Romeo and Juliet
Romeo and Juliet
by William Shakespeare
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Juliet Character Analysis

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One of the protagonists of the play, along with Romeo. She is the female heir to the dynasty of House Capulet, which is in a long-standing feud with House Montague. At only 13, Juliet finds herself pulled from the cocoon of childhood when her mother, Lady Capulet, informs her that she’s of marriageable age and that the wealthy, handsome count Paris has set his sights on her. Juliet is reluctant to start thinking about love, and frequently clashes with her overbearing parents as they try to arrange a socially and monetarily fortuitous match for her. But when she meets Romeo, whom she does not realize is a member of House Montague, her family’s enemy, she is struck by desire. Even after she learns Romeo’s true identity, she continues pining for him, and when she realizes that he feels the same way, she demands he swear his love to her or leave her alone forever. She suggests that they get married if Romeo truly loves her, and Romeo accepts this proposal—in spite of (or perhaps because of) the feud between their houses. Juliet is, throughout the play, torn between her perceived duty to her family and her love for Romeo. Her burgeoning sexuality and desire for new experiences outside of the insular world of her family’s obsession with respectability and gentility drive her into Romeo’s arms, and lead her to take serious emotional and physical risks in pursuit of a life with him. In order to avoid marrying Paris, Friar Laurence helps Juliet come up with a plan to fake her own death using a special potion so that she will be buried in her family’s tomb and then excavated to be reunited with Romeo. However, the plan goes awry when, upon seeing Juliet’s “dead” body, Romeo kills himself in her tomb. As a young woman, Juliet knows she has limited options, and her choice to take her own life at the end of the play—often attributed to her desire to follow Romeo into death—may actually have more to do with her confusion, shame, and fear about her social standing in the wake of Romeo’s demise. When Friar Laurence suggests Juliet live out the rest of her days in a nunnery, she finds herself torn between facing the chaos and destruction she’s caused through her impulsiveness by dealing with the consequences outright, or living a life of shame and obfuscation, hidden away from the only world she’s ever known. Romantic yet grounded, introspective yet impulsive, and determined to be the master of her own destiny—even if that destiny is death—Juliet tests the limits of love, fate, duty, and independence throughout the play.

Juliet Quotes in Romeo and Juliet

The Romeo and Juliet quotes below are all either spoken by Juliet or refer to Juliet. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love and Violence Theme Icon
).

Prologue Quotes

Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes,
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows,
Doth with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.

Related Characters: The Chorus (speaker), Juliet, Romeo
Related Literary Devices:
Page Number and Citation: Prologue, Lines 1-14
Explanation and Analysis:
The choral address which opens Romeo and Juliet echoes the chorus of ancient Greek tragedies, in which a troupe of masked performers explains, summarizes, and contextualizes some aspects of the play. In the case of Romeo and Juliet, the chorus first places the action in Verona at a particular time (after an “ancient grudge” and during a “new mutiny” between two noble families). In the next sentence, this chorus narrows its scope to the play’s protagonists: the “star-cross’d lovers” who will die because of the play’s events. Finally, it tells the audience that the play, the “two hours’ traffic of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

Act 1, Scene 1 Quotes

Why then, O brawling love! O loving hate!
O any thing, of nothing first created;
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!

Related Characters: Romeo (speaker), Benvolio, Rosaline, Juliet
Related Literary Devices:
Page Number and Citation: 1.1.181-184
Explanation and Analysis:
The first scene seems to obey the same order as the Prologue: first, a fight breaks out on the street between members of the rival households, and then the audience sees the star-cross’d lover on the stage. Romeo's metaphors echo the contradictory language of the typical Petrarchan lover—one who echoes the paradoxical phrases of the Italian poet Francesco Petrarch. Romeo is not yet pining after Juliet, however; here, he longs for the woman Rosaline, whom he feels is the most beautiful woman in the world. Since Romeo begins the play so ardently in love with another woman, the audience will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum.

Act 1, Scene 5 Quotes

Oh, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope's ear,
Beauty too rich for use, for earth too dear.
So shows a snowy dove trooping with crows
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of stand,
And, touching hers, make blessèd my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne'er saw true beauty till this night.

Related Characters: Romeo (speaker), Rosaline, Juliet
Related Symbols: Light/Dark and Day/Night
Page Number and Citation: 1.5.51-60
Explanation and Analysis:
Before Romeo learns Juliet's name, he is amazed by her beauty and begins to use the analogy of light to describe her particular radiance. Juliet has immediately replaced Rosaline in Juliet's mind—a fact that Romeo alludes to both directly and indirectly. Directly, he claims that Juliet surpasses all other women; she is a "snowy dove" in comparison to the "crows." Indirectly, he neglects to mention even Rosaline's name in referring to his past loves—indeed, he does not say Rosaline's name again until Friar Laurence reminds him of it in a later scene (after which Romeo claims that he "forgot" that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta

You kiss by th’ book.

Related Characters: Juliet (speaker), Romeo
Page Number and Citation: 1.5.122
Explanation and Analysis:
At Lord Capulet’s feast, Romeo is drawn to Juliet’s beauty, and he professes that she is the most beautiful woman he has ever seen. Without knowing who she is, he comes to her and asks to kiss her. When he asks, he (somewhat sacrilegiously) uses religious lexicon—comparing her hand to a “holy shrine,” describing his lips as “two blushing pilgrims”—as he creates metaphors to describe the physical actions he is proposing (such as holding hands and kissing). Juliet parallels this, using such spiritual terminology as well. After they kiss twice, though, she tells Romeo that he kisses “by th’ book,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus

My only love sprung from my only hate!
Too early seen unknown, and known too late!

Related Characters: Juliet (speaker), Romeo
Page Number and Citation: 1.5.152-153
Explanation and Analysis:
As the guests are leaving her house’s feast, Juliet decides to find out who Romeo is. She first asks her nurse who two other gentlemen are and then finally asks her one of the most significant questions of the play: the question of Romeo’s identity. The notion of fate is at play even in Juliet’s question; right after she requests that her nurse ask for Romeo’s name, she says that, if Romeo is married, her “grave” will likely be her “wedding bed.” The nurse never mentions if Romeo is married, but his identity as a Montague, “the only son of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

Act 2, Scene 2 Quotes

But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun!

Related Characters: Romeo (speaker), Juliet
Related Symbols: Light/Dark and Day/Night
Related Literary Devices:
Page Number and Citation: 2.2.2-3
Explanation and Analysis:
After the feast ends, Romeo does not journey away from the Capulet’s house along with his friends. Instead he climbs and leaps down a high orchard wall, in order to seek out and rejoin Juliet. He exclaims that his “heart” is somewhere else now, with her. When he sees her, he is again struck by her beauty, as he declares that she is “the sun.” These lines are thematically significant as well as beautiful (and extremely famous), and they illustrate yet another contradiction at work. It is undoubtedly night at the moment when Romeo claims that the “light” through the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis conse

O Romeo, Romeo! wherefore art thou Romeo?
Deny thy father and refuse thy name;
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.

Related Characters: Juliet (speaker), Romeo
Page Number and Citation: 2.2.36-39
Explanation and Analysis:
Just as Romeo is fixated on Juliet after meeting her at the Capulets’ feast, it seems that Juliet cannot forget Romeo either. She begins to speak to herself about him, while he eavesdrops from below. As Juliet ponders aloud, she does not only ask why her love is a Montague, her family’s rival household; she asks why ("wherefore" means "why") he is “Romeo,” inviting the audience into a broader discussion about the power and purpose of naming and language in general. Can verbal expression truly rearrange bonds between individuals? Juliet claims that Romeo could “deny thy father and refuse thy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupt

'Tis but thy name that is my enemy; —
Thou art thyself though, not a Montague.
What's Montague? It is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? That which we call a rose,
By any other word would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title: — Romeo, doff thy name;
And for thy name, which is no part of thee,
Take all myself.

Related Characters: Juliet (speaker), Romeo
Related Literary Devices:
Page Number and Citation: 2.2.41-52
Explanation and Analysis:
As Juliet continues to dwell upon this theme of love and language, the audience can realize the extent of her emotional upset. She presses further, even saying that Romeo “art thyself” and is “not a Montague.” Although Romeo may be embedded within the societal network of the Montague family, his physical body is his own; his identity as a Montague is not a “hand, nor foot, / Nor arm, nor face, nor any other part / Belonging to a man.” Juliet starts to repeat herself, again urging Romeo to refuse his name: “O, be some other name!”; “Retain that dear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

I take thee at thy word:
Call me but love, and I'll be new baptis'd;
Henceforth I never will be Romeo.

Related Characters: Romeo (speaker), Juliet
Page Number and Citation: 2.2.53-55
Explanation and Analysis:
Romeo finally reveals his presence, after Juliet has declared her love for him on her balcony. His reply echoes the same themes which Juliet brought to light: the power of language to shape relationships, individuals’ struggles between their desire and society’s expectations, and the burden of duty to one’s house and family name. Romeo claims that he can “be new baptis’d,” if Juliet will “call me but love.” Of course, he cannot truly baptize himself, as this ceremony is performed by a priest who is invested with authority by human society and by the Christian God, who himself expresses his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta

O, swear not by the moon, the inconstant moon,
That monthly changes in her circled orb,
Lest that thy love prove likewise variable.

Related Characters: Juliet (speaker), Romeo
Related Symbols: Light/Dark and Day/Night
Page Number and Citation: 2.2.114-116
Explanation and Analysis:
Before Romeo and Juliet end their famous exchange of sweet nothings during the balcony scene, Juliet urges Romeo to not swear "by the moon," which has a varying shape that depends on the time of the month (and "monthly changes in her circles orb"). This is part of a larger series of Juliet romantically urging Romeo to "swear" or "swear not"—not by the moon, by his name, and then not at all. It functions as a romantic saying, which has more meaning because it is said aloud than because of its actual content, but it also suggests a thought which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Good-night, good-night! Parting is such sweet sorrow
That I shall say good-night till it be morrow.

Related Characters: Juliet (speaker), Romeo
Related Symbols: Light/Dark and Day/Night
Page Number and Citation: 2.2.199-201
Explanation and Analysis:
Another one of the play’s famous phrases, “Parting is such sweet sorrow,” is here delivered by Juliet as she and Romeo slowly end the famous "balcony scene." Juliet describes parting as an oxymoron, an event which is sweet (because it allows her to speak to her lover) and sorrowful (because it heralds a separation from him). To deal with this contradiction, Juliet puts in place another: she will continue to say “good-night” (a word that, by definition, necessitates a subsequent parting and silence) until the night turns into day. Her actions will thus contradict her words. The play’s light and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Act 3, Scene 2 Quotes

Come, gentle night, — come, loving black brow'd night,
Give me my Romeo; and when he shall die,
Take him and cut him out in little stars,
And he will make the face of Heaven so fine
That all the world will be in love with night,
And pay no worship to the garish sun.

Related Characters: Juliet (speaker), Romeo
Related Symbols: Light/Dark and Day/Night
Related Literary Devices:
Page Number and Citation: 3.2.21-27
Explanation and Analysis:
Before the nurse enters and informs Juliet that Tybalt has died, Juliet speaks alone in the Capulets' courtyard about her desire for Romeo. It is about to be their wedding night, and Juliet is looking forward to having sex with Romeo for the first time—and she says so in no uncertain terms. She urges the night to "come" so that she can meet Romeo under the cover of darkness, as forbidden lovers do. As she passionately continues speaking, Juliet says she looks forward to the moment when Romeo dies (occasionally, the line is represented as “when I shall die” rather Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non

Act 3, Scene 5 Quotes

Wilt thou be gone? it is not yet near day.
It was the nightingale, and not the lark,
That pierc'd the fearful hollow of thine ear;
Nightly she sings on yond pomegranate tree.
Believe me love, it was the nightingale.

Related Characters: Juliet (speaker), Romeo
Related Symbols: Light/Dark and Day/Night
Page Number and Citation: 3.5.1-5
Explanation and Analysis:
The nightingale has a rich tradition as a symbol in medieval romances, and it is fitting that Juliet references this creature when she attempts to convince Romeo that it is not yet day and that the night they’ve spent together is not over. Although Juliet was earlier willing to acknowledge the separation between day and night (when she said that she would say “good-night till it be morrow”), here she conflates the two. It is now day, but Juliet situates herself and Romeo within a fictitious night. This indicates how the lovers’ situation has grown more desperate, which Juliet also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas d

Is there no pity sitting in the clouds
That sees into the bottom of my grief?
O sweet my mother, cast me not away!
Delay this marriage for a month, a week,
Or if you do not, make the bridal bed
In that dim monument where Tybalt lies.

Related Characters: Juliet (speaker), Tybalt, Lady Capulet
Page Number and Citation: 3.5.208-213
Explanation and Analysis:
Romeo finally leaves Juliet’s room when her nurse warns her that Lady Capulet is coming. Lady Capulet arrives with “joyful tidings” that will hopefully ease the woe that Juliet (supposedly) feels for Tybalt’s death—Juliet is to marry Paris on Thursday. Of course, to Juliet, this news is the opposite of joyful. She reveals her love for Romeo to her mother and father, who refuse to acknowledge her desire to marry him. Her father swiftly leaves, and Juliet here appeals to her mother. She begs her mother to not cast her away, although Juliet has already figuratively cast herself away from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

Act 4, Scene 1 Quotes

Or bid me go into a new-made grave,
And hide me with a dead man in his shroud -
Things that, to hear them told, have made me tremble -
And I will do it without fear or doubt,
To live an unstain'd wife to my sweet love.

Related Characters: Juliet (speaker), Friar Laurence, Paris
Page Number and Citation: 4.1.85-90
Explanation and Analysis:
After Juliet suggests that her bridal bed with Paris and her tomb should be conflated, she finds herself making a similar suggestion as she pleads with her ally Friar Laurence for assistance in finding a way to delay or avoid her forced marriage to Paris. Shortly before she makes this exclamation, Juliet was forced to discuss her impending marriage with both Paris and Friar Laurence, and this encounter has likely added to her constant emotional tumult, to produce the desperation she describes here. Yet Juliet also expresses a sort of strength through her desperation: she will do what she must Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus

Act 5, Scene 1 Quotes

Then I defy you, stars!

Related Characters: Romeo (speaker), Juliet
Related Symbols: Light/Dark and Day/Night
Page Number and Citation: 5.1.25
Explanation and Analysis:
In this passage, Balthasar has just brought word to Romeo—who is exiled in Mantua for his murder of Tybalt—that Juliet is dead and lies in the Capulet’s tomb vaults. Romeo’s immediate response is the question “Is it even so?” which is a momentary refusal to recognize the death of Juliet. This only briefly precedes his exclamation “then I defy you, stars!” Here, the audience witnesses how these lovers are “star-cross’d”: fate causes Romeo to hear that Juliet is dead, which will soon lead to his own death and her actual death. The audience sees the lovers strive against the more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque

Act 5, Scene 3 Quotes

Yea, noise, then I'll be brief;
O, happy dagger!
This is thy sheath; there rest, and let me die.

Related Characters: Juliet (speaker), Romeo
Page Number and Citation: 5.3.174-175
Explanation and Analysis:
In this passage, Juliet decides to kill herself with Romeo’s dagger. Upon waking from her drug-induced slumber and realizing that Romeo used poison to kill himself beside her tomb, Juliet realizes that just as Romeo didn’t want to continue living without her, she does not want to go on without him. Romeo’s drugs were “quick” to kill him, and Juliet decides to make her last moments “brief” as well, because she hears “noise” from the broader society outside the tomb. She makes her own body the dagger’s “sheath” for the dagger, stabbing herself. While this version of the text shows Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque.

For never was a story of more woe
Than this of Juliet and her Romeo.

Related Characters: Prince Escalus (speaker), Romeo, Juliet
Page Number and Citation: 5.3.119-120
Explanation and Analysis:
As Prince Escalus ends the play by admonishing the Montagues and Capulets for allowing their ancient, pointless feud to result in the deaths of their children, another figure finally acknowledges the intimate association between the two lovers. Prince Escalus refers to Romeo as “her Romeo,” thus belonging to Juliet. Yet he also summarizes their story as “a story of more woe,” and thus language allows him to circumscribe the lovers’ narrative with his own words. The broader society of Verona, which is led and represented by Prince Escalus, is personified in the play both after and before Romeo and Juliet Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessi
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Juliet Character Timeline in Romeo and Juliet

The timeline below shows where the character Juliet appears in Romeo and Juliet. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 2
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...if the man has thought any more about his “suit”—Paris wants to marry Capulet’s daughter, Juliet. Capulet, however, believes that 13-year-old Juliet is too young to be a bride. He tells... (full context)
Act 1, Scene 3
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At the Capulet house, Lady Capulet asks Juliet’s nurse to call for Juliet. Juliet enters and asks her mother what she wants. Lady... (full context)
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The nurse says one last thing—that if she lives long enough to see Juliet married, she will die a happy woman. Lady Capulet says that marriage is actually what... (full context)
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Lady Capulet tells Juliet that Paris is coming to the feast tonight—Juliet will get to meet the handsome, much-desired... (full context)
Act 1, Scene 5
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Romeo spots Juliet from across the room and asks a servant who she is. The servant says he... (full context)
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Romeo approaches Juliet and takes her hand, calling it a “holy shrine.” He says that if his touch... (full context)
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...is drawing to an end. Romeo and his kinsmen begin sneaking out of the party. Juliet asks her nurse who Romeo is. The nurse pretends she doesn’t see Romeo, and when... (full context)
Act 2, prologue
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...for Rosaline is now in its “deathbed.” Love has found Romeo again—but because he and Juliet are supposed to be enemies, the chorus predicts that things will be complicated for them.... (full context)
Act 2, Scene 2
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...comes out of hiding just as a light in a nearby window flicks on and Juliet exits onto her balcony. “It is the east,” Romeo says, regarding Juliet, “and Juliet is... (full context)
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Juliet speaks, sighing “Ay me!” and Romeo, hearing her, remains hidden, but quietly says he wishes... (full context)
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Romeo speaks up and says he’ll take Juliet’s advice and allow her to “baptize” him anew—if she wants, he says, he’ll cease being... (full context)
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Juliet tells Romeo that normally she’d be embarrassed about all the things he’s overheard her saying... (full context)
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As Romeo begins to swear his love again, however, Juliet cuts him off, telling him that they are being “too rash.” She tries to bid... (full context)
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Juliet’s nurse calls for her, and Juliet tells Romeo that she has to go inside but... (full context)
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Romeo turns to leave, but Juliet comes out to the balcony yet again and calls down to him, asking what time... (full context)
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Juliet bids Romeo goodnight, and he says he hopes she sleeps peacefully. Juliet hurries inside, and... (full context)
Act 2, Scene 3
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Friar Laurence, in spite of his reservations, admits that perhaps the marriage of Romeo and Juliet could serve “to turn [their] households’ rancor to pure love.” Romeo begs the friar to... (full context)
Act 2, Scene 4
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Juliet’s nurse and Peter enter and greet the Montague men. The nurse wishes them good morning,... (full context)
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...himself, but the nurse waves him off and pulls Romeo aside. She tells him that Juliet has sent her to talk with Romeo and receive a message from him—but before she... (full context)
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...hand her a rope ladder. Romeo plans on using the ladder to climb up to Juliet’s room later that night. The nurse asks Romeo if his servant can be trusted to... (full context)
Act 2, Scene 5
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In the courtyard of the Capulet manor, Juliet paces nervously—her nurse is not yet back from meeting Romeo, and she is worried about... (full context)
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The nurse states that Juliet has made a “simple choice” in Romeo—though he’s handsome and gentle, she says, he’s nothing... (full context)
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The nurse begs Juliet to calm down, then asks if she has permission to go to confession later. Juliet... (full context)
Act 2, Scene 6
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At Friar Laurence’s cell, the friar and Romeo wait for Juliet. The friar says he hopes the heavens will smile upon the “holy act” of the... (full context)
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Juliet rushes into the friar’s chambers and excitedly embraces Romeo. As Friar Laurence watches the two... (full context)
Act 3, Scene 1
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...a man who’s only been related to him for an hour or so. Romeo blames Juliet for his misfortune, claiming that her “beauty hath made [him] effeminate.” (full context)
Act 3, Scene 2
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Juliet, in her chambers, begs night to fall so that Romeo can at last “leap” into... (full context)
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The nurse enters with Romeo’s rope ladder, and Juliet asks if she brings any news. The nurse calls out mournfully, “He’s dead, he’s dead,”... (full context)
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The nurse points out that Romeo did kill Juliet’s cousin. Juliet wrestles with the emotional and moral conundrum before her—Tybalt, she says, would have... (full context)
Act 3, Scene 3
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...that the word beyond Verona’s walls is “hell itself”—all he wants is to be with Juliet. The friar warns Romeo that he’s being ungrateful for the mercy the prince has shown... (full context)
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Friar Laurence asks who is knocking, and Juliet’s nurse calls out, stating that she has brought a message from her lady. She enters,... (full context)
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...a man. The friar demands Romeo pull himself together—nothing is as bad as it seems. Juliet is alive, and still in love with Romeo; Romeo is alive, while Tybalt, who would... (full context)
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...Friar Laurence for lifting his mood. The friar tells Romeo to enjoy his night with Juliet, but not to forget that, come morning’s light, he must be out of the city.... (full context)
Act 3, Scene 4
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...midst of all the chaos surrounding Tybalt’s death, there has been no time to “move” Juliet to happy thoughts of marrying Paris. Paris assures Capulet and Lady Capulet that he understands.... (full context)
Act 3, Scene 5
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Romeo and Juliet walk out onto Juliet’s balcony after having spent the night together. It is nearly morning,... (full context)
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After a kiss farewell, Romeo climbs down the rope ladder. Juliet calls after him, worried that it will be years before they see one another again.... (full context)
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Lady Capulet calls out to Juliet and asks how she’s doing. Juliet says she’s feeling poorly. Lady Capulet tells Juliet that... (full context)
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Lady Capulet tells Juliet that it’s time to talk of nicer things—she has some good news for her daughter.... (full context)
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Capulet screams at Juliet for her ungratefulness, and tells her that no matter what, she is going to marry... (full context)
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Juliet begs her mother to delay the marriage a while—otherwise, Juliet says, her parents might as... (full context)
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Alone, Juliet remarks what a “wicked fiend” the nurse is, and says she regrets having ever trusted... (full context)
Act 4, Scene 1
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...in the friar’s chamber. Paris is asking the friar’s advice on his upcoming marriage to Juliet, which Paris himself admits is hasty and possibly contrary to Juliet’s wishes. He’s noticed that... (full context)
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Juliet asks Friar Laurence if she can speak with him alone, and the friar urges Paris... (full context)
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Friar Laurence, sensing Juliet’s resolve, tells her of his plan. He urges her to go home,  pretend that everything... (full context)
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Juliet begs Friar Laurence to give her the vial of potion, determined to see the plan... (full context)
Act 4, Scene 2
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...the Capulet home, Capulet is busy hastily sending his servingmen on errands in preparation for Juliet’s wedding while Lady Capulet stands by. He sends one out to go around town inviting... (full context)
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Juliet enters. Capulet asks her where she’s been, and she tells her father that she has... (full context)
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Juliet asks her nurse to come with her to her room and help her pick out... (full context)
Act 4, Scene 3
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In Juliet’s chambers, Juliet thanks the nurse for helping her to pick out clothes and jewels for... (full context)
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As Juliet pulls out the vial and prepares to drink from it, she admits that she’s afraid—she’s... (full context)
Act 4, Scene 4
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Very early the next morning, the Capulet manor is bustling as Capulet, Lady Capulet, Juliet’s nurse, and several servingmen rush about the house preparing food, lighting fires, and getting ready... (full context)
Act 4, Scene 5
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The nurse enters Juliet’s bedroom to find her sleeping soundly. She chides the girl for being lazy and tries... (full context)
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As the friar, Paris, and a group of musicians enter Juliet’s chambers asking if Juliet is ready to head to church, Capulet tells them that “death... (full context)
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...of the marriage preparations were in vain—the wedding feast will become a funerary one, and Juliet’s bridal flowers will now cover her corpse. Friar Laurence again urges the family to focus... (full context)
Act 5, Scene 1
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...wakes from sleep, proclaiming that his dreams have portended “some joyful news.” He dreamed that Juliet found him dead, but with a kiss, breathed life back into him, revived him, and... (full context)
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...Romeo that he has terrible news that he must nonetheless deliver, as is his duty: Juliet is dead and buried in the Capulet crypt. Romeo calls out, “I defy you, stars,”... (full context)
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Alone, Romeo declares that one way or another, he will lie with Juliet later that night. He states that he has heard of an apothecary in Mantua who... (full context)
Act 5, Scene 2
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...news from Romeo—it is clear that Laurence sent John to Mantua to inform Romeo of Juliet’s plan. Friar John, however, states that he was held up and unable to complete the... (full context)
Act 5, Scene 3
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...graveyard outside the church, Paris sneaks close to the Capulet crypt to scatter flowers around Juliet’s resting place while his page keeps watch nearby. Paris vows to come to Juliet’s grave... (full context)
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...the citizens’ watch. Paris falls and dies, begging to be laid to rest next to Juliet. (full context)
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...of gossip Balthasar told him on the ride from Mantua—that Paris was supposed to marry Juliet, or already had. He wonders if he misheard Balthasar, or if, in his madness over... (full context)
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As he descends into the crypt and lays eyes on Juliet, Romeo remarks that though death has taken Juliet’s breath from her body, it has “had... (full context)
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Juliet stirs, then wakes. She says hello to Friar Laurence and asks where Romeo is. There... (full context)
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Friar Laurence leaves, and Juliet is left alone in the tomb. She looks upon Romeo’s corpse and, seeing a cup... (full context)
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...into the Capulet crypt. The chief watchman finds the “pitiful sight” of Paris, Romeo, and Juliet, all dead, in the bottom of the crypt—he realizes that Juliet was merely faking her... (full context)
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...to know what’s going on—in the streets, they’ve heard people crying the names of Romeo, Juliet, and Paris. The chief watchman tells them all that Romeo and Paris are dead, and... (full context)
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Friar Laurence speaks up to clear the air. He admits that he married Romeo and Juliet in secret on the day of Tybalt’s death—Juliet was, all along, pining for the exiled... (full context)
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...asks him to say his peace. Balthasar says that after he brought Romeo news of Juliet’s death, Romeo fled Mantua for Verona, gave Balthasar a letter for Montague, and threatened Balthasar... (full context)
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...referring to him as “brother,” and asks for his hand. His forgiveness, he says, is Juliet’s dowry. Montague states that he will erect a pure gold statue in Juliet’s form—as long... (full context)
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...play by stating that there “never was a story of more woe than this of Juliet and her Romeo.” (full context)