Sadako and the Thousand Paper Cranes
by Eleanor Coerr
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Themes and Colors
Peace and Pacifism Theme Icon
History, Family, and Tradition Theme Icon
Hope, Strength, and Perseverance Theme Icon
Death as Freedom Theme Icon
LitCharts assigns a color and icon to each theme in Sadako and the Thousand Paper Cranes, which you can use to track the themes throughout the work.
Death as Freedom Theme Icon
Death as Freedom Theme Icon

When Sadako is first diagnosed with leukemia, illness is new to her. Though she knows that many people come down with the “atom bomb sickness,” no one in her family has been touched by it, and although she was a baby during the bombing, the atomic explosion “hadn’t even scratched her.” Death is a frightening prospect for Sadako, as it is for anyone, but as her stay in the hospital goes on and her condition worsens, Sadako begins to see that freedom can take many forms. The schoolyard, the racing track, and the streets of her neighborhood always represented freedom to Sadako, but these wide open physical spaces no longer offer her the freedom she once knew. As Sadako prepares to die, she turns to her flock of paper cranes, and considers how free they seem. Sadako longs for a new kind of freedom—freedom from pain, from illness, and from the grief her sickness has brought into the lives of her friends and family. Eleanor Coerr, taking up a relatively solemn theme for a children’s story, nonetheless argues through Sadako’s story that death can offer freedom to those who truly suffer.

Kenji, another boy stricken with leukemia who is in the hospital at the same time as Sadako, is the character most representative of this theme. When Sadako meets Kenji, they share stories from their lives, and Sadako learns that Kenji is an orphan whose parents presumably (though it is never confirmed) perished due to the “atom bomb sickness” as well. Kenji, who is only nine, had not been born at the time the bomb was dropped, but was poisoned when his mother’s radiation poisoning was passed on to him during her pregnancy. Kenji knows that he will soon die, and has no hope to live. Sadako attempts to get Kenji on board with her paper crane project, insisting that, if he completes a thousand, he too will be able to wish for his health back, but Kenji doesn’t believe that the cranes will save him.

After Kenji’s death, Sadako is devastated, but Nurse Yasunaga comforts her by assuring her—and perhaps illuminating for her for the first time ever—that Kenji has gone on to a better place and is now free from all the pain he endured. Sadako’s only frame of reference for death are those people who died in the bombing or had their lives cut short by atom bomb sickness. Thus, death has only ever been presented as a great tragedy to her. Nurse Yasunaga helps her to understand for the first time that death can be a welcome reprieve at the end of a life full of pain, illness, and suffering.

As this is a book of children’s literature, it may seem somewhat unusual that Coerr offers a vision of death as freedom, but introducing children to such an idea at a young age has the benefit of relieving them of some of the fear they might feel about the subject of death. Others’ preoccupation with death—whether the deaths of the past or the impending deaths of characters like Sadako and Kenji—has consumed Sadako’s childhood, arguably preventing her from ever experiencing true freedom. In her honest depiction of the tragic truth of Sadako’s life, Coerr argues that, in light of Sadako’s incurable disease, death offers her a type of freedom inaccessible to everyone in life: freedom from suffering.

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Death as Freedom ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Death as Freedom appears in each chapter of Sadako and the Thousand Paper Cranes. Click or tap on any chapter to read its Summary & Analysis.
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Death as Freedom Quotes in Sadako and the Thousand Paper Cranes

Below you will find the important quotes in Sadako and the Thousand Paper Cranes related to the theme of Death as Freedom.

Chapter 6 Quotes

Sadako was feeling especially tired one day when Nurse Yasunaga wheeled her out onto the porch for some sunshine. There Sadako saw Kenji for the first time. He was nine and small for his age.

“Hello!” she said. “I’m Sadako.”

Kenji answered in a low, soft voice. Soon the two were talking like old friends Kenji had been in the hospital for a long time, but he had few visitors. His parents were dead and he had been living with an aunt in a nearby town.

“She’s so old that she only comes to see me only once a week,” Kenji said. “I read most of the time.”

Sadako turned away at the sad look on Kenji’s face.

“It doesn’t really matter,” he went on, “because I’ll die soon. I have leukemia from the bomb.”

“You can’t have leukemia,” Sadako said. “You weren’t even born then.”

“That isn’t important,” Kenji said. “The poison was in my mother’s body and I got it from her.”

Sadako wanted to comfort him, but she didn’t know what to say. Then she remembered the cranes. “You can make paper cranes like I do,” she said, “so that a miracle can happen.”

“I know about the cranes, but it’s too late. Even the gods can’t help me now.”

Related Characters: Sadako (speaker), Kenji (speaker), Nurse Yasunaga
Related Symbols: Paper Cranes
Page Number and Citation: 42-44
Explanation and Analysis:
When Sadako meets Kenji, she is excited to have a friend around her age whom she can connect with. However, Kenji is morose and resigned, so beaten down by his illness that he almost seems to welcome death as a reprieve from the misery of his life. Sadako is taken aback both by the fact of Kenji’s illness and his fatalist attitude about death, and wants to teach him how to fold paper cranes so that he can draw the same hope and strength from them that she does. Kenji, though, believes he is beyond the cranes’ help—he does not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

One day Kenji didn’t appear on the porch. Late that night Sadako heard the rumble of a bed being rolled down the hall. Nurse Yasunaga came in to tell her that Kenji had died. Sadako turned to the wall and let the tears come. After a while she felt the nurse’s hand on her shoulder. When Sadako finally stopped sobbing, she looked out [the window] at the moonlit sky.

“Do you think Kenji is up there on a star island?”

“Wherever he is, I’m sure that he is happy now,” the nurse said. “He has shed that tired, sick body and his spirit is free.”

Related Characters: Sadako (speaker), Nurse Yasunaga (speaker), Kenji
Page Number and Citation: 45
Explanation and Analysis:
When the news of Kenji’s death arrives, Sadako is deeply saddened. She mourns the loss of a new friend, she mourns Kenji’s beaten-down spirit, and, underneath it all, she mourns the idea that Kenji’s death has forced her to realize that her own death is a possibility as well—that maybe she won’t be able to defeat death as her crane-building project has made her believe. That Sadako continues to make cranes even after this realization is part of what makes her perseverance so heroic. Seeing Sadako’s pain and sadness, the kind and generous Nurse Yasunaga comforts Sadako and attempts to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui a

Chapter 8 Quotes

Dr. Numata gave Sadako blood transfusions or shots almost every day. “I know it hurts,” he said, “but we must keep on trying.” Sadako nodded. She never complained about the shots and almost constant pain. A bigger pain was growing deep inside her. It was the fear of dying. She had to fight it as well as the disease. The golden crane helped. It reminded Sadako that there was always hope.

Related Characters: Dr. Numata (speaker), Sadako (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 56
Explanation and Analysis:
Sadakos’ visit home left her even more tired and debilitated than she was months ago, during the rainy season, when her illness was at its worst. As she returns to the hospital her doctors and nurses double down on treatments, hoping that they can still make Sadako better. Just as Sadako fights on, so do her doctors. The pain of her illness, though, is not even the worst thing anymore—now, Sadako is worried that she will never recover and will die as a result of her leukemia. Even after witnessing Kenji’s death and hearing Nurse Yasunaga’s words about how Kenji Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectu

The leaves on the maple tree were turning rust and gold when the family came for one last visit. Eiji handed Sadako a big box wrapped in gold paper and tied with a red ribbon. Slowly Sadako opened it. Inside was something her mother had always wanted for her—a silk kimono with cherry blossoms on it. Sadako felt hot tears blur her eyes.

"Why did you do it?" she asked, touching the soft cloth. "I'll never be able to wear it and silk costs so much money."

"Sadako chan," her father said gently, "your mother stayed up late last night to finish sewing it. Try it on for her."

With a great effort Sadako lifted herself out of bed. Mrs. Sasaki helped her put on the kimono and tie the sash. Sadako was glad her swollen legs didn't show.

Related Characters: Sadako (speaker), Mr. Sasaki (speaker), Mrs. Sasaki, Eiji
Page Number and Citation: 57
Explanation and Analysis:
As Sadako’s illness worsens, her family, fearing their time with Sadako has grown short, brings her a beautiful gift of a traditional kimono. Her mother has worked hard sewing it from beautiful fabric, and when Sadako opens the present she knows that her whole family has put time, money, and love into the beautiful gift. Sadako herself knows that she is not getting any better, and at first she is upset and overwhelmed by the kimono, as it is something she will never have the chance to wear outside of a hospital. But as her family helps her to put Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re

Chapter 9 Quotes

As Sadako grew weaker, she thought more about death. Would she live on a heavenly mountain? Did it hurt to die? Or was it like falling asleep?

If only I could forget about it, Sadako thought. But it was like trying to stop the rain from falling. As soon as she concentrated on something else, death crept back into her mind.

Related Characters: Sadako (speaker)
Page Number and Citation: 60-61
Explanation and Analysis:
Sadako has gone back and forth with regard to her fears about death. When she was first diagnosed with leukemia, she was scared all the time, but as her sickness has progressed and she has witnessed the death of Kenji, the kindness and empathy of Nurse Yasunaga, and the deterioration of her own once-indestructible body and spirit, Sadako has come to wonder whether death is indeed a kind of freedom or deliverance. As Sadako wonders more and more what death feels like and what it will offer her, she has trouble keeping thoughts of it out of her mind, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia

Already lights were dancing behind her eyes. Sadako slid a thin, trembling hand over to touch the golden crane. Life was slipping away from her, but the crane made Sadako feel stronger inside.

She looked at her flock hanging from the ceiling. As she watched, a light autumn breeze made the birds rustle and sway. They seemed to be alive and flying out through the open window.

How beautiful and free they were! Sadako sighed and closed her eyes.

She never woke up.

Related Characters: Sadako (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 63
Explanation and Analysis:
As Sadako, weak and worn down by her illness, finally comes to accept her impending death and the freedom from pain and sickness it will off her, she looks up at the ceiling and considers her hundreds and hundreds of beautiful paper cranes. The cranes are free and seem to be alive and actually flying away. Sadako is about to “fly away” from her own pain and suffering, and the cranes, though they did not heal her illness, have managed to heal her spirit and help her to accept her own death. The golden crane especially remains Sadako’s warmest touchstone, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligen