Sarah’s Key
Sarah’s Key
by Tatiana De Rosnay
Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Chapter 1 Quotes

The mother pulled her daughter close to her. The girl could feel the woman’s heart beating through her dressing gown. She wanted to push her mother away. She wanted her mother to stand up straight and look at the men boldly, to stop cowering, to prevent her heart from beating like that, like a frightened animal’s. She wanted her mother to be brave.

Related Characters: Sarah “Sirka” Starzynski (speaker), Rywka Starzynski
Page Number and Citation: 3
Explanation and Analysis:
The French police appear at the Starzynskis’ door in the middle of the night, so it is understandable that Rywka—who understands her family’s arrest in the broader political context of the War—would be terrified. However, Sarah has a limited understanding of what is going on, believing that the French police would never harm a French family like hers. This quotation thus shows Sarah’s childish naïveté and her limited understanding of what it means to be brave. Here at the very beginning of the novel, Sarah conceives of bravery as outspoken and active, and she therefore interprets her mother’s passivity as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. P

Chapter 8 Quotes

Why did Bertrand take such pleasure in making me out to be the snide, prejudiced American, ever critical of the French? And why did I just stand there and let him get away with it? It had been funny, at one point. In the beginning of our marriage, it had been a classic joke, the kind that made both our American and French friends roar with laughter. In the beginning.

Related Characters: Julia Jarmond (speaker), Bertrand Tézac
Page Number and Citation: 20
Explanation and Analysis:
This quotation immediately establishes the tension in Julia and Bertrand’s marriage. Much of the conflict between these two characters springs from the fact that Bertrand is judgmental of Julia’s identity as American. This quotation also shows that Julia is at a crossroads: Bertrand’s teasing didn’t used to bother her, but now it does. The fact that she does not confront Bertrand about how uncomfortable he is making her suggests that Julia doesn’t trust her husband to take her seriously. Silence, in the form of a lack of communication, will continue to trouble Julia and Bertrand’s relationship over the course of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia a

Chapter 9 Quotes

Her father looked down at her. He said her name again, very softly. His eyes were still wet, his eyelashes spiked with tears. He put his hand on the back of her neck.
“Be brave, my sweet love. Be brave, as brave as you can.”
She could not cry. Her fear was so great it seemed to engulf everything else, it seemed to suck up every single emotion within her, like a monstrous, powerful vacuum.

Related Characters: Wladyslaw Starzynski (speaker), Sarah “Sirka” Starzynski
Related Symbols: The Key
Page Number and Citation: 23
Explanation and Analysis:
Sarah’s father gives her this advice as the Starzynski family huddles in a garage in the early hours of the morning, awaiting the orders of the French police who have just arrested them. Sarah has just shown her father the key and explained to him that she has left her younger brother locked in the secret cupboard at the Starzynskis’ apartment. Wladyslaw’s horrified reaction, along with his straightforward advice, shows that he is aware of the terrible consequences of Sarah’s decision, even though she is not. Her father’s advice will continue to motivate Sarah throughout her journey, as she tries Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Through the bus’s dusty pane, she recognized one of them, the young red-haired one who had often helped her cross the street on her way home from school. She tapped on the glass to attract his attention. When his eyes locked onto hers, he quickly looked away. He seemed embarrassed, almost annoyed. She wondered why.

Related Characters: Sarah “Sirka” Starzynski (speaker), The Policeman
Page Number and Citation: 24
Explanation and Analysis:
As Sarah and her family are loaded onto city buses to be transported from the garage to the Vélodrome, Sarah notices her neighborhood policeman and has this interaction with him. This is an important moment of foreshadowing, because Sarah will encounter this policeman two more times, while she is a prisoner at the Beaune-la-Rolande camp. The policeman’s inability to meet her eyes confuses Sarah, but to the reader it clearly suggests his sense of guilt and shame. This quotation also touches up on the theme of identity. By greeting the policeman, Sarah claims a kind of kinship with him not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

Chapter 11 Quotes

But she had seen. She knew what it was. A young woman, her mother’s age, and a small child. The woman had jumped, her child held close, from the highest railing.
From where the girl sat, she could see the dislocated body of the woman, the bloody skull of the child, sliced open like a ripe tomato.
The girl bent her head and cried.

Related Characters: Sarah “Sirka” Starzynski (speaker), Wladyslaw Starzynski
Page Number and Citation: 33
Explanation and Analysis:
While imprisoned in the Vel’ d’Hiv’, Sarah silently watches another prisoner kill herself and her child, despite her father’s attempts to cover her eyes. This is a devastating moment, both for Sarah and for the reader. It raises complicated questions about the nature of a mother’s love. The mother in this scene kills her baby to protect it from being killed in a concentration camp, and also, presumably, to spare herself the devastation of being separated from her child. This raises the question of whether wanting to die on her own terms, along with her child, makes this mother’s decision Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque om

Chapter 13 Quotes

As she looked at Eva and her mother, the girl wondered if her parents had been right to protect her from everything, if they had been right to keep disturbing, bad news away fro her. If they had been right not to explain why so many things had changed from them since the beginning of the war. Like when Eva’s husband never came back last year. He had disappeared. Where? Nobody would tell her. Nobody would explain. She hated being treated like a baby. She hated the voices being lowered when she entered the room.

If they had told her, if they had told her everything they knew, wouldn’t that have made today easier?

Related Characters: Sarah “Sirka” Starzynski (speaker), Wladyslaw Starzynski, Rywka Starzynski
Page Number and Citation: 40
Explanation and Analysis:
This episode occurs in the Vel’ d’Hiv’ when Sarah observes her mother talking to another Polish woman, named Eva, whose husband was arrested before the roundup, during one of the arrests that targeted only men. Sarah’s sense of betrayal here is important because it shows an evolution in her character. She is suddenly mature enough to critically wonder whether her parents have made the right decision. This quotation is also significant because it shows a character explicitly reflecting on the way that silence can have different consequences than intended. Clearly, Sarah’s parents intended to protect her by shielding her from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offici

Chapter 15 Quotes

She couldn’t bear the idea of him waiting in the dark. He must be hungry, thirsty. His water had probably run out. And the battery on the flashlight. But anything was better than here, she thought. Anything was better than this hell, the stink, the heat, the dust, the people screaming, the people dying.

Related Characters: Sarah “Sirka” Starzynski (speaker), Michel Starzynski
Related Symbols: Dust
Page Number and Citation: 45
Explanation and Analysis:
While imprisoned in the Vel’ d’Hiv’, Sarah thinks about her brother, whom she has left locked in the cupboard. This quotation is significant because it demonstrates Sarah’s early feelings of guilt over having left her brother behind, while also showing her conviction that she did the right thing by sparing her brother from the horror she is now experiencing. This quotation thus illustrates the complexity of Sarah’s decision to leave her brother behind. Though she never again shows herself the compassion she does here, this quotation suggests the possibility that Sarah need not feel wholly guilty about her choice—since perhaps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Vo

Chapter 19 Quotes

The one who smelled a warm, comforting, motherly smell: delicious cooking, fresh soap, clean linen. The one with the infectious laugh. The one who said that even if there was a war, they’d pull through, because they were a strong, good family, a family full of love.
That woman had little by little disappeared. She had become gaunt, and pale, and she never smiled or laughed. She smelled rank, bitter. Her hair had become brittle and dry, streaked with gray.
The girl felt like her mother was already dead.

Related Characters: Sarah “Sirka” Starzynski (speaker), Rywka Starzynski
Page Number and Citation: 66
Explanation and Analysis:
Her first night at Beaune-la-Rolande, Sarah returns from the latrine to find her mother nearly unrecognizable. This quotation shows the devastating toll that suffering has taken on Rywka, whose response has been to shut down emotionally. In a subtle way, Rywka’s silence foreshadows the silent, serious woman that Sarah will become. At this point in the novel, Rywka knows her son is lost to her (and her husband has also been taken away), even though Sarah is not yet fully conscious of Michel’s death. This quotation is also important because it contextualizes Sarah’s relatively mild reaction when her mother is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

Chapter 21 Quotes

In that sheltered, gentle life that seemed far away, the girl would have believed her mother. She used to believe everything her mother said. But in this harsh new world, the girl felt she had grown up. She felt older than her mother. She knew the other women were saying the truth. She knew the rumors were true. She did not know how to explain this to her mother. Her mother had become like a child.

Related Characters: Sarah “Sirka” Starzynski (speaker), Rywka Starzynski
Page Number and Citation: 71
Explanation and Analysis:
This quotation occurs shortly after Sarah and her mother overhear a rumor that the camp officials are planning to separate the mothers and children. Rywka adamantly denies the rumor, but Sarah realizes it must be true. This quotation poignantly shows the role reversal that has occurred in Sarah’s relationship to her mother. The trauma they have experienced has reduced Rywka to the status of a naïve child, and forced Sarah to take on the role of the wise adult. The fact that Sarah is unable to make her mother understand the truth emphasizes the limits of the power of Sarah’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

Chapter 22 Quotes

“Please don’t worry about it,” I said. “I don’t use my married name.”
“It’s an American thing,” said Mamé. “Miss Jarmond is American.”
“Yes, I had noticed that,” said Véronique, in better spirits.
Noticed what? I felt like asking. My accent, my clothes, my shoes?

Related Characters: Julia Jarmond (speaker), Marcelle Tézac, aka Mamé
Page Number and Citation: 74
Explanation and Analysis:
During a visit to Mamé’s nursing home, Julia gets called Madame Tézac by a nurse named Véronique. Mamé corrects the nurse, telling her that Julia hates being called Mrs. Tézac and should be addressed as Miss Jarmond. The nurse’s reaction makes Julia self-conscious. She wonders if her Americanness is physically obvious, in a way that parallels Sarah’s confusion over whether Jewishness is a quality that can be physically observed. This quotation shows that Julia’s feeling of being an outsider makes her feel unique but also causes her pain. It also reveals how narrowly the French define their community, since even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volu

Chapter 23 Quotes

She held his gaze, not glancing down once. His eyes were a strange, yellowish color, like gold. His face was red with embarrassment, and she thought she felt him tremble. She said nothing, staring at him with all the contempt she could muster.
He could only look back at her, motionless. The girl smiled, a bitter smile for a child of ten, and brushed off his heavy hands.

Related Characters: Sarah “Sirka” Starzynski (speaker), The Policeman
Related Symbols: Hands
Page Number and Citation: 81-82
Explanation and Analysis:
This is a rare instance in the novel where hands are depicted in a negative capacity. Normally, hands (and handholding) function as a symbol of connection and strength, but here the officer’s “heavy hands” represent the oppression under which Sarah is struggling to survive. This is an important moment because it illustrates how Sarah’s understanding of bravery has evolved. At the beginning of the novel, she seemed to see silence as a sign of weakness, but now she utilizes it as a form of resistance. This passage is also significant because it reinforces the officer’s shame over his complicity in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam offi

Chapter 27 Quotes

She had grown up too much to be afraid anymore. She was no longer a baby. Her parents would be proud of her. That’s what she wanted them to be. Proud because she had escaped from that camp. Proud because she was going to Paris, to save her brother. Proud, because she wasn’t afraid.
She fell upon the tar with her teeth, gnawing at her mother’s minute stitches. Finally, the yellow piece of cloth fell away from the blouse. She looked at it. Big, black letters. JEW. She rolled it up in her hands.
“Doesn’t it look small, all of a sudden?” she said to Rachel.

Related Characters: Sarah “Sirka” Starzynski (speaker), Wladyslaw Starzynski, Rywka Starzynski , Michel Starzynski, Rachel
Related Symbols: The Yellow Star
Page Number and Citation: 97-98
Explanation and Analysis:
After escaping from Beaune-la-Rolande, Sarah and Rachel stop to heed the policeman’s advice and remove their stars. This is a powerful moment on many levels. First, it represents Sarah’s maturation: she still wants to make her parents proud, but by ripping apart her mother’s fine stitches, she is symbolically separating from her parents, and becoming her own person. As such, this is also a deeply sad moment, as Sarah is very young to be forced to become independent from her parents. Secondly, Sarah’s description of the star as small shows that her Jewishness is only one aspect of her identity, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium r

Chapter 31 Quotes

All of a sudden, every ounce of hope she still harbored within her ran out. In the old lady’s eyes she read what she most dreaded. Michel was dead. Dead in the cupboard. She knew. It was too late. She had waited too long. He had not survived. He had not made it. He had died there, all alone, in the dark, with no food and no water, just the bear and the storybook, and he had trusted her, he had waited, he had probably called out to her, screamed her name again an again, “Sirka, Sirka, where are you! Where are you?” He was dead, Michel was dead. He was four years old, and he was dead, because of her.

