Rhinoceros
by Eugene Ionesco
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Act 1, Scene 1 Quotes

Berenger: Listen, Jean. There are so few distractions in this town—I get so bored. I’m not made for the work I’m doing—every day at the office, eight hours a day—and only three weeks’ holiday a year. When Saturday night comes round I feel exhausted and so—you know how it is—just to relax…

Related Characters: Berenger (speaker), Jean
Page Number and Citation: 9
Explanation and Analysis:
This interaction comes at the beginning of the play, as Berenger tries futilely to explain to Jean why he drinks so much. Here, Berenger presents a fairly reasonable argument against the hustle and bustle of modern capitalist society, which leaves him equal parts “bored,” “exhausted,” and unfulfilled. Especially when he notes that he’s “not made for the work [he’s] doing,” Berenger points to the fact that he doesn’t fit into this vision of society. While most people don’t have much of a problem with working eight-hour days and taking three weeks of vacation, these things are incredibly grating for Berenger. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. A

Jean: I just can’t get over it!

Berenger: Yes, I can see you can’t. Well, it was a rhinoceros—all right, so it was a rhinoceros. It’s miles away by now—miles away.

Jean: But you must see it’s fantastic! A rhinoceros loose in the town, and you don’t bat an eyelid. It shouldn’t be allowed. (Berenger yawns.) Put your hand in front of your mouth.

Related Characters: Jean (speaker), Berenger (speaker)
Related Symbols: Rhinoceroses
Page Number and Citation: 17
Explanation and Analysis:
Following the first rhinoceros’s jaunt through town, Jean remains fascinated and excited by the strange event, while Berenger grudgingly plays along. The rhinoceros aside, Berenger’s unwillingness to engage in Jean’s expressions of disbelief points again to unwillingness to go along with the crowd—after all, everyone else in the town square is also remarking on the rhinoceros at this point. In echoing the same disbelief that everyone else is exhibiting, Jean demonstrates here that he values conformity and fitting in, and this is his main issue with Berenger—Berenger doesn’t fit in. Jean makes this even clearer when he scolds Berenger for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam conse

Berenger: I don’t like the taste of alcohol much. […] And yet if I don’t drink, I’m done for; it’s as if I’m frightened, and so I drink not to be frightened any longer.

Jean: Frightened of what?

Berenger: […] I don’t know exactly. It’s a sort of anguish difficult to describe. I feel out of place in life, among people, and so I take to drink. That calms me down and relaxes me so I can forget.

Jean: You try to escape from yourself.

Related Characters: Jean (speaker), Berenger (speaker)
Page Number and Citation: 22
Explanation and Analysis:
Here, Berenger again attempts to explain to Jean why he drinks. Berenger carefully articulates his feelings of being adrift in society and not fitting in, something that continues to establish him as an outlier and someone who goes against the societal grain. The way that Jean frames his assessment of Berenger’s alcoholism—that Berenger drinks to escape himself—suggests that Jean thinks of being human as a state of fitting in with everyone else. Framing Berenger’s alcoholism as escapism also takes on increased importance as the play progresses. Others later propose that becoming a rhinoceros is its own form of escapism, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Logician: Here is an example of a syllogism. A cat has four paws. Isidore and Fricot both have four paws. Therefore Isidore and Fricot are both cats.

Old Gentleman: My dog has got four paws.

Logician: Then it’s a cat.

[…]

Old Gentleman: […] Logic is a very beautiful thing.

Logician: As long as it is not abused.

Related Characters: The Logician (speaker), The Old Gentleman (speaker)
Page Number and Citation: 23-24
Explanation and Analysis:
While Berenger and Jean continue their discussion of Berenger’s faults, the Logician introduces the Old Gentleman to syllogisms and how to use them. While syllogisms themselves are a real form of logical argument that can be used to prove things (human morality is a common example), the Logician shows here that even though he speaks against abusing logic, that’s exactly what he’s doing. There’s no way for the audience or reader to know whether Isidore and Fricot are cats, for one thing, so it’s impossible to tell whether that’s true or not. The Old Gentleman’s dog, on the other hand, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut.

Logician: That would be unjust, and therefore not logical.

[…]

Old Gentleman: […] Not logical?

[…]

Logician: […] Because Logic means Justice.

Related Characters: The Logician (speaker), The Old Gentleman (speaker)
Related Symbols: The Cat
Page Number and Citation: 30
Explanation and Analysis:
As Jean and Berenger continue to discuss Berenger’s faults, the Logician leads the Old Gentleman in thought exercises in which they deduce how many paws Isidore and Fricot have if they subtract two paws from the cats. Here, the Logician is responding to the Old Gentleman’s answer that they could have a cat with no paws, thereby keeping it from catching mice. The Logician’s logic is flawed and contradictory throughout this scene, highlighting how logic can be twisted easily twisted to prove a certain claim. It’s also interesting that the Logician links logic to justice here, as this directly contradicts Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

Old Gentleman: What can you do, dear lady—cats are only mortal.

Logician: What do you expect, madam? All cats are mortal. One must accept that.

Housewife: (Lamenting.) My little cat, my poor little cat.

Related Characters: The Old Gentleman (speaker), The Logician (speaker), The Housewife (speaker)
Related Symbols: Rhinoceroses, The Cat
Page Number and Citation: 35
Explanation and Analysis:
After the second rhinoceros runs down and kills the Housewife’s cat, the Old Gentleman and the Logician encourage the woman to accept her cat’s fate as normal and expected, though this does nothing to alleviate the Housewife’s grief or the fact that her cat was just fatally, gruesomely trampled. This moment illustrates the play’s insistence that it’s normal for people to rationalize violence in order to cope with it, and that rationalizing violence is far easier when the victim is someone or something that seems less than human—in this case a beloved house pet, and in Ionesco’s lived experience that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in

Berenger: (To Jean.) I’m not Asiatic, either, And in any case, Asiatics are people the same as everyone else.

Waitress: Yes, Asiatics are people the same as we are.

Old Gentleman: (To the Proprietor.) That’s true!

Related Characters: Berenger (speaker), The Waitress (speaker), The Old Gentleman (speaker), Jean
Related Symbols: Rhinoceroses
Page Number and Citation: 39
Explanation and Analysis:
After Jean insults Berenger with a racist slur, Berenger fights back by arguing that “Asiatics” (that is, people of Asian descent, though the term itself has a history of being used in a derogatory manner and is considered outdated and offensive today) are people, too. By making this argument, Berenger makes the case that using an ethnicity as a dehumanizing slur is ridiculous and ineffective—people of other ethnicities, he suggests, are just as human as any of his French peers are. This is both an argument for individuality (in that being from a different part of the world is a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae

Grocer: —it may be logical, but are we going to stand for our cats being run down under our very eyes by one-horned rhinoceroses or two, whether they’re Asiatic or African?

Related Characters: The Grocer (speaker), The Housewife, The Logician
Related Symbols: Rhinoceroses, The Cat
Page Number and Citation: 46
Explanation and Analysis:
Following the Logician leading the assembled people in formulating the correct question about what kinds of rhinoceroses are running through town, the Grocer brings things back to the real question: does the rhinoceroses’ species or number of horns matter when they’re being violent? Overwhelmingly, the play suggests that it doesn’t; logic, it suggests, can easily be deployed as a front to distract from the violent or dehumanizing things that the rhinoceroses—or, for that matter, the real-life Nazis or the Iron Guard that inspired the play—are doing. That the Grocer is able to bring this up so succinctly at this point Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti so

Act 1, Scene 2 Quotes

Botard: You call that precise? And what, pray, does it mean by “pachyderm”? What does the editor of a dead cats column understand by a pachyderm? He doesn’t say. And what does he mean by a cat?

Dudard: Everybody knows what a cat is.

Botard: Does it concern a male cat or a female? What breed is it? And what color? The color bar is something I feel strongly about. I hate it.

Papillon: What has the color bar has to do with it, Mr. Botard? It’s quite beside the point.

Related Characters: Botard (speaker), Dudard (speaker), Mr. Papillon (speaker), Berenger, Daisy
Related Symbols: Rhinoceroses, The Cat
Page Number and Citation: 50
Explanation and Analysis:
When Botard reads the article in the paper about the rhinoceros running down a woman’s cat, Botard insists that the article isn’t precise enough to take seriously. By doing this, Botard makes the case that if something doesn’t answer every possible question in a careful and logical way, it’s invalid and shouldn’t be taken into consideration. The play overwhelmingly makes the case that everyone should be outraged by the fact that a rhinoceros ran over a beloved cat, no matter what color, sex, or breed it was. Not answering those questions (which the play never answers, though the Housewife does Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut al

Act 2 Quotes

Jean: You always see the black side of everything. It obviously gave him great pleasure to turn into a rhinoceros. There’s nothing extraordinary in that.

Berenger: […] There’s nothing extraordinary in it, but I doubt if it gave him much pleasure.

Jean: And why not, pray?

Berenger: It’s hard to say exactly why; it’s just something you feel.

Related Characters: Berenger (speaker), Jean (speaker), Mr. Bœuf
Related Symbols: Rhinoceroses
Page Number and Citation: 84
Explanation and Analysis:
When Berenger goes to visit Jean, the two discuss Mr. Bœuf’s transformation into a rhinoceros and argue about whether Mr. Bœuf enjoyed his transformation or not. Berenger’s insistence that Mr. Bœuf surely didn’t like turning into a rhinoceros speaks to Berenger’s ability to see rhinoceritis and the rhinoceroses as immoral and dangerous. As he sees it, any kind, moral, and good person—which he knew Mr. Bœuf to be—wouldn’t enjoy falling sick with rhinoceritis. Jean’s belief that turning into a rhinoceros is a good thing, meanwhile, speaks to his penchant for conformity. He sees everyone around him turning into rhinoceroses and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaqu

Jean: I tell you it’s not as bad as all that. […] After all, rhinoceroses are living creatures the same as us; they’ve got as much right to life as we have.

Berenger: As long as they don’t destroy ours in the process. You must admit the difference in mentality.

Jean: […] Are you under the impression— […] that our way of life is superior?

Berenger: Well, at any rate, we have our own moral standards which I consider incompatible with the standards of these animals.

Related Characters: Berenger (speaker), Jean (speaker), The Logician
Related Symbols: Rhinoceroses
Page Number and Citation: 85
Explanation and Analysis:
During Jean and Berenger’s discussion of the righteousness or morality of the rhinoceroses, Jean takes issue with Berenger’s implication that humans live superior moral lives to the rhinoceroses. With this, Berenger hearkens back to the Logician’s insistence earlier that logic is justice—if there’s no justice, something isn’t logical, and vice versa. Despite the Logician’s other questionable claims, Berenger seems to back up this particular idea that “Logic means Justice” when he says that the rhinoceroses may have the right to conduct their lives just like humans do, but their existence becomes immoral once they start destroying things. As far as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptate

Act 3 Quotes

Dudard: Perhaps he felt an urge for some fresh air, the country, the wide-open spaces—perhaps he felt a need to relax. I’m not saying that’s any excuse…

Berenger: I understand what you mean, at least I’m trying to. […]

Dudard: Why get upset over a few cases of rhinoceritis? Perhaps it’s just another disease.

Related Characters: Dudard (speaker), Berenger (speaker), Jean
Related Symbols: Rhinoceroses
Page Number and Citation: 94
Explanation and Analysis:
In Dudard and Berenger’s discussion of why Jean may have chosen to become a rhinoceros, Dudard suggests that turning into a rhinoceros is a form of escapism and isn’t anything to worry about. This harkens back to earlier in the play, when Jean declared that Berenger’s overreliance on alcohol is also a form of escapism. Importantly, though, Jean framed Berenger’s escapism as a bad thing and the very reason why Berenger couldn’t relax and enjoy all that the world has to offer. Because of this, depicting rhinoceritis as a kind of welcome escapism speaks to the fact that within the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

Dudard: What if you do? They don’t attack you. If you leave them alone, they just ignore you. You can’t say they’re spiteful. They’ve even got a certain natural innocence, a sort of frankness. Besides, I walked right along the avenue to get here, and I arrived safe and sound, didn’t I? No trouble at all.

Related Characters: Dudard (speaker), Berenger
Related Symbols: Rhinoceroses
Page Number and Citation: 97
Explanation and Analysis:
When it occurs to Berenger that he’ll have to go out among the rhinoceroses at some point, Dudard assures him that it’s not so bad. When Dudard speaks highly of the rhinoceroses, it shows that he’s gradually becoming more sympathetic to them and all they stand for as he’s become desensitized to the violence and chaos they create. While a few days ago he was insistent that they were bad, he now doesn’t think they’re much to worry about and indeed, are worthy of respect and awe. The play suggests that Dudard’s initial understanding that the rhinoceroses won’t hurt him Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

Berenger: If only it had happened somewhere else, in some other country, and we’d just read about it in the papers, one could discuss it quietly, examine the question from all points of view, and come to an objective conclusion. We could organize debates with professors and writers and lawyers, and bluestockings and artists and people. And the ordinary man in the street as well—it would be very interesting and instructive. But when you’re involved yourself, when you suddenly find yourself up against the brutal facts, you can’t help feeling directly concerned—

Related Characters: Berenger (speaker), Dudard
Related Symbols: Rhinoceroses
Page Number and Citation: 98
Explanation and Analysis:
Here, Berenger makes the case that the rhinoceritis epidemic would be easier to deal with emotionally had it taken place somewhere else, as it would allow him and his community to engage with it in a rational way. Through this, Berenger suggests that it’s a natural and normal inclination to want to deal with something like rhinoceritis—or, the rise of fascist governments—in a rational, logical way, especially when someone is looking in from the outside. It’s easy, Berenger suggests, to see the epidemic as more of a theoretical concept and not something that will affect him and those he loves. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. C

Dudard: I consider it’s silly to get worked up because a few people decide to change their skins. They just didn’t feel happy in the ones they had. They’re free to do as they like.

Berenger: We must attack the evil at the roots.

Dudard: The evil! That’s just a phrase. Who knows what is evil and what is good? It’s just a question of personal preferences. […]

Berenger: There you are, you see. If our leaders and fellow citizens all think like you, they’ll never take any action.

Related Characters: Dudard (speaker), Berenger (speaker)
Related Symbols: Rhinoceroses
Page Number and Citation: 99
Explanation and Analysis:
Dudard continues to try to tell Berenger that it’s silly to get so worked up about rhinoceritis, while Berenger insists that Dudard’s way of thinking is exactly why they’ll never recover from this epidemic. First of all, Dudard tries to support the idea that rhinoceritis represents individualism—though the play largely suggests that rhinoceritis actually represents conformity to the highest degree. Throughout the play, turning into a rhinoceros represents conforming in the absolute worst way, while remaining human is the most noble and individual thing a person can do. This begins to show how hypocritical Jean and Dudard have been to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia so

Berenger: A rhinoceros! […] Mr. Papillon a rhinoceros! I can’t believe it. I don’t think it’s funny at all. […] Why did’t you tell me before?

Dudard: Well, you know you’ve no sense of humor. I didn’t want to tell you. […] I didn’t want to tell you because I knew very well you wouldn’t see the funny side, and it would upset you. You know how impressionable you are.

Related Characters: Dudard (speaker), Berenger (speaker), Mr. Papillon
Related Symbols: Rhinoceroses
Page Number and Citation: 101
Explanation and Analysis:
Berenger is shocked to learn that his boss, Mr. Papillon, turned into a rhinoceros, and Dudard explains that he didn’t share earlier because Berenger can’t take a joke. Importantly, Berenger can’t take a joke here because, within the world of the play, turning into a rhinoceros isn’t a joke—it’s symbolic of conformity and an acceptance of violence and brute strength. Dudard’s insistence that Berenger needs to see the humor in all of this is another aspect of his attempts to rationalize the rhinoceroses. By seeing them as funny, he teaches himself to see rhinoceroses as less dangerous than they actually Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia

Berenger: I’m not very well up in philosophy. I’ve never studied; you’ve got all sorts of diplomas. That’s why you’re so at ease in discussion, whereas I never know what to answer—I’m so clumsy. […] But I do feel you’re in the wrong—I feel it instinctively—no, that’s not what I mean, it’s the rhinoceros which has instinct—I feel it intuitively, yes, that’s the word—intuitively.

Related Characters: Berenger (speaker), Dudard
Related Symbols: Rhinoceroses
Page Number and Citation: 104
Explanation and Analysis:
When Berenger tries and fails to make a logical case for why the rhinoceroses are bad, he ultimately gives up and insists that he doesn’t have to make a logical case—instead, he can know “intuitively” that the rhinoceroses are dangerous. This starts to show that a person doesn’t have to make a logically sound case for why something violent or dangerous is bad, simply feeling it “intuitively” is enough. Taking this view is harder, however, when one’s friends—like Dudard—believe that it’s important to have a formal, logically backed argument about the pros and cons of both sides. With this, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita dele

Dudard: If he was a genuine thinker, as you say, he couldn’t have got carried away. He must have weighed all the pros and cons before deciding.

Related Characters: Dudard (speaker), The Logician, Berenger
Related Symbols: Rhinoceroses
Page Number and Citation: 106
Explanation and Analysis:
When Berenger sees that the Logician has become a rhinoceros, Dudard reasons that the Logician must have made a carefully thought-out choice to become a rhinoceros. This shows again how authority figures, like the Logician, have the power to normalize awful and violent movements by joining them. Because Dudard thinks so highly of logic and of those who make understanding logic their jobs, he’s far more likely to think kindly about whatever the Logician does. While in this instance this shows how authority figures can bring people into questionable or violent movements, the idea also works in reverse. Had more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque

Daisy: What he said was, “We must move with the times.” Those were his last human words.

Related Characters: Daisy (speaker), Berenger, Dudard, Botard
Related Symbols: Rhinoceroses
Page Number and Citation: 109
Explanation and Analysis:
Here, Daisy tells Berenger and Dudard that their coworker Botard became a rhinoceros in order to keep up with the times. Prior to his transformation, Botard was contrary and individualistic to a fault—he refused to accept the rhinoceroses’ existence when he read about it in the paper, and he alone insisted that the office couldn’t fire Mr. Bœuf for being a rhinoceros. In light of what he told Daisy, however, these things begin to look less individualistic and instead, more like Botard just wants to have power, no matter where it comes from or how he gets it. He clearly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferend

Berenger: They should be all rounded up in a big enclosure, and kept under strict supervision.

Dudard: That’s easier said than done. The animal’s protection league would never allow it.

Daisy: And besides, everyone has a close relative or a friend among them, and that would make it even more difficult.

Berenger: So everybody’s mixed up in it.

Related Characters: Berenger (speaker), Dudard (speaker), Daisy (speaker)
Related Symbols: Rhinoceroses
Page Number and Citation: 111
Explanation and Analysis:
In this excerpt, Berenger, Dudard, and Daisy discuss the difficulties of attempting to control the rhinoceroses. In the particular, fantastical case of people becoming rhinoceroses, Daisy and Dudard note that the fact that the individuals in question are both animals protected under the law, as well as humans that their friends and family members love. Together, this means that there’s effectively nothing that anyone can do about the rhinoceroses, as their existence is protected at every level. In practice in the real world, this speaks to the fact that once a fascist movement begins to take hold, it’s hard to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis.

Berenger: He’s joined up with them. Where is he now?

Daisy: (Looking out of the window.) With them.

Berenger: Which one is he?

Daisy: You can’t tell. You can’t recognize him any more.

Berenger: They all look alike, all alike.

Related Characters: Berenger (speaker), Daisy (speaker), Dudard
Related Symbols: Rhinoceroses
Page Number and Citation: 115
Explanation and Analysis:
As Dudard transforms into a rhinoceros and joins up with the other rhinoceroses flooding the streets, Daisy and Berenger struggle to pick him out of the crowd. This moment makes it abundantly clear that becoming a rhinoceros is indeed symbolic of conformity and giving up everything that made a person an individual. While knowing how many horns Dudard had may narrow down the possibilities of which rhinoceros he is by half, it still doesn’t really get Berenger and Daisy any closer to finding their friend. This moment also illustrates how fascist movements rely on getting people to buy in and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident exp

Daisy: I never knew you were such a realist—I thought you were more poetic. Where’s your imagination? There are many sides to reality. Choose the one that’s best for you. Escape into the world of the imagination.

Related Characters: Daisy (speaker), Berenger, Jean
Related Symbols: Rhinoceroses
Page Number and Citation: 119
Explanation and Analysis:
When Berenger laments to Daisy that he can’t forget what happened to Jean and his other friends, she encourages him to come up with a better narrative of what happened and choose one that comforts him. With this, Daisy starts to show that she’s growing sympathetic to the rhinoceroses and doesn’t think they’re bad enough for Berenger to need to dwell on how horrible they are. Instead, she thinks that they’re something that, if a person chooses, they should be able to ignore and coexist in peace. While in the real world, this may work for a while—it took years, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti
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