Rikki-Tikki-Tavi
by Rudyard Kipling
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Nag is a cobra, who along with his mate Nagaina, serves as the primary antagonist of the story. He’s depicted as capricious, self-serving, and cruel—readily devouring helpless animals in the garden such as Darzee’s baby and creating fear and panic among the entire community. Along with his wife, he plots to strike against the humans in the house as a way of removing Rikki-tikki and ruling over the garden absolutely. Kipling connects him quite clearly to Indian rather than British culture; Nag is proud of the mark on his hood, for instance, which he claims was given to his people by the Hindu God Brahm. He states this at the same time that he admonishes Rikki-tikki to be afraid of him, linking his connection to Hindu mythology with his ability to terrorize those around him. The association helps cement the story’s colonialist tone and increases the story’s problematic nature to modern audiences. Nag is further depicted as tenacious and cunning, able to use tactical thinking to achieve their goals. For instance, he hides in a water jar in order to ambush and slay Teddy’s father. He also works in absolute tandem with his wife—the only creature (besides the couple’s unhatched eggs) to whom he is loyal.

Nag Quotes in Rikki-Tikki-Tavi

The Rikki-Tikki-Tavi quotes below are all either spoken by Nag or refer to Nag. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Man and the Natural World Theme Icon
).

Rikki-Tikki-Tavi Quotes

Then inch by inch out of the grass rose up the head and spread hood of Nag, the big black cobra, and he was five feet long from tongue to tail. When he had lifted one-third of himself clear of the ground, he stayed balancing to and fro exactly as a dandelion tuft balances in the wind, and he looked at Rikki-tikki with the wicked snake’s eyes that never change their expression, whatever the snake may be thinking of.

“Who is Nag?” said he. “I am Nag. The great God Brahm put his mark upon all our people, when the first cobra spread his hood to keep the sun off Brahm as he slept. Look, and be afraid!”

Related Characters: Nag (speaker), Rikki-tikki-tavi
Related Symbols: Nag’s Hood
Explanation and Analysis:
This is the first time that Rikki-tikki meets the cobra Nag, who has been terrorizing the resident of the garden. Beyond introducing one of the story’s main villains, Kipling’s specific description of Nag here has colonialist overtones. If Rikki-tikki is a “good” Indian—that is, one who readily takes to the “civilizing” influence of the British—then the cobras are certainly “bad” Indians. Snakes in general are viewed as colder and more alien than mammals, and thus immediately appear as an “other” to a Western reader. More specifically, Nag is huge, menacing, and without mercy. In Hindu stories, cobras often carry a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mo

He came down almost across her back, and if he had been an old mongoose he would have known that then was the time to break her back with one bite; but he was afraid of the terrible lashing return stroke of the cobra. He bit, indeed, but did not bite long enough, and he jumped clear of the whisking tail, leaving Nagaina torn and angry.

Related Characters: Rikki-tikki-tavi, Nagaina, Nag
Explanation and Analysis:
While Nag distracts Rikki-tikki, Nagaina strikes to attack him. Here, Kipling is exercising a simple storytelling technique with a very subtle undertone. Since Rikki-tikki hasn’t faced any cobras before, he’s at a disadvantage, as he is here when he fails to kill Nagaina when he has the chance. That adds uncertainty to his battle with the cobras—there’s a chance he may lose, which increases the reader’s rooting interest in the outcome—but it’s also a subtle way of praising Rikki-tikki’s bloodline. Were he just a little older, the story suggests, he would be unstoppable. The hero is thus equated with strength Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Ape

If Rikki-tikki had only known, he was doing a much more dangerous thing than fighting Nag, for Karait is so small, and can turn so quickly, that unless Rikki bit him close to the back of the head, he would get the return stroke in his eye or his lip. But Rikki did not know.

Related Characters: Rikki-tikki-tavi, Nag, Nagaina, Karait, Teddy, Teddy’s Father
Explanation and Analysis:
After sending away Nag and Nagaina, before Rikki-tikki can return to be petted, he is confronted with another foe in the form of the baby cobra Karait. That Karait is more dangerous than his elders further paints all of the cobras as inherently evil, as even their children are innately dangerous and threatening from the beginning. This is also a bit of characterization from Kipling that helps explain Rikki-tikki’s bravery. In some ways, he’s so brave because he simply doesn’t know how dangerous the threat is. It also tempers the later moment when Teddy’s father comes out and beats the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Expli

That night at dinner, walking to and fro among the wine-glasses on the table, he might have stuffed himself three times over with nice things. But he remembered Nag and Nagaina, and though it was very pleasant to be patted and petted by Teddy’s mother, and to sit on Teddy’s shoulder, his eyes would get red from time to time, and he would go off into his long war cry of “Rikk-tikk-tikki-tikki-tchk!”

Related Characters: Rikki-tikki-tavi, Nag, Nagaina, Teddy, Teddy’s Mother, Teddy’s Father
Related Symbols: Human Food
Explanation and Analysis:
Following his first skirmish with the cobras, Rikki-tikki enjoys time with his family in their home. Creature comforts are a big part of the reward Rikki-tikki enjoys for protecting the household and speak to the appeal of British colonialism within the story for the more “savage” India. But this moment makes clear that those comforts can dull Rikki-tikki’s natural senses and leave him vulnerable to the threats he has not yet vanquished. His decision to “stay lean” by not indulging in excess food and tempering his physical contact with the family suggests that rewards can only be fully enjoyed once Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusa

Chuchundra sat down and cried till the tears rolled off his whiskers. “I am a very poor man,” he sobbed. “I never had spirit enough to run out into the middle of the room. H’sh! I mustn’t tell you anything. Can’t you hear, Rikki-tikki?”

Rikki-tikki listened. The house was as still as still, but he thought he could just catch the faintest scratch-scratch in the world—a noise as faint as that of a wasp walking on a window-pane—the dry scratch of a snake’s scales on brick-work.

Related Characters: Chuchundra (speaker), Rikki-tikki-tavi, Nag, Teddy’s Father
Explanation and Analysis:
While patrolling the family’s house one night, Rikki-tikki comes across the immensely timid and fearful Chuchundra. Despite his cowardice, Chuchundra proves useful in this encounter by directing Rikki-tikki to identify the sound of the cobras. This scene also sets up one of the most important differences between the “rule” of Teddy’s father and the “rule” of the cobras. The cobras essentially embrace a might-makes-right philosophy, where smaller or weaker community members are prey for the strong. (This is equated with both the natural world and India.) In this world, Chuchundra could do little besides cower, and even the fear of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

“It’s the mongoose again, Alice. The little chap has saved our lives now.”

Related Characters: Teddy’s Father (speaker), Nag, Rikki-tikki-tavi, Teddy’s Mother
Explanation and Analysis:
Rikki-tikki has just defeated Nag after the cobra entered the family’s home in the bathroom. Upon entering the room, Teddy’s father had seen Rikki-tikki with Nag in his mouth and shot the cobra. Now, he relates to his wife the bravery of little Rikki-tikki, who has indeed protected the entire family. This is the wisdom of Teddy’s father—in adopting the mongoose—paying off: not only has Rikki-tikki made Teddy and the garden safer, but quite literally has saved his own life and the life of his wife. This can be read as an admonishment to the ruling British that “good” Indians Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident e

But his wife was a sensible bird, and she knew that cobra’s eggs meant young cobras later on. So she flew off from the nest, and left Darzee to keep the babies warm, and continue his song about the death of Nag. Darzee was very like a man in some ways.

Related Characters: Darzee’s Wife, Darzee , Nagaina, Nag, Rikki-tikki-tavi
Explanation and Analysis:
Having returned to the garden to finish taking down the cobras, Rikki-tikki first asks Darzee for help distracting Nagaina so that the mongoose can attack her eggs. Darzee demurs, however, thinking it unfair to attack any eggs—be they birds’ or snakes’. His wife, meanwhile, proves more sensible and bravely decides to help Rikki-tikki in his mission. This is a strangely progressive passage in a story about the triumph of patriarchy. Darzee’s wife is demonstrably more sensitive and helpful than her husband. She sees the big picture instead of just the immediate, short-term victory and acts accordingly. The dig against males Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explica

“Ding-dong-tock! Nag is dead—dong! Nagaina is dead! Ding-dong-tock!” That set all the birds in the garden singing, and the frogs croaking, for Nag and Nagaina used to eat frogs as well as little birds.

