Salvage the Bones
by Jesmyn Ward
✓

or to save your progress

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

The First Day: Birth in a Bare-Bulb Place Quotes

The puppy is pure white. She is her mother in miniature. But while her mother moans, she is silent. Skeetah bends over her. The other puppies are opening their jaws, twitching legs. We're all sweating so badly we look like we just ran into the shed from a hard, heavy summer rain. But Skeet is shaking his head, and I don't know if it's all sweat or if he's crying. He blinks. He scrapes his pointer over the pure white skull, down the puppy's chest and her belly. Her mouth opens and her belly inflates. She is her mother’s daughter. She is a fighter. She breathes.

Related Characters: Esch (speaker), Skeetah
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 13
Explanation and Analysis:
In this passage, China is nearly done birthing her first litter of puppies. She has delivered several puppies already, only one of which was stillborn. As an all-white puppy which is her “in miniature” arrives, it seems as if it is dead, and thus a bad omen. Skeetah, who is deeply invested in China’s health—and the health of her puppies—for reasons both personal and financial, rubs the puppy until it comes to life, and as the little “fighter” takes its first breath, Ward forecasts the novel’s focus on what it takes (and what it means) to survive in a world Dolorem et quae. Exercitationem non aut. E

The Third Day: Sickness in the Dirt Quotes

In Mythology, I am still reading about Medea and the quest for the Golden Fleece. Here is someone that I recognize. When Medea falls in love with Jason, it grabs me by my throat. I can see her. Medea sneaks Jason things to help him: ointments to make him invincible, secrets in rocks. She has magic, could bend the natural to the unnatural. But even with all her power, Jason bends her like a young pine in a hard wind; he makes her double in two. I know her.

Related Characters: Esch (speaker), Manny
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 38
Explanation and Analysis:
Throughout the novel, Esch is working on her summer reading—Edith Hamilton’s Mythology, a collection of mostly Greek myths. When Esch arrives at the story of Jason and Medea, she finds herself enraptured by the story, and stunned by its parallels with her own life. Medea is, throughout the novel, a symbol of the violence required by motherhood and also womanhood more generally. Medea, a powerful and ruthless witch, found herself felled only once: when she fell in love with Jason. Esch, wrestling with her feelings for her brother’s friend Manny—who repeatedly solicits her for sex but does not return her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expe

The Fourth Day: Worth Stealing Quotes

"You giving China a floor?" Daddy had started on our house once he and Mama got married. Hearing the stories about him and Papa Joseph when I was growing up, I always thought it was something a man did for a woman when they married: build her something to live in.

"No, Esch." Skeetah slices at the underside of the next tile with one of Daddy's rusty box cutters. "I'm saving them puppies. China's strong and old enough to where the parvo won’t kill her." He yanked. "They’re money."

Related Characters: Esch (speaker), Skeetah, Daddy
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 60
Explanation and Analysis:
This passage is one of the first instances in the novel in which Esch finds herself not quite troubled, but certainly puzzled by the relationship between Skeetah and his prize fighting dog, China. Skeetah loves China deeply—but he also depends on her for social clout and monetary gain, and with the arrival of the puppies he seems to both want her to thrive as a mother and as a vessel for more puppies (and more money). At the same time, the love China has for Skeetah is similarly volatile and ungrounded—one moment she is sweet and loving, the next vicious Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

The Fifth Day: Salvage the Bones Quotes

"You ran slow yesterday."

I hold the bandage close. Skeetah grabs a rusty safety pin from off the sink and pins it shut.

"Only in the beginning," I say.

"Why?"

"I don't know." The light is creeping into the bathroom like fog. Skeetah pulls his shirt back over his head, looks down at my body to my chest, my stomach, my feet. What does he know? I shift, barely help myself from folding my arms.

"Maybe you’re gaining weight."

"You’re saying I'm fat?" I am trying not to cry. I don’t want him to know, but I can’t tell him, because I can’t say it. I haven’t said it to myself yet, out loud. Just chased it around in my head since I saw the lines.

"No," Skeet says. “Just growing up, maybe."

Related Characters: Esch (speaker), Skeetah (speaker)
Page Number and Citation: 86
Explanation and Analysis:
Her whole life, Esch has been the only girl in a family—and community—made up of boys and men. The discovery of her pregnancy has left her feeling even further alienated from her brothers and their friends. Being the only girl was always tough, but this added complication threatens to render her a total pariah, and a weakling in the eyes of the tough, hyper-masculine boys all around her. When Skeetah seems to be catching onto Esch’s situation—despite all her best efforts to hide it—she grows frightened and even tearful, worried that her attempts at surviving in Bois Sauvage by keeping Dolorem et quae. Exercitationem non aut. Eveniet dolor

I push with my hands, and it will not sink to dense pearls like fat. It pushes back, water flush and warm. I unpin my shirt. We all share clothes, so it's mostly men's T-shirts for me, loose jeans and cotton shorts. They cannot tell, but it is there. Perhaps Skeetah saw when I walked from the water and put on my clothes. I do not know, but I will not give him the chance to see again now. I will not let him see until none of us have any choices about what can be seen, what can be avoided, what is blind, and what will turn us to stone.

Related Characters: Esch (speaker)
Page Number and Citation: 88
Explanation and Analysis:
Directly after her confrontation with Skeetah, Esch vomits—both due to morning sickness and perhaps also to her nervousness—and then studies herself in the mirror. As she attempts to physically push her pregnancy away, she realizes that the secret of her new status as a soon-to-be mother threatens to tear her family and her own life apart. Esch references Greek myth as she predicts that the revelation of her pregnancy would turn her family “to stone”—paralyzing them, freezing them in time, and leaving them beholden to her just as Medusa’s famous powers did to her victims.

"I ain’t saying [she] weak." Manny still hasn't looked at me. "But you know China ain’t as boss as she used to be."

"What?" Skeetah's tendons are showing.

“Any dog give birth like that is less strong after. Even if you don’t think it. Take a lot out of an animal to nurse and nurture like that. Price of being female." Finally Manny glances at me. It slides over me like I'm glass.

Skeetah laughs. It sounds as if it's hacking its way out of him.

"You serious? That's when they come into they strength. They got something to protect." He glances at me, too, but I feel it even after he looks away. "That's power."

China is licking Skeetah's hand like she licks the puppies. Skeetah pushes her head away but she keeps at it, and he looks away from Manny. The tendons in his neck smooth. The menace leaves him; if he were a dog, his hair would flatten.

"To give life"—Skeetah bends down to China, feels her from neck to jaw, caresses her face like he would kiss her; she flashes her tongue—"is to know what's worth fighting for. And what’s love." Skeetah rubs down her sides, feels her ribs.

Related Characters: Manny (speaker), Skeetah (speaker), Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 96
Explanation and Analysis:
In this passage, Manny and Skeetah discuss an upcoming dogfight. Skeetah wants to bring China along so the other dog fighters don’t forget who she is and what she can do—but Manny suggests that China is already weakened in the eyes of the larger community by the simple fact of her status as a mother. His indictment of China as a weak female also seems to apply to Esch, though Manny won’t look directly at her. As Skeetah argues that motherhood and the taxing physical efforts of laboring and nursing actually make females stronger, Esch feels herself longing to believe Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem

The Sixth Day: A Steady Hand Quotes

Daddy has only knocked down one of the chicken coop's walls. The chickens wander drunken and bewildered around his feet, seemingly mystified that he is dismantling their house, even though they haven’t roosted in it in years. In the half-light from the bulb from the shed and Daddy's headlights, they look black. Daddy lets his hammer fall, and the chickens scatter, fluttering away like leaves in a wind.

"The storm, it has a name now. Like the worst, she's a woman. Katrina."

"There's another storm?" Randall asks.

"What you think I been talking about? I knew it was coming," Daddy says. Like the worst, l repeat. A woman. He shakes his head, frowns at the coop. "We going to try something."

“What?”

“I want you to get on my tractor and I’m going to direct you to this wall right here.” Daddy points at the longer wall. “And we going to knock this damn thing over.”

Related Characters: Daddy (speaker), Randall (speaker), Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 124-125
Explanation and Analysis:
In this passage, Skeetah, Esch, Randall, Junior, and Big Henry have just returned home from a day at the park. When they left, Daddy was working on dismantling the chicken coop so that he could use the wood to prepare for the oncoming hurricane. When they return home, he informs them that the storm has been named Katrina and is a woman like all the “worst” things. Daddy’s indictment of femaleness in this passage demonstrates the hostile environment that Esch, the only girl in a family of boys, has grown up in. Moreover, it is evident that Daddy has really Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit ea

"Do it," Skeetah commands China.

China's ears are fat as plastic knives laid on her head and her mouth is wet and pink as uncooked chicken, except here the bone shows. She is quivering, her muscles beset by a multitude of tics. She is shaking all over, now eye to eye with Skeetah, seemingly ignoring the dirt-red puppy rounding her bowl, waddling for milk. He is the one that is a model of the father, of Kilo; he is the fattest, the most well fed, the bully. Turgid with the promise of living. When their eyes eventually open, I think that his will be the first.

The tractor idles and the engine turns, sounds as if it going to move.

"Don't do it!" Daddy yells against his tugging, but his grunts eat the Don't, and I don't know what Randall hears, but he lets up on the brake and slips it in gear, and the tractor eases forward. "Stop!" Daddy yells. He is pulling back, his hand clenched in the wire, and he twists so hard his arm looks long and ropy.

The red puppy creeps forward, rounds China's bowl, noses her tit. China is rolling, rising. The rumble of the tractor is her growl. Her toes are pointed, her head raised. Skeetah falls back. The red puppy undulates toward her; a fat mite. China snaps forward, closes her jaw around the puppy's neck as she does when she carries him, but there is no gentleness in it. She is all white eyes. She is chewing. She is whipping him through the air like a tire eaten too short for Skeetah to grab.

Related Characters: Skeetah (speaker), Daddy (speaker), Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 128-129
Explanation and Analysis:
In this scene, Esch watches helplessly as two terrible situations unfold parallel to one another in the yard of the Pit. In the shed, China—exhausted from having been worked all day to help flush out the deworming medicine Skeetah gave her the day before—attacks one of her own puppies who has gotten too close to her food dish. At the same time, out in the yard, a miscommunication between Daddy and Randall leads to a horrible and devastating accident in which Daddy loses three of his fingers. In this scene, China, a female, is engaging in a more “masculine” behavior—a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

The blood on Daddy’s shirt is the same color as the pulpy puppy in China's mouth. China flings it away from her. It thuds on the tin and slides. Randall comes running. Big Henry kneels with Daddy in the dirt, where what was Daddy's middle, ring, and pinkie finger on his left hand are sheared off clean as fallen tree trunks. The meat of his fingers is red and wet as China's lips.

Skeetah kneels in the dirt, feeling for the mutilated puppy; he knocks into metal drums and toolboxes and old chainsaws with his head and his shoulders.

"Why did you?" Skeetah wails.

"Why?" Daddy breathes to Randall and Big Henry standing over him, the blood sluicing down his forearm. They are gripping Daddy's wrist, trying to stop the bleeding. Skeetah is punching the metal he meets. China is bloody-mouthed and bright-eyed as Medea. If she could speak, this is what I would ask her: Is this what motherhood is?

Related Characters: Esch (speaker), Skeetah (speaker), Daddy (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 129-130
Explanation and Analysis:
In the aftermath of the simultaneous accidents, both Daddy and China are drenched in blood, and no one can understand what has just happened or why. Skeetah is furious with China—and devastated himself—for her having taken the life of one of her own, and is nearly oblivious to the chaos taking place just outside. Esch, caught in the middle of it all—as physically isolated from everything happening as she is emotionally—sees the blood, gore, and horror all around her and wonders if this is what is in store for her as a mother. Between the myth of Medea, who kills Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas

The Seventh Day: Game Dogs and Game Men Quotes

We have never done it like this. His hands are on my ass, and he tries to look down, to see, but it brings us face-to-face. Sweat gathers at his hairline, catches on the red grooves left by the clippers, like ant trails, across the top of his forehead. He grimaces, looking down, away, over my shoulder, up to the ceiling.

I grab his face.

Under my hands, his jaw, freshly shaved, feels like a cat's tongue. My fingers are black as bark against his paler skin.

He will look at me.

He shrugs, twists his head to the side. Flipping like a caught fish. I roll my hips. It is too sweet.

He will look at me.

He snorts, puts his head down into my shoulder. I pull hard, and my hands slide along his face. I grab again.

He will look at me.

He grunts, grabbing at my sweaty sides, his eyes closed. His lashes are longer than those of any girls I know. Beautiful. The thumbs of his long hands press into my stomach, so he can pull again, but then they stutter. He presses hard again: my belly pushes back. He looks down and back up, eye to eye: all I have ever wanted, here. He is looking. He is seeing me, and his hands are coming around to feel the honeydew curve, the swell that is more than swell, the fat that is not fat, the budding baby, and his eyes are so black they are all black, and they are a night without stars. All I have ever wanted. He knows.

Related Characters: Esch (speaker), Manny
Page Number and Citation: 145-146
Explanation and Analysis:
In this passage, Manny has followed Esch into the bathroom during one of Randall’s basketball games in order to have sex with her, despite the fact that his girlfriend Shaliyah is in the bleachers watching the game. Esch, who has failed to get Manny to love or even acknowledge her for the entirety of the novel, decides to try both to get Manny to look right at her and see her for who she is and to make him understand the fact of her pregnancy. Esch is tired of being ignored—desperately in love, she uses a rather violent and demanding Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae v

The Eighth Day: Make Them Know Quotes

I try to read the entire mythology book, but I can’t. I am stuck in the middle. When I put the book down and wipe my wet face and breathe in my morning breath, ripe to the afternoon under the sheet, this is where I have stopped. Medea kills her brother. In the beginning, she is known by her nephew, who tells the Argonauts about her, for having power, for helping her family, just like I tried to help Skeet on the day China first got sick from the Ivomec. But for Medea, love makes help turn wrong. The author says that there are a couple of different versions of how it happened. One says she lies to her brother and invites him onto the ship with the Argonauts as they were feeing, and that Jason ambushes him. That she watched her brother die, her own face on his being sliced open like a chicken: pink skin cut to bloody meat. The other version says that she kills her brother herself, that her brother runs away with her and the Argonauts, assuming that he is safe, and that she chops him into bits: liver, gizzard, breast and thigh, and throws each part overboard so that her father, who is chasing them, slows down to pick up each part of his son. I read it over and over again. It is like she is under the covers with me, both of us sweating to water.

Related Characters: Esch (speaker), Skeetah
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 154
Explanation and Analysis:
In this passage, Esch—who knows that there is an important dog fight happening later tonight which will determine whether Skeetah gets to keep the remaining puppies or will have to sacrifice one or more to the demanding Rico, Manny’s cousin, whose dog sired them—attempts to lose herself in Greek myth. The part of the Medea story she’s gotten to, though, focuses on Medea’s betrayal of her own brother. Esch can’t help but see the parallels between the myth and her own life—knowing that Skeetah, his reputation, and his beloved dogs are in danger, threatened to be taken away by the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occae

I listen for the boys and the dogs somewhere out in these woods, but all I can hear is the pine trees shushing each other, the oak bristling, the magnolia leaves hard and wide so that they sound like paper plates clattering when the wind hits them, this wind snapping before Katrina somewhere out there in the Gulf coming like the quiet voice of someone talking before they walk through the doorway of a room.

A cloud passes over the sun, and it is dark under the trees. It passes, and the gold melts through the leaves, falls on bark and floor: foil coins. Soon we reach a curtain of vines, which hang from the lowest branches to the needle-carpeted earth, and we crawl. Skeetah dusts China's breasts off, waves us on. We have been walking for a long time when I hear the first tiny bark.

"You tired?" Randall asks.

"No," I say. My stomach feels full of water, hurts with it, but I will not tell him that. I push aside a branch, let it go, but it still scratches my arm. Medea's journey took her to the water, which was the highway of the ancient world, where death was as close as the waves, the sun, the wind. Where death was as many as the fish waiting in the water, fanning fins, watching the surface, shad- owing the bottom dark. China barks as if she is answering the dog.

Related Characters: Esch (speaker), Randall (speaker), Skeetah
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 159
Explanation and Analysis:
In this passage, Esch and her brothers are walking to the dog fight in the woods behind the Pit. As Esch enters this dangerous and climactic situation, all three of her symbolic “mother” figures are “with” her—Katrina whistles through the winds, China is physically present, and Medea is on Esch’s mind as she feels herself approaching the realm of death itself. Esch knows that even when there’s a winner in a fight like this one, there is blood, horror, and often even death. She prepares to enter the clearing as if she is preparing to enter battle, and looks to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt d

Skeetah is squeezing China’s neck, murmuring in her ear. This time I cannot hear what he says. Skeetah is whispering so closely to China's ear I only catch half of his lips behind the red-veined white of her ear. Her breast drips blood. China licks Skeetah's cheek.

Rico stands, already smiling.

"Maybe I don't want the white [puppy]," Rico says. "Maybe I want the colored one that got more Kilo in it." He laughs.

Skeetah stands, and China, stout and white, looks up at him. "She fights," Skeetah says.

Randall pulls the stick from his shoulders, swings it around

to his front. "She's already fucked up enough," Randall says.

"Cuz, if she lost, she lost," Big Henry says, slowly, as if he is tasting the words.

"She didn’t lose," Skeetah breathes.

Related Characters: Rico (speaker), Skeetah (speaker), Randall (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 174
Explanation and Analysis:
When the original fight between Rico’s dog Kilo versus Marquise’s dog Boss (standing in as a surrogate for China) proves too evenly-matched, Skeetah does the unthinkable—he sends China, a new mother whose teats are still swollen with her puppies’ milk, into the ring. China is doing well in the fight, but Kilo—the father of her puppies—has pulled a dirty move by tearing at one of her breasts, leaving it mangled. This symbolic attack on her femaleness—and the attempt to point out that motherhood has made China weak—allows Rico to proclaim that he wants the male puppy, the puppy with less Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit.

The Ninth Day: Hurricane Eclipse Quotes

"It's salty. Taste like pecans. And if worse comes to worst, we can eat like China." Skeetah rubs China from her shoulders to her neck, up along her razor jaw, and holds her face, which goes wrinkly with the skin smashed forward. It looks like he is pulling her to him for a kiss. She squints. I want to kick her. Randall shoulders his box, grabs the ramen box from me, and turns to walk into the house. Junior is tying his cord around an old lawn mower now, pulling at it like he's playing tug-of-war. The sun shines, blazes like fire, funnels down in the gaps between the trees, and lights up Skeetah and China so that they glow, each kneeling before the other, eyes together. Skeetah has already forgotten the conversation, and China never heard it.

"We ain't no dogs," Randall says. “And you ain't either."

Related Characters: Skeetah (speaker), Randall, Esch, Junior
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 193
Explanation and Analysis:
In this passage, Skeetah has failed to procure enough food for his family at the grocery store while shopping for the storm, and yet has brought home an enormous quantity of expensive dog food for China and the puppies. His allegiance to his animals over his own family angers and baffles his siblings, and when he suggests they all eat the dog food if the storm necessitates it, it becomes clear that he sees China, the puppies, and himself as equals. He longs to be one of them, and longs for them to be like him. When Randall declares that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptat

The Tenth Day: In the Endless Eye Quotes

“I’m pregnant.”

[Manny] stops in profile. His nose is like a knife.

“And?” His hair grows so fast it's already starting to curl. Sweat beads at his hairline.

"It's yours."

"What?"

“It’s yours."

Manny shakes his head. The knife cuts. The sweat rolls down his scar, is flung out onto the rotten asphalt.

"I ain’t got nothing here," he says. Manny blinks at me when he says it. Looks at me head-on, for the second time ever. "Nothing."

Nothing. For some reason I see Skeetah when I blink, Skeetah kneeling next to China, always kneeling, always stroking and loving and knowing her. Skeetah's face when he stood across from Rico, when he told China, Make them know.

I am on him like China.

[…]

I am slapping him, over and over, my hands a furry, a black blur. His face is hot and stinging as boiling water.

"Hey! Hey!" Manny yells. He blocks what he can with his elbows and forearms, but still I snake through. I slap so hard my hands hurt.

"I love you!"

"Esch!" The skin on his throat is red, his scar white.

"I loved you!" I hit his Adam's apple with the V where my thumb and pointer

finger cross. He chokes.

"I loved you!" This is Medea wielding the knife. This is Medea cutting. I rake my fingernails across his face, leave pink scratches that turn red, fill with blood.

Related Characters: Esch (speaker), Manny (speaker), Skeetah
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 203-204
Explanation and Analysis:
Here, Esch at last confronts Manny about the truth of her pregnancy. Manny has more or less known for days, since their encounter at the basketball game, but has in no way acknowledged the truth. Now, Esch violently attempts to ensure that he cannot turn away from it or ignore it, using China and Medea—her violent mother figures—as inspiration for how to violently shake some sense into Manny. As Esch struggles against Manny, she wrestles with the realization that perhaps her love for Manny is already in the past—perhaps her anger and desire for violence against him has taken over, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. A

The Eleventh Day: Katrina Quotes

Mama had talked back to Elaine. Talked over the storm. Pulled us in in the midst of it, kept us safe. This secret that is no longer a secret in my body: Will I keep it safe? If I could speak to this storm, spell it harmless like Medea, would this baby, the size of my fingernail, my pinkie fingernail, maybe, hear? Would speaking make it remember me once it is born, make it know me? Would it look at me with Manny’s face, with his golden skin, with my hair? Would it reach out with its fingers, pink, and grasp?

Related Characters: Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 219
Explanation and Analysis:
In this passage, Ward explores themes of violent motherhood and the attempt to control nature through Esch’s recollection of her own mother’s attempt to “spell [a storm] harmless” through her words. The pregnant Esch now has something to protect—for the first time, she is afraid of a violent storm not because of what it could do to her but because of what it could do to her child. She wishes in this moment that she had Medea’s magical powers (and the powers that she seems to believe, on some level, her own mother had). Esch is nervous about her role Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium

I kick, grasping at the air, but the hurricane slaps me, and I land in the water on my back, the puppies flying out of the bucket, their eyes open for the first time to slits and, I swear, judging me as they hit.

"Esch!" Randall yells, and Junior tightens his legs like a looping shoestring across Randall's waist. Randall grips Junior's shins, those legs thin as rulers. Randall cant jump in. "Swim!" he screams.

I kick my legs and palm water, but I can barely keep my head above it. It is a fanged pink open mouth, and it is swallowing me.

"Fuck!" Skeetah yells. He looks down at China, who is thrusting up and against his sling.

"Esch!" Junior screams, and the water is dragging me sideways, away from the window, out into the yard, toward the gullet of the Pit. I snatch at the puppy closest to me, the brindle, which is limp in my hand, and shove it down my shirt. The white and the black-and-white have disappeared.

"Fuck!" Skeetah screams. He grabs China’s head, whispers something to her as she scrabbles against him. Her teeth show and she jerks backward away from him. She writhes. Her torso is out of the sling he has made. Skeetah grabs China by the head and pulls and her body comes out and she is scrambling. She flies clear of him, twists in the air to splash belly first in the water. She is already swimming, fighting.

Related Characters: Esch (speaker), Randall (speaker), Skeetah (speaker), Junior (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 234-235
Explanation and Analysis:
In this passage, Ward executes a reversal of the Medea myth. In the original story, Medea murdered her two children in order to enact vengeance upon her unfaithful husband Jason. Once he discovered the bloody bodies, she was borne away from the scene of the crime on a chariot pulled by dragons. In this passage—though China has been something of Medea parallel through her violent motherhood the whole novel—the myth is reversed. China’s puppies are “murdered” by the storm, and it is she who chases after the two corpses, borne away by water.

The Twelfth Day: Alive Quotes

"Who the daddy?" Big Henry asks. There is no blazing fire to his eyes, no cold burning ice like Manny's. Only warmth, like the sun on the best fall days when the few leaves that will turn are starting and the air is clear and cloudless.

"It don’t have a daddy," I say.

[…]

"You wrong," Big Henry says. He looks away when he says it, out to the gray Gulf. There is a car out there in the shallows of the water. The top gleams red. "This baby got a daddy Esch." He reaches out his big soft hand, soft as the bottom of his feet probably, and helps me stand. "This baby got plenty daddies."

I smile with a tightening of my cheek. My eyes feel wet. I swallow salt.

Related Characters: Esch (speaker), Big Henry (speaker)
Page Number and Citation: 254-255
Explanation and Analysis:
In this passage, Big Henry asks Esch who her baby’s daddy is; when she replies that it has none, Big Henry refutes her claim and insists that Esch’s baby will have “plenty daddies.” Big Henry has always been warm and kind to Esch—and that warmth is rare in the hard-scrabble, hyper-masculine world Esch lives in. She is moved by his commitment to being present in her life and helping her navigate the realm of motherhood, as well as his reassurance that the men around her will do the same. Esch has had no model for motherhood and has been desperately Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste

I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the Gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons. She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt-burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes.

Related Characters: Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 255
Explanation and Analysis:
As Esch scavenges through the ruins of a liquor store and salvages pieces of colored glass, she decides that she wants to fashion the shards into a piece of art: a memento of what Katrina wrought. Though Katrina’s destruction has been terrible and has taken much away not just from Esch and her family but also from their larger community, Esch chooses in this moment to see Katrina as a teacher—as a mother. She compares her to Medea, who famously alighted from the scene of a murder she’d committed in a chariot drawn by dragons. Though Medea and Katrina are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita

"She's going to come back to me," he says. "Watch.”

[…]

China. She will return, standing tall and straight, the milk burned out of her. She will look down on the circle of light we have made in the Pit, and she will know that I have kept watch, that I have fought. China will bark and call me sister. In the star-suffocated sky, there is a great waiting silence. She will know that I am a mother.

Related Characters: Skeetah (speaker), Esch (speaker)
Related Symbols: Medea, China, and Hurricane Katrina
Page Number and Citation: 258
Explanation and Analysis:
In the novel’s final lines, Skeetah refuses to leave the Pit for the safety of Big Henry’s house—he is determined to wait for China to come back to him, and he has no doubts that she will. In this quotation Esch, too, seizes upon the fantasy that China has survived the storm and is making her way home to the Pit. Esch, the secret of her pregnancy now out in the open, longs to be recognized, at last, as a mother; she wants for China, a true survivor and a strong female figure as any Esch has encountered, to bless Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedi
No matches.