Sadako and the Thousand Paper Cranes
by Eleanor Coerr

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Sadako Character Analysis

The novel’s protagonist, Sadako Sasaki is a spirited and ambitious eleven-year-old girl with a passion for running free. Sadako was only a year old when the nuclear bomb was dropped on Hiroshima nine years previously (at the end of World War II), but swears she remembers the heat and light of the blast as clearly as if it were yesterday. Sadako’s enthusiasm for celebrating life is sometimes mistaken by her mother and father as disrespect for the past. She longs to join the racing team at her junior high school next year, though as she begins running small races against her friends at school, she finds herself growing dizzy and faint rather quickly. Sadako is soon brought to the hospital where she is diagnosed with leukemia, an effect of the radiation from the nuclear bomb that still lingers throughout Hiroshima. As Sadako struggles in the hospital, her friend Chizuko instructs her in the art of folding paper cranes, and Chizuko gives Sadako hope with by telling her the legend that anyone who folds one thousand cranes is granted their wish—Sadako’s, of course, is to be healthy again and return home to her family. As Sadako’s illness worsens, she is comforted by her family, her friends, and others in the hospital—a boy named Kenji, whose passing shows her the freedom death can offer for those who are truly ill, and her kind caretaker Nurse Yasunaga. Though Sadako eventually perishes, she comes to accept the freedom death represents, and her illness—the casualty of a tremendous act of violence—becomes a rallying call for her community as they finish folding one thousand paper cranes in the name of peace, unity, and kindness on Sadako’s behalf.

Sadako Quotes in Sadako and the Thousand Paper Cranes

The Sadako and the Thousand Paper Cranes quotes below are all either spoken by Sadako or refer to Sadako. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Peace and Pacifism Theme Icon
).

Chapter 1 Quotes

Sadako was born to be a runner. Her mother always said that Sadako had learned to run before she could walk. One morning in August 1954 Sadako ran outside into the street as soon as she was dressed. The morning sun of Japan touched brown highlights in her dark hair. There was not a speck of cloud in the blue sky. It was a good sign. Sadako was always on the lookout for good luck signs.

Related Characters: Sadako
Page Number and Citation: 9-10
Explanation and Analysis:
In the novel’s opening lines, Eleanor Coerr establishes Sadako as a headstrong, ambitious, optimistic child who has always been eager to excel and impress. As Sadako greets what seems to be a special morning, she looks all around her for good luck signs—emphasizing that what she sees in the world are harbingers of happiness, peace, and success in the future. Sadako is always pitched full-tilt ahead, running into the future and believing that if something can go right, it will. As the atmosphere of Sadako’s family and hometown become clearer, and begin to register as one of guilt, loss, worry, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis.

Rushing like a whirlwind into the kitchen, Sadako cried, “Oh, Mother! I can hardly wait to go to the carnival. Can we please hurry with breakfast?”

Her mother was busily slicing pickled radishes to serve with the rice and soup. She looked sternly at Sadako. “You are eleven years old and should know better,” she scolded. You must not call it a carnival. Every year on August sixth we remember those who died when the atom bomb was dropped on our city. It is a memorial day.”

Related Characters: Mrs. Sasaki (speaker), Sadako (speaker)
Page Number and Citation: 10-11
Explanation and Analysis:
Sadako’s excitement and optimism brush up against her mother’s somber mourning in this passage, as Sadako is scolded for referring to the annual commemoration of the atom bombing as a “carnival.” Even on a sad, reflective day, Sadako cannot be tamped down. She is excited to see her friends and neighbors and to “celebrate.” Some of this is childhood naiveté, as Sadako was just a baby when the bombed was dropped and is still only eleven now. Her parents expect that she will be mature and thus respectful in a, but Sadako—ever the optimist—shows her respect for the losses her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mol

Sadako bowed her head. She fidgeted and wriggled her bare toes while Mr. Sasaki spoke. He prayed that the spirits of their ancestors were happy and peaceful. He gave thanks for his barbershop [and] for his fine children. He prayed that his family would be protected from the atom bomb disease called leukemia. Many still died from the disease, even though the atom bomb had been dropped on Hiroshima nine years before. It had filled the air with radiation—a kind of poison—that stayed inside people for a long time.

Related Characters: Sadako (speaker), Mr. Sasaki (speaker)
Page Number and Citation: 11-13
Explanation and Analysis:
As the Sasaki family gathers at their prayer altar to give thanks and mourn the dead privately before joining the Peace Day “festivities,” readers catch a glimpse of what life is really like now in Hiroshima in the years after the nuclear bombing. Small things, once taken for granted, are now seen as enormous blessings, and the threat of illness and death has not gone away for even one day in over nine years. Though the threat of leukemia is a very real physical one, the leukemia brought on by lingering radiation poison also mirrors the emotional “poison” of trauma Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores su

Chapter 2 Quotes

At the entrance to the Peace Park people filed through the memorial building in silence. On the walls were photographs of the dead and dying in a ruined city. The atom bomb—the Thunderbolt—had turned Hiroshima into a desert. Sadako didn’t want to look at the frightening pictures. She held tight to Chizuko’s hand and walked quickly through the building.

“I remember the Thunderbolt,” Sadako whispered to her friend. “There was the flash of a million suns. Then the heat prickled my eyes like needles.”

“How can you possibly remember anything?” Chizuko exclaimed. “You were only a baby then.”

“Well, I do!” Sadako said stubbornly.

Related Characters: Chizuko (speaker), Sadako (speaker)
Page Number and Citation: 16-18
Explanation and Analysis:
As Sadako and Chizuko enter the Peace Day memorial building, the two girls are confronted with images of loss, suffering, death, and destruction from the nuclear bombing. Though they are just schoolgirls, these images, and the legacy of the “Thunderbolt,” are very alive in their minds each and every day. This is perhaps why Sadako thinks she can remember the bombing—she has been told stories and seen images of that fateful day so many times that it has become real in her mind. As Sadako passes through the building, she turns away from those images when confronted with them directly—perhaps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Com

When the ceremonies were over, Sadako led the others straight to the old lady who sold cotton candy. It tasted even better than last year. The day passed too quickly, as it always did. The best part, Sadako thought, was looking at all the things to buy and smelling the good food. The worst part was seeing people with ugly whitish scars. The atom bomb had burned them so badly that they no longer looked human. If any of the bomb victims came near Sadako, she turned away quickly.

Related Characters: Sadako (speaker)
Page Number and Citation: 18-20
Explanation and Analysis:
Just as Sadako turned away from the images lining the halls of the Peace Day memorial building, she now turns away too from actual victims of the bombing, whose disfiguring burns and scars tell the story of their people’s suffering more acutely and more viscerally than any picture or story ever could. Sadako wants to celebrate, have fun, and retain her sunny optimism—she does not want to look to closely at the damage that has been done to her city and the people around her, as an underlying fear threatens the happiness and optimism she has perhaps cultivated as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident e

Chapter 3 Quotes

It was the beginning of autumn when Sadako rushed home with the good news. She kicked off her shoes and threw open the door with a bang. “I’m home!” she called.

Her mother was fixing supper in the kitchen.

“The most wonderful thing has happened! Guess what!”

“Many wonderful things happen to you, Sadako. I can’t even guess.”

“The big race on Field Day!” Sadako said. “I’ve been chosen from the bamboo class to be on the relay team.” She danced around the room, swinging her school bag. “Just think. If we win, I’ll be sure to get on the team in junior high school next year.” That was what Sadako wanted more than anything else.

Related Characters: Mrs. Sasaki (speaker), Sadako (speaker)
Page Number and Citation: 21-22
Explanation and Analysis:
Sadako’s dreams of running are symbolic of her desire to help those around her move forward and away from the trauma and tragedy of the past. Sadako desires freedom—freedom from the pain that surrounds her on all sides, and freedom from the fear of being attacked again or becoming waylaid by the poisonous and omnipresent atom bomb sickness. Running is a means of feeling free for Sadako, and as she realizes she has the chance to really be a star runner at her school, it seems as if things are about to change for her—and her family—for the better, forever. 

At the signal to start, Sadako forgot everything but the race. When it was her turn, she ran with all the strength she had. Sadako’s heart was still thumping painfully against her ribs when the race was over. It was then that she first felt strange and dizzy. She scarcely heard someone cry, “Your team won!” The class surrounded Sadako, cheering and shouting. She shook her head a few times and the dizziness went away.

Related Characters: Sadako (speaker)
Page Number and Citation: 24
Explanation and Analysis:
Sadako competes in the relay race with her class at school in this passage. After her initial nerves, which are quelled by her loving parents, she runs the race with strength, vigor, and passion. Her team wins, and Sadako’s running dreams seem as if they have finally come true. However, just as her team is celebrating all around her, she is waylaid by an unsettling dizziness which seems to portend a break in the happiness Sadako has been striving so hard for. Sadako shakes the dizziness away, but nevertheless something has intruded on her happiness and safety. Given that the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

Chapter 4 Quotes

By now the rest of Sadako’s family was at the hospital. Her parents were in the doctor’s office. Sadako could hear the murmur of their voices. Once her mother cried, “Leukemia! But that’s impossible!” At the sound of that frightening word Sadako put her hands over her ears. She didn’t want to hear anymore. Of course she didn’t have leukemia. Why, the atom bomb hadn’t even scratched her.

Related Characters: Mrs. Sasaki (speaker), Sadako (speaker)
Page Number and Citation: 29-30
Explanation and Analysis:
After suffering more and more dizzy spells over the course of several months, Sadako is finally admitted to the Hiroshima Red Cross Hospital after she falls down at school and is unable to stand back up. When the news that Sadako has fallen ill with leukemia arrives, she plugs her ears—just as she turned away from the pictures and the burn victims at the peace day festival. Sadako cannot tolerate bad news or gruesome images or thoughts, and as she tries to turn away from the reality of her situation, she wonders how the illness could have struck her when Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Chapter 5 Quotes

That afternoon Chizuko was Sadako’s first visitor. She smiled mysteriously as she held something behind her back. “Shut your eyes,” she said. While Sadako squinted her eyes shut, Chizuko put some pieces of paper and scissors on the bed. “Now you can look,” she said.

“What is it?” Sadako asked.

Chizuko was pleased with herself. “I’ve figured out a way for you to get well,” she said proudly. “Watch!” She cut a piece of gold paper into a large square. In a short time she had folded it over and over into a beautiful crane.

Sadako was puzzled. “How can that paper bird make me well?”

“Don’t you remember that old story about the crane?” Chizuko asked. “It’s supposed to live for a thousand years. If a sick person folds one thousand paper cranes, the gods will grant her wish and make her healthy again.” She handed the crane to Sadako. “Here’s your first one.”

Sadako’s eyes filled with tears. Sadako took the golden crane and made a wish. The funniest little feeling came over her when she touched the bird. It must be a good omen.

Related Characters: Chizuko (speaker), Sadako (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 34-36
Explanation and Analysis:
In the hospital, Sadako is alone for the first time, and deeply frightened. She is saddened by the reality of her illness and afraid of what comes next. When her friend Chizuko visits, her company alone lifts Sadako’s mood, but things really turn around when Chizuko introduces Sadako to the legend of the paper cranes. Sadako, whose optimism and hope had begun to slip away, finds it restored by the promise of the idea that folding cranes could be her path back to health and her old life. Just touching the crane that Chizuko has made for Sadako with love Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

Chapter 6 Quotes

Everyone saved paper for Sadako’s good luck cranes. Chizuko brought colored paper from class. Father saved every scrap from the barbershop. Even Nurse Yasunaga gave Sadako the wrappings from packages of medicine. And Masahiro hung every one of the birds, as he had promised.

Related Characters: Nurse Yasunaga, Masahiro , Sadako, Chizuko, Mr. Sasaki
Related Symbols: Paper Cranes
Page Number and Citation: 40-41
Explanation and Analysis:
As Sadako’s illness progresses, the cranes become the only thing keeping her positive and focused on recovery. The cranes have given Sadako a means of returning to the hope and optimism that defined her before her illness, and as she throws her heart and soul into the project of folding one thousand of them her family, friends, and caretakers find themselves pulled into the hope the cranes offer along with Sadako. Everyone helps Sadako as she strives to achieve her goal, and though the myth of the crane is just that—a myth—it bolsters everyone’s hope and courage and gives Sadako’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam c

Sadako was feeling especially tired one day when Nurse Yasunaga wheeled her out onto the porch for some sunshine. There Sadako saw Kenji for the first time. He was nine and small for his age.

“Hello!” she said. “I’m Sadako.”

Kenji answered in a low, soft voice. Soon the two were talking like old friends Kenji had been in the hospital for a long time, but he had few visitors. His parents were dead and he had been living with an aunt in a nearby town.

“She’s so old that she only comes to see me only once a week,” Kenji said. “I read most of the time.”

Sadako turned away at the sad look on Kenji’s face.

“It doesn’t really matter,” he went on, “because I’ll die soon. I have leukemia from the bomb.”

“You can’t have leukemia,” Sadako said. “You weren’t even born then.”

“That isn’t important,” Kenji said. “The poison was in my mother’s body and I got it from her.”

Sadako wanted to comfort him, but she didn’t know what to say. Then she remembered the cranes. “You can make paper cranes like I do,” she said, “so that a miracle can happen.”

“I know about the cranes, but it’s too late. Even the gods can’t help me now.”

Related Characters: Sadako (speaker), Kenji (speaker), Nurse Yasunaga
Related Symbols: Paper Cranes
Page Number and Citation: 42-44
Explanation and Analysis:
When Sadako meets Kenji, she is excited to have a friend around her age whom she can connect with. However, Kenji is morose and resigned, so beaten down by his illness that he almost seems to welcome death as a reprieve from the misery of his life. Sadako is taken aback both by the fact of Kenji’s illness and his fatalist attitude about death, and wants to teach him how to fold paper cranes so that he can draw the same hope and strength from them that she does. Kenji, though, believes he is beyond the cranes’ help—he does not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

One day Kenji didn’t appear on the porch. Late that night Sadako heard the rumble of a bed being rolled down the hall. Nurse Yasunaga came in to tell her that Kenji had died. Sadako turned to the wall and let the tears come. After a while she felt the nurse’s hand on her shoulder. When Sadako finally stopped sobbing, she looked out [the window] at the moonlit sky.

“Do you think Kenji is up there on a star island?”

“Wherever he is, I’m sure that he is happy now,” the nurse said. “He has shed that tired, sick body and his spirit is free.”

Related Characters: Sadako (speaker), Nurse Yasunaga (speaker), Kenji
Page Number and Citation: 45
Explanation and Analysis:
When the news of Kenji’s death arrives, Sadako is deeply saddened. She mourns the loss of a new friend, she mourns Kenji’s beaten-down spirit, and, underneath it all, she mourns the idea that Kenji’s death has forced her to realize that her own death is a possibility as well—that maybe she won’t be able to defeat death as her crane-building project has made her believe. That Sadako continues to make cranes even after this realization is part of what makes her perseverance so heroic. Seeing Sadako’s pain and sadness, the kind and generous Nurse Yasunaga comforts Sadako and attempts to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui a

Chapter 7 Quotes

Mrs. Sasaki was worried Sadako didn’t eat enough. One evening she brought a surprise wrapped in a bundle. It contained all of Sadako’s favorite foods—an egg roll, chicken and rice, pickled plums, and bean cakes. Sadako propped herself up and tried to eat. But it was no use. Her swollen gums hurt so much that she couldn’t chew. Finally, Sadako pushed the good things away. Her mother’s eyes were bright as if she were going to cry.

“I’m such a turtle!” Sadako burst out. She was angry with herself for making her mother sad. She also knew that the Sasaki family had no extra money for expensive food. Tear stung Sadako’s eyes and she quickly brushed them away.

Related Characters: Sadako (speaker), Mrs. Sasaki
Page Number and Citation: 49
Explanation and Analysis:
Attempting to lift Sadako’s spirits and encourage her to invest in restoring her health through physical, practical means rather than just folding cranes and investing in abstract hope, Sadako’s mother brings her a whole bundle of her favorite foods. Sadako is in too much pain, though, and her rejection of the food symbolizes her inability to return to the life she had before her illness. Sadako is angry at herself, and sad that she is no longer able to please her mother, to nourish herself, or to recover who she was before she fell ill. Sadako knows she has reached Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti s

Masahiro dug into his pocket and pulled out a crumpled piece of silver paper. “Here,” he said, giving it to [Sadako.] “Eiji said this is for another crane.” Sadako sniffed the paper. “It smells like candy,” she said. “I hope the gods like chocolate.”

[Sadako, Masahiro, and their mother] burst out laughing. It was the first time Sadako had laughed in days. It was a good sign. Perhaps the golden crane’s magic was beginning to work. She smoothed out the paper and folded a bird.

Five hundred and forty one…

But she was too tired to make more. Sadako stretched out on the bed and closed her eyes. As Mrs. Sasaki tiptoed out of the room, she whispered a poem she used to say when Sadako was little:
“O flock of heavenly cranes

Cover my child with your wings.”

Related Characters: Sadako (speaker), Mrs. Sasaki (speaker), Masahiro (speaker), Eiji
Related Symbols: Paper Cranes
Page Number and Citation: 51
Explanation and Analysis:
Sadako has been feeling terrible both physically and emotionally. As her illness makes her feel worse, those around her feel terrible, too, at having to witness her pain and the changes within the bright, beautiful girl they once knew. When Masahiro brings Sadako the chocolate wrapper to use as a crane—a contribution from her little brother Eiji—it lifts everyone’s spirits. The cranes are still bringing Sadako’s family and community together as they support her in her goals, though many days she is too weak to use the materials people bring her in service of her project. As the tired, overwhelmed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Volup

Chapter 8 Quotes

Near the end of July it was warm and sunny. Sadako seemed to be getting better. “I’m over halfway to one thousand cranes,” she told Masahiro, “so something good is going to happen.” And it did. Her appetite came back and much of the pain went away. Dr. Numata was pleased with her progress and told Sadako she could go home for a visit. That night Sadako was so excited she couldn’t sleep. To keep the magic working she made more cranes.

Six hundred and twenty one.

Six hundred and twenty two…

Related Characters: Sadako (speaker), Dr. Numata
Related Symbols: Paper Cranes
Page Number and Citation: 52-53
Explanation and Analysis:
As the summer wraps up, the origami cranes’ power seems to finally be working. Sadako has achieved an important milestone and made it halfway to one thousand—always on the lookout for good luck signs, still, she sees this as an omen of good things to come. Whether it is a coincidence or not, her health begins to improve and her pain goes away, and so Sadako believes even more strongly in the cranes’ healing effect. As she prepares to go home for a visit, she continues folding more and more of them furiously, as fast as she can, hoping to Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

By the end of a week [at home] Sadako was pale and tired again. She could only sit quietly and watch the others.

“Sadako certainly has good manners now,” Mr. Sasaki said. “Oba chan’s spirit must be pleased to see how ladylike her granddaughter has become.”

“How can you say that!” Mrs. Sasaki cried. “I would rather have our lively Sadako back.” She dabbed at her eyes and hurried into the kitchen.

I'm making everyone sad, Sadako thought. She wished she could suddenly turn into her old self. How happy her mother would be then!

As if he knew what was in Sadako's mind, her father said gruffly, "There now, don't worry. After a good night's rest you'll feel fine."

Related Characters: Mr. Sasaki (speaker), Mrs. Sasaki (speaker), Sadako
Page Number and Citation: 55
Explanation and Analysis:
Sadako was happy to be home at first, but towards the end of her stay she becomes weak, ill, and quiet. Her father attempts to lighten the mood by remarking upon how docile and agreeable Sadako has become, but her mother genuinely misses her wild, free-spirited girl. This stands in contract to her parent’s stances toward her behavior before the leukemia struck, in which her father admired Sadako’s indomitable spirit and her mother despaired at her daughter’s lack of respect. The implication is that her father is just trying to make the best of things, while her mother can no Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Dr. Numata gave Sadako blood transfusions or shots almost every day. “I know it hurts,” he said, “but we must keep on trying.” Sadako nodded. She never complained about the shots and almost constant pain. A bigger pain was growing deep inside her. It was the fear of dying. She had to fight it as well as the disease. The golden crane helped. It reminded Sadako that there was always hope.

Related Characters: Sadako (speaker), Dr. Numata (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 56
Explanation and Analysis:
Sadakos’ visit home left her even more tired and debilitated than she was months ago, during the rainy season, when her illness was at its worst. As she returns to the hospital her doctors and nurses double down on treatments, hoping that they can still make Sadako better. Just as Sadako fights on, so do her doctors. The pain of her illness, though, is not even the worst thing anymore—now, Sadako is worried that she will never recover and will die as a result of her leukemia. Even after witnessing Kenji’s death and hearing Nurse Yasunaga’s words about how Kenji Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectu

The leaves on the maple tree were turning rust and gold when the family came for one last visit. Eiji handed Sadako a big box wrapped in gold paper and tied with a red ribbon. Slowly Sadako opened it. Inside was something her mother had always wanted for her—a silk kimono with cherry blossoms on it. Sadako felt hot tears blur her eyes.

"Why did you do it?" she asked, touching the soft cloth. "I'll never be able to wear it and silk costs so much money."

"Sadako chan," her father said gently, "your mother stayed up late last night to finish sewing it. Try it on for her."

With a great effort Sadako lifted herself out of bed. Mrs. Sasaki helped her put on the kimono and tie the sash. Sadako was glad her swollen legs didn't show.

Related Characters: Sadako (speaker), Mr. Sasaki (speaker), Eiji, Mrs. Sasaki
Page Number and Citation: 57
Explanation and Analysis:
As Sadako’s illness worsens, her family, fearing their time with Sadako has grown short, brings her a beautiful gift of a traditional kimono. Her mother has worked hard sewing it from beautiful fabric, and when Sadako opens the present she knows that her whole family has put time, money, and love into the beautiful gift. Sadako herself knows that she is not getting any better, and at first she is upset and overwhelmed by the kimono, as it is something she will never have the chance to wear outside of a hospital. But as her family helps her to put Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re

Chapter 9 Quotes

As Sadako grew weaker, she thought more about death. Would she live on a heavenly mountain? Did it hurt to die? Or was it like falling asleep?

If only I could forget about it, Sadako thought. But it was like trying to stop the rain from falling. As soon as she concentrated on something else, death crept back into her mind.

Related Characters: Sadako (speaker)
Page Number and Citation: 60-61
Explanation and Analysis:
Sadako has gone back and forth with regard to her fears about death. When she was first diagnosed with leukemia, she was scared all the time, but as her sickness has progressed and she has witnessed the death of Kenji, the kindness and empathy of Nurse Yasunaga, and the deterioration of her own once-indestructible body and spirit, Sadako has come to wonder whether death is indeed a kind of freedom or deliverance. As Sadako wonders more and more what death feels like and what it will offer her, she has trouble keeping thoughts of it out of her mind, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia

Already lights were dancing behind her eyes. Sadako slid a thin, trembling hand over to touch the golden crane. Life was slipping away from her, but the crane made Sadako feel stronger inside.

She looked at her flock hanging from the ceiling. As she watched, a light autumn breeze made the birds rustle and sway. They seemed to be alive and flying out through the open window.

How beautiful and free they were! Sadako sighed and closed her eyes.

She never woke up.

Related Characters: Sadako (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 63
Explanation and Analysis:
As Sadako, weak and worn down by her illness, finally comes to accept her impending death and the freedom from pain and sickness it will off her, she looks up at the ceiling and considers her hundreds and hundreds of beautiful paper cranes. The cranes are free and seem to be alive and actually flying away. Sadako is about to “fly away” from her own pain and suffering, and the cranes, though they did not heal her illness, have managed to heal her spirit and help her to accept her own death. The golden crane especially remains Sadako’s warmest touchstone, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligen
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Sadako and the Thousand Paper Cranes PDF

Sadako Character Timeline in Sadako and the Thousand Paper Cranes

The timeline below shows where the character Sadako appears in Sadako and the Thousand Paper Cranes. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
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...of a real little girl who lived in Japan from 1943 to 1955. The real-life Sadako was in Hiroshima in 1945 when the United States Air Force dropped an atomic bomb... (full context)
Chapter 1: Good Luck Signs
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The young girl named Sadako Sasaki was born to be a runner, and, according to her mother, learned to run... (full context)
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Sadako runs back inside and wakes her siblings. She pokes her older brother Masahiro and excitedly... (full context)
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Sadako runs into the kitchen, calling to her mother about how excited she is to “go... (full context)
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Sadako gulps down her breakfast, thinking of last year’s Peace Day and dreaming of what this... (full context)
Chapter 2: Peace Day
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As Sadako and her family start out for the festival, the air outside is warm and the... (full context)
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...aftermath of the bombing of Hiroshima—pictures of dead bodies and ruined buildings line the walls. Sadako looks away from the pictures and holds Chizuko’s hand tightly. Sadako tells Chizuko that she... (full context)
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...of white doves are released from their cages to commemorate the dead. After the ceremony, Sadako runs straight to the cotton candy stand, and finds that the sweet treat tastes even... (full context)
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...family suffered when the atom bomb dropped. That night, after the family returns home and Sadako goes to bed, she lies awake for a very long time, thinking about the day,... (full context)
Chapter 3: Sadako’s Secret
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It is early autumn, and Sadako rushes home from school one afternoon with good news. She runs into the kitchen to... (full context)
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Finally, it is the day of the big race. Sadako is nervous and afraid her legs won’t work at all as she surveys the parents,... (full context)
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Sadako runs the race, and after she crosses the finish line her heart is still thumping.... (full context)
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On New Year’s Eve, Sadako hopes that in the New Year her dizzy spells will go away. On New Year’s... (full context)
Chapter 4: A Secret No Longer
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For the first few weeks of the new year, Sadako feels strong and healthy. One cold February day, though, as Sadako practices in the schoolyard,... (full context)
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Mr. Sasaki leaves work and takes Sadako to the Red Cross Hospital. As they enter the building, Sadako is full of fear—there... (full context)
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A nurse named Nurse Yasunaga takes Sadako to a private hospital room and gives her a cotton hospital gown to wear. Sadako... (full context)
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Sadako’s parents fluff her pillows and offer to bring her anything she needs, but all she... (full context)
Chapter 5: The Golden Crane
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On her first morning in the hospital, Sadako wakes up slowly. She expects to be at home, and slowly remembers that she is... (full context)
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Sadako’s first visitor that afternoon is Chizuko. She approaches Sadako’s bed and tells Sadako to shut... (full context)
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Sadako’s eyes fill with tears—she is grateful to her friend for bringing her a good luck... (full context)
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That evening, when Masahiro brings Sadako her homework from school, he offers to string the cranes from the ceiling so that... (full context)
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...and Eiji in tow. The two young children like Chizuko’s golden crane the best, but Sadako’s mother picks one folded from green paper out as her favorite—she knows that the smallest... (full context)
Chapter 6: Kenji
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All of Sadako’s friends and family start saving paper for her to use to make the good luck... (full context)
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As the leukemia begins to sap Sadako’s energy, she experiences throbbing headaches, pain in her bones and her joints, and suffers more... (full context)
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Sadako tells Kenji that he can’t possibly have leukemia—he wasn’t even born when the atom bomb... (full context)
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Back in her room, Sadako tries to imagine what it would be like to be sick and have no family.... (full context)
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Late one night, Nurse Yasunaga comes into Sadako’s room to inform her that Kenji has died. Sadako cries, but Nurse Yasunaga comforts Sadako... (full context)
Chapter 7: Hundreds of Wishes
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June comes, and so does the rainy season. As the room grows humid and musty, Sadako becomes pale and listless. Only her parents and Masahiro are allowed to visit her, though... (full context)
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Masahiro arrives and regales Sadako with stories from school. He presents her with a present from Eiji—a crumpled piece of... (full context)
Chapter 8: Last Days
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By the end of July the weather has turned warm and sunny, and Sadako is feeling a little bit better. She is halfway to one thousand cranes, and she... (full context)
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When Sadako arrives home it is time for O Bon, the biggest holiday of the year—a celebration... (full context)
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...friends and family come and go from the Sasaki house all the time, calling on Sadako. By the end of the week she is pale and tired again, and when Mr.... (full context)
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The next day, Sadako returns to the hospital, and finds herself strangely glad to be back in her quiet... (full context)
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From that day on Sadako receives numerous transfusions and shots every single day. Sadako does not complain about the pain... (full context)
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Sadako’s mother spends more and more time at the hospital, and it hurts Sadako to see... (full context)
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Sadako’s parents help her try on the kimono, and as she takes small steps around her... (full context)
Chapter 9: Racing With The Wind
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Sadako grows weaker and weaker, and thinks more and more often about death. She wonders if... (full context)
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Toward the middle of October, Sadako begins having trouble keeping track of the days and nights. One day she awakes to... (full context)
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When Sadako wakes up again, her family is gathered all around her. She smiles at them, and... (full context)
Epilogue
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After Sadako’s death in October of 1955, her classmates at school folded the remaining 356 cranes needed... (full context)