Purple Hibiscus
by Chimamanda Ngozi Adichie
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Freedom vs. Tyranny Theme Analysis

Themes and Colors
Colonialism and Nigerian Politics Theme Icon
Religion and Belief Theme Icon
Family Theme Icon
Freedom vs. Tyranny Theme Icon
Silence and Speech Theme Icon
Violence Theme Icon
LitCharts assigns a color and icon to each theme in Purple Hibiscus, which you can use to track the themes throughout the work.
Freedom vs. Tyranny Theme Icon
Freedom vs. Tyranny Theme Icon

Related to the strictness of Papa’s beliefs and the corruption of the Nigerian government is an important theme of freedom, and its opposite, tyranny. Politically, Papa and Ade Coker represent a freedom of the press that protests against the censorship and corruption of the Head of State. Aunty Ifeoma, a university professor, also speaks her mind and criticizes those in power. The political tyranny in the Nigerian government responds to this assertion of freedom with brutal action. Ade Coker is assassinated, the Standard and Papa’s factories are shut down, and Ifeoma is fired from the university. Hope for political freedom only comes in the novel’s last section, when the Head of State dies and democracy is tentatively restored.

Freedom and tyranny exists among Adichie’s individual characters as well. Though Papa bravely stands up for political freedom, in the world of his own family—where he is the one in control—he acts like a tyrant. He allows no freedom or independence for Mama, Kambili, or Jaja. He schedules his children’s every minute and even chooses the color of the drapes. When anyone acts out or tries to assert their freedom, he responds with violence. Kambili and Jaja thus get their first real taste of freedom at Aunty Ifeoma’s house. After seeing this totally different family dynamic—one where all the children are encouraged to speak their minds and question everything—Kambili and Jaja start feeling more rebellious and independent. Kambili’s assertion of freedom begins by keeping the painting of Papa-Nnukwu, while Jaja grows more openly rebellious, refusing to speak to his father and then refusing to go to church on Palm Sunday. Jaja’s Palm Sunday actions signal a turning point for the family. The most surprising twist comes at the end, however, as Mama turns to her own kind of tyranny—murder—to assert her freedom from Papa. This leads to prison for Jaja, which ends up as just another version of the cycle of freedom and oppression. There is finally some hope with Jaja’s impending release, which also coincides with the Head of State’s death, as both Nigeria and Kambili’s family hope to find true freedom at last.

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Freedom vs. Tyranny ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Freedom vs. Tyranny appears in each chapter of Purple Hibiscus. Click or tap on any chapter to read its Summary & Analysis.
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Freedom vs. Tyranny Quotes in Purple Hibiscus

Below you will find the important quotes in Purple Hibiscus related to the theme of Freedom vs. Tyranny.

Chapter 1 Quotes

Papa was staring pointedly at Jaja. “Jaja, have you not shared a drink with us, gbo? Have you no words in your mouth?” he asked, entirely in Igbo. A bad sign. He hardly spoke Igbo, and although Jaja and I spoke it with Mama at home, he did not like us to speak it in public. We had to sound civilized in public, he told us; we had to speak English. Papa’s sister, Aunty Ifeoma, said once that Papa was too much of a colonial product. She had said this about Papa in a mild, forgiving way, as if it were not Papa’s fault…
“Mba, there are no words in my mouth,” Jaja replied.
“What?” There was a shadow clouding Papa’s eyes, a shadow that had been in Jaja’s eyes. Fear. It had left Jaja’s eyes and entered Papa’s.
“I have nothing to say,” Jaja said.

Related Characters: Papa (Eugene Achike) (speaker), Jaja (Chukwuka Achike), Kambili Achike
Page Number and Citation: 13
Explanation and Analysis:
In this passage, Papa--who has just made his family members try his company's new batch of cashew juice--notices that his son, Jaja, is conspicuously silent. Jaja seems to finally be standing up to his abusive, tyrannical father by refusing to parrot the usual praise that is expected of him.We will see that Kambili and Jaja are known for their silence and obedience, but here Jaja starts to turn that silence into a weapon against Papa--by refusing to even speak to Papa, Jaja robs his father of some of his power.The ideas of speech and silence here are also heavily influenced Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

I lay in bed after Mama left and let my mind rake through the past, through the years when Jaja and Mama and I spoke more with our spirits than with our lips. Until Nsukka. Nsukka started it all; Aunty Ifeoma’s little garden next to the verandah of her flat in Nsukka began to lift the silence. Jaja’s defiance seemed to me now like Aunty Ifeoma’s experimental purple hibiscus: rare, fragrant with the undertones of freedom, a different kind of freedom from the one the crowds waving green leaves chanted at Government Square after the coup. A freedom to be, to do.

Related Characters: Kambili Achike (speaker), Jaja (Chukwuka Achike), Mama (Beatrice Achike), Aunty Ifeoma
Related Symbols: The Purple Hibiscus
Page Number and Citation: 15-16
Explanation and Analysis:
As the first chapter draws to a close, we're introduced to the basic structure of the novel, as well as its dominant motif. The novel will be narrated in flashback, so that by the end, we'll fully understand why Papa broke Mama's figurines, and how their family came to be so divided. Furthermore, Adichie introduces us to the purple hibiscus that will come to stand for the characters' sense of freedom and creativity--a freedom that can't be destroyed by repressive parents or governors, try as they might.The purple hibiscus, Kambili tells us, is free and "experimental"--a sure sign of its Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusa

Chapter 5 Quotes

“They are always so quiet,” he said, turning to Papa. “So quiet.”
“They are not like those loud children people are raising these days, with no home training and no fear of God,” Papa said, and I was certain that it was pride that stretched Papa’s lips and tightened his eyes.
“Imagine what the Standard would be if we were all quiet.”
It was a joke. Ade Coker was laughing; so was his wife, Yewanda. But Papa did not laugh. Jaja and I turned and went back upstairs, silently.

Related Characters: Kambili Achike (speaker), Papa (Eugene Achike) (speaker), Ade Coker (speaker), Yewande Coker, Jaja (Chukwuka Achike)
Page Number and Citation: 58
Explanation and Analysis:
In this passage, Papa talks with his friend and business partner Ade Coker about child-rearing policies. Ade points out that Papa's children, including Kambili, are always very quiet--to the point where they never make a sound in public. Papa is clearly very proud of his children; he thinks that his violent parenting methods are justified, since by beating his children they'll be calm and well-behaved at all times (not like other children "these days". Ade points out the strange contradiction in Papa's life: he's a political advocate who uses journalism and his voice (the Standard) to criticize the existing political Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Chapter 8 Quotes

I did not say anything else until lunch was over, but I listened to every word spoken, followed every cackle of laughter and line of banter. Mostly, my cousins did the talking and Aunty Ifeoma sat back and watched them, eating slowly. She looked like a football coach who had done a good job with her team and was satisfied to stand next to the eighteen-yard box and watch.

Related Characters: Kambili Achike (speaker), Aunty Ifeoma
Page Number and Citation: 120-121
Explanation and Analysis:
Here, Kambili has gone to visit Aunty Ifeoma in her home. There, Kambili is shocked to find a very different kind of household than the one she is used to. Unlike Papa, Aunty Ifeoma encourages noise and conversation--indeed, she seems to enjoy sitting back and listening to her children argue and bicker, as if she's done a "good job" raising them and teaching them to debate about issues freely. Papa, of course, acts like a god in his own home--a tyrant with moral authority in all things--and prefers his wife and children to remain silent at all times, unless they're Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ips

“I hear he’s very involved in the editorial decisions. The Standard is the only paper that dares to tell the truth these days.”
“Yes,” Aunty Ifeoma said. “And he has a brilliant editor, Ade Coker, although I wonder how much longer before they lock him up for good. Even Eugene’s money will not buy everything.”
“I was reading somewhere that Amnesty World is giving your brother an award,” Father Amadi said. He was nodding slowly, admiringly, and I felt myself go warm all over, with pride, with a desire to be associated with Papa.

Related Characters: Aunty Ifeoma (speaker), Father Amadi (speaker), Kambili Achike (speaker), Ade Coker, Papa (Eugene Achike)
Page Number and Citation: 136-137
Explanation and Analysis:
In this passage, Kambili meets Father Amadi, a young, handsome priest. Amadi is impressed to hear that Kambili's father is Eugene Achike, since he knows Eugene to be an important philanthropist and advocate for political freedom: Eugene is regarded as something of a hero among the Nigerian people. Amadi tells Kambili about some of her father's most impressive achievements: as a writer and journalist, he's one of the only figures in the country who dares to criticize the Nigerian leadership, a decision that might eventually lead him into prison (along with his editor, Ade Coker).The passage is notable because it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

Chapter 10 Quotes

“Kambili, you are precious.” His voice quavered now, like someone speaking at a funeral, choked with emotion. “You should strive for perfection. You should not see sin and walk right into it.” He lowered the kettle into the tub, tilted it toward my feet. He poured the hot water on my feet, slowly, as if he were conducting an experiment and wanted to see what would happen. He was crying now, tears streaming down his face… I watched the water leave the kettle, flowing almost in slow motion in an arc to my feet. The pain of contact was so pure, so scalding, I felt nothing for a second. And then I screamed.
“That is what you do to yourself when you walk into sin. You burn your feet,” he said.

Related Characters: Papa (Eugene Achike) (speaker), Kambili Achike (speaker)
Related Literary Devices:
Page Number and Citation: 194
Explanation and Analysis:
In this chilling, emotional passage, Papa punishes Kambili for not telling him that she was spending time with her "heathen" grandfather, Papa-Nnukwu, and was even sharing a room with him. With tears in his eyes, Papa pours boiling water on Kambili's feet, telling her that she must avoid sin at all costs.Papa is a tragic character--he seems to be motivated by his sincere love of religion, not just his sadistic need for control. Thus, he tells Kambili that she's precious and hurts her in the same instant: he's so concerned for her soul that he's willing to "condition" her to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

Chapter 11 Quotes

Ade Coker was at breakfast with his family when a courier delivered a package to him. His daughter, in her primary school uniform, was sitting across the table from him. The baby was nearby, in a high chair. His wife was spooning Cerelac into the baby’s mouth. Ade Coker was blown up when he opened the package—a package everybody would have known was from the Head of State even if his wife Yewande had not said that Ade Coker looked at the envelope and said “It has the State House seal” before he opened it.

Related Characters: Kambili Achike (speaker), The Head of State (“Big Oga”), Yewande Coker, Ade Coker
Page Number and Citation: 206
Explanation and Analysis:
Ade Coker, whose character was inspired by real-life Nigerian journalist Dele Giwa, is assassinated in his own home (just as Giwa was). Ade is a courageous editor and journalist who uses his influence to criticize the Nigerian leadership, like Papa himself. Here, the Nigerian Head of State (never named, but probably based on real-life dictator Ibrahim Babangida) sends Ade a package, marked with his official seal. Ade opens the package, not thinking that the head of state would try to murder him with so little subterfuge. But the package turns out to be a bomb, which ends Ade's life. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Chapter 12 Quotes

It was what Aunty Ifeoma did to my cousins, I realized then, setting higher and higher jumps for them in the way she talked to them, in what she expected of them. She did it all the time believing they would scale the rod. And they did. It was different for Jaja and me. We did not scale the rod because we believed we could, we scaled it because we were terrified that we couldn’t.

Related Characters: Kambili Achike (speaker), Aunty Ifeoma, Jaja (Chukwuka Achike)
Page Number and Citation: 226
Explanation and Analysis:
In this passage, Kambili watches as Father Amadi teaches children how to exercise by literally "raising the bar"--i.e., putting up a rod and encouraging the children to jump over it, and then gradually raising it higher and higher. Kambili comes to see the rod as a metaphor for different methods of upbringing. She's been raised by a strict, tyrannical parent, Papa, who tries to get her to succeed by hurting her and threatening to hit her. Kambili now understands and admires the strategy that Aunty Ifeoma uses instead: instead of beating or shaming her children, she gives them praise and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Ac

“It is not about me, Chiaku.” Aunty Ifeoma paused. “Who will teach Amaka and Obiora in university?”
“The educated ones leave, the ones with the potential to right the wrongs. They leave the weak behind. The tyrants continue to reign because the weak cannot resist. Do you not see that it is a cycle? Who will break that cycle?”

Related Characters: Aunty Ifeoma (speaker), Chiaku (speaker), Amaka, Obiora
Page Number and Citation: 245
Explanation and Analysis:
In this passage, we learnt that Aunty Ifeoma is considering moving to America, where she could get a job teaching at university. In Ameirca, Aunty Ifeoma's work would receive more praise--and she also wouldn't be risking her life to continue her academic projects. Furthermore, Ifeoma's children could receive a real education without fear of violence, strikes, or lack of utilities. And yet Aunty Ifeoma's friend Chiaku here resents her for contemplating leaving Nigeria. Chiaku points out that Nigeria has always had a problem with maintaining its own talent: whenever somebody is talented or successful, he or she goes to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit ea

Chapter 15 Quotes

“It’s your father. They called me from the factory, they found him lying dead on his desk.” Mama sounded like a recording…
Jaja grabbed the phone. Aunty Ifeoma led me to the bed. I sat down and stared at the bag of rice that leaned against the bedroom wall… I had never considered the possibility that Papa would die, that Papa could die. He was different from Ade Coker, from all the other people they had killed. He had seemed immortal.

Related Characters: Mama (Beatrice Achike) (speaker), Kambili Achike (speaker), Papa (Eugene Achike), Aunty Ifeoma, Ade Coker, Jaja (Chukwuka Achike)
Page Number and Citation: 287
Explanation and Analysis:
In this passage, Kambili receives word that her father has been found dead at his desk. Kambili is shocked by the news of her father's death: he'd always seemed like an immortal to her--a harsh, tyrannical god, but still a god.It's not yet clear why Kambili's father has died so suddenly. And yet his death is a crucial turning-point in the novel. Kambili has been moving further and further from her father's worldview throughout the last couple chapters--as if to reflect Kambili's growing independence, Papa dies, so that he can no longer control what Kambili does or thinks. Papa is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaec

Chapter 16 Quotes

“I started putting the poison in his tea before I came to Nsukka. Sisi got it for me; her uncle is a powerful witch doctor.”
For a long, silent moment I could think of nothing… Then I thought of taking sips of Papa’s tea, love sips, the scalding liquid that burned his love onto my tongue. “Why did you put it in his tea?” I asked Mama, rising. My voice was loud. I was almost screaming. “Why in his tea?”

Related Characters: Kambili Achike (speaker), Mama (Beatrice Achike) (speaker), Papa (Eugene Achike), Sisi
Page Number and Citation: 290
Explanation and Analysis:
At the end of the novel, it's revealed that Kambili's meek, submissive mother was the one who murdered Papa: she put poison in his tea, so that eventually he'd die. Kambili, who is by now deeply conflicted regarding her father--she still can't help loving and worshipping him, but she also recognizes how tyrannical and sadistic he was--is especially distraught by the fact that Papa was killed by his tea. In this moment of revelation, Adichie poignantly reminds us how Papa used to share his hot tea with his children, giving them "love sips"--and this same "love," which was both painful Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Chapter 17 Quotes

There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once.

Related Characters: Aunty Ifeoma (speaker)
Page Number and Citation: 301
Explanation and Analysis:
In this passage, Aunty Ifeoma, who has moved to America to teach, writes about the history of Nigeria, and of colonialism. Ifeoma notes that there are "some" (i.e., mostly Western intellectuals) who believe that the Western world needs to control and direct Africa forever, since Africans don't know how to control their own people. Ifeoma finds such an argument illogical--African countries need to learn how to run themselves, rather than depending on Western military and economic control forever.Ifeoma's statements bring the novel to a cautiously optimistic ending, and broaden the perspective of the story from the personal to the international. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate la