Shuggie Bain

by

Douglas Stuart

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Themes and Colors
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
LitCharts assigns a color and icon to each theme in Shuggie Bain, which you can use to track the themes throughout the work.
Coming of Age and Trauma Theme Icon

Central to the novel is the way that trauma accelerates Shuggie’s coming of age. Throughout the story, adult figures fall like dominoes around Shuggie and Agnes. First, his family moves away from his grandparents, who are his most responsible caretakers. Immediately upon arriving in Pithead, Shug leaves Agnes and the children to move in with Joanie Micklewhite. Catherine follows shortly after when she marries Shug’s nephew, Donald Jnr., and finally, Leek leaves—or, more accurately, is kicked out by Agnes. Shuggie is therefore forced to step into an adult role to deal with Agnes’s alcoholism at a very young age, making sure they have enough money for food and that Agnes doesn’t hurt herself. The fewer people remain in his life, the more his responsibility for holding his mother together increases. Even Agnes, when sober, notices the constant worry etched on her son’s face. And yet, while Shuggie is forced to function as an adult in his home, he is still extremely vulnerable. To take care of Agnes, he often has to navigate the world alone, from riding in cabs with strange men to cashing the family’s benefits, and these very adult pursuits ultimately leave him exposed to danger and abuse—a good illustration of the harmful situations that children forced to assume adult responsibilities often encounter.

Despite Shuggie’s advanced responsibility for his age, he still takes on this mantle with a very childlike dependence and devotion to Agnes. Like most children, his identity is intrinsically linked to his parent, and the trauma Agnes’s addiction inflicts on him binds him even tighter to her. For years, then, protecting her and mitigating the damage she inflicts is Shuggie’s guiding purpose. He tries to keep her from hurting herself, spending all their money, and slinging abuses at her enemies over the phone. The true climax of Shuggie’s coming of age arc is when he finally accepts that Agnes will not change. In realizing this, he also realizes that he wants better for himself, and though it’s extremely painful, it’s only through disentwining his fate from hers that he manages to move toward a healthier, more stable life.

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Coming of Age and Trauma ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Coming of Age and Trauma appears in each chapter of Shuggie Bain. Click or tap on any chapter to read its Summary & Analysis.
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Coming of Age and Trauma Quotes in Shuggie Bain

Below you will find the important quotes in Shuggie Bain related to the theme of Coming of Age and Trauma.
Chapter One: 1992, The South Side Quotes

Shuggie tried to calm himself as he smoothed his hand over the mismatched sheets. He thought how his mother would have hated these bedclothes, the off colours and patterns, layered one upon the other as if he didn’t care what people would think. This mess would have hurt her pride. Someday he would save some money and buy new sheets of his own, soft and warm and all the same color.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 7
Explanation and Analysis:

His armpit was dusted in a fine lint, like baby duck feathers. He brought his nose to it; it smelled sweet and clean and of nothing at all. He pinched the skin and squeezed, milking the soft flesh till it flushed red with frustration; he sniffed his fingers again, nothing. Scrubbing at himself harder now, he repeated under his breath, “The Scottish Football League Results. Gers won 22, drew 14, lost 8, 58 points total. Aberdeen won 17, drew 21, lost 6, 55 points total. Motherwell won 14, drew 12, lost 10.”

Related Characters: Shuggie Bain (speaker), Eugene
Page Number: 11
Explanation and Analysis:
Chapter Two: 1981, Sighthill Quotes

Shuggie lifted her lager can. He put it to his lips like it was a magical power juice. The bitter oaty flavor made him flinch, the way it tasted like fizzy ginger, milk, and porridge all at the same time. He danced for her, stepping side to side and clicking his fingers and missing every beat. When she laughed, he danced harder.

Related Characters: Shuggie Bain, Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number: 53
Explanation and Analysis:

Agnes used her free arm and pulled him tighter toward her. “Shhh. Now be a big boy for your mammy.” There was a dead calmness in her eyes.

