with so little subterfuge. But the package turns out to be a bomb, which ends Ade's life. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Chapter 12 Quotes

It was what Aunty Ifeoma did to my cousins, I realized then, setting higher and higher jumps for them in the way she talked to them, in what she expected of them. She did it all the time believing they would scale the rod. And they did. It was different for Jaja and me. We did not scale the rod because we believed we could, we scaled it because we were terrified that we couldn’t.

Related Characters: Kambili Achike (speaker), Aunty Ifeoma, Jaja (Chukwuka Achike)
Page Number and Citation: 226
Explanation and Analysis:
In this passage, Kambili watches as Father Amadi teaches children how to exercise by literally "raising the bar"--i.e., putting up a rod and encouraging the children to jump over it, and then gradually raising it higher and higher. Kambili comes to see the rod as a metaphor for different methods of upbringing. She's been raised by a strict, tyrannical parent, Papa, who tries to get her to succeed by hurting her and threatening to hit her. Kambili now understands and admires the strategy that Aunty Ifeoma uses instead: instead of beating or shaming her children, she gives them praise and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Ac

“It is not about me, Chiaku.” Aunty Ifeoma paused. “Who will teach Amaka and Obiora in university?”
“The educated ones leave, the ones with the potential to right the wrongs. They leave the weak behind. The tyrants continue to reign because the weak cannot resist. Do you not see that it is a cycle? Who will break that cycle?”

Related Characters: Aunty Ifeoma (speaker), Chiaku (speaker), Amaka, Obiora
Page Number and Citation: 245
Explanation and Analysis:
In this passage, we learnt that Aunty Ifeoma is considering moving to America, where she could get a job teaching at university. In Ameirca, Aunty Ifeoma's work would receive more praise--and she also wouldn't be risking her life to continue her academic projects. Furthermore, Ifeoma's children could receive a real education without fear of violence, strikes, or lack of utilities. And yet Aunty Ifeoma's friend Chiaku here resents her for contemplating leaving Nigeria. Chiaku points out that Nigeria has always had a problem with maintaining its own talent: whenever somebody is talented or successful, he or she goes to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit ea

Chapter 15 Quotes

“When the missionaries first came, they didn’t think Igbo names were good enough. They insisted that people take English names to be baptized. Shouldn’t we be moving ahead?”
“It’s different now, Amaka, don’t make this what it’s not,” Father Amadi said calmly…
“But what’s the point, then?” Amaka said… “What the church is saying is that only an English name will make your confirmation valid. ‘Chiamaka’ says God is beautiful. ‘Chima’ says God knows best, ‘Chiebuka’ says God is the greatest. Don’t they all glorify God as much as ‘Paul’ and ‘Peter’ and ‘Simon’?”

Related Characters: Amaka (speaker), Father Amadi
Page Number and Citation: 272
Explanation and Analysis:
In this passage, Amaka, the teenaged child of Aunty Ifeoma, is preparing for her confirmation. As Adichie explains it, in Nigeria the Catholic confirmation ritual usually involves the priest giving the young man or woman a "Christian name"--i.e., a Western name. Amaka, a budding political activist and Nigerian nationalist, argues that she shouldn't have to take a Christian name; names of Nigerian origin are just as holy and appropriate for the confirmation ritual. Amaka's argument reinforces the notion that a truly spiritual and political person sometimes must be a pluralist--i.e., must embrace many different cultures and ideologies. Amaka is willing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam v

The sun turned white, the color and shape of the host. And then I saw her, the Blessed Virgin: an image in the pale sun, a red glow on the back of my hand, a smile on the face of the rosary-bedecked man whose arm rubbed against mine. She was everywhere.

Related Characters: Kambili Achike (speaker)
Related Literary Devices:
Page Number and Citation: 274
Explanation and Analysis:
In this passage, Kambili's faith in Catholicism is reconfirmed. She and her family have gone on a pilgrimage, and here she seems to see the image of the Virgin Mary everywhere. Kambili has been questioning her Catholic faith at times, particularly as it connects to her father's rule--and yet here, she seems to be more of a Catholic than ever before. Unlike her brother, Jaja, Kambili embraces the concept of the Virgin Mary: she thinks that religion, and specifically Christianity, are crucial parts of life, no matter how Papa has misinterpreted them.It's important to notice how greatly Kambili's concept of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi

“It’s your father. They called me from the factory, they found him lying dead on his desk.” Mama sounded like a recording…
Jaja grabbed the phone. Aunty Ifeoma led me to the bed. I sat down and stared at the bag of rice that leaned against the bedroom wall… I had never considered the possibility that Papa would die, that Papa could die. He was different from Ade Coker, from all the other people they had killed. He had seemed immortal.

Related Characters: Mama (Beatrice Achike) (speaker), Kambili Achike (speaker), Papa (Eugene Achike), Aunty Ifeoma, Ade Coker, Jaja (Chukwuka Achike)
Page Number and Citation: 287
Explanation and Analysis:
In this passage, Kambili receives word that her father has been found dead at his desk. Kambili is shocked by the news of her father's death: he'd always seemed like an immortal to her--a harsh, tyrannical god, but still a god.It's not yet clear why Kambili's father has died so suddenly. And yet his death is a crucial turning-point in the novel. Kambili has been moving further and further from her father's worldview throughout the last couple chapters--as if to reflect Kambili's growing independence, Papa dies, so that he can no longer control what Kambili does or thinks. Papa is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaec

Chapter 16 Quotes

“I should have taken care of Mama. Look how Obiora balances Aunty Ifeoma’s family on his head, and I am older that he is. I should have taken care of Mama.”
“God knows best,” I said. “God works in mysterious ways.” And I thought how Papa would be proud that I had said that, how he would approve of my saying that.
Jaja laughed. It sounded like a series of snorts strung together. “Of course God does. Look what He did to his faithful servant Job, even to His own son. But have you ever wondered why? Why did He have to murder his own son so we would be saved? Why didn’t He just go ahead and save us?”

Related Characters: Jaja (Chukwuka Achike) (speaker), Kambili Achike (speaker), Mama (Beatrice Achike), Obiora, Papa (Eugene Achike)
Page Number and Citation: 289
Explanation and Analysis:
In this passage, Kambili and Jaja are still recovering from their father's sudden death. Kambili notes that with Papa dead, they'll have to take care of their mother more closely--indeed, they both feel guilty for not doing so sooner. Jaja in particular feels guilty that he didn't protect his mother from Papa's beatings--he could have saved her many times before, and he contrasts his own submissiveness to his cousin Obiora's maturity. Kambili offers up a cliched truism--God works in mysterious ways--showing that she continues to subconsciously worship her father and imitate his style of religious fervor. (He's dead, of course, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus

“I started putting the poison in his tea before I came to Nsukka. Sisi got it for me; her uncle is a powerful witch doctor.”
For a long, silent moment I could think of nothing… Then I thought of taking sips of Papa’s tea, love sips, the scalding liquid that burned his love onto my tongue. “Why did you put it in his tea?” I asked Mama, rising. My voice was loud. I was almost screaming. “Why in his tea?”

Related Characters: Kambili Achike (speaker), Mama (Beatrice Achike) (speaker), Papa (Eugene Achike), Sisi
Page Number and Citation: 290
Explanation and Analysis:
At the end of the novel, it's revealed that Kambili's meek, submissive mother was the one who murdered Papa: she put poison in his tea, so that eventually he'd die. Kambili, who is by now deeply conflicted regarding her father--she still can't help loving and worshipping him, but she also recognizes how tyrannical and sadistic he was--is especially distraught by the fact that Papa was killed by his tea. In this moment of revelation, Adichie poignantly reminds us how Papa used to share his hot tea with his children, giving them "love sips"--and this same "love," which was both painful Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Chapter 17 Quotes

There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once.

Related Characters: Aunty Ifeoma (speaker)
Page Number and Citation: 301
Explanation and Analysis:
In this passage, Aunty Ifeoma, who has moved to America to teach, writes about the history of Nigeria, and of colonialism. Ifeoma notes that there are "some" (i.e., mostly Western intellectuals) who believe that the Western world needs to control and direct Africa forever, since Africans don't know how to control their own people. Ifeoma finds such an argument illogical--African countries need to learn how to run themselves, rather than depending on Western military and economic control forever.Ifeoma's statements bring the novel to a cautiously optimistic ending, and broaden the perspective of the story from the personal to the international. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate la
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