Shuggie Bain

by

Douglas Stuart

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Shuggie Bain: Chapter Four: 1989, The East End Summary & Analysis

Summary
Analysis
As Agnes and Shuggie arrive in the city, Shuggie is amazed at how different it is from Pithead. Every inch of the main streets is brimming with life; people move about their day, the tenements go on for miles, and shops are crammed into every building. Above them, the sky feels very far away. The movers park in the middle of the street, and Agnes and Shuggie go upstairs to their new apartment. Shuggie grabs Agnes’s hand, even though he feels too grown for it, trying to hold her there—sober. He continues to pray they will be normal and new here. The apartment is small, and Shuggie knows Leek really can’t come home now. When Shuggie sees Agnes looking out the window at the city, he puts his arms around her. They stand there daydreaming, he hopes, together.
While the excitement, variety, and size of their new home engages Shuggie’s hope and interest, it also makes him afraid. Looking after his mother in Pithead—where there were limited places for her to get into trouble—was hard enough, and now she has the whole city to disappear in if she wishes. With Leek gone and unable to come back even if he wanted to, there’s even more pressure on Shuggie to care for his mother.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Agnes leaves to get tea and pastries. While she is gone, Shuggie sits at the window watching the building kids play in the large, enclosed back garden. He envies how carefree they are, but he also witnesses their brutality. He turns to his football book, continuing to commit scores to memory. As he is reading, Agnes comes home. He knows at once she has been drinking. She insists she hasn’t, but her denial only convinces Shuggie more. The alcohol on her breath is damning. He yells at her, accusing her of not even trying to be new here. Agnes is angry at him for ruining her fun. She storms off down the hall, and Shuggie can hear her knocking on all the neighbors’ doors to introduce herself. He knows all they will see is a woman drunk before noon.
When Agnes got sober previously, she greeted Shuggie unexpectedly with tea and pastries, so her plan to do this again in celebration of their new chapter feels promising to Shuggie. By going back to memorizing football scores while Agnes is out, Shuggie tries to hold up his end of the bargain and develop more masculine interests. Agnes has already broken their pact, though; not only has she gone out drinking, but in her drunkenness she has embarrassed them both in front of all their new neighbors. Their refreshed sense of pride is very short-lived.
Themes
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
The next day, Shuggie follows a boy his age to the secondary school. The building is massive, seeming to Shuggie like another tenement or city. He follows his neighbor all the way to his classroom, introducing himself as a “late enrollment” to the teacher once class has started. When the man asks his name, the other students jump in, calling him the same slurs his peers in Pithead had. He gives his name, causing another uproar as they point out the slight femininity of his voice and his proper grammar. His new classmates ask if he’s a ballerina, insisting he show them his dancing. Shuggie knows for certain in that moment that neither he nor Agnes get to be different here. He leaves the red football book in the desk.
Shuggie follows his neighbor to school rather than asking for guidance because he is both skittish of kids his age and he is used to being self-sufficient. Shuggie’s fear of other students’ prejudice, based on his experiences in Pithead, proves valid at his new school as well. Dancing, which previously functioned as an emblem of hope, unfortunately leads Shuggie’s new classmates to mock and embarrass him for who he is—or at least who they assume he is based on their instant judgements. As he has seen with his mother, Shuggie is now convinced nothing will be different for him here, either. Ditching his football scores signifies that his efforts to change himself have been futile.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
Quotes
A few months after Shuggie and Agnes move into their East End apartment, the neighbor who Shuggie followed to school on the first day—Keir—knocks on their door. He tells Shuggie he needs his help, and Shuggie agrees. He follows Keir down the road, thinking about the boy’s tanned skin and warm brown eyes as he walks. Keir tells Shuggie he is going to visit his girlfriend, and he needs Shuggie to keep her friend Leanne entertained. He turns around to assess Shuggie’s appearance, then fixes his jacket and hair in a more fashionable, masculine way. They arrive, and Keir chews some gum to freshen his breath. When he is done, he passes the chewed gum to Shuggie, who hesitantly pops it in his mouth, surprised at how enjoyable he finds it. After some convincing, the girls agree to come out with them.
In addition to Shuggie’s effeminate mannerisms, the older he gets the more he is confronted with his interest to other boys. Despite Shuggie’s experience-based distrust of his peers, his attraction to Keir makes him happy to follow the older boy blindly. Keir’s adjustments to Shuggie’s appearance in order to mask his queerness are seemingly made without judgment. Shuggie goes along with whatever Keir wants because he is just happy to be near him. Chewing Keir’s used gum makes Shuggie feel even closer to him.
Themes
Identity and Societal Expectations Theme Icon
Pride and Appearances Theme Icon
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As the couples walk toward the park in pairs, Leanne sneaks glances at Shuggie. Finally, she asks if he doesn’t have a dad because he looks funny. Shuggie tells her his father is dead, and Leanne responds that hers is too. She asks him if he likes girls, and Shuggie is surprised to hear himself admit he doesn’t know. In turn, Leanne tells him that she isn’t sure if she likes boys. She asks if he wants them to date, just for now, as they are trying to figure things out. He agrees, and the two hold hands. Leanne is taller than Shuggie and her arms are longer, but he finds it pleasant enough.
Leanne immediately identifies that there is something different about Shuggie, like most other kids his age do, but her guess that it’s because his father left him is surprisingly accurate. Her assessment indicates she has special familiarity with this dynamic. The two find that they share a lack of attraction to the opposite gender, and their agreement to date for the time being allows them both the protection of appearing straight.
Themes
Identity and Societal Expectations Theme Icon
Pride and Appearances Theme Icon
The four children reach their destination, a semi-private hillside past the park, under a bridge and overlooking the motorway. As Keir and his girlfriend begin making out, Shuggie and Leanne sit quietly watching the traffic. When Leanne shivers, he gives her his coat. The two wrap their arms around each other. Eventually, Shuggie’s gaze is drawn to the other couple, who are grinding and moaning. Shuggie finds that he likes the way the muscles in Keir’s arms and butt strain. Keir catches him looking and yells at him, but his attention soon goes back to the other girl. Leanne tells Shuggie he can feel her up if he wants, but he declines. He puts the comb Keir used to fix Shuggie’s hair in his mouth, enjoying the cigarette and hair gel smell of the other boy. Shuggie offers to comb Leanne’s hair instead, and she relaxes into his gentle touch.
Seeing Keir engaged in sexual activities with his girlfriend only strengthens Shuggie’s attraction to him. The only time that Keir is harsh with Shuggie is when he catches him watching him, though his annoyance is soon overshadowed by his interest in his girlfriend. While Leanne gives Shuggie permission to make a move, his observation of Keir has made him certain that he is uninterested. Instead, he satiates his longing for Keir in the only way he can—sucking on his comb. To pass the time, he combs Leanne’s hair, an act of care that Shuggie has often extended to his mother to soothe her when she is drunk.
Themes
Identity and Societal Expectations Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
While Shuggie brushes her hair, Leanne asks him if his mother drinks. Shuggie responds she does a little and wonders how Leanne knew. She tells him he looks too worried for his age. She confides in him that her mother drinks a little, too. Shuggie tells her that he’s worried his mother will drink herself to death, which would devastate him. Leanne tells him she thinks that’s what alcoholics want; they just kill themselves slowly. Shuggie feels himself opening to her as they talk, his load lightening in a way he didn’t expect.
Again, Leanne exhibits a particular insightfulness into Shuggie’s life. She’s able to do so because, like Shuggie, Leanne’s mother’s alcoholism has forced her to become a highly observant individual. Because of their shared experience, Shuggie is able to share his fears about Agnes with Leanne in a way he has been unable to do with anyone else.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Shuggie and Leanne continue to exchange war stories about their mothers’ drinking. They commiserate about never knowing what they are coming home to, having to hold back some benefit money to feed themselves, and the creepy uncles who are always making their mothers worse. Leanne tells him that her mother, Moira, made her try going to the AA support group for families. All the other kids’ mothers were mild drinkers and couldn’t understand the level of destructive behavior that drove her mother to drink aftershave and perfume when the alcohol ran out.
For the first time, Shuggie is also able to find some humor in the severity of Agnes’s—and Moira’s—sickness. When speaking with his siblings or father about Agnes in the past, the conversation would be complicated by family dynamics and conflicting desires, but those complexities do not exist between Leanne and Shuggie. Instead, they are two children who love their mothers and have sacrificed for them throughout their childhood.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Shuggie tells Leanne that Agnes tried to kill herself the night before. Leanne asks if she took pills, slashed her wrists, or put her head in the over. Shuggie tells her that Agnes has done those things before, but this time she tried to jump out the window naked. He pulled her back in, but it terrified him. Shuggie admits that he feels like if she dies from drinking, it will be his fault. Leanne tells him that she probably will drink herself to death, but there is nothing he can do to stop it.
Leanne’s own experience also allow her to fill in the gaps when Shuggie is hesitant to go on. The shared understanding that gives Leanne this ability to anticipate what he has been through takes some of the horror out of the truth for him. Knowing that Leanne is in the same situation also allows Shuggie to believe her when she says there is nothing he can do, in the end, to help Agnes.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Agnes is at home waiting for Shuggie on a different day. As soon as he walks through the door, he tells her he’s hungry. She is livid, hearing only male entitlement in his plea. She asks Shuggie why he can’t ask about her day, but Shuggie just keeps repeating that he’s starving, they have no food, and she needs to do something about it. Agnes tells him that he has it better than her, because he gets a hot lunch at school at least. Shuggie responds that the older boys at school steal his meal ticket every day. He asks his mother what happened to the money—there is not enough alcohol in the house for the money to have been spent on just that—and Agnes admits she lost it at bingo. They look at each other. Shuggie says they’ll both starve, and Agnes agrees they probably will. 
Shuggie’s encounter with Leanne, the previous admonitions from Shug and Leek, and Agnes’s continued alcoholic benders begin to shake Shuggie’s unquestioning loyalty. It is a significant shift for Shuggie to even admit he is hungry, let alone demand that Agnes feed him. His drive to confront Agnes about her behavior, especially after she accuses him of taking advantage of her like so many men have done, reveals that Shuggie is nearing the end of his willingness to sacrifice his needs in order to keep the peace with her. Agnes is so far gone that she is completely unmoved by this change in attitude.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Shuggie tries to figure out how to feed them, and he decides he will try to steal some crisps from a street vendor like Keir taught him. When he stands to leave, though, Agnes interprets it as Shuggie leaving for good. She calls him a cab, telling him to leave and not come back. He begins to cry, trying to hold onto her, but she won’t hear reason. Agnes tells him everyone always abandons her, and now he can have his wish and leave too. Shuggie insists that that he wants to stay, that he would even stay to starve with her, but she has made up her mind. She watches him climb hesitantly in the taxi, feeling that he’s just proven her right.
Unfortunately, Agnes loses her already failing sense of reason before Shuggie finds the will to fully break free. Like her drinking, her fear of being abandoned by her last ally overpowers her logic. Instead of reckoning with how her behavior routinely pushes people she loves away, Agnes doubles down and ousts Shuggie, just like she did Leek. Though Shuggie protests, Agnes sends him off in a taxi: yet another instance of cabs symbolizing her abandonment of Shuggie.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
In the cab, Shuggie sits for a long time. He keeps waiting, hoping Agnes will change her mind and come down. She doesn’t. Eventually, he asks the taxi driver to take him to the South Side, where Leek lives. He doesn’t know the address, having only been once before, but he is able to find it because the apartment is above a bank. When they arrive, the driver finds out Shuggie doesn’t have any money. Shuggie promises that his brother will pay the fare, but the driver won’t let him out and threatens to take him to the police. Desperate, Shuggie tells the driver he will give him sexual favors. The man is shocked, seeing how young Shuggie is. He unlocks the doors, and after a few minutes, Leek comes down to pay him.
Agnes’s neglect has forced Shuggie into a desperate, vulnerable position, just as it did on the taxi ride where Shuggie was molested by the cabby. When this driver won’t let Shuggie leave the car to get Leek, Shuggie’s will to survive proves stronger than anything else, including his pride. Having learned from that previous cab ride, which he never had to pay for, Shuggie offers himself in lieu of payment because he sees no other option. This cab driver’s reaction to his offer underscores both Shuggie’s youth and how socially unacceptable such a proposition is, even though it has (tragically enough) been somewhat normalized for Shuggie.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Inside, Leek asks why Agnes kicked Shuggie out and how long she’s been drinking this time. Shuggie says he doesn’t know on either account, but he believes he just needs to try harder to keep her sober. Leek tells him again she’s never going to stop drinking. Leek makes Shuggie instant noodles, and the two sit in silence watching TV. Shuggie scans the room, observing Leek’s haphazard collection of spare dishes and furniture. In the corner, he sees a stack of boxes and realizes his brother is moving away. He feels even more alone.
Faced with the idea of being separated permanently from his mother, Shuggie’s resolve that Agnes may never change falters. In telling Leek that he feels he hasn’t tried hard enough, Shuggie is essentially backing down from the progress he has made. Leek continues to try to convince his brother to let Agnes go. Because Shuggie can see how well Leek is doing since he left home, his brother’s words carry more weight than they once did.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Shuggie asks Leek what he thinks is going to happen to Agnes. Leek tells him that she’ll end up homeless on the street most likely, but Shuggie can’t picture his posh mother there. Leek argues that when Shuggie is gone, Agnes will have no safety net. Shuggie responds that he will never leave her, then. Leek tells him that he can’t stay with Agnes forever. Shuggie asks why Leek never came for him, and Leek explains that he had no means to care for him. Now, Shuggie will need to find his own way out, just like he and Catherine did.
Shuggie’s difficulty in imagining his mother living on the street, even though he has seen her do and say unspeakable things, demonstrates how firmly his perception of Agnes is still rooted in the best of her. This conversation also shows a rare moment of directness on Shuggie’s part; he actually confronts Leek about his feelings of abandonment by his siblings instead of bottling them up. Leek understands his brother’s resentment, as it mirrors the way he felt when Catherine left. Having finally left himself, however, Leek has a newfound perspective about personal responsibility. Though he wants the best for Shuggie, he now understands that his brother will only accept the truth about Agnes when he is ready.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
There is a buzz at the door. Leek looks at Shuggie, horrified. Shuggie admits that he may have told Agnes where Leek lived, or at least the landmarks. Leek answers the buzzer, then gathers all the change he can find before leaving. After a while, he returns, angry and exhausted. Agnes has called the taxi service and given the driver a bag full of canned custard, which she instructed him to take to Leek’s, promising he would pay the fare on the other end. Leek has to spend the last of his money to do so.
Leek’s generosity of spirit toward Shuggie is dimmed upon discovering that Shuggie told Agnes where he lives, which feels to him like a betrayal. The canned custard that Agnes has sent is meaningful. In the past, canned custard was one of the only things Agnes kept in the house to feed Shuggie when she’d spent all her money on alcohol. The custard seems to Shuggie like a message that Agnes is discharging all responsibility for him once and for all. 
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
The brothers cannot believe it when there is another buzz on the door. Leek springs the electric meter for more change. He is gone longer this time, and he is very quiet when he returns. Leek tells Shuggie the cab will take him home. In the second bag is Agnes’s phone. Shuggie and Leek both know this is a terrible sign, indicating that Agnes is done reaching out. If she plans to hurt herself, there will be no way to ask for help. Shuggie realizes the custard was a goodbye.
The connotation of the custard cans shifts significantly upon the arrival of the Agnes’s telephone. Even in the worst years of her alcoholism, the hours Agnes spent yelling at others over the phone showed her desire to fight and to be connected to others, even if that connection was based fully in resentment. It was also the lifeline that saved her when she attempted suicide. By sending her phone to her sons, she signifies to them that she no longer wishes to fight or bother anyone. She is, in fact, giving up.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Quotes
In March, Agnes’s birthday comes around, and Shuggie presents her with daffodils and the change he’s collected from the benefit money so she can play bingo to celebrate. She is thrilled. It is the police who bring her home in the morning. She never made it to bingo, instead spending the night walking through the city without her coat or shoes. Neither Shuggie nor Agnes can acknowledge each other when she arrives. Instead, Shuggie runs her a bath and makes her tea to soothe her soreness from a night in the cold. He leaves for school, but realizing he has some money in his pocket, he climbs on a city bus instead.
The veiled threat of suicide encapsulated in Agnes’s delivery of the phone stunts Shuggie’s progress toward striking out on his own. His return home and birthday gifts are gestures of reconciliation. While he doesn’t seem to believe she’ll get better anymore, he is clearly not ready to let her go, either. When she returns home from another bender and Shuggie runs a bath and makes tea for her, he is working to maintain the status quo between the two of them. However, his decision to skip school suggests a change may be coming.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Back in Sighthill, the neighborhood where Shuggie was born and the family had once lived with Wullie and Lizzie, Shuggie rides up to the 16th-story breezeway where they used to live. He sits with his arms and legs through the blocks by the stairwell, hanging over the city. He feels heavy. From his pocket, he pulls out a card from Leek. He has found good paying work somewhere Shuggie has never heard of, and he’s found a nice girl too. In the card, Leek has taped a 20-pound note. There is also a page tucked inside, covered in drawings of a boy playing with toy horses. Looking at it, Shuggie realizes that Leek had always seen exactly who Shuggie was. When he finally gets too cold, Shuggie heads home.
Shuggie’s trip to Sighthill is a kind of reckoning for him. By returning to the place where he was born and where Agnes’s issues started in earnest, he tries to account for what has happened. The money contained in Leek’s letter—and Leek’s account of the life he has built—paint a picture of hope and care. Yet, more significant than either of these things is the drawing Leek made of Shuggie playing with ponies as a young boy. At last, Shuggie realizes that Agnes is not the only person who sees and accepts him. She is not his only chance at having loving family.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
At home, Shuggie finds the phone off the hook and the phone book covered in Agnes’s notes and scratched through names. Beside where Agnes sleeps in a chair, Shuggie finds the empty beer cans and vodka bottle she’s been nursing all day. Agnes throws up in her sleep, and Shuggie uses some toilet paper to clear and clean her mouth. He sits looking at her, then tells her he loves her. He apologizes for not being there to help her when she was out alone the night before. He takes off her shoes and rubs her feet as he tells her about going up to Sighthill.
The phone, which has consistently symbolized Agnes’s tenuous connection to reality, hangs off the hook. This image illustrates how her rage and drunkenness have depleted her will to fight; the dead phone mirrors Agnes’s unconscious, drunken stupor. Shuggie is dutiful, as he has always been, as he cleans up his passed-out mother and talks about his day.
Themes
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Shuggie removes Agnes’s bra for her too, rubbing at her chest when she starts hacking in her sleep. Her head rolls back, so he moves it back to a safe angle. He tells he that he’s going to stop attending school as soon as he can and move them away from here. He asks where she wants to go, suggesting a few places. Shuggie listens to her unconscious breathing.  He takes off her skirt for her and removes her dentures, then rubs her scalp gently.
Shuggie removes the clothing and dentures that are symbols of the beauty Agnes has tried to hold on to through her struggle with alcoholism. Shuggie does not care about maintaining her appearance anymore; he only wants her to be comfortable. He talks, making her promises about all he will sacrifice for her. She cannot hear him, though, just as she has failed to see all he has done for her throughout the years.
Themes
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Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Agnes coughs up bile again in her sleep. He goes to grab the toilet paper but freezes. Looking down at her, Shuggie realizes Leek is right. Agnes’s head falls back, and she begins to choke on her vomit. She starts shaking, her brow furrowed. As he thinks to help her, though, her breathing stops and her worried face relaxes. Shuggie cries at her feet for a long time before rising. When he does, he wipes the bile from her face, fixes her hair, replaces her dentures, and applies fresh lipstick. To him, it looks like she is just sleeping when he kisses her goodbye.
In the same way that the years of effort Shuggie put into his mother’s care failed to heal her, his efforts in this scene are pointless. As Agnes throws up again, Shuggie can finally see what everyone has been telling him—Agnes will never change. Shuggie stops fighting her on her path, and before he can change his mind, she dies. Even in his grief, he tries to honor her lifelong need to be beautiful, putting her back together so she can retain her pride in death.
Themes
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Quotes