The room turned golden. The flames climbed the synthetic curtains and started rushing towards the ceiling. Dark smoke raced up as though fleeing from the greedy fire. He would have been scared, but his mother seemed completely calm, and the room was never more beautiful…Agnes clung to him, and together they watched all this new beauty in silence.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 55
Explanation and Analysis:

“If you cannae make Shug do right by you, at least make him do right by the boy.” Lizzie narrowed her eyes at her grandson, at his blond dolly. “You’ll be needing that nipped in the bud. It’s no right.”

Related Characters: Lizzie Campbell (speaker), Shuggie Bain, Agnes Bain, Shug Bain
Page Number: 82
Explanation and Analysis:
Chapter Three: 1982, Pithead Quotes

As he climbed the stairs to the hallway he could hear her on the phone. “Fuck you, Joanie Micklewhite. You tell that whoremastering son of a Proddy bitch that he cannot have his cake and eat it too!” Each filthy syllable was enunciated with the alarming clarity of the Queen’s English. “You shitty, dick-sucking bastard. You are as plain and tasteless as the arse end of a white loaf.”

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Joanie Micklewhite
Related Symbols: Agnes’s Phone
Page Number: 124
Explanation and Analysis:

It was still daylight, but there were harsh lights on in every room, and the curtains lay open in a shameful way. It was a very bad sign. In the front room Shuggie was idling between the net curtain and the glass. His palms and nose were pressed flat against the window, he was rocking his head back and forth in a soothing way, and no one was telling him to stop…Leek picked up his tool bag and turned away from the house.

Related Characters: Shuggie Bain, Agnes Bain, Leek Bain
Related Symbols: House Exteriors
Page Number: 125
Explanation and Analysis:

“I can manage. I can fetch messages and make sure she goes to bed on time. Besides, Sister Nurse. You never answered my question. My mother told me that my grandaddy would be going to heaven soon, and I wanted to know if he had to get a bus or if we could take him in a black hackney?”

…“Och, son. It disnae really work like that. They don’t leave on a bus…when a person goes to heaven they don’t take their bodies wi’ them.”

…“So if your body doesn’t go to heaven, it doesn’t matter if another boy did something bad to it in a bin shed, right?”

Related Characters: Shuggie Bain (speaker), Wullie Campbell
Related Symbols: Black Cabs
Page Number: 180
Explanation and Analysis:

Every small detail of the house told of what lay within. This evening the curtains were drawn tight against the cold and the lamps were on. His stomach lifted in hope. Shuggie opened the front door a crack, just enough so he could hear the hum of the house. He knew what to listen for.

Related Characters: Shuggie Bain, Agnes Bain
Related Symbols: House Exteriors
Page Number: 219
Explanation and Analysis:

Agnes whirled as though dancing with an imaginary partner. “Get your wee arse outside and dance with your mother,” she called too loudly, her voice bounding off the miners’ houses.

Inside, in the shade of the cool bedroom, Shuggie scowled on the edge of his bed…He had never been embarrassed by the sober her before. It was a new and unwelcome feeling.

Related Characters: Agnes Bain (speaker), Shuggie Bain, Eugene
Related Symbols: Dancing
Page Number: 261
Explanation and Analysis:

He was enjoying her attention. Something inside him flowered, and he started popping his body like he’d seen the black boys on telly do. They self-consciousness left him, and he spun and shimmied and shook in all the telly ways. He was mid Cats leap when he let out a sharp scream. It was high-pitched and womanly…Across the street, in the window of their front room, stood the McAvennies. They pressed again the large glass window, and they were gutting themselves with laughter.

…“If I were you, I would keep dancing.”

“I can’t.” The tears were coming.

“You know they only win if you let them…Just hold you head high and Gie. It. Laldy.”

Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high.

…It was hard to keep moving again, to feel the music, to go to that other place in your head where you keep your confidence…But it was in him, and as it poured out, he found he was helpless to stop it.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Related Symbols: Dancing
Page Number: 267
Explanation and Analysis:

She was so sure she was smiling up at Leek, so she didn’t know why her son would be so angry, why he was screaming down at her. All she understood was, he was hitting Eugene square in his thick neck with his fists. All she remembered was that another bedroom door opened, and there in the doorway was the little boy with the worried face of his own granny. His face was wet with disappointment. The front of his pyjamas was dark through with piss.

Related Characters: Shuggie Bain, Agnes Bain, Leek Bain, Eugene
Related Symbols: Black Cabs
Page Number: 302
Explanation and Analysis:

With a slow hand, he pulled the back of Shuggie’s shirt from his tweed trousers and insidiously pushed his fat warm fingers down the back of Shuggie’s underpants. Without looking, Shuggie could tell the man was still smiling at him.

“Aye, you’re a funny wee fella, aren’t ye?”

Related Characters: Cab Driver (speaker), Shuggie Bain
Related Symbols: Black Cabs, Agnes’s Phone
Page Number: 316
Explanation and Analysis:

She strutted out a confident rhythmic clip and turned her head and said to the boy, “What would you like for dinner tonight?”

Shuggie looked up at his mother and did as he had been taught. “Roast chicken, please. I’m a bit tired of sirloin every other night.”

…The women said nothing as she passed, but she felt them draw their eyes over the coat, over the shoes and hair.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Page Number: 327
Explanation and Analysis:
Chapter Four: 1989, The East End Quotes

“Listen tae that voice!...Er, posh boy. Whaur did ye get that fuckin’ accent? Are ye a wee ballet dancer, or whit?”

This went down the best of all. It was a divine inspiration to the others. “Gies a wee dance!” they squealed with laugher. “Twirl for us, ye wee bender!”

Shuggie sat there listening to them amuse themselves. He took the red football book and dropped it into the desk drawer of this strange school desk. He was glad, at least, to be done with that. It was clear now: nobody would get to be made brand new.

Related Characters: East End School Children (speaker), Shuggie Bain
Related Symbols: Dancing
Page Number: 378
Explanation and Analysis:

Leek looked down at the white plastic shopping bag in his arms and undid the knotted mouth. Shuggie watched his shoulders rise behind his ears. Whatever it was, it had turned Leek’s anger into concern; it had scared him almost. Leek put his hand inside and slowly drew out the tan-coloured plastic with its looping spiral tail. “I don’t think this is a good sign.”

It was the telephone from his mother’s house.

It was an end to all contact, a sign she would hurt herself and this time she would not call for help—not to Leek’s gaffer nor to Shug nor to Shuggie. The tinned custard wasn’t a fuck-you to ungrateful sons. She was making sure her baby was fed, and now she was saying goodbye.

Related Characters: Leek Bain (speaker), Shuggie Bain, Agnes Bain, Shug Bain
Related Symbols: Agnes’s Phone , Black Cabs
Page Number: 406
Explanation and Analysis:

Her face changed then the worry fell away, and at last she looked at peace, softly carried away, deep in the drink.

It was too late to do something now.

…Shuggie arranged her hair as best he could. He tried to cover the brazen whiteness of roots, to arrange it just the way she liked to wear it. He unwrapped her dentures again and gently placed them back inside her mouth. Then, taking the toilet paper, he wiped the sick from her chin and pulled fresh paint across her lips, taking care to push the colour into the corners and stay neatly within the lines. He stood back and dried his eyes. She looked like she was only sleeping. Then he bent over and kissed her one last time.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 411
Explanation and Analysis:
Chapter Five: 1992, The South Side Quotes

“You know, hearing about your Calum did make me wish we could go up the dancin’ one time?”

Leanne was still swinging the dirty bag, and now she howled with laughter. It was so loud, so vibrant, it made the videocassette jakeys jump with fright. “Ha! You? Get to fuck wi’ those poncey school shoes,” she squealed. “There is no way Shuggie Bain can dance!”

Shuggie tutted. He wrenched himself from her side and ran a few paces ahead. He nodded, all gallus, and spun, just the once, on his polished shoes.

Related Characters: Leanne Kelly (speaker), Shuggie Bain, Moira Kelly
Related Symbols: Dancing
Page Number: 430
Explanation and Analysis: