Rita Hayworth and the Shawshank Redemption
by Stephen King

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Rita Hayworth and the Shawshank Redemption Quotes

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Rita Hayworth and the Shawshank Redemption Quotes

There’s a guy like me in every state and federal prison in America, I guess—I’m the guy who can get it for you.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Literary Devices:
Page Number and Citation: 1
Explanation and Analysis:
This quotation, which opens Rita Hayworth and the Shawshank Redemption, introduces readers to the novella’s narrator while posing questions about corruption and rehabilitation within the U.S. prison system. Curiously, while explaining who he is, the narrator never mentions his own name; readers only learn his nickname, Red, much later, because his friend Andy Dufresne refers to him that way in dialogue. Instead, the narrator explains who he is in the context of prison culture: he’s “the guy who can get it for you.” By introducing himself as a prison type who exists in every facility, not as an individual person, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. An

Have I rehabilitated myself, you ask? I don’t even know what that word means, at least as far as prisons and corrections go. I think it’s a politician’s word. It may have some other meaning, and it may be that I will have a chance to find out, but that is the future . . . something cons teach themselves not to think about.

Related Characters: Red/The Narrator (speaker)
Page Number and Citation: 2
Explanation and Analysis:
The narrator Red has just explained that he was imprisoned at age 20 for cutting the brakes on his wife’s car, killing her—and two other people he hadn’t realized she was going to pick up. He recognizes that he did something truly terrible, but he also points out it happened a long, long time ago. Then he considers the question of his rehabilitation. Red’s statement that he doesn’t “even know what that word means, at least as far as prisons and corrections go” suggests the prison has made no active attempts to rehabilitate him. In fact, it may have encouraged Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam q

It was that last fact that militated more against Andy than any of the others. The DA with the political aspirations made a great deal of it in his opening statement and his closing summation. Andrew Dufresne, he said, was not a wronged husband seeking a hot-blooded revenge against his cheating wife; that, the DA said, could be understood, if not condoned. But this revenge had been of a much colder type. Consider! the DA thundered at the jury. Four and four! Not six shots, but eight! He had fired the gun empty . . . and then stopped to reload so he could shoot each of them again!

Related Characters: Red/The Narrator (speaker), Linda Collins Dufresne, Glenn Quentin, Andy Dufresne, The District Attorney
Page Number and Citation: 6
Explanation and Analysis:
Red is explaining how Andy Dufresne, whom he believes to be innocent, was convicted of double homicide and sent to Shawshank prison. Andy’s conviction turns on two phenomena: gender stereotypes and the power of storytelling. The DA (district attorney) prosecuting Andy’s case claims that Andy murdering his wife Linda “could be understood, if not condoned” if Andy had murdered her in the manner of “a wronged husband seeking a hot-blooded revenge.” This disturbing sentiment suggests the DA believes—or at least, thinks the jury believes—that it’s natural and understandable for a man to murder his wife out of rage if she’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qu

“I think it’s at least possible that he convinced himself. It was the limelight. Reporters asking him questions, his picture in the papers . . . all topped, of course, by his star turn in court. I’m not saying that he deliberately falsified his story, or perjured himself. I think it’s possible that he could have passed a lie detector test with flying colors, or sworn on his mother’s sacred name that I bought those dishtowels. But still . . . memory is such a goddam subjective thing.”

Related Characters: Andy Dufresne (speaker), Glenn Quentin, Linda Collins Dufresne, Red/The Narrator
Page Number and Citation: 10
Explanation and Analysis:
Early in the novella, the narrator Red interrupts his retelling of Andy’s trial to relate a conversation about the trial he had with Andy much later, after they’d become friends in prison. At the trial, a store clerk testified that Andy had purchased alcohol, cigarettes, and dishtowels from him. Police later discovered dishtowels in the house where Andy’s wife Linda and her lover Glenn Quentin were murdered. Andy, who has no memory of buying dishtowels, is explaining to Red why he thinks the clerk said he did. Andy is arguing that one’s beliefs and context can alter one’s memory of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accus

I don’t have to listen to rumors about a man when I can judge him for myself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 16
Explanation and Analysis:
The narrator Red is explaining how he and Andy first met in Shawshank prison. Red had already heard negative “rumors” about Andy’s standoffishness, but he decided not to come to any conclusions until they’d interacted. This short passage reveals both Red’s mental independence and the importance of stories in shaping people’s lives. Red claims several times he’s an “institutional man,” someone so used to prison rules and restrictions that he could never return to the outside world and exercise his freedom again. Yet despite Red’s negative self-image, he demonstrates mental independence—internal freedom, one might say—when he refuses to believe “rumors” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum.

It was a silly idea, and yet . . . seeing that little piece of quartz had given my heart a funny tweak. I don’t know exactly why; just an association with the outside world, I suppose. You didn’t think of such things in terms of the yard. Quartz was something you picked out of a small, quick-running stream.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number and Citation: 18
Explanation and Analysis:
The narrator Red is describing his and Andy’s first meeting in Shawshank prison, when Andy asks Red to smuggle him a rock-hammer. When Red hesitates (he’s suspicious Andy might use the hammer as a murder weapon), Andy explains that he collects rocks, finds a quartz crystal in the exercise yard dirt, and shows it to Red. Andy’s attempt, shortly after entering prison, to get equipment that will help him persist in a pre-prison hobby shows that he doesn’t intend to let prison change him: he will retain his interests, his personality, and his internal freedom even though the prison guards Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae

And then there are the sisters.

They are to prison society what the rapist is to the society outside the walls. They’re usually long-timers, doing hard bullets for brutal crimes. Their prey is the young, the weak, and the inexperienced . . . or, as in the case of Andy Dufresne, the weak-looking. […] Most often what the sisters take by force they could have had for free, if they wanted it that way; those who have been turned always seem to have “crushes” on one sister or another, like teenage girls with their Sinatras, Presleys, or Redfords. But for the sisters, the joy has always been in taking it by force . . . and I guess it always will be.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Literary Devices:
Page Number and Citation: 22 - 23
Explanation and Analysis:
The narrator Red, having mentioned that Andy was in trouble with “the sisters,” explains who “the sisters” are: Shawshank prisoners who rape other prisoners. Red’s explanation reveals that in the novella, characters associate male homosexuality with femininity and sexual violence with masculinity. The language of the passage suggests Red and other prisoners associate having gay (male) sex with being a feminized man. Shawshank prisoners nickname men who rape men in prison “the sisters,” as if they were a girl gang. Red calls men who realized they were gay in prison “those who have been turned,” as if homosexuality turns men Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur m

Because of his small size and fair good looks (and maybe also because of that very quality of self-possession I had admired), the sisters were after Andy from the day he walked in. If this was some kind of fairy story, I’d tell you that Andy fought the good fight until they left him alone. I wish I could say that, but I can’t. Prison is no fairy-tale world.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 22
Explanation and Analysis:
Red is explaining Andy’s difficulty with “the sisters,” Shawshank prisoners who rape other prisoners. The explanation Red gives for why the sisters “were after Andy” underscores that, in the cultural world of the novella, men see women as natural targets of sexual violence and assault feminine-seeming men when women aren’t available. Andy is “small,” “fair” (i.e. blond), attractive, and exhibiting “self-possession” rather than grabbing attention for himself—attributes more associated with refined women than with stereotypical men. In prison, Red suggests, stereotypically feminine attributes make Andy a target for rape. This passage again suggests to readers that Red is a reliable Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. P

It rips you up some, but not bad—am I speaking from personal experience, you ask?—I only wish I weren’t. You bleed for awhile. If you don’t want some clown asking you if you just started your period, you wad up a bunch of toilet paper and keep it down the back of your underwear until it stops. The bleeding really is like a menstrual flow; it keeps up for two, maybe three days, a slow trickle. Then it stops. No harm done, unless they’ve done something even more unnatural to you. No physical harm done—but rape is rape, and eventually you have to look at your face in the mirror again and decide what to make of yourself.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 23
Explanation and Analysis:
Red has just told readers about the first time the sisters gang-rape Andy. Now he is explaining the physical aftermath of having been raped. This passage highlights how gender stereotypes influence sexual violence in the novella and how inhumane Shawshank prison is. It also provides more evidence that Red is a reliable narrator. First, Shawshank’s male prisoners treat rape as something that feminizes men. Red alludes to “clown[ish]” prisoners asking bleeding rape victims whether they “just started” their “period”—hinting that other prisoners will treat a rape victim with cruelty and contempt because they see being raped as an experience that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Vo

I glanced into his cell and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk where he could look at her nights, after lights-out, in the glow of the arc sodiums in the exercise yard.

But in the bright morning sunlight, there were dark slashes across her face—the shadow of the bars on his single slit window.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Pin-Up Posters
Related Literary Devices:
Page Number and Citation: 29
Explanation and Analysis:
Red has just smuggled Andy a pin-up poster of the actress and sex symbol Rita Hayworth (1918 – 1987). In the morning, walking to breakfast, he sees the poster hung in Andy’s cell. Here, the pin-up poster seems to emphasize Andy’s lack of freedom. Red describes the poster in highly sexual terms, talking about Hayworth’s “swimsuited glory” and “soft, satiny lips.” He notes that Andy can look at her during the “nights, after lights-out”—hinting he believes Andy has placed the poster where it can work best as an aid to nighttime sexual fantasies. Yet “in the bright morning sunlight”—that is, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. M

You may also have gotten the idea that I’m describing someone who’s more legend than man, and I would have to agree that there’s some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too.

Related Characters: Red/The Narrator (speaker), Byron Hadley, Bogs Diamond, Andy Dufresne
Page Number and Citation: 29 - 30
Explanation and Analysis:
In this passage, Red prefaces an anecdote about how Andy got the sisters to stop sexually assaulting him by talking about his own narrative of Andy, whom Red describes in terms of “legend,” “fantasy,” and “myth-magic.” This discussion serves two purposes in the novella, emphasizing the power of stories while also bolstering Red’s credibility as a narrator. The stories that make Andy a legend among Shawshank’s “long-timers” all have to do with him exercising free will and agency: he refuses to give Bogs Diamond, one of the rapists in the prison, “a head-job” (i.e. oral sex) despite Bogs threatening him Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia sol

How much work went into creating those two pieces? Hours and hours after lights-out, I knew that. First the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been worked and made—that’s the thing that really separates us from the animals, I think—and I felt something else, too. A sense of awe for the man’s brute persistence.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Related Literary Devices:
Page Number and Citation: 30 - 31
Explanation and Analysis:
The year after Andy enters Shawshank, as he and Red are becoming friends, Andy gives Red two quartz crystals he’s carved. Red’s reaction highlights the symbolic connection between rocks and Andy’s “brute persistence”; it also illustrates the inspirational effect Andy’s persistence has on other prisoners, especially Red. Red seems stunned by the amount of slow, steady work Andy must have expended to create these gifts. He not only mentions that Andy likely labored for “hours and hours” in the dark but also lists the various kinds of labor: “chipping,” “shaping,” “polishing,” and “finishing.” Red’s attention to the kind and amount Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi so

I have seen some screws that I thought were almost saintly, and I think I know why that happens—they are able to see the difference between their own lives, poor and struggling as they might be, and the lives of the men they are paid by the State to watch over. These guards are able to formulate a comparison concerning pain. Others can’t, or won’t.

Related Characters: Red/The Narrator (speaker), Byron Hadley
Page Number and Citation: 33
Explanation and Analysis:
In this passage, the narrator Red interrupts his description of the brutal, pessimistic prison guard Byron Hadley to discuss two different kinds of prison guards. There are those who can “formulate a comparison concerning pain” and those who can’t. The passage shows how powerful storytelling can be by suggesting that understanding other people’s life stories leads to increased empathy and moral depth. Red mentions that some guards at Shawshank (“screws” is a slang term for prison guards) become “saintly” by observing and understanding “the lives of the men they are paid by the State to watch over.” In other words, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molest

So yeah—if you asked me to give you a flat-out answer to the question of whether I’m trying to tell you about a man or a legend that got made up around the man, like a pearl around a little piece of grit—I’d have to say that the answer lies somewhere in between. All I know for sure is that Andy Dufresne wasn’t much like me or anyone else I ever knew since I came inside.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Byron Hadley
Page Number and Citation: 40 - 41
Explanation and Analysis:
The narrator Red has just recounted how Andy convinced prison guard Byron Hadley a bunch of prisoners beer in exchange for helping him exploit a tax loophole. After Hadley buys the prisoners beer, many more prisoners claim to have been present when Andy convinced him than actually were. The prisoners’ admiring lies about Andy prompt Red to consider, once again, whether he’s telling a story “about a man or a legend.” When Red compares Andy’s legend to “a pearl,” the comparison suggests the legend springs from a real source—the “little piece of grit” that is the real, indomitable Andy Dufresne—but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi ea

He discovered a hunger for information on such small hobbies as soap-carving, woodworking, sleight of hand, and card solitaire. He got all the books he could on such subjects. And those two jailhouse staples, Erie [sic] Stanley Gardner and Louis L’Amour. Cons never seem to get enough of the courtroom or the open range.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number and Citation: 42 - 43
Explanation and Analysis:
The narrator Red is explaining how Andy increased the prison library’s catalogue after he became prison librarian. This quotation illustrates another way in which Andy inspires other prisoners. The novella has already used Andy’s own hobby, collecting and shaping rocks, to symbolize Andy’s persistence—in particular, his persistent desire for freedom within the repressive prison environment. By encouraging other prisoners’ “small hobbies” with the books he chooses, Andy is directly supporting other prisoners’ preferred activities and thus their expressions of individuality, which may in turn support their sense of dignity and internal freedom. Andy also cultivates prisoners’ desire for freedom by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dign

“Because guys like us, Red, we know there’s a third choice. An alternative to staying simon-pure or bathing in the filth and the slime. It’s the alternative that grown-ups all over the world pick. You balance off your walk through the hog-wallow against what it gains you. You choose the lesser of two evils and try to keep your good intentions in front of you.”

Related Characters: Andy Dufresne (speaker), Red/The Narrator
Related Literary Devices:
Page Number and Citation: 47
Explanation and Analysis:
Andy and Red have been discussing the moral complexity of Andy laundering money for corrupt prison staff. When Red questions Andy’s decision to launder money for prison guards who deal dangerous drugs, Andy compares himself to Red, who smuggles a variety of contraband items but won’t arrange contract killings. Andy’s morally pragmatic argument in this passage shows his character development. The phrase “simon-pure” derives from the character Simon Pure in the 1718 play A Bold Stroke for a Wife by Susanna Centlivre. Interestingly, the phrase can mean either totally pure or falsely, hypocritically pure. It’s impossible to be certain from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. To

He said it was as if Tommy had produced a key which fit a cage in the back of his mind, a cage like his own cell. Only instead of holding a man, that cage held a tiger, and that tiger’s name was Hope. Williams had produced the key that unlocked the cage and the tiger was out, willy-nilly, to roam his brain.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Tommy Williams, Samuel Norton
Page Number and Citation: 56
Explanation and Analysis:
This passage occurs just after Red narrates how in 1963, a recently arrived Shawshank prisoner named Tommy Williams divulges a mysterious piece of important information to Andy. Red then interrupts his own story to mention that Andy would later tell him how Tommy’s information made him feel: like the tiger of hope had been uncaged in his brain. Whereas much of the novella represents hope as a good thing, this passage is more ambivalent. On the one hand, a tiger is a beautiful and powerful animal, suggesting that hope is a force to be reckoned with. Additionally, the passage associates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Acc

I’ve still got them, and I take them down every so often and think about what a man can do, if he has time enough and the will to use it, a drop at a time.

Related Characters: Red/The Narrator (speaker), Samuel Norton, Andy Dufresne
Related Symbols: Rocks, Crystals, and Concrete
Page Number and Citation: 70
Explanation and Analysis:
Red is explaining how Andy reacts to prison warden Samuel Norton destroying Andy’s chance to get a retrial. Despite Andy’s years-long depression, he continues his hobby of collecting rocks and sculpting them prettily; because he has so many rocks, he gives some away, including to Red. Red then interrupts his narration of Andy’s story to mention that he’s kept all the rocks Andy gave him. This passage makes clear not only Andy’s persistence in the face of setbacks and disappointments, symbolized by water shaping rock “a drop at a time,” but also how Andy’s persistence inspires Red. Andy gives away Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debiti

“You know what the Mexicans say about the Pacific?”

I told him I didn’t.

“They say it has no memory. And that’s where I want to finish out my life, Red. In a warm place that has no memory.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne (speaker)
Page Number and Citation: 72
Explanation and Analysis:
Andy is telling Red what he plans to do when he leaves Shawshank prison: move to a coastal town in Mexico and run a small hotel. Andy has been planning his escape for a long time; he’s about to hint as much to Red. This passage reveals Andy’s state of mind as he contemplates the rest of his life. Earlier in the novella, Red claimed that prisoners don’t like to think about the future, implying either that prisoners have no hope or that they find their residual hope too painful to dwell on. By contrast, Andy clearly wants to think Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui

“I couldn’t get along on the outside. I’m what they call an institutional man now. In here I’m the man who can get it for you, yeah. But out there, anyone can get it for you. Out there, if you want posters or rock-hammers or one particular record or a boat-in-a-bottle model kit, you can use the fucking Yellow Pages. In here, I’m the fucking Yellow Pages. I wouldn’t know how to begin. Or where.”

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 78
Explanation and Analysis:
After Andy tells Red about his plans to open a small hotel in Mexico and hints he plans to escape Shawshank, he suggests that he’d like Red as a business partner at the hotel. Red responds by denying he could “get along on the outside.” On one level, Red’s response shows how badly prison has damaged his self-esteem and sense of agency. He believes that “anyone” in the free world could do what he does in prison, whereas he “wouldn’t know how” to live like a normal person in the free world. He defines himself as “an institutional man,” someone Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatu

Well, friends and neighbors, I was the one who went. Straight down to solitary, and there I stayed for fifteen days. A long shot. But every now and then I’d think about poor old not-too-bright Rory Tremont bellowing oh shit it’s shit, and then I’d think about Andy Dufresne heading south in his own car, dressed in a nice suit, and I’d just have to laugh. I did that fifteen days in solitary practically standing on my head. Maybe because half of me was with Andy Dufresne, Andy Dufresne who had waded in shit and came out clean on the other side, Andy Dufresne, headed for the Pacific.

Related Characters: Red/The Narrator (speaker), Andy Dufresne, Samuel Norton
Page Number and Citation: 90
Explanation and Analysis:
After Andy escapes Shawshank prison through a sewer pipe he tunneled through his cell wall to reach, warden Samuel Norton sends a young correctional officer named Rory Tremont to investigate the tunnel. Rory Tremont, discovering feces in the pipe, starts shouting and vomiting. Red, overhearing, begins to laugh uncontrollably and is punished with fifteen days of solitary confinement. When Red says that Andy “waded in shit and came out clean on the other side,” he’s literally describing how Andy crawled through a filthy, feces-smeared sewer pipe to reach a creek outside the prison—yet he likely also means how Andy dealt Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae

Well, you weren’t writing about yourself, I hear someone in the peanut-gallery saying. You were writing about Andy Dufresne. You’re nothing but a minor character in your own story. But you know, that’s just not so. It’s all about me, every damned word of it. Andy was the part of me they could never lock up, the part of me that will rejoice when the gates finally open for me and I walk out in my cheap suit with my twenty dollars of mad-money in my pocket. That part of me will rejoice no matter how old and broken and scared the rest of me is. I guess it’s just that Andy had more of that part than me, and used it better.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 103
Explanation and Analysis:
The narrator Red has just revealed that he’s been writing Andy’s story since he received a post-escape postcard from Andy and now, in the subsequent year, he believes he’s finished. In writing Andy’s story, he’s discovered the story was really about him too. This passage marks a turning point in Red’s character development. Earlier in the novella, he claims the story really is about Andy, not him—that he is “a minor character”—and that Andy is unique among prisoners in his dignity, persistence, and desire for freedom. This passage shows that in writing down Andy’s story, Red realized his previous claims Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit.

Wondering what I should do.

But there’s really no question. It always comes down to just two choices. Get busy living or get busy dying.

Related Characters: Red/The Narrator (speaker), Andy Dufresne
Page Number and Citation: 110
Explanation and Analysis:
This passage occurs after Red has been paroled. While struggling with life in the free world, Red discovers an envelope the escaped Andy has left for him, containing $1000 and a letter inviting Red to join him in Mexico. Red has to decide whether to break parole and accept Andy’s offer. In short order, he decides “there’s really no question.” He’s going to join Andy in Mexico. This passage marks the climax of Red’s character development. Earlier in the novella, he claimed that he was an “institutional man” who could never survive in the free world and treated Andy’s persistent Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque pla
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