Rita Hayworth and the Shawshank Redemption

by

Stephen King

Teachers and parents! Our Teacher Edition on Rita Hayworth and the Shawshank Redemption makes teaching easy.

Red/The Narrator Character Analysis

Red, who narrates Rita Hayworth and the Shawshank Redemption, is a funny, self-deprecating man with “carroty red hair.” He grew up poor, married a rich girl he impregnated, and became so frustrated with his family situation that he cut the brakes on his wife’s car, killing her and her two passengers. In 1938, at age 20, he was convicted of triple homicide and sent to Maine’s Shawshank prison. Red regrets the murders but doesn’t think Shawshank “rehabilitated” him—a distinction emphasizing how little incarceration does to rehabilitate people who’ve committed crimes. In prison Red learns to obtain contraband items for other prisoners but refuses to deal in hard drugs, weapons, or contract killing, as he doesn’t want to be complicit in more death. In 1948, Andy Dufresne enters Shawshank. After Red obtains several items for Andy, including a rock-hammer and a pin-up poster, they become friends. Red finds Andy’s self-possession and desire for freedom admirable—yet Red believes that, unlike Andy, he has gotten too “institutionalized” by prison to live in the free world again. After Andy escapes Shawshank in 1975, Red receives a blank postcard from the U.S.-Mexico border, a message from Andy letting Red know that Andy is fulfilling his dream of running a hotel under a fake identity in Mexico. Red reveals he’s been writing the story of Andy’s incarceration and escape since he received the postcard and now, he believes, he’s finally finished. Yet after being paroled in 1977, Red resumes writing. At first, freedom so overwhelmed Red that he considered committing another crime to return to prison; instead, inspired by Andy’s story, Red visits the place where Andy once told him the key to his fake identity’s safe-deposit box would be hidden. There Red finds an envelope containing $1000 and a letter from Andy, inviting Red to join him in Mexico. Rather than return to prison, Red decides to break parole and find Andy—demonstrating that prison did not destroy Red’s instinct for freedom and that Andy’s story has inspired Red to hope for a better life.

Red/The Narrator Quotes in Rita Hayworth and the Shawshank Redemption

The Rita Hayworth and the Shawshank Redemption quotes below are all either spoken by Red/The Narrator or refer to Red/The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Institutionalization vs. Freedom  Theme Icon
).
Rita Hayworth and the Shawshank Redemption Quotes

There’s a guy like me in every state and federal prison in America, I guess—I’m the guy who can get it for you.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 1
Explanation and Analysis:

Have I rehabilitated myself, you ask? I don’t even know what that word means, at least as far as prisons and corrections go. I think it’s a politician’s word. It may have some other meaning, and it may be that I will have a chance to find out, but that is the future . . . something cons teach themselves not to think about.

Related Characters: Red/The Narrator (speaker)
Page Number: 2
Explanation and Analysis:

It was that last fact that militated more against Andy than any of the others. The DA with the political aspirations made a great deal of it in his opening statement and his closing summation. Andrew Dufresne, he said, was not a wronged husband seeking a hot-blooded revenge against his cheating wife; that, the DA said, could be understood, if not condoned. But this revenge had been of a much colder type. Consider! the DA thundered at the jury. Four and four! Not six shots, but eight! He had fired the gun empty . . . and then stopped to reload so he could shoot each of them again!

Related Characters: Red/The Narrator (speaker), Andy Dufresne, The District Attorney, Linda Collins Dufresne, Glenn Quentin
Page Number: 6
Explanation and Analysis:

“I think it’s at least possible that he convinced himself. It was the limelight. Reporters asking him questions, his picture in the papers . . . all topped, of course, by his star turn in court. I’m not saying that he deliberately falsified his story, or perjured himself. I think it’s possible that he could have passed a lie detector test with flying colors, or sworn on his mother’s sacred name that I bought those dishtowels. But still . . . memory is such a goddam subjective thing.”

Related Characters: Andy Dufresne (speaker), Red/The Narrator, Linda Collins Dufresne, Glenn Quentin
Page Number: 10
Explanation and Analysis:

I don’t have to listen to rumors about a man when I can judge him for myself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 16
Explanation and Analysis:

It was a silly idea, and yet . . . seeing that little piece of quartz had given my heart a funny tweak. I don’t know exactly why; just an association with the outside world, I suppose. You didn’t think of such things in terms of the yard. Quartz was something you picked out of a small, quick-running stream.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 18
Explanation and Analysis:

And then there are the sisters.

They are to prison society what the rapist is to the society outside the walls. They’re usually long-timers, doing hard bullets for brutal crimes. Their prey is the young, the weak, and the inexperienced . . . or, as in the case of Andy Dufresne, the weak-looking. […] Most often what the sisters take by force they could have had for free, if they wanted it that way; those who have been turned always seem to have “crushes” on one sister or another, like teenage girls with their Sinatras, Presleys, or Redfords. But for the sisters, the joy has always been in taking it by force . . . and I guess it always will be.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 22 - 23
Explanation and Analysis:

Because of his small size and fair good looks (and maybe also because of that very quality of self-possession I had admired), the sisters were after Andy from the day he walked in. If this was some kind of fairy story, I’d tell you that Andy fought the good fight until they left him alone. I wish I could say that, but I can’t. Prison is no fairy-tale world.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 22
Explanation and Analysis:

It rips you up some, but not bad—am I speaking from personal experience, you ask?—I only wish I weren’t. You bleed for awhile. If you don’t want some clown asking you if you just started your period, you wad up a bunch of toilet paper and keep it down the back of your underwear until it stops. The bleeding really is like a menstrual flow; it keeps up for two, maybe three days, a slow trickle. Then it stops. No harm done, unless they’ve done something even more unnatural to you. No physical harm done—but rape is rape, and eventually you have to look at your face in the mirror again and decide what to make of yourself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 23
Explanation and Analysis:

I glanced into his cell and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk where he could look at her nights, after lights-out, in the glow of the arc sodiums in the exercise yard.

But in the bright morning sunlight, there were dark slashes across her face—the shadow of the bars on his single slit window.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Pin-Up Posters
Page Number: 29
Explanation and Analysis:

You may also have gotten the idea that I’m describing someone who’s more legend than man, and I would have to agree that there’s some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Bogs Diamond, Byron Hadley
Page Number: 29 - 30
Explanation and Analysis:

How much work went into creating those two pieces? Hours and hours after lights-out, I knew that. First the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been worked and made—that’s the thing that really separates us from the animals, I think—and I felt something else, too. A sense of awe for the man’s brute persistence.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 30 - 31
Explanation and Analysis:

I have seen some screws that I thought were almost saintly, and I think I know why that happens—they are able to see the difference between their own lives, poor and struggling as they might be, and the lives of the men they are paid by the State to watch over. These guards are able to formulate a comparison concerning pain. Others can’t, or won’t.

Related Characters: Red/The Narrator (speaker), Byron Hadley
Page Number: 33
Explanation and Analysis:

So yeah—if you asked me to give you a flat-out answer to the question of whether I’m trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit—I’d have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn’t much like me or anyone else I ever knew since I came inside.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Byron Hadley
Page Number: 40 - 41
Explanation and Analysis:

He discovered a hunger for information on such small hobbies as soap-carving, woodworking, sleight of hand, and card solitaire. He got all the books he could on such subjects. And those two jailhouse staples, Erie [sic] Stanley Gardner and Louis L’Amour. Cons never seem to get enough of the courtroom or the open range.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 42 - 43
Explanation and Analysis:

“Because guys like us, Red, we know there’s a third choice. An alternative to staying simon-pure or bathing in the filth and the slime. It’s the alternative that grown-ups all over the world pick. You balance off your walk through the hog-wallow against what it gains you. You choose the lesser of two evils and try to keep your good intentions in front of you.”

Related Characters: Andy Dufresne (speaker), Red/The Narrator
Page Number: 47
Explanation and Analysis:

He said it was as if Tommy had produced a key which fit a cage in the back of his mind, a cage like his own cell. Only instead of holding a man, that cage held a tiger, and that tiger’s name was Hope. Williams had produced the key that unlocked the cage and the tiger was out, willy-nilly, to roam his brain.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton, Tommy Williams
Page Number: 56
Explanation and Analysis:

I’ve still got them, and I take them down every so often and think about what a man can do, if he has time enough and the will to use it, a drop at a time.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 70
Explanation and Analysis:

“You know what the Mexicans say about the Pacific?”

I told him I didn’t.

“They say it has no memory. And that’s where I want to finish out my life, Red. In a warm place that has no memory.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne (speaker)
Page Number: 72
Explanation and Analysis:

“I couldn’t get along on the outside. I’m what they call an institutional man now. In here I’m the man who can get it for you, yeah. But out there, anyone can get it for you. Out there, if you want posters or rock-hammers or one particular record or a boat-in-a-bottle model kit, you can use the fucking Yellow Pages. In here, I’m the fucking Yellow Pages. I wouldn’t know how to begin. Or where.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 78
Explanation and Analysis:

Well, friends and neighbors, I was the one who went. Straight down to solitary, and there I stayed for fifteen days. A long shot. But every now and then I’d think about poor old not-too-bright Rory Tremont bellowing oh shit it’s shit, and then I’d think about Andy Dufresne heading south in his own car, dressed in a nice suit, and I’d just have to laugh. I did that fifteen days in solitary practically standing on my head. Maybe because half of me was with Andy Dufresne, Andy Dufresne who had waded in shit and came out clean on the other side, Andy Dufresne, headed for the Pacific.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton
Page Number: 90
Explanation and Analysis:

Well, you weren’t writing about yourself, I hear someone in the peanut-gallery saying. You were writing about Andy Dufresne. You’re nothing but a minor character in your own story. But you know, that’s just not so. It’s all about me, every damned word of it. Andy was the part of me they could never lock up, the part of me that will rejoice when the gates finally open for me and I walk out in my cheap suit with my twenty dollars of mad-money in my pocket. That part of me will rejoice no matter how old and broken and scared the rest of me is. I guess it’s just that Andy had more of that part than me, and used it better.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 103
Explanation and Analysis:

Wondering what I should do.

But there’s really no question. It always comes down to just two choices. Get busy living or get busy dying.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 110
Explanation and Analysis:
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Rita Hayworth and the Shawshank Redemption PDF

Red/The Narrator Quotes in Rita Hayworth and the Shawshank Redemption

The Rita Hayworth and the Shawshank Redemption quotes below are all either spoken by Red/The Narrator or refer to Red/The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Institutionalization vs. Freedom  Theme Icon
).
Rita Hayworth and the Shawshank Redemption Quotes

There’s a guy like me in every state and federal prison in America, I guess—I’m the guy who can get it for you.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 1
Explanation and Analysis:

Have I rehabilitated myself, you ask? I don’t even know what that word means, at least as far as prisons and corrections go. I think it’s a politician’s word. It may have some other meaning, and it may be that I will have a chance to find out, but that is the future . . . something cons teach themselves not to think about.

Related Characters: Red/The Narrator (speaker)
Page Number: 2
Explanation and Analysis:

It was that last fact that militated more against Andy than any of the others. The DA with the political aspirations made a great deal of it in his opening statement and his closing summation. Andrew Dufresne, he said, was not a wronged husband seeking a hot-blooded revenge against his cheating wife; that, the DA said, could be understood, if not condoned. But this revenge had been of a much colder type. Consider! the DA thundered at the jury. Four and four! Not six shots, but eight! He had fired the gun empty . . . and then stopped to reload so he could shoot each of them again!

Related Characters: Red/The Narrator (speaker), Andy Dufresne, The District Attorney, Linda Collins Dufresne, Glenn Quentin
Page Number: 6
Explanation and Analysis:

“I think it’s at least possible that he convinced himself. It was the limelight. Reporters asking him questions, his picture in the papers . . . all topped, of course, by his star turn in court. I’m not saying that he deliberately falsified his story, or perjured himself. I think it’s possible that he could have passed a lie detector test with flying colors, or sworn on his mother’s sacred name that I bought those dishtowels. But still . . . memory is such a goddam subjective thing.”

Related Characters: Andy Dufresne (speaker), Red/The Narrator, Linda Collins Dufresne, Glenn Quentin
Page Number: 10
Explanation and Analysis:

I don’t have to listen to rumors about a man when I can judge him for myself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 16
Explanation and Analysis:

It was a silly idea, and yet . . . seeing that little piece of quartz had given my heart a funny tweak. I don’t know exactly why; just an association with the outside world, I suppose. You didn’t think of such things in terms of the yard. Quartz was something you picked out of a small, quick-running stream.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 18
Explanation and Analysis:

And then there are the sisters.

They are to prison society what the rapist is to the society outside the walls. They’re usually long-timers, doing hard bullets for brutal crimes. Their prey is the young, the weak, and the inexperienced . . . or, as in the case of Andy Dufresne, the weak-looking. […] Most often what the sisters take by force they could have had for free, if they wanted it that way; those who have been turned always seem to have “crushes” on one sister or another, like teenage girls with their Sinatras, Presleys, or Redfords. But for the sisters, the joy has always been in taking it by force . . . and I guess it always will be.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 22 - 23
Explanation and Analysis:

Because of his small size and fair good looks (and maybe also because of that very quality of self-possession I had admired), the sisters were after Andy from the day he walked in. If this was some kind of fairy story, I’d tell you that Andy fought the good fight until they left him alone. I wish I could say that, but I can’t. Prison is no fairy-tale world.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 22
Explanation and Analysis:

It rips you up some, but not bad—am I speaking from personal experience, you ask?—I only wish I weren’t. You bleed for awhile. If you don’t want some clown asking you if you just started your period, you wad up a bunch of toilet paper and keep it down the back of your underwear until it stops. The bleeding really is like a menstrual flow; it keeps up for two, maybe three days, a slow trickle. Then it stops. No harm done, unless they’ve done something even more unnatural to you. No physical harm done—but rape is rape, and eventually you have to look at your face in the mirror again and decide what to make of yourself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 23
Explanation and Analysis:

I glanced into his cell and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk where he could look at her nights, after lights-out, in the glow of the arc sodiums in the exercise yard.

But in the bright morning sunlight, there were dark slashes across her face—the shadow of the bars on his single slit window.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Pin-Up Posters
Page Number: 29
Explanation and Analysis:

You may also have gotten the idea that I’m describing someone who’s more legend than man, and I would have to agree that there’s some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Bogs Diamond, Byron Hadley
Page Number: 29 - 30
Explanation and Analysis:

How much work went into creating those two pieces? Hours and hours after lights-out, I knew that. First the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been worked and made—that’s the thing that really separates us from the animals, I think—and I felt something else, too. A sense of awe for the man’s brute persistence.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 30 - 31
Explanation and Analysis:

I have seen some screws that I thought were almost saintly, and I think I know why that happens—they are able to see the difference between their own lives, poor and struggling as they might be, and the lives of the men they are paid by the State to watch over. These guards are able to formulate a comparison concerning pain. Others can’t, or won’t.

Related Characters: Red/The Narrator (speaker), Byron Hadley
Page Number: 33
Explanation and Analysis:

So yeah—if you asked me to give you a flat-out answer to the question of whether I’m trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit—I’d have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn’t much like me or anyone else I ever knew since I came inside.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Byron Hadley
Page Number: 40 - 41
Explanation and Analysis:

He discovered a hunger for information on such small hobbies as soap-carving, woodworking, sleight of hand, and card solitaire. He got all the books he could on such subjects. And those two jailhouse staples, Erie [sic] Stanley Gardner and Louis L’Amour. Cons never seem to get enough of the courtroom or the open range.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 42 - 43
Explanation and Analysis:

“Because guys like us, Red, we know there’s a third choice. An alternative to staying simon-pure or bathing in the filth and the slime. It’s the alternative that grown-ups all over the world pick. You balance off your walk through the hog-wallow against what it gains you. You choose the lesser of two evils and try to keep your good intentions in front of you.”

Related Characters: Andy Dufresne (speaker), Red/The Narrator
Page Number: 47
Explanation and Analysis:

He said it was as if Tommy had produced a key which fit a cage in the back of his mind, a cage like his own cell. Only instead of holding a man, that cage held a tiger, and that tiger’s name was Hope. Williams had produced the key that unlocked the cage and the tiger was out, willy-nilly, to roam his brain.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton, Tommy Williams
Page Number: 56
Explanation and Analysis:

I’ve still got them, and I take them down every so often and think about what a man can do, if he has time enough and the will to use it, a drop at a time.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton
Related Symbols: Rocks, Crystals, and Concrete
Page Number: 70
Explanation and Analysis:

“You know what the Mexicans say about the Pacific?”

I told him I didn’t.

“They say it has no memory. And that’s where I want to finish out my life, Red. In a warm place that has no memory.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne (speaker)
Page Number: 72
Explanation and Analysis:

“I couldn’t get along on the outside. I’m what they call an institutional man now. In here I’m the man who can get it for you, yeah. But out there, anyone can get it for you. Out there, if you want posters or rock-hammers or one particular record or a boat-in-a-bottle model kit, you can use the fucking Yellow Pages. In here, I’m the fucking Yellow Pages. I wouldn’t know how to begin. Or where.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 78
Explanation and Analysis:

Well, friends and neighbors, I was the one who went. Straight down to solitary, and there I stayed for fifteen days. A long shot. But every now and then I’d think about poor old not-too-bright Rory Tremont bellowing oh shit it’s shit, and then I’d think about Andy Dufresne heading south in his own car, dressed in a nice suit, and I’d just have to laugh. I did that fifteen days in solitary practically standing on my head. Maybe because half of me was with Andy Dufresne, Andy Dufresne who had waded in shit and came out clean on the other side, Andy Dufresne, headed for the Pacific.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton
Page Number: 90
Explanation and Analysis:

Well, you weren’t writing about yourself, I hear someone in the peanut-gallery saying. You were writing about Andy Dufresne. You’re nothing but a minor character in your own story. But you know, that’s just not so. It’s all about me, every damned word of it. Andy was the part of me they could never lock up, the part of me that will rejoice when the gates finally open for me and I walk out in my cheap suit with my twenty dollars of mad-money in my pocket. That part of me will rejoice no matter how old and broken and scared the rest of me is. I guess it’s just that Andy had more of that part than me, and used it better.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 103
Explanation and Analysis:

Wondering what I should do.

But there’s really no question. It always comes down to just two choices. Get busy living or get busy dying.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number: 110
Explanation and Analysis: