Shuggie Bain
by Douglas Stuart
✓

or to save your progress

Identity and Societal Expectations Theme Analysis

Themes and Colors
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
LitCharts assigns a color and icon to each theme in Shuggie Bain, which you can use to track the themes throughout the work.
Identity and Societal Expectations Theme Icon
Identity and Societal Expectations Theme Icon

Shuggie Bain is about a boy grappling with his identity in a society that antagonizes him for being himself. The expectations for men and women are quite different in the novel’s community, and there’s a distinct dichotomy between what’s considered feminine and what’s considered masculine. From a very young age, it’s clear to everyone that Shuggie doesn’t adhere to stereotypical ideas of masculinity. He is intrigued with Agnes’s hair and clothing, and he gravitates toward the women painted on her beer cans. Both Lizzie and Shug tell Agnes she needs to watch Shuggie because there’s something amiss about him. But Agnes ignores their concerns; she lets him play with jewelry and buys him a doll to replace the beer cans—in other words, she supports him and lets him (for the most part) be the person he is. But even with a supportive mother, the older Shuggie gets, the more he is mocked for his speech, dancing, and conventionally feminine mannerisms. After years of hearing from family, friends, and neighbors that Shuggie’s queerness is a problem she must control, Agnes crumbles under the pressure of their intolerance. She begins to equate her alcoholism with Shuggie’s sexuality, as if both are flaws that can be helped if she and Shuggie make a concerted effort to start anew.

Tragically enough, Shuggie believes his mother and everyone else’s assertion that he must change, and he tries desperately to weed whatever is different out of himself. He memorizes football scores and practices walking in the manly way his brother shows him. When he goes through puberty and becomes attracted to other boys, his shame is immense. He wants so badly to become a new, normal person by the standards of the society that refuses to accept him as he is, but he can’t seem to change.

However, Shuggie’s otherness ultimately allows him to show compassion to the people around him. Although being different makes him a target for close-minded people, it bonds him with others who are viewed as outsiders. In part, this accounts for Shuggie’s closeness with Agnes, though Shuggie’s otherness is a result of the intolerant community in which he lives, while Agnes’s is the result of her alcoholism. Still, their bond deepens the more her condition—and her connection with the rest of the world—deteriorates. After Agnes’s death, Shuggie finds a healthier relational model in his friendship with Leanne, who—like him—has had experiences that have long isolated her from others. Together, they’re able to finally be themselves. In turn, the novel highlights just how meaningful it can be for people facing prejudice and mistreatment to find stable and supportive relationships.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Identity and Societal Expectations ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Identity and Societal Expectations appears in each chapter of Shuggie Bain. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Get the entire Shuggie Bain LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Shuggie Bain PDF

Identity and Societal Expectations Quotes in Shuggie Bain

Below you will find the important quotes in Shuggie Bain related to the theme of Identity and Societal Expectations.

Chapter One: 1992, The South Side Quotes

Shuggie tried to calm himself as he smoothed his hand over the mismatched sheets. He thought how his mother would have hated these bedclothes, the off colours and patterns, layered one upon the other as if he didn’t care what people would think. This mess would have hurt her pride. Someday he would save some money and buy new sheets of his own, soft and warm and all the same color.

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 7
Explanation and Analysis:
This passage marks the first explicit mention of Shuggie’s mother, Agnes, though her absence in Shuggie’s life is felt from the beginning of the novel. In Shuggie’s small, rented room, things are neat but clashing, chosen because they were free or cheap. It is the bed that bothers him most because he knows it would upset his mother. This hints at how intimately Shuggie knows his mother—her fears, her motivations, her vulnerabilities. Shuggie’s reflection that Agnes would be embarrassed by the discordant patterns showcases how central her vanity is to her overall personality. Ironically, Agnes’s easily wounded pride is a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremq

His armpit was dusted in a fine lint, like baby duck feathers. He brought his nose to it; it smelled sweet and clean and of nothing at all. He pinched the skin and squeezed, milking the soft flesh till it flushed red with frustration; he sniffed his fingers again, nothing. Scrubbing at himself harder now, he repeated under his breath, “The Scottish Football League Results. Gers won 22, drew 14, lost 8, 58 points total. Aberdeen won 17, drew 21, lost 6, 55 points total. Motherwell won 14, drew 12, lost 10.”

Related Characters: Shuggie Bain (speaker), Eugene
Page Number and Citation: 11
Explanation and Analysis:
This excerpt introduces Shuggie’s intense longing for masculinity, a desire that increases throughout the novel as he matures. Alone in the bathroom, he probes his body for signs of manhood, manipulating his skin to the point of pain as he tries to detect body odor (without luck). Frustrated, he recites old football statistics to himself. As the novel unfolds, it becomes clear that Shuggie has been targeted throughout his childhood for being different than other boys. He is perceived as feminine by his neighbors, classmates, and even family, and he endures emotional and physical abuse because of it. In an Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

Chapter Two: 1981, Sighthill Quotes

He was a selfish animal, she knew that now in a dirty, sexual way that aroused her against her better nature…Big Shug Bain had seemed so shiny in comparison to the Catholic. He had been vain in the way only Protestants were allowed to be, conspicuous with his shallow wealth, flushed pink with gluttony and waste.

Lizzie had always known. When Agnes had shown up on the doorstep with her two eldest and the Protestant Taxi driver, she had had the instant compulsion to shut the door, but Wullie would not let her…They said it was wrong, to marry between the faiths, to marry outside the Chapel.

Related Characters: Lizzie Campbell, Agnes Bain, Shug Bain, Wullie Campbell
Related Literary Devices:
Page Number and Citation: 28
Explanation and Analysis:
This excerpt provides insight into the ways the divisive sectarian dynamic built into Agnes and Shug’s marriage has played out in the last decade. Here, Agnes’s thoughts retrace the assumptions she made about Shug when they met, showing a certain awareness (in retrospect, at least) that those assumptions were based on societal stereotypes about Protestants. Having been raised in a Catholic home, Agnes envisioned being sentenced to a life just like her mother’s if she stayed with her Catholic first husband: one defined by poverty, modesty, and devotion. In this way, her mother’s disapproval serves only to encourage Agnes’s desire Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis.

With his free hand he gripped her thighs and tried to pull the dead weight of them apart. There was no giving. The lock was tight. He dug his fingers into the soft tops of her legs, digging the nails in until he felt the skin burst, until he felt her ankles open.

He pushed into her as she wept. There was no drink in her now. There was no fight in her any more. When he was done he put his face against her neck. He told her he would take her dancing in the lights again tomorrow.

Related Characters: Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number and Citation: 36
Explanation and Analysis:
In this flashback to a trip Agnes and Shug took to the seaside, the brutal realities of their marriage are unveiled. In the lights of the boardwalk, their desires are illuminated; Agnes relishes feeling vibrant and beautiful, while Shug relishes the sight of other men envying him because of his wife’s vibrancy and beauty. The two feel inspired to dance, marking a moment of hope in their marriage. The moment quickly passes when Agnes, who wants to savor the moment, complains about him pulling her too fast. In response, Shug’s anger flares suddenly. Just as the peak of his joy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Qui

Shuggie lifted her lager can. He put it to his lips like it was a magical power juice. The bitter oaty flavor made him flinch, the way it tasted like fizzy ginger, milk, and porridge all at the same time. He danced for her, stepping side to side and clicking his fingers and missing every beat. When she laughed, he danced harder.

Related Characters: Shug Bain, Agnes Bain, Shuggie Bain
Related Symbols: Dancing
Related Literary Devices:
Page Number and Citation: 53
Explanation and Analysis:
This excerpt demonstrates how Shuggie, growing older, moves to fill the gap left by his father. Shug has only drifted farther away from Agnes and the chaos of her drinking the longer they’ve been together, either not caring or not realizing that his growing abandonment of her is perpetuating the issue. Even as a five-year-old, this passage shows Shuggie taking on adult responsibilities. His love for Agnes leads him to study her closely, and in the absence of his father, he steps in to stabilize her emotional well-being in any way he can. While Shug doesn’t seem to really see Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Agnes used her free arm and pulled him tighter toward her. “Shhh. Now be a big boy for your mammy.” There was a dead calmness in her eyes.

The room turned golden. The flames climbed the synthetic curtains and started rushing towards the ceiling. Dark smoke raced up as though fleeing from the greedy fire. He would have been scared, but his mother seemed completely calm, and the room was never more beautiful…Agnes clung to him, and together they watched all this new beauty in silence.

Related Characters: Agnes Bain, Shuggie Bain
Related Literary Devices:
Page Number and Citation: 55
Explanation and Analysis:
In this passage, Agnes attempts suicide for the first time, setting the curtains in the bedroom on fire in response to a perceived slight from Shug. This incident proves to be a final straw for Shug. While the fire is a cry for attention on Agnes’s part, it backfires, leading to his ultimate abandonment of her and their children. This scene is also significant because Shuggie’s response to the enflamed room foreshadows the way he will handle his mother’s drinking as he grows older. His love for his mother leads him to endure the escalating danger of the blaze, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimo

“If you cannae make Shug do right by you, at least make him do right by the boy.” Lizzie narrowed her eyes at her grandson, at his blond dolly. “You’ll be needing that nipped in the bud. It’s no right.”

Related Characters: Lizzie Campbell (speaker), Agnes Bain, Shug Bain, Shuggie Bain
Page Number and Citation: 82
Explanation and Analysis:
This scene occurs at a pivotal moment in Agnes and Shug’s relationship. It is becoming apparent that Shug is losing his patience, but there remains some hope that the family’s move to the outskirts of the city may constitute a fresh beginning. Lizzie, true to form, is doubtful, so she cautions her daughter that if nothing else, Shug needs to step in to straighten out their son. Though Shuggie is very young, Lizzie’s comment shows he is already considered different from other boys, even by his family. The doll Shuggie is holding was given to him by Agnes after noticing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenet

Chapter Three: 1982, Pithead Quotes

“Aye, ah took ye for a drinker.” She drew on her fag. “Aye, the minute ah saw ye, ah spotted it. They thought you were the big I Am, all done up in sequins, like some big dolly bird from the city. But ah could see through it. Ah could see the sadness, and ah knew ye had to be a big drinker.”

Related Characters: Bridie Donnelly (speaker), Agnes Bain
Page Number and Citation: 114
Explanation and Analysis:
When Agnes meets the other women in the new neighborhood, Bridie Donnelly offers her vodka in order to confirm that Agnes is an alcoholic. Despite Agnes’s immaculate appearance, Bridie asserts that she knows the look of sadness in a person’s eyes. While Bridie intends for this to be a point of connection between the women, Agnes is horrified by the suggestion that she and the other women, who are dressed in sweats and have unrefined speech, are the same. In her neighbor’s gaunt faces and their shabby clothing, Agnes plainly sees their poverty and strife. In contrast, Agnes does everything Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut

As he climbed the stairs to the hallway he could hear her on the phone. “Fuck you, Joanie Micklewhite. You tell that whoremastering son of a Proddy bitch that he cannot have his cake and eat it too!” Each filthy syllable was enunciated with the alarming clarity of the Queen’s English. “You shitty, dick-sucking bastard. You are as plain and tasteless as the arse end of a white loaf.”

Related Characters: Agnes Bain (speaker), Joanie Micklewhite, Shuggie Bain, Shug Bain
Related Symbols: Agnes’s Phone
Page Number and Citation: 124
Explanation and Analysis:
In this scene, Shuggie comes home to find Agnes in a familiar state: drunk on the phone yelling at the woman Shug left her for. Agnes’s penchant to hurl insults over the phone demonstrates that the only connections she wants to keep are those based in hurt and rage. She lets these grudges fuel her sickness, and in turn her drinking perpetuates her anger. That she harasses those she feels have wronged her, namely Shug and Joanie, over the phone is also significant. Because she fears abandonment, keeping people close to her means giving them power to hurt her. Instead, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

It was still daylight, but there were harsh lights on in every room, and the curtains lay open in a shameful way. It was a very bad sign. In the front room Shuggie was idling between the net curtain and the glass. His palms and nose were pressed flat against the window, he was rocking his head back and forth in a soothing way, and no one was telling him to stop…Leek picked up his tool bag and turned away from the house.

Related Characters: Agnes Bain, Leek Bain, Shuggie Bain
Related Symbols: House Exteriors
Page Number and Citation: 125
Explanation and Analysis:
To cope with their mother’s erratic drunken behavior, all the Bain children learn to read the exterior of their home to assess Agnes’s state. This passage reveals how Leek knows, before even entering the house, that things aren’t going well inside. In this scene, the whole house is lit with the blinds open—the interior is visible for everyone to see, her pain laid bare and illuminated for the neighborhood. The usual preoccupation Agnes has with appearance has been forgotten in a deluge of booze. Leek runs off to his grandparents in response: more evidence of isolating himself in order to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas d

“Well, first, never say common again. Wee boys shouldn’t talk like old women.” Leek hauched a wad of phlegm. “And you should try to watch how you walk. Try not to be so swishy. It only puts a target on your back…Don’t cross your legs when you walk. Try and make room for your cock.”

Related Characters: Leek Bain (speaker), Shuggie Bain
Related Literary Devices:
Page Number and Citation: 152
Explanation and Analysis:
In this passage, it is evident that even though he often leaves Shuggie alone with Agnes, Leek still tries to look out for his little brother when he can. Like Agnes and Lizzie, Leek sees the ways that Shuggie’s queerness isolates him and makes him a target for abuse. With Shug gone, Leek feels pressure to act as the man of the household and serve as the main male influence in Shuggie’s life. Shuggie is not the only one forced to grow up faster than he should—Leek also becomes trapped in the role of father before he is ready. Inadvertently Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt

“I can manage. I can fetch messages and make sure she goes to bed on time. Besides, Sister Nurse. You never answered my question. My mother told me that my grandaddy would be going to heaven soon, and I wanted to know if he had to get a bus or if we could take him in a black hackney?”

…“Och, son. It disnae really work like that. They don’t leave on a bus…when a person goes to heaven they don’t take their bodies wi’ them.”

…“So if your body doesn’t go to heaven, it doesn’t matter if another boy did something bad to it in a bin shed, right?”

Related Characters: Shuggie Bain (speaker), Wullie Campbell
Related Symbols: Black Cabs
Page Number and Citation: 180
Explanation and Analysis:
Shuggie not only suffers verbal abuse because he doesn’t conform to stereotypical conceptions of masculinity, but also because he is often alone, making him vulnerable to certain dangerous situations. For instance, he is targeted by an older boy who sexually assaults him. In this conversation that Shuggie has with a nun working on the hospital unit where Wullie is dying, the lasting impact of this incident is made evident, as is how deeply Shuggie has internalized the homophobia of his community. The nurse, a Catholic nun, ignores his question about heaven initially, showing far more concern about Shuggie’s well-being after Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accu

“That one is practically on call for the Greater Glasgow Taxi Livery.”

Agnes felt the sting of the words push into the bruises on her body. She lifted her mug anyway and nodded a sad acceptance of the award.

Jinty pulled the plastic bag from between her small feet and added, cruelly, “If you’re not a taxi driver, then this one’s not interested.”

Related Characters: Jinty McClinchy (speaker), Lamby, Agnes Bain
Related Symbols: Black Cabs
Page Number and Citation: 208
Explanation and Analysis:
This scene occurs at a particularly intense period of Agnes’s alcoholism, during which she often runs out of money and cannot keep enough alcohol around to meet her increasing need. Jinty, a neighbor of hers who also has a drinking problem, suggests that they invite over a single man, Lamby, who has money to spare and may provide them both with booze. Once Lamby arrives, Jinty’s utter disregard for Agnes’s well-being is made clear when she throws Agnes under the bus with her comments about Agnes’s preference for taxi drivers. She does this only hours after Agnes confides in her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Mini

Every small detail of the house told of what lay within. This evening the curtains were drawn tight against the cold and the lamps were on. His stomach lifted in hope. Shuggie opened the front door a crack, just enough so he could hear the hum of the house. He knew what to listen for.

Related Characters: Shuggie Bain, Agnes Bain
Related Symbols: House Exteriors
Page Number and Citation: 219
Explanation and Analysis:
This passage marks the first sign of Agnes’s sobriety in years. Shuggie, now approaching his teenage years, has adopted the same ability his older siblings once used to read the outside appearance of the house to see how Agnes is doing. For once, the signs bode well—the curtains are closed, no sad music or sounds of angry phone calls spill out into the street, and the lamps glow warmly instead of glaringly inside. When Shuggie goes inside, he finds his mother alert, cleaning the house and cooking for him. Appearance is a central theme in the novel, but the way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explic

“Well, you get a little bit stronger every day, but the drink is always there waiting. Doesn’t matter if you walk or run away from it, it’s still just right behind you, like a shadow. The trick is not to forget.”

…“I bet ye can master it,” he said plainly.

She looked up at him. “That’s why going to the meetings is important. You’ll never master it.”

…“Just wish I could have one with you. To feel normal.”

Related Characters: Eugene (speaker), Agnes Bain (speaker)
Related Symbols: Black Cabs
Page Number and Citation: 250
Explanation and Analysis:
Once Agnes gets sober and her world begins to open up, new people come into her life. One, her new boyfriend Eugene, finds it hard to believe Agnes had as bad of a problem as she says. She tries hard to explain the reality of her addiction to him, for once dropping her pride and admitting just how ugly her life got when she was drinking. Eugene naively attempts to persuade her that it’s something she can overcome if she tries hard enough. He doesn’t hear her; he can’t, having never faced addiction in the way Agnes has. In his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

Agnes whirled as though dancing with an imaginary partner. “Get your wee arse outside and dance with your mother,” she called too loudly, her voice bounding off the miners’ houses.

Inside, in the shade of the cool bedroom, Shuggie scowled on the edge of his bed…He had never been embarrassed by the sober her before. It was a new and unwelcome feeling.

Related Characters: Agnes Bain (speaker), Shuggie Bain, Eugene
Related Symbols: Dancing
Page Number and Citation: 261
Explanation and Analysis:
Before Eugene’s pressure breaks Agnes’s commitment to staying sober, there are many good months between her and her sons. In this passage, Agnes revels in the summer sunshine, dancing among the roses she and Shuggie dug up from the roadside in the night. The motif of dancing is reprised here, but this time, it is actual joy that causes Agnes to dance. Before, most instances of dancing were an attempt to conjure it in the face of sadness. This passage also depicts a return to a truly childlike state on Shuggie’s part.  As Agnes tries to convince him to come Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusanti

He was enjoying her attention. Something inside him flowered, and he started popping his body like he’d seen the black boys on telly do. They self-consciousness left him, and he spun and shimmied and shook in all the telly ways. He was mid Cats leap when he let out a sharp scream. It was high-pitched and womanly…Across the street, in the window of their front room, stood the McAvennies. They pressed again the large glass window, and they were gutting themselves with laughter.

…“If I were you, I would keep dancing.”

“I can’t.” The tears were coming.

“You know they only win if you let them…Just hold you head high and Gie. It. Laldy.”

…Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high.

…It was hard to keep moving again, to feel the music, to go to that other place in your head where you keep your confidence…But it was in him, and as it poured out, he found he was helpless to stop it.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Related Symbols: Dancing
Page Number and Citation: 267
Explanation and Analysis:
Throughout Agnes’s period of sobriety, Shuggie seems hesitant to accept that things are going well. This is understandable, given the trauma he has suffered over the years of her drinking, but this passage marks the moment Shuggie starts to believe he can trust her. The rigid composure he developed during the worst years of Agnes’s alcoholism finally loosens, and he finds himself dancing for her as he used to in the light of the living room where they are cozied up for the evening. His joy propels his movements, just as joy propelled Agnes’s dancing in the front garden. Shuggie Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate lab

She was so sure she was smiling up at Leek, so she didn’t know why her son would be so angry, why he was screaming down at her. All she understood was, he was hitting Eugene square in his thick neck with his fists. All she remembered was that another bedroom door opened, and there in the doorway was the little boy with the worried face of his own granny. His face was wet with disappointment. The front of his pyjamas was dark through with piss.

Related Characters: Shuggie Bain, Agnes Bain, Eugene, Leek Bain
Related Symbols: Black Cabs
Page Number and Citation: 302
Explanation and Analysis:
In this scene, Agnes comes home drunk after more than a year living sober, finally worn down by Eugene’s desire for her to try drinking—in moderation—again. As before, her alcoholism prevents her from doing this, and she’s hopelessly drunk when she arrives at the house. The hackney cab that Eugene (also drunk beyond reason) brings her home in is the same type of black cab that all the other men who have hurt Agnes drove. Just like Shug and the random men who have come in and out of her life, Eugene proves that he cares about his desires more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

With a slow hand, he pulled the back of Shuggie’s shirt from his tweed trousers and insidiously pushed his fat warm fingers down the back of Shuggie’s underpants. Without looking, Shuggie could tell the man was still smiling at him.

“Aye, you’re a funny wee fella, aren’t ye?”

Related Characters: Cab Driver (speaker), Shuggie Bain
Related Symbols: Agnes’s Phone , Black Cabs
Page Number and Citation: 316
Explanation and Analysis:
This scene occurs on New Year’s Eve during the winter that Agnes starts drinking again. After leaving the house drunk without saying where she is going, Shuggie works to figure out where she has gone and calls a cab to take him there so he can bring her home.  Shuggie shows incredible savvy in discovering Agnes’s location and finding his way to her, looking in Agnes’s open address book and redialing the phone until he knows whose party she went to. He also manages to pry open the television and electric meters to steal change in order to pay for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volupta

She strutted out a confident rhythmic clip and turned her head and said to the boy, “What would you like for dinner tonight?”

Shuggie looked up at his mother and did as he had been taught. “Roast chicken, please. I’m a bit tired of sirloin every other night.”

…The women said nothing as she passed, but she felt them draw their eyes over the coat, over the shoes and hair.

Related Characters: Agnes Bain (speaker), Shuggie Bain (speaker), Colleen McAvennie
Page Number and Citation: 327
Explanation and Analysis:
In this passage, Shuggie and Agnes are walking past the women in the neighborhood on their way to the grocer. Agnes has taught Shuggie to lie loudly about the indulgent food Agnes feeds him, intending for the neighbors to overhear and invoke their jealously. At this point in the narrative, Shuggie is regularly starving, having to squirrel away parts of their weekly disability check so Agnes doesn’t spend it all on alcohol. He also serves as his mother’s main caretaker, going to cash their government checks because she is too out of it to venture into town. Even in light Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Co

“Ye come here to our wee scheme thinking yer some kind of big I Am. Walking around thinking yeese are better than the rest of us, with yer hairspray and yer handbag there…Ye and that funny wee boy try and rub oor noses in it, and the whole time yeese are lying in yer own piss and fucking other wummin’s men.”

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 360
Explanation and Analysis:
Before Agnes and Shuggie leave for their new flat in the East End, there is one final confrontation between Agnes and Colleen McAvennie, during which years of animosity are aired out. While there is nothing charitable or kind about Colleen’s sharp assessment of Agnes and Shuggie, the accusations she levels against Agnes are entirely rooted in reality. Colleen, for better or worse, has seen straight through the careful façade that Agnes thinks she has maintained. Agnes’s obsession with beauty and her coaching of Shuggie has not fooled Colleen in the least. Again, though, Colleen unfairly lumps Shuggie’s queerness and Agnes’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

Chapter Four: 1989, The East End Quotes

“Listen tae that voice!...Er, posh boy. Whaur did ye get that fuckin’ accent? Are ye a wee ballet dancer, or whit?”

This went down the best of all. It was a divine inspiration to the others. “Gies a wee dance!” they squealed with laugher. “Twirl for us, ye wee bender!”

Shuggie sat there listening to them amuse themselves. He took the red football book and dropped it into the desk drawer of this strange school desk. He was glad, at least, to be done with that. It was clear now: nobody would get to be made brand new.

Related Characters: East End School Children (speaker), Shuggie Bain
Related Symbols: Dancing
Page Number and Citation: 378
Explanation and Analysis:
This excerpt demonstrates Shuggie’s growing certainty that he cannot change any more than Agnes can change her drinking, as well as his internalized belief that her alcoholism and his queerness are equivalent problems barring them from normalcy and, therefore, happiness. Despite Shuggie’s efforts to memorize the scores from his book of football statistics and the time he has spent practicing walking in the exaggeratedly masculine way Leek showed him, Shuggie finds himself targeted once again. Dancing, something that symbolizes hope and joy to Shuggie and Agnes, has once more become a weapon wielded against him; just as the McAvennies mocked Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore

Her face changed then the worry fell away, and at last she looked at peace, softly carried away, deep in the drink.

It was too late to do something now.

…Shuggie arranged her hair as best he could. He tried to cover the brazen whiteness of roots, to arrange it just the way she liked to wear it. He unwrapped her dentures again and gently placed them back inside her mouth. Then, taking the toilet paper, he wiped the sick from her chin and pulled fresh paint across her lips, taking care to push the colour into the corners and stay neatly within the lines. He stood back and dried his eyes. She looked like she was only sleeping. Then he bent over and kissed her one last time.

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 411
Explanation and Analysis:
This passage outlines the last moments of Agnes’s life. After years of taking care of his mother, on this night, Shuggie pauses when Agnes begins choking on her own vomit. Before he decides to do anything, she is dead. This excerpt shows the moment Shuggie finally accepts that his mother will never change, that her addiction will be the death of her. He decides to stop fighting her on her stubborn path to ruin, allowing her addiction to play out. While abandonment and fear of loss has always driven Agnes to drink, ultimately it is she, lost in an alcoholic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

Chapter Five: 1992, The South Side Quotes

“You know, hearing about your Calum did make me wish we could go up the dancin’ one time?”

Leanne was still swinging the dirty bag, and now she howled with laughter. It was so loud, so vibrant, it made the videocassette jakeys jump with fright. “Ha! You? Get to fuck wi’ those poncey school shoes,” she squealed. “There is no way Shuggie Bain can dance!”

Shuggie tutted. He wrenched himself from her side and ran a few paces ahead. He nodded, all gallus, and spun, just the once, on his polished shoes.

Related Characters: Leanne Kelly (speaker), Shuggie Bain, Moira Kelly
Related Symbols: Dancing
Page Number and Citation: 430
Explanation and Analysis:
In this final scene of the novel, Shuggie is moved to dance one last time. The excerpt occurs on Agnes’s birthday, one year after her death, when Shuggie accompanies his best friend, Leanne, to visit her mother, Moira. Like Agnes, Moira suffers from alcoholism, and she has been experiencing homelessness for some time. After providing food and clean clothes to an ungrateful Moira, Leanne and Shuggie walk along the river. The tension of their visit, and the grief stirred in Shuggie by Moira’s similarity to Agnes, is suddenly eased when Leanne refuses to believe Shuggie can dance; he decides to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necess