Sadako and the Thousand Paper Cranes
by Eleanor Coerr
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Themes and Colors
Peace and Pacifism Theme Icon
History, Family, and Tradition Theme Icon
Hope, Strength, and Perseverance Theme Icon
Death as Freedom Theme Icon
LitCharts assigns a color and icon to each theme in Sadako and the Thousand Paper Cranes, which you can use to track the themes throughout the work.
History, Family, and Tradition Theme Icon
History, Family, and Tradition Theme Icon

At eleven years old, Sadako Sasaki is the eldest girl in her family and the most outspoken of all her siblings. She struggles to balance her sunny and outgoing disposition with the historical burden her family carries from the losses it suffered in the nuclear bombing of 1945. Though Sadako does not mourn her parents’ losses in the exact same way they do, she feels just as overwhelmed when she attempts to reckon with the violence and horror that have forever impacted their family and their country. As Sadako’s illness slowly ravages her, she begins to understand the full weight of the history and the traditions that have made her family what it is—just as it is all about to slip away from her forever. In positioning Sadako’s valuable lessons about family, history, and tradition at the end of her short life, Coerr argues that understanding and honoring one’s personal, familial, and cultural history is a necessary part of fulfilling one’s destiny.

At the start of the novel, as the Sasaki family prepares to attend the Peace Day memorial and festival on the ninth anniversary of the bombing of their city, Sadako is more concerned with running in the street, eating cotton candy, and spending time with her friends than she is with honoring the pain and suffering that have forever transformed the history and trajectory of her family, her city, and thus her own life. Though Sadako insists that she prays each day for her departed family members and her ancestors, she is still learning much about where she comes from. As Sadako grows ill, however, and begins to understand that her disease is a direct result of the nuclear bomb, her relationship to herself, her family, and her city’s violent history begins to shift.

While in the hospital, Sadako’s friend Chizuko brings her origami paper and scissors, and tells her the legend of the thousand-year-old crane who is said to grant the wish of anyone who folds one thousand paper cranes in its image. As Sadako devotes herself entirely to the task of folding one thousand cranes, she engages directly with a piece of Japanese cultural history which opens her eyes to the importance of learning about and honoring her culture’s traditions, myths, and history. Sadako informs others of the legend, and her friends, family, nurses, and doctors all begin saving paper and helping Sadako to string her cranes from the ceiling of her hospital room. Thus, Sadako brings the people around her together, simultaneously reviving an older tradition. In this way, she demonstrates that she has become a full-fledged member of her community in the months just before her untimely death—after which she, too, will become a part of her city and her country’s legends, history, and traditions.

In the last days of her life, Sadako’s family presents her with a traditional kimono. Sadako knows that her death is near, and asks why her family would present her with such a lavish but ultimately useless gift—as she knows she will never have an occasion to wear it. Nevertheless, she allows her family to dress her in the traditional robe, thereby signaling that she has finally come to understand that it is the traditions and history shared between friends, families, and countrymen which make life so rich. As Sadako approaches her death, she does so as a conscious and even enthusiastic participant not only in her family’s traditions, but in her people’s history. 

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History, Family, and Tradition ThemeTracker

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History, Family, and Tradition Quotes in Sadako and the Thousand Paper Cranes

Below you will find the important quotes in Sadako and the Thousand Paper Cranes related to the theme of History, Family, and Tradition.

Chapter 1 Quotes

Rushing like a whirlwind into the kitchen, Sadako cried, “Oh, Mother! I can hardly wait to go to the carnival. Can we please hurry with breakfast?”

Her mother was busily slicing pickled radishes to serve with the rice and soup. She looked sternly at Sadako. “You are eleven years old and should know better,” she scolded. You must not call it a carnival. Every year on August sixth we remember those who died when the atom bomb was dropped on our city. It is a memorial day.”

Related Characters: Sadako (speaker), Mrs. Sasaki (speaker)
Page Number and Citation: 10-11
Explanation and Analysis:
Sadako’s excitement and optimism brush up against her mother’s somber mourning in this passage, as Sadako is scolded for referring to the annual commemoration of the atom bombing as a “carnival.” Even on a sad, reflective day, Sadako cannot be tamped down. She is excited to see her friends and neighbors and to “celebrate.” Some of this is childhood naiveté, as Sadako was just a baby when the bombed was dropped and is still only eleven now. Her parents expect that she will be mature and thus respectful in a, but Sadako—ever the optimist—shows her respect for the losses her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mol

Sadako bowed her head. She fidgeted and wriggled her bare toes while Mr. Sasaki spoke. He prayed that the spirits of their ancestors were happy and peaceful. He gave thanks for his barbershop [and] for his fine children. He prayed that his family would be protected from the atom bomb disease called leukemia. Many still died from the disease, even though the atom bomb had been dropped on Hiroshima nine years before. It had filled the air with radiation—a kind of poison—that stayed inside people for a long time.

Related Characters: Sadako (speaker), Mr. Sasaki (speaker)
Page Number and Citation: 11-13
Explanation and Analysis:
As the Sasaki family gathers at their prayer altar to give thanks and mourn the dead privately before joining the Peace Day “festivities,” readers catch a glimpse of what life is really like now in Hiroshima in the years after the nuclear bombing. Small things, once taken for granted, are now seen as enormous blessings, and the threat of illness and death has not gone away for even one day in over nine years. Though the threat of leukemia is a very real physical one, the leukemia brought on by lingering radiation poison also mirrors the emotional “poison” of trauma Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores su

Chapter 2 Quotes

At the entrance to the Peace Park people filed through the memorial building in silence. On the walls were photographs of the dead and dying in a ruined city. The atom bomb—the Thunderbolt—had turned Hiroshima into a desert. Sadako didn’t want to look at the frightening pictures. She held tight to Chizuko’s hand and walked quickly through the building.

“I remember the Thunderbolt,” Sadako whispered to her friend. “There was the flash of a million suns. Then the heat prickled my eyes like needles.”

“How can you possibly remember anything?” Chizuko exclaimed. “You were only a baby then.”

“Well, I do!” Sadako said stubbornly.

Related Characters: Sadako (speaker), Chizuko (speaker)
Page Number and Citation: 16-18
Explanation and Analysis:
As Sadako and Chizuko enter the Peace Day memorial building, the two girls are confronted with images of loss, suffering, death, and destruction from the nuclear bombing. Though they are just schoolgirls, these images, and the legacy of the “Thunderbolt,” are very alive in their minds each and every day. This is perhaps why Sadako thinks she can remember the bombing—she has been told stories and seen images of that fateful day so many times that it has become real in her mind. As Sadako passes through the building, she turns away from those images when confronted with them directly—perhaps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Com

When the ceremonies were over, Sadako led the others straight to the old lady who sold cotton candy. It tasted even better than last year. The day passed too quickly, as it always did. The best part, Sadako thought, was looking at all the things to buy and smelling the good food. The worst part was seeing people with ugly whitish scars. The atom bomb had burned them so badly that they no longer looked human. If any of the bomb victims came near Sadako, she turned away quickly.

Related Characters: Sadako (speaker)
Page Number and Citation: 18-20
Explanation and Analysis:
Just as Sadako turned away from the images lining the halls of the Peace Day memorial building, she now turns away too from actual victims of the bombing, whose disfiguring burns and scars tell the story of their people’s suffering more acutely and more viscerally than any picture or story ever could. Sadako wants to celebrate, have fun, and retain her sunny optimism—she does not want to look to closely at the damage that has been done to her city and the people around her, as an underlying fear threatens the happiness and optimism she has perhaps cultivated as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident e

Chapter 4 Quotes

By now the rest of Sadako’s family was at the hospital. Her parents were in the doctor’s office. Sadako could hear the murmur of their voices. Once her mother cried, “Leukemia! But that’s impossible!” At the sound of that frightening word Sadako put her hands over her ears. She didn’t want to hear anymore. Of course she didn’t have leukemia. Why, the atom bomb hadn’t even scratched her.

Related Characters: Sadako (speaker), Mrs. Sasaki (speaker)
Page Number and Citation: 29-30
Explanation and Analysis:
After suffering more and more dizzy spells over the course of several months, Sadako is finally admitted to the Hiroshima Red Cross Hospital after she falls down at school and is unable to stand back up. When the news that Sadako has fallen ill with leukemia arrives, she plugs her ears—just as she turned away from the pictures and the burn victims at the peace day festival. Sadako cannot tolerate bad news or gruesome images or thoughts, and as she tries to turn away from the reality of her situation, she wonders how the illness could have struck her when Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Chapter 5 Quotes

That afternoon Chizuko was Sadako’s first visitor. She smiled mysteriously as she held something behind her back. “Shut your eyes,” she said. While Sadako squinted her eyes shut, Chizuko put some pieces of paper and scissors on the bed. “Now you can look,” she said.

“What is it?” Sadako asked.

Chizuko was pleased with herself. “I’ve figured out a way for you to get well,” she said proudly. “Watch!” She cut a piece of gold paper into a large square. In a short time she had folded it over and over into a beautiful crane.

Sadako was puzzled. “How can that paper bird make me well?”

“Don’t you remember that old story about the crane?” Chizuko asked. “It’s supposed to live for a thousand years. If a sick person folds one thousand paper cranes, the gods will grant her wish and make her healthy again.” She handed the crane to Sadako. “Here’s your first one.”

Sadako’s eyes filled with tears. Sadako took the golden crane and made a wish. The funniest little feeling came over her when she touched the bird. It must be a good omen.

Related Characters: Sadako (speaker), Chizuko (speaker)
Related Symbols: Paper Cranes
Page Number and Citation: 34-36
Explanation and Analysis:
In the hospital, Sadako is alone for the first time, and deeply frightened. She is saddened by the reality of her illness and afraid of what comes next. When her friend Chizuko visits, her company alone lifts Sadako’s mood, but things really turn around when Chizuko introduces Sadako to the legend of the paper cranes. Sadako, whose optimism and hope had begun to slip away, finds it restored by the promise of the idea that folding cranes could be her path back to health and her old life. Just touching the crane that Chizuko has made for Sadako with love Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu

Chapter 6 Quotes

Everyone saved paper for Sadako’s good luck cranes. Chizuko brought colored paper from class. Father saved every scrap from the barbershop. Even Nurse Yasunaga gave Sadako the wrappings from packages of medicine. And Masahiro hung every one of the birds, as he had promised.

Related Characters: Sadako, Chizuko, Mr. Sasaki, Nurse Yasunaga, Masahiro
Related Symbols: Paper Cranes
Page Number and Citation: 40-41
Explanation and Analysis:
As Sadako’s illness progresses, the cranes become the only thing keeping her positive and focused on recovery. The cranes have given Sadako a means of returning to the hope and optimism that defined her before her illness, and as she throws her heart and soul into the project of folding one thousand of them her family, friends, and caretakers find themselves pulled into the hope the cranes offer along with Sadako. Everyone helps Sadako as she strives to achieve her goal, and though the myth of the crane is just that—a myth—it bolsters everyone’s hope and courage and gives Sadako’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam c

Sadako was feeling especially tired one day when Nurse Yasunaga wheeled her out onto the porch for some sunshine. There Sadako saw Kenji for the first time. He was nine and small for his age.

“Hello!” she said. “I’m Sadako.”

Kenji answered in a low, soft voice. Soon the two were talking like old friends Kenji had been in the hospital for a long time, but he had few visitors. His parents were dead and he had been living with an aunt in a nearby town.

“She’s so old that she only comes to see me only once a week,” Kenji said. “I read most of the time.”

Sadako turned away at the sad look on Kenji’s face.

“It doesn’t really matter,” he went on, “because I’ll die soon. I have leukemia from the bomb.”

“You can’t have leukemia,” Sadako said. “You weren’t even born then.”

“That isn’t important,” Kenji said. “The poison was in my mother’s body and I got it from her.”

Sadako wanted to comfort him, but she didn’t know what to say. Then she remembered the cranes. “You can make paper cranes like I do,” she said, “so that a miracle can happen.”

“I know about the cranes, but it’s too late. Even the gods can’t help me now.”

Related Characters: Sadako (speaker), Kenji (speaker), Nurse Yasunaga
Related Symbols: Paper Cranes
Page Number and Citation: 42-44
Explanation and Analysis:
When Sadako meets Kenji, she is excited to have a friend around her age whom she can connect with. However, Kenji is morose and resigned, so beaten down by his illness that he almost seems to welcome death as a reprieve from the misery of his life. Sadako is taken aback both by the fact of Kenji’s illness and his fatalist attitude about death, and wants to teach him how to fold paper cranes so that he can draw the same hope and strength from them that she does. Kenji, though, believes he is beyond the cranes’ help—he does not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

Chapter 7 Quotes

Mrs. Sasaki was worried Sadako didn’t eat enough. One evening she brought a surprise wrapped in a bundle. It contained all of Sadako’s favorite foods—an egg roll, chicken and rice, pickled plums, and bean cakes. Sadako propped herself up and tried to eat. But it was no use. Her swollen gums hurt so much that she couldn’t chew. Finally, Sadako pushed the good things away. Her mother’s eyes were bright as if she were going to cry.

“I’m such a turtle!” Sadako burst out. She was angry with herself for making her mother sad. She also knew that the Sasaki family had no extra money for expensive food. Tear stung Sadako’s eyes and she quickly brushed them away.

Related Characters: Sadako (speaker), Mrs. Sasaki
Page Number and Citation: 49
Explanation and Analysis:
Attempting to lift Sadako’s spirits and encourage her to invest in restoring her health through physical, practical means rather than just folding cranes and investing in abstract hope, Sadako’s mother brings her a whole bundle of her favorite foods. Sadako is in too much pain, though, and her rejection of the food symbolizes her inability to return to the life she had before her illness. Sadako is angry at herself, and sad that she is no longer able to please her mother, to nourish herself, or to recover who she was before she fell ill. Sadako knows she has reached Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti s

Masahiro dug into his pocket and pulled out a crumpled piece of silver paper. “Here,” he said, giving it to [Sadako.] “Eiji said this is for another crane.” Sadako sniffed the paper. “It smells like candy,” she said. “I hope the gods like chocolate.”

[Sadako, Masahiro, and their mother] burst out laughing. It was the first time Sadako had laughed in days. It was a good sign. Perhaps the golden crane’s magic was beginning to work. She smoothed out the paper and folded a bird.

Five hundred and forty one…

But she was too tired to make more. Sadako stretched out on the bed and closed her eyes. As Mrs. Sasaki tiptoed out of the room, she whispered a poem she used to say when Sadako was little:
“O flock of heavenly cranes

Cover my child with your wings.”

Related Characters: Masahiro (speaker), Sadako (speaker), Mrs. Sasaki (speaker), Eiji
Related Symbols: Paper Cranes
Page Number and Citation: 51
Explanation and Analysis:
Sadako has been feeling terrible both physically and emotionally. As her illness makes her feel worse, those around her feel terrible, too, at having to witness her pain and the changes within the bright, beautiful girl they once knew. When Masahiro brings Sadako the chocolate wrapper to use as a crane—a contribution from her little brother Eiji—it lifts everyone’s spirits. The cranes are still bringing Sadako’s family and community together as they support her in her goals, though many days she is too weak to use the materials people bring her in service of her project. As the tired, overwhelmed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Volup

Chapter 8 Quotes

Near the end of July it was warm and sunny. Sadako seemed to be getting better. “I’m over halfway to one thousand cranes,” she told Masahiro, “so something good is going to happen.” And it did. Her appetite came back and much of the pain went away. Dr. Numata was pleased with her progress and told Sadako she could go home for a visit. That night Sadako was so excited she couldn’t sleep. To keep the magic working she made more cranes.

Six hundred and twenty one.

Six hundred and twenty two…

Related Characters: Sadako (speaker), Dr. Numata
Related Symbols: Paper Cranes
Page Number and Citation: 52-53
Explanation and Analysis:
As the summer wraps up, the origami cranes’ power seems to finally be working. Sadako has achieved an important milestone and made it halfway to one thousand—always on the lookout for good luck signs, still, she sees this as an omen of good things to come. Whether it is a coincidence or not, her health begins to improve and her pain goes away, and so Sadako believes even more strongly in the cranes’ healing effect. As she prepares to go home for a visit, she continues folding more and more of them furiously, as fast as she can, hoping to Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

By the end of a week [at home] Sadako was pale and tired again. She could only sit quietly and watch the others.

“Sadako certainly has good manners now,” Mr. Sasaki said. “Oba chan’s spirit must be pleased to see how ladylike her granddaughter has become.”

“How can you say that!” Mrs. Sasaki cried. “I would rather have our lively Sadako back.” She dabbed at her eyes and hurried into the kitchen.

I'm making everyone sad, Sadako thought. She wished she could suddenly turn into her old self. How happy her mother would be then!

As if he knew what was in Sadako's mind, her father said gruffly, "There now, don't worry. After a good night's rest you'll feel fine."

Related Characters: Mr. Sasaki (speaker), Mrs. Sasaki (speaker), Sadako
Page Number and Citation: 55
Explanation and Analysis:
Sadako was happy to be home at first, but towards the end of her stay she becomes weak, ill, and quiet. Her father attempts to lighten the mood by remarking upon how docile and agreeable Sadako has become, but her mother genuinely misses her wild, free-spirited girl. This stands in contract to her parent’s stances toward her behavior before the leukemia struck, in which her father admired Sadako’s indomitable spirit and her mother despaired at her daughter’s lack of respect. The implication is that her father is just trying to make the best of things, while her mother can no Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

The leaves on the maple tree were turning rust and gold when the family came for one last visit. Eiji handed Sadako a big box wrapped in gold paper and tied with a red ribbon. Slowly Sadako opened it. Inside was something her mother had always wanted for her—a silk kimono with cherry blossoms on it. Sadako felt hot tears blur her eyes.

"Why did you do it?" she asked, touching the soft cloth. "I'll never be able to wear it and silk costs so much money."

"Sadako chan," her father said gently, "your mother stayed up late last night to finish sewing it. Try it on for her."

With a great effort Sadako lifted herself out of bed. Mrs. Sasaki helped her put on the kimono and tie the sash. Sadako was glad her swollen legs didn't show.

Related Characters: Sadako (speaker), Mr. Sasaki (speaker), Mrs. Sasaki, Eiji
Page Number and Citation: 57
Explanation and Analysis:
As Sadako’s illness worsens, her family, fearing their time with Sadako has grown short, brings her a beautiful gift of a traditional kimono. Her mother has worked hard sewing it from beautiful fabric, and when Sadako opens the present she knows that her whole family has put time, money, and love into the beautiful gift. Sadako herself knows that she is not getting any better, and at first she is upset and overwhelmed by the kimono, as it is something she will never have the chance to wear outside of a hospital. But as her family helps her to put Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re