Eliza Doolittle Quotes in Pygmalion
A woman who utters such depressing and disgusting sounds has no right to be anywhere—no right to live. Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespeare and Milton and The Bible; and don't sit there crooning like a bilious pigeon.
You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador's garden party.
A young woman! What does she want?
Well, sir, she says you'll be glad to see her when you know what she's come about. She's quite a common girl, sir. Very common indeed.
You know, Pickering, if you consider a shilling, not as a simple shilling, but as a percentage of this girl's income, it works out as fully equivalent to sixty or seventy guineas from a millionaire.
Well, the matter is, sir, that you can't take a girl up like that as if you were picking up a pebble on the beach.
I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything.
I shall never get into the way of seriously liking young women: some habits lie too deep to be changed. [Rising abruptly and walking about, jingling his money and his keys in his trouser pockets] Besides, they're all idiots.
Liza: They all thought she was dead; but my father he kept ladling gin down her throat til she came to so sudden that she bit the bowl off the spoon.
Mrs Eynsford Hill: Dear me!
Liza: What call would a woman with that strength in her have to die of influenza? What become of her new straw hat that should have come to me? Somebody pinched it; and what I say is, them as pinched it done her in.
Mrs Eynsford Hill: What does doing her in mean?
Higgins: Oh, that's the new small talk. To do a person in means to kill them.
Well, I feel a bit tired. It's been a long day. The garden party, a dinner party, and the opera! Rather too much of a good thing. But you've won your bet, Higgins. Eliza did the trick, and something to spare, eh?
Thank God it's over!
It was interesting enough at first, while we were at the phonetics; but after that I got deadly sick of it. If I hadn't backed myself to do it I should have chucked the whole thing up two months ago. It was a silly notion: the whole thing has been a bore.
I was quite frightened once or twice because Eliza was doing it so well. You see, lots of the real people can't do it at all: they're such fools that they think style comes by nature to people in their position; and so they never learn.
I'd like to kill you, you selfish brute. Why didn't you leave me where you picked me out of—in the gutter? You thank God it's all over, and that now you can throw me back again there, do you?
Nonsense! He can't provide for her. He shan't provide for her. She doesn't belong to him. I paid him five pounds for her.
She had become attached to you both. She worked very hard for you, Henry! I don't think you quite realize what anything in the nature of brain work means to a girl like that. Well, it seems that when the great day of trial came, and she did this wonderful thing for you without making a single mistake, you two sat there and never said a word to her, but talked together of how glad you were that it was all over and how you had been bored with the whole thing. And then you were surprised because she threw your slippers at you!
But do you know what began my real education?
Your calling me Miss Doolittle that day when I first came to Wimpole Street. That was the beginning of self-respect for me.
Liza: Freddy loves me: that makes him king enough for me. I don't want him to work: he wasn't brought up to it as I was. I'll go and be a teacher.
Higgins: What'll you teach, in heaven's name?
Liza: What you taught me. I'll teach phonetics.