When Rikki got to the house, Teddy and Teddy’s mother (she looked very white still, for she had been fainting) and Teddy’s father came out and almost cried over him; and that night he ate all that was given him till he could eat no more, and went to bed on Teddy’s shoulder, where Teddy’s mother saw him when she came to look late at night.

Related Characters: Rikki-tikki-tavi, Nag, Teddy, Teddy’s Mother, Teddy’s Father, Nagaina
Related Symbols: Human Food
Explanation and Analysis:
At the end of the story, all of the animals of the garden rejoice knowing that Rikki-tikki has defeated the cobras once and for all, and they are finally safe. The mention of different kinds of animals underscores that even diverse creatures were united by their hatred and fear of the snakes. More figuratively,  this is the final confirmation of the benefits of colonialism: the entire community, unified and safe with the cobras now gone. Rikki-tikki indulges in human food, a comfort of the civilization represented by Teddy and his family. That the family, in turn, holds such great respect Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol
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Nag Character Timeline in Rikki-Tikki-Tavi

The timeline below shows where the character Nag appears in Rikki-Tikki-Tavi. The colored dots and icons indicate which themes are associated with that appearance.
Rikki-Tikki-Tavi
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
...of one of their babies. It fell out of the nest and was eaten by Nag, a cobra living in their garden. Their exchange is interrupted when Nag himself appears, pulling... (full context)
Man and the Natural World Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
...fed him dead cobras and that he has nothing to fear from them. He challenges Nag by demanding to know why the cobra ate the tailorbirds’ baby out of the nest. (full context)
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
The Importance of Family Theme Icon
Nag feigns interest in discussing, asking Rikki-tikki how eating baby birds is so different from the... (full context)
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
Courage and Cowardice Theme Icon
Rikki-tikki lands on Nagaina’s back and bites her, though he does not yet know enough about fighting cobras to... (full context)
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
Courage and Cowardice Theme Icon
...There, he overhears the two cobras outside plotting to murder Teddy’s family. When they’re gone, Nag claims, the house will be empty and Rikki-tikki will leave. Nag crawls into the water... (full context)
Man and the Natural World Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
The mongoose waits—perfectly still—until Nag falls asleep. After debating the best spot to strike the snake, Rikki-tikki opts for the... (full context)
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
...pleased with himself, having now saved Teddy’s parents from an attack. He’s still concerned about Nagaina and the cobras’ babies, however, and he resolves to see Darzee in the garden and... (full context)
Colonialism as a Benevolent Force Theme Icon
The Importance of Family Theme Icon
Rikki-tikki finds Darzee singing a song of triumph at Nag’s death. The mongoose is supremely irritated at the tailorbird’s joy, since Nagaina and the cobra... (full context)
Man and the Natural World Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
...whole garden—because cobra eggs will turn into more cobras—and feigns a broken wing to draw Nagaina away. She succeeds in her task, claiming that Teddy broke her wing with a stone.... (full context)
Man and the Natural World Theme Icon
The Importance of Family Theme Icon
Distracted by the bird, Nagaina misses Rikki-tikki sneaking into her nest. The eggs are ready to hatch, and the mongoose... (full context)
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
...two of the remaining eggs and takes the third back to the home to find Nagaina menacing the human family at their breakfast table. Teddy’s mother and father are white-faced and... (full context)
Man and the Natural World Theme Icon
Colonialism as a Benevolent Force Theme Icon
The Importance of Family Theme Icon
Courage and Cowardice Theme Icon
The mongoose challenges Nagaina to a fight, but the cobra will not be distracted from the family. Rikki-tikki tells... (full context)
Man and the Natural World Theme Icon
Courage and Cowardice Theme Icon
The egg sits between Rikki-tikki’s paws as he engages with Nagaina. She strikes again and again, but he ducks aside every time. He forgets about the... (full context)
Man and the Natural World Theme Icon
Courage and Cowardice Theme Icon
...he does so, however, Rikki-tikki emerges victorious from the cobra’s hole, claiming to have slain Nagaina at last. The ants in the garden hear him and move into the hole to... (full context)