Related Characters: Sarah “Sirka” Starzynski (speaker), Michel Starzynski
Page Number and Citation: 118-119
Explanation and Analysis:
This moment occurs shortly after Sarah has escaped from Beuane-la-Rolande. She has been taken in by Jules and Geneviève Dufaure, and when telling Geneviève about Michel she finally realizes that he could not possibly have survived in the cupboard. Sarah is physically overwhelmed by her sense of guilt, collapsing the next moment. This moment is crucial because, despite her loss of hope, Sarah still makes her way back to Paris, showing that her love for her brother surpasses reason. Guilt, too, has this kind of power; for the rest of her life Sarah will never be able to forgive herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesc

Chapter 32 Quotes

“I know they are holding something back. I want to know what it is.”
“Be careful, Julia,” he repeated. He smiled, but his eyes remained serious. “You’re playing with Pandora’s box. Sometimes, it’s better not to open it. Sometimes, it’s better not to know.”

Related Characters: Julia Jarmond (speaker), Guillaume
Page Number and Citation: 127
Explanation and Analysis:
Julia has dinner with Guillaume after her meeting with Franck Lévy. She has just learned that the family who used to live in Mamé’s apartment was called the Starzynskis and that their daughter’s fate is unknown. Guillaume advises an excited Julia not to push too hard against the Tézacs’ deliberate silence on the topic of the apartment, highlighting the fact that exploring the past can be a disruptive and painful experience. Ultimately, Julia finds that, for her, it is “better to know,” and the same is true for other characters in the book such as Edouard and William. However, Guillaume’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati

Chapter 34 Quotes

As I stood there, oblivious to the traffic, I felt I could almost see Sarah coming down the rue de Saintonge on that hot July morning, with her mother, and her father, and the policemen. Yes, I could see it all, I could see them being pushed into the garage, right here, where I now stood. I could see the sweet heart-shaped face, the incomprehension, the fear. The straight hair caught back in a bow, the slanted turquoise eyes. Sarah Starzynski. Was she still alive? She would be seventy today, I thought. No, she couldn’t be alive. She had disappeared off the face of the earth, with the rest of the Vel’ d’Hiv’ children. She had never come back from Auschwitz. She was a handful of dust.

Related Characters: Julia Jarmond (speaker), Sarah “Sirka” Starzynski
Related Symbols: Dust
Page Number and Citation: 133
Explanation and Analysis:
On the day of her scheduled visit to Beaune-la-Rolande, Julia also visits the rue de Bretagne, the site of the garage in which the Starzynskis and other Jewish families were held before being taken to the Vélodrome. While standing on the rue de Bretagne, Julia wrestles with the hope that Sarah might have survived the Holocaust and her fear that Sarah’s story is buried and unknowable. This quotation not only reflects Julia’s passion for learning about history, on both a large and small scale, but also serves as a reminder that, in many cases, Holocaust victims’ stories are lost to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

We wandered around the small, plain room, gazing at photographs, articles, maps. There were some yellow stars, placed behind a glass panel. It was the first time I saw a real one. I felt impressed and sickened.

Related Characters: Julia Jarmond (speaker), Bamber
Related Symbols: The Yellow Star
Page Number and Citation: 134
Explanation and Analysis:
This moment occurs when Julia and her colleague Bamber visit the site of the former Drancy internment camp in Paris. This is the camp from which most Parisian Jews were deported. From Drancy, trains followed a direct route to Auschwitz. Julia and Bamber visit the small museum, which is only open by appointment. Julia’s horror at seeing the yellow stars in person highlights the power of physical objects to serve as witnesses to the past. It also contrasts with the way that people who live near Drancy, in cheap apartments built in 1947 almost immediately after World War Two, live Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostr

Chapter 36 Quotes

There were several names and dates on the side of the tombstone. I leaned forward for a closer look. Children. Barely two or three years old. Children who had died at the camp, in July and August 1942. Vel’ d’Hiv’ children.
I had always been acutely aware that everything I had read about the roundup was true. And yet, on that hot spring day, as I stood looking at the grave, it hit me. The whole reality of it hit me.
And I knew that I would no longer rest, no longer be at peace, until I found out precisely what had become of Sarah Starzynski.

Related Characters: Julia Jarmond (speaker), Bamber, Sarah “Sirka” Starzynski
Page Number and Citation: 143-144
Explanation and Analysis:
This moment occurs at the cemetery in Beaune-la-Rolande, which Julia visits with her colleague Bamber. The impact that seeing a physical memorial to the Vel’ d’Hiv’ children has on Julia shows the huge importance of concrete, public remembrance of history. Even though she has conducted extensive research on the roundup, the horrible truth of this historical event does not fully strike Julia until she sees the victims’ names listed on this monument. This moment is especially important because the monument that so moves Julia was paid for by Jewish survivors who survived the roundup in order to honor their “martyrs,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error

Chapter 39 Quotes

Number 26 appeared in front of them. Nothing had changed in the street, she noticed. It was still the same calm, narrow road she had always known. How was it possible that entire lives could change, could be destroyed, and that streets and buildings remained the same, she wondered.

Related Characters: Sarah “Sirka” Starzynski (speaker), Jules and Geneviève Dufaure
Page Number and Citation: 158
Explanation and Analysis:
This quotation appears when Sarah returns to Paris in search of Michel, accompanied by Jules and Geneviève Dufaure. Sarah is baffled by the fact that her neighborhood has remained unchanged, even as she herself has changed beyond recognition. This moment is thus at odds with many other instances in the novel where “streets and buildings” serve as prime reminders of the horrors of the past. This quotation thus presents a different view, showing how, even when the horrors of the Holocaust were unfurling, people still demonstrated indifference, much like the people Julia encounters as she researches the roundup. Here, de Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur molliti

Chapter 41 Quotes

I longed for the birth, for the sensation of the baby’s head pressing down through me, for that unmistakable, pure, painful sensation of bringing a child into the world, albeit with pain, with tears. I wanted those tears. I wanted that pain. I did not want the pain of emptiness, the tears of a barren, scarred womb.

Related Characters: Julia Jarmond (speaker)
Page Number and Citation: 168
Explanation and Analysis:
Julia has this reflection almost immediately after scheduling an abortion. Despite realizing how badly she wants a second child, she does not cancel the appointment she has just made. This illustrates what a profound influence Bertrand has on Julia. Even though she has finally come to terms with the fact that she wants to keep her pregnancy, she is still going to comply with her husband’s wish to have it terminated. This quotation thus shows how unsure Julia is of herself and how much she allows herself to be emotionally manipulated by her husband. By illustrating how difficult Julia finds Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperi

Chapter 42 Quotes

I thought of Sarah Starzynski, who had been Zoë’s age when horror came into her life.
I closed my eyes. But I could still see the moment when the policemen tore the children from the mothers at Beaune-la-Rolande. I could not get the image out of my mind.
I held Zoë close, so close she gasped.

Related Characters: Julia Jarmond (speaker), Zoë Tézac, Sarah “Sirka” Starzynski
Page Number and Citation: 173
Explanation and Analysis:
Julia has just finished reading the file about Sarah that André Tézac left in his safe at his death. This quotation, in which Julia expressly conflates Sarah and Zoë, shows how learning about Sarah has made Julia a more compassionate person, reshaping her self-image as a mother. This moment thus serves as a powerful example of the way that learning about the past helps Julia become more invested in her present. At the same time, the fact that Julia cannot “get the image out of [her] mind” hints that Julia is starting to become perhaps too immersed in her research.

Chapter 44 Quotes

I sat on the narrow bed and took the Sarah file out of my bag. Sarah was the only person I could bear thinking about right now. Finding her felt like a sacred mission, felt like the only possible way to keep my head up, to dispel the sadness in which my life had become immersed.

Related Characters: Julia Jarmond (speaker), Sarah “Sirka” Starzynski
Page Number and Citation: 177
Explanation and Analysis:
On the night before her scheduled abortion, Julia sits in the clinic and reads Sarah’s file. This quotation illustrates the way that uncovering Sarah’s story has become a saving grace in Julia’s life, giving her a sense of stability and purpose even as her marriage is beginning to unravel. It also evokes Julia’s extreme loneliness. The fact that “the only person [she can] bear thinking about” is a woman who lived sixty years ago shows how isolated and empty her life has become. Even after she makes the decision to keep her pregnancy, Julia continues to experience signs of depression, Dolorem et quae. Exercitationem non aut. Eveniet

Chapter 46 Quotes

As the prime minister went on, my eyes moved over the crowd. Was there anyone here who knew and remembered Sarah Starzynski? Was she here herself? Right now, at this very moment? Was she here with a husband, a child, a grandchild? Behind me, in front of me? I carefully picked out women in their seventies, scanning wrinkled, solemn faces for the slanted green eyes. But I did not feel comfortable ogling these grieving strangers. I lowered my gaze.

Related Characters: Julia Jarmond (speaker), Sarah “Sirka” Starzynski
Page Number and Citation: 185
Explanation and Analysis:
This moment occurs when Julia attends the sixtieth commemoration of the Vel’ d’Hiv’ roundup. The commemoration serves as a rare example in the novel of a responsible and honest acknowledgment of the past. Julia’s conscious decision not to be a voyeur “ogling” the survivors in attendance also represents respectful engagement with the past. Finally, this quotation evokes the intensity of Julia’s desire to connect with Sarah. Since seeing the photo of Sarah at her meeting with Franck Lévy, Julia has been haunted by Sarah’s eyes. Eventually, she will have the almost spiritual experience of seeing these “slanted green eyes” in Dolorem et quae. Exercitationem non aut. Eve

Chapter 47 Quotes

After my conversation with my sister, I lay on the sofa for a long time, my hand folded over my stomach like a protective shield. Little by little, I felt vitality pumping back into me.
As ever, I thought of Sarah Starzynski, and of what I now knew. I had not needed to tape Gaspard Dufaure. Nor jot anything down. It was all written inside me.

Related Characters: Julia Jarmond (speaker), Sarah “Sirka” Starzynski , Gaspard and Nicolas Dufaure , Charla
Page Number and Citation: 188
Explanation and Analysis:
This quotation appears when Julia is resting at home after having visited with Sarah’s adoptive brother, Gaspard Dufaure, in Orléans. Part of what makes this quotation striking is the way that Julia’s body becomes inscribed with memory, paralleling the way that physical objects and buildings have been imbued with memory throughout the novel. This speaks to the profound impact that Sarah’s story has had on Julia—almost as if it has modified Julia’s physical existence in the world. This quotation also speaks to how integral Sarah’s story is in Julia’s process of personal transformation by emphasizing that Sarah is as responsible Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. A

Chapter 62 Quotes

Was it to do with Sarah, with the rue de Saintonge? Or was it just a belated coming-of-age? I could not tell. I only knew that I felt as if I had emerged from a long-lasting, mellow, protective fog. Now my senses were sharpened, keen. There was no fog. There was nothing mellow. There were only facts. Finding this man. Telling him his mother had never been forgotten by the Tézacs, by the Dufaures.

Related Characters: Julia Jarmond (speaker), Sarah “Sirka” Starzynski , William Rainsferd
Page Number and Citation: 228
Explanation and Analysis:
Julia has this reflection the day she arrives in Lucca, Italy, in search of William Rainsferd. This quotation speaks to the sense of responsibility Julia feels to Sarah. She feels it is her duty to tell Sarah’s son that his mother is not forgotten. It also shows the profound impact that learning about Sarah has had on Julia. This quotation implies that uncovering Sarah’s story has catalyzed a kind of “coming-of-age” for Julia, giving her a renewed and strengthened sense of her identity. In this way, it is as though learning about Sarah has helped save Julia from having the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio

Chapter 71 Quotes

I cannot bear the weight of my past.
Yet I cannot throw away the key to your cupboard.
It is the only concrete thing that links me to you, apart from your grave.

Related Characters: Sarah “Sirka” Starzynski (speaker), Michel Starzynski
Related Symbols: The Key
Page Number and Citation: 260
Explanation and Analysis:
This quotation comes from an entry in Sarah’s journal, which William Rainsferd finds among his dying father’s possessions, along with the key itself. The quotation shows the devastating effect that Sarah’s loss has had on her: she experiences the guilt of Michel’s death as a physical, crushing weight. This quotation is noteworthy because it highlights the importance of the key in the story. It is crucial that Sarah held onto the key during her imprisonment at and escape from Beaune-la-Rolande because the key made it possible for her to reopen the cupboard and see Michel’s body. Symbolically, as this quotation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

Chapter 72 Quotes

Somehow he was no stranger to me, and more bizarre still, I felt even less a stranger to him. What had brought us together? My quest, my thirst for truth, my compassion for his mother? He knew nothing of me, knew nothing of my failing marriage, my near miscarriage in Lucca, my job, my life. What did I know of him, of his wife, his children, his career? His present was a mystery. But his past, his mother’s past, had been etched out to me like fiery torches along a dark path. And I longed to show this man that I cared, that what happened to his mother had altered my life.

Related Characters: Julia Jarmond (speaker), William Rainsferd, Sarah “Sirka” Starzynski
Page Number and Citation: 262
Explanation and Analysis:
After William shows up in Paris in search of Julia, the two of them visit Mamé in the hospital, where she is recovering from a stroke, and then go to a café together to discuss Sarah’s story. This quotation occurs just after Julia has told William his mother’s life story in full, and shows the powerful way that Julia’s research on Sarah has not only linked her to the past, but has made her feel more connected to a person in her present: William. This quotation also depicts the one positive example of the effects of silence in the novel, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus
No matches.