Natalie Keene Quotes in Sharp Objects
“You were always so willful, never sweet. I remember when you were six or seven. I wanted to put your hair up in curlers for your school picture. Instead you cut it all off with my fabric shears.” I didn’t remember doing this. I remembered hearing about Ann doing this.
“I don’t think so, Momma.”
“Headstrong. Like those girls. I tried to be close with those girls, those dead girls.”
“What do you mean be close with them?”
“They reminded me of you, running around town wild. Like little pretty animals. I thought if I could be close with them, I would understand you better. If I could like them, maybe I could like you. But I couldn’t. […] And now you come back and all I can think of is ‘Why Marian and not her?’”
Rage flattened immediately into a dark despair. My fingers found a wood staple in the floorboard. I jabbed it under my fingernail. I would not cry for this woman.
“I’m not so pleased to be left here anyway, Momma, if it makes you feel any better.”
“You’re so hateful.”
“I learned at your feet.” My mother lunged then, grabbed me by both arms. Then she reached behind me and, with one fingernail, circled the spot on my back that had no scars.
“The only place you have left,” she whispered at me. Her breath was cloying and musky, like air coming from a spring well.
“Someday I’ll carve my name there.” She shook me once, released me, then left me on the stairs with the warm remains of our liquor.
"[Natalie] had serious problems. We looked for my earlobe, see if it could be stitched back on, but it was gone. I guess she swallowed it.” [Meredith] gave a laugh that sounded like the reverse of a gulp of air. ”I mostly just felt sorry for her.”
“Ann, was she as bad?” I asked.
“Worse. There are people all over this town with her teeth marks in them. Your mother included.”
“What?” My hands began to sweat and the back of my neck went cold.
“Your mom was tutoring her and Ann didn’t understand. She completely lost it, pulled some of your momma’s hair out, and bit into her wrist. Hard. I think there had to be stitches.” Images of my mother’s thin arm caught between tiny teeth, Ann shaking her head like a dog, blood blossoming on my mother’s sleeve, on Ann’s lips. A scream, a release.
A little circle of jagged lines, and within, a ring of perfect skin.
“I was friends with them for a while,” she said finally, talking into her chest. “We had fun, running around in the woods. We were wild. We’d hurt things together. We killed a cat once. But then she”—as always Adora’s name went unsaid—“got all interested in them. I could never have anything to myself. They weren't my secrets anymore. They were always coming by the house. They started asking me questions about being sick. They were going to ruin everything. She didn't even realize it.” Amma rubbed her shorn hair harshly. “And why did Ann have to bite . . . her? I couldn’t stop thinking about it. Why Ann could bite her, and I couldn’t.”
She refused to say more, answered only in sighs and coughs. As for the teeth, she took the teeth only because she needed them. The dollhouse had to be perfect, just like everything else Amma loved.
I think there is more. Ann and Natalie died because Adora paid attention to them. Amma could only view it as a raw deal. Amma, who had allowed my mother to sicken her for so long.
Sometimes when you let people do things to you, you ’re really doing it to them. Amma controlled Adora by letting Adora sicken her. In return, she demanded uncontested love and loyalty. No other little girls allowed. For the same reasons she murdered Lily Burke. Because, Amina suspected, I liked her better.
You can come up with four thousand other guesses, of course, about why Amina did it. In the end, the fact remains: Amma enjoyed hurting. I like violence, she’d shrieked at me. I blame my mother. A child weaned on poison considers harm a comfort.