Shuggie Bain

by

Douglas Stuart

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Themes and Colors
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
LitCharts assigns a color and icon to each theme in Shuggie Bain, which you can use to track the themes throughout the work.
Pride and Appearances Theme Icon

In Shuggie Bain, Agnes uses her pride in her appearance as both armor and salve as she navigates heartbreak, poverty, and addiction. While her drinking alienates her from others and damages her most intimate relationships, even those she’s wronged still credit her for her ability to maintain an immaculate home and appearance. Whenever she prepares to do something difficult, like crossing the street to confront her hateful neighbor Colleen McAvennie, she dons her best clothing and high heels. She is also obsessed with presentation on the mornings following particularly embarrassing benders, such as the day after she sets her bedroom on fire. On that morning, she feels compelled to fix herself up and go downstairs to tan with the other women, proving—or trying to prove—that nothing is wrong. Agnes does not stop at her own appearance, either. When she abandons her first husband to marry Shug, she dresses not only herself in her finest clothes, but her children as well. At the viewing of her mother’s body, she is more concerned with ensuring Lizzie has fresh lipstick and matching earrings for the attendees than she is with handling her own grief.  In this way, Agnes uses beauty and appearances to signal that everything is okay, as if she can right internal conflict with external perfection. Ultimately, Agnes’s pride is just another form of denial. In presenting a pleasing mask to the world, she attempts to erase the ugliness of her addiction and the pain that drives it. Like makeup on a corpse, however, the façade she cultivates hides but never addresses what’s rotting at the center.

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Pride and Appearances ThemeTracker

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Pride and Appearances Quotes in Shuggie Bain

Below you will find the important quotes in Shuggie Bain related to the theme of Pride and Appearances.
Chapter One: 1992, The South Side Quotes

Shuggie tried to calm himself as he smoothed his hand over the mismatched sheets. He thought how his mother would have hated these bedclothes, the off colours and patterns, layered one upon the other as if he didn’t care what people would think. This mess would have hurt her pride. Someday he would save some money and buy new sheets of his own, soft and warm and all the same color.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 7
Explanation and Analysis:

His armpit was dusted in a fine lint, like baby duck feathers. He brought his nose to it; it smelled sweet and clean and of nothing at all. He pinched the skin and squeezed, milking the soft flesh till it flushed red with frustration; he sniffed his fingers again, nothing. Scrubbing at himself harder now, he repeated under his breath, “The Scottish Football League Results. Gers won 22, drew 14, lost 8, 58 points total. Aberdeen won 17, drew 21, lost 6, 55 points total. Motherwell won 14, drew 12, lost 10.”

Related Characters: Shuggie Bain (speaker), Eugene
Page Number: 11
Explanation and Analysis:
Chapter Two: 1981, Sighthill Quotes

Her own adult teeth had come in small and crooked…At fifteen she begged Lizzie to let her have them all taken out. The discomfort of the false teeth was nothing when compared to the movie star smile she thought they must give her. Each tooth was broad and even and as straight as Elizabeth Taylor’s. Agnes sucked at her porcelain. Now here they were, every Friday night, these same women playing cards in her mammy’s front room.

Related Characters: Agnes Bain, Shug Bain, Lizzie Campbell
Page Number: 19
Explanation and Analysis:

He was a selfish animal, she knew that now in a dirty, sexual way that aroused her against her better nature…Big Shug Bain had seemed so shiny in comparison to the Catholic. He had been vain in the way only Protestants were allowed to be, conspicuous with his shallow wealth, flushed pink with gluttony and waste.

Lizzie had always known. When Agnes had shown up on the doorstep with her two eldest and the Protestant Taxi driver, she had had the instant compulsion to shut the door, but Wullie would not let her…They said it was wrong, to marry between the faiths, to marry outside the Chapel.

Related Characters: Agnes Bain, Shug Bain, Lizzie Campbell, Wullie Campbell
Page Number: 28
Explanation and Analysis:

With his free hand he gripped her thighs and tried to pull the dead weight of them apart. There was no giving. The lock was tight. He dug his fingers into the soft tops of her legs, digging the nails in until he felt the skin burst, until he felt her ankles open.

He pushed into her as she wept. There was no drink in her now. There was no fight in her any more. When he was done he put his face against her neck. He told her he would take her dancing in the lights again tomorrow.

Related Characters: Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number: 36
Explanation and Analysis:

Agnes used her free arm and pulled him tighter toward her. “Shhh. Now be a big boy for your mammy.” There was a dead calmness in her eyes.

The room turned golden. The flames climbed the synthetic curtains and started rushing towards the ceiling. Dark smoke raced up as though fleeing from the greedy fire. He would have been scared, but his mother seemed completely calm, and the room was never more beautiful…Agnes clung to him, and together they watched all this new beauty in silence.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 55
Explanation and Analysis:

“You three keep your mouths shut,” she hissed. She lowered her head into the cavernous bag and tilted it slightly to her face. The children watched the muscles in her throat pulse as she took several long slugs from the can of warm lager she had hidden there. Agnes drew her head from the bag; the lager had washed the lipstick off her top lip, and she blinked once, very slowly, under the layers of wasted mascara.

“What a shithole,” she slurred. “And to think I dressed up nice for this?

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Leek Bain, Catherine Bain
Related Symbols: House Exteriors, Black Cabs
Page Number: 95
Explanation and Analysis:
Chapter Three: 1982, Pithead Quotes

“Aye, ah took ye for a drinker.” She drew on her fag. “Aye, the minute ah saw ye, ah spotted it. They thought you were the big I Am, all done up in sequins, like some big dolly bird from the city. But ah could see through it. Ah could see the sadness, and ah knew ye had to be a big drinker.”

Related Characters: Bridie Donnelly (speaker), Agnes Bain
Page Number: 114
Explanation and Analysis:

As he climbed the stairs to the hallway he could hear her on the phone. “Fuck you, Joanie Micklewhite. You tell that whoremastering son of a Proddy bitch that he cannot have his cake and eat it too!” Each filthy syllable was enunciated with the alarming clarity of the Queen’s English. “You shitty, dick-sucking bastard. You are as plain and tasteless as the arse end of a white loaf.”

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Joanie Micklewhite
Related Symbols: Agnes’s Phone
Page Number: 124
Explanation and Analysis:

It was still daylight, but there were harsh lights on in every room, and the curtains lay open in a shameful way. It was a very bad sign. In the front room Shuggie was idling between the net curtain and the glass. His palms and nose were pressed flat against the window, he was rocking his head back and forth in a soothing way, and no one was telling him to stop…Leek picked up his tool bag and turned away from the house.

Related Characters: Shuggie Bain, Agnes Bain, Leek Bain
Related Symbols: House Exteriors
Page Number: 125
Explanation and Analysis:

“Well, first, never say common again. Wee boys shouldn’t talk like old women.” Leek hauched a wad of phlegm. “And you should try to watch how you walk. Try not to be so swishy. It only puts a target on your back…Don’t cross your legs when you walk. Try and make room for your cock.”

Related Characters: Leek Bain (speaker), Shuggie Bain
Page Number: 152
Explanation and Analysis:

Agnes pushed out her bright lipstick and drew it across her mother’s thin lips. Rubbing a little on her thumb she smoothed it into her gaunt cheeks as rouge…“There, you look better for a little life in your cheeks.” The words stuck in her throat.

Related Characters: Agnes Bain (speaker), Lizzie Campbell
Page Number: 195
Explanation and Analysis:

Every small detail of the house told of what lay within. This evening the curtains were drawn tight against the cold and the lamps were on. His stomach lifted in hope. Shuggie opened the front door a crack, just enough so he could hear the hum of the house. He knew what to listen for.

Related Characters: Shuggie Bain, Agnes Bain
Related Symbols: House Exteriors
Page Number: 219
Explanation and Analysis:

“Well, you get a little bit stronger every day, but the drink is always there waiting. Doesn’t matter if you walk or run away from it, it’s still just right behind you, like a shadow. The trick is not to forget.”

…“I bet ye can master it,” he said plainly.

She looked up at him. “That’s why going to the meetings is important. You’ll never master it.”

…“Just wish I could have one with you. To feel normal.”

Related Characters: Agnes Bain (speaker), Eugene (speaker)
Related Symbols: Black Cabs
Page Number: 250
Explanation and Analysis:

Agnes whirled as though dancing with an imaginary partner. “Get your wee arse outside and dance with your mother,” she called too loudly, her voice bounding off the miners’ houses.

Inside, in the shade of the cool bedroom, Shuggie scowled on the edge of his bed…He had never been embarrassed by the sober her before. It was a new and unwelcome feeling.

Related Characters: Agnes Bain (speaker), Shuggie Bain, Eugene
Related Symbols: Dancing
Page Number: 261
Explanation and Analysis:

He was enjoying her attention. Something inside him flowered, and he started popping his body like he’d seen the black boys on telly do. They self-consciousness left him, and he spun and shimmied and shook in all the telly ways. He was mid Cats leap when he let out a sharp scream. It was high-pitched and womanly…Across the street, in the window of their front room, stood the McAvennies. They pressed again the large glass window, and they were gutting themselves with laughter.

…“If I were you, I would keep dancing.”

“I can’t.” The tears were coming.

“You know they only win if you let them…Just hold you head high and Gie. It. Laldy.”

Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high.

…It was hard to keep moving again, to feel the music, to go to that other place in your head where you keep your confidence…But it was in him, and as it poured out, he found he was helpless to stop it.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Related Symbols: Dancing
Page Number: 267
Explanation and Analysis:

With a slow hand, he pulled the back of Shuggie’s shirt from his tweed trousers and insidiously pushed his fat warm fingers down the back of Shuggie’s underpants. Without looking, Shuggie could tell the man was still smiling at him.

“Aye, you’re a funny wee fella, aren’t ye?”

Related Characters: Cab Driver (speaker), Shuggie Bain
Related Symbols: Black Cabs, Agnes’s Phone
Page Number: 316
Explanation and Analysis:

She strutted out a confident rhythmic clip and turned her head and said to the boy, “What would you like for dinner tonight?”

Shuggie looked up at his mother and did as he had been taught. “Roast chicken, please. I’m a bit tired of sirloin every other night.”

…The women said nothing as she passed, but she felt them draw their eyes over the coat, over the shoes and hair.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Page Number: 327
Explanation and Analysis:

“Ye come here to our wee scheme thinking yer some kind of big I Am. Walking around thinking yeese are better than the rest of us, with yer hairspray and yer handbag there…Ye and that funny wee boy try and rub oor noses in it, and the whole time yeese are lying in yer own piss and fucking other wummin’s men.”

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 360
Explanation and Analysis:
Chapter Four: 1989, The East End Quotes

“Listen tae that voice!...Er, posh boy. Whaur did ye get that fuckin’ accent? Are ye a wee ballet dancer, or whit?”

This went down the best of all. It was a divine inspiration to the others. “Gies a wee dance!” they squealed with laugher. “Twirl for us, ye wee bender!”

Shuggie sat there listening to them amuse themselves. He took the red football book and dropped it into the desk drawer of this strange school desk. He was glad, at least, to be done with that. It was clear now: nobody would get to be made brand new.

Related Characters: East End School Children (speaker), Shuggie Bain
Related Symbols: Dancing
Page Number: 378
Explanation and Analysis:

Her face changed then the worry fell away, and at last she looked at peace, softly carried away, deep in the drink.

It was too late to do something now.

…Shuggie arranged her hair as best he could. He tried to cover the brazen whiteness of roots, to arrange it just the way she liked to wear it. He unwrapped her dentures again and gently placed them back inside her mouth. Then, taking the toilet paper, he wiped the sick from her chin and pulled fresh paint across her lips, taking care to push the colour into the corners and stay neatly within the lines. He stood back and dried his eyes. She looked like she was only sleeping. Then he bent over and kissed her one last time.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 411
Explanation and Analysis:
Chapter Five: 1992, The South Side Quotes

“You know, hearing about your Calum did make me wish we could go up the dancin’ one time?”

Leanne was still swinging the dirty bag, and now she howled with laughter. It was so loud, so vibrant, it made the videocassette jakeys jump with fright. “Ha! You? Get to fuck wi’ those poncey school shoes,” she squealed. “There is no way Shuggie Bain can dance!”

Shuggie tutted. He wrenched himself from her side and ran a few paces ahead. He nodded, all gallus, and spun, just the once, on his polished shoes.

Related Characters: Leanne Kelly (speaker), Shuggie Bain, Moira Kelly
Related Symbols: Dancing
Page Number: 430
Explanation and Analysis: