Silence! The Court is in Session
by Vijay Tendulkar

Living Courtroom Term Analysis

A performance in which actors reenact a famous trial from the past.

Living Courtroom Quotes in Silence! The Court is in Session

The Silence! The Court is in Session quotes below are all either spoken by Living Courtroom or refer to Living Courtroom. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Performance and Self Expression Theme Icon
).

Act One Quotes

BENARE. But Samant, ‘spreading enlightenment is also one of the Prime Objectives behind our programme’. So our chairman Kashikar will tell you. Kashikar can’t take a step without a Prime Objective! Besides him, there’s Mrs Hand-that- Rocks-the-Cradle. I mean Mrs Kashikar. What an excellent housewife the poor woman is! A real Hand-that-Rocks-the- Cradle type! But what’s the use? Mr Prime Objective is tied up with uplifting the masses. And poor Hand-that-Rocks-the- Cradle has no cradle to rock!

SAMANT. You mean they have no—[He rocks an imaginary baby in his arms.]

BENARE. Right. You seem to be very bright, too! Mr Kashikar and the Hand-that-Rocks-the-Cradle, in order that nothing should happen to either of them in their bare, bare house—and that they shouldn’t die of boredom!—gave shelter to a young boy. They educated him. Made him toil away. Made a slave out of him. His name’s Balu—Balu Rokde. Who else? . . . Well, we have an Expert on the Law. He’s such an authority on the subject, even a desperate client won't go anywhere near him! He just sits alone in the barristers’ room at court, swatting flies with legal precedents! And in his tenement, he sits alone killing houseflies! But for today’s mock trial, he’s a very great barrister. You'll see the wonders he performs! And there’s a‘Hmm! with us! [Puts an imaginary pipe in her mouth.] Hmm! Sci-en-tist! Inter-failed!

SAMANT. Oh, it does sound good fun!

BENARE. And we have an Intellectual too. That means someone who prides himself on his booklearning. But when there’s a real- life problem, away he runs! Hides his head. He’s not here today. Won't be coming, either. He wouldn’t dare!

Related Characters: Benare (speaker), Samant (speaker), Mr. Kashikar, Mrs. Kashikar, Balu Rokde, Ponkshe , Professor Damle
Page Number and Citation: 59
Explanation and Analysis:
Before her colleagues arrive, Benare takes a minute to mock them. This game, of insulting others and degrading their relationships and professions, is one all the members of the Living Courtroom play. By belittling one another, each player elevates him or herself. This is linked to insecurity about their middle-class status—well off enough to not have to worry about food or money, the cast of the courtroom is left to fight instead for social capital. This scene also acts as a brief introduction to the characters the audience will meet in just a few minutes, providing important, if biased, context. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place

Act Two Quotes

SUKHATME. Why are you so grave all of a sudden? After all, it’s a game. Just a game, that’s all. Why are you so serious?

BENARE [trying to laugh]. Who’s serious? I’m absolutely—light- hearted. I just got a bit serious to create the right atmosphere. For the court, that’s all. Why should I be afraid of a trial like this?

[…]

SUKHATME. Kashikar, you've really picked some charge! A first-class charge! There’s no fun in a case. unless there’s a really thundering charge!

KASHIKAR. Did you notice, also, Sukhatme, that this charge is important from the social point of view? The question of infanticide is one of great social significance. That’s why I deliberately picked it. We consider society's best interests in all we do. Come on, Miss Benare. Rokde, my gavel.

Related Characters: Sukhatme (speaker), Benare (speaker), Mr. Kashikar (speaker), Ponkshe , Balu Rokde
Page Number and Citation: 75
Explanation and Analysis:
Mr. Kashikar is obsessed with the idea of socially significant trials. To him, conducting a trail which deals with moral issues is more important than conducting a trail in which all of his colleagues feel safe and comfortable. Benare, from the start, is obviously uncomfortable being tried with infanticide (even in this playacted scenario), but her feelings, to Kashikar, are secondary to his moral mission. In Act Three, Kashikar will once again reveal his total disregard for Benare’s feelings. He tells Ponkshe to speak up as he delivers evidence, as “this is a matter of social importance.” Ponkshe responds that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti n

KASHIKAR. Silence must be observed while the court is in session. Can’t shut up at home, can’t shut up here!

MRS KASHIKAR. But I was just telling Samant here—

SUKHATME. Let it pass, Mrs Kashikar. He’s just joking.

MRS KASHIKAR. So what? Scolding me at every step!

Related Characters: Mr. Kashikar (speaker), Mrs. Kashikar (speaker), Samant
Page Number and Citation: 76
Explanation and Analysis:
This is one of several examples of the play’s title occurring within the play itself. Here, Kashikar, after entertaining a long, off topic discussion among the men of the court, suddenly turns on his wife who has also spoken up. Kashikar has little respect for women, including his wife. Here, although she’s only spoken quietly to Samant to explain the workings of the Living Courtroom, Kashikar is quick to chastise and publically embarrass her. Clearly, in his view, women are meant to be seen and not heard. At no point is he receptive to her opinions or even her quiet Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores

I think he’s gone there, inside. I'll do it myself. [At a bound, goes and fetches the dictionary. Placing his hand on it] I, Raghunath Bhikaji Samant, do hereby swear to tell the truth, the whole truth, and nothing but the truth. True enough for the trial, I mean. Of course, what’s true for the trial is quite false really. But I'm just taking the oath for practice. [His hand is stall on the dictionary.) You see, I don’t want the sin of falsehood. [In apologetic tones] I'm quite religious . . . The oath’s over. Now. [Enters the witness-box again.] Go on. [This is to Sukhatme; then, to Mrs Kashikar] You see? I'm not frightened. I just get confused because I’m new to all this. [To Sukhatme] Well, you may go on.

Related Characters: Samant (speaker), Mr. Kashikar, Balu Rokde, Ponkshe , Karnik, Benare, Professor Damle
Page Number and Citation: 89
Explanation and Analysis:
The Living Courtroom in Silence! The Court is in Session blurs together fantasy, reality, truth, and lies. Although many of the other members of the court—Karnik, Rokde, Ponkshe, and Mr. Kashikar—do have some insight into Benare’s life and realize the ways in which their mock trial is converging with her real life, Samant is a total stranger and as such has no sense of what is true about Benare and what is fictitious. In this oath, which Samant takes seriously, he demonstrates the strangeness of the trial. The evidence he shares, though “true enough for the trial,” is meant to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque err

Act Three Quotes

SUKHATME [Looking at Benare as he puts on his gown ceremoniously]. Milord, in consideration of the grave aspect which the case before us has assumed, it is my humble submission that if your lordship were to wear your gown henceforth, it would appear more decorous.

KASHIKAR. Exactly. Rokde, give me my gown.

[He puts on the black gown that Rokde unpacks and hands to him. After that, his gravity and dignity increase.]

SUKHATME. Mr Samant, Mrs Kashikar, Ponkshe, Karnik, seat yourselves there exactly as you should. [He straightens up, closes his eyes, and meditates for a while. Then, slapping himself piously on the face, he raises his hands to his forehead in prayer twice or thrice.] My father taught me the habit, Kashikar, of praying to our family god at the beginning of any new enterprise. How pure it makes one feel! The mind takes on new strength.

Related Characters: Sukhatme (speaker), Mr. Kashikar (speaker), Benare, Samant, Professor Damle, Balu Rokde
Page Number and Citation: 96
Explanation and Analysis:
At the end of Act Two, Benare’s upset response to Samant’s invented testimony, in which Benare and Damle had a baby, revealed to the assembled players and audience that Benare really is pregnant, and Damle is her child’s father. At the beginning of Act Three, Sukhatme, acting as the lawyer, and Kashikar, acting as the judge, have decided to continue on with the trial. Now that they know they’re prosecuting Benare for a real “crime”—unwed motherhood, not infanticide—they’re even more excited about continuing on with the Living Courtroom. As both Sukhatme and Kashikar put on their costumes of robes, they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamu

All right. She’s not less than thirty-four. I'll give it to you in writing! What I say is, our society should revive the old custom of child marriage. Marry off the girls before puberty. All this promiscuity will come to a full stop. If anyone has ruined our society it’s Agarkar and Dhondo Keshav Karve. That's my frank opinion, Sukhatme, my frank opinion.

Related Characters: Mr. Kashikar (speaker), Sukhatme, Benare
Page Number and Citation: 98
Explanation and Analysis:
Here, Kashikar and Sukhatme once again use the cover of the Living Courtroom to take out their aggression on Benare, whom they have long resented. Both more conservative, traditional men, they are upset by Benare’s singleness, and by her life as an independent, working woman. Now, as they ask her for her age, and she refuses to respond, they further insult her by estimating her to be older than she really is. In a society that places greater value on young, pure women who are still eligible to marry, an older, unmarried woman is undesirable. By suggesting Benare is older Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Moles

Discipline means discipline.

Related Characters: Mrs. Kashikar (speaker), Benare
Page Number and Citation: 106
Explanation and Analysis:
Here, Mrs. Kashikar has physically dragged Benare back to the dock, after Benare attempted to stop Ponkshe from revealing details of a private conversation. When Mrs. Kashikar tells Benare “discipline means discipline,” she is referring to two things. First, Mrs. Kashikar is telling Benare to behave herself in court (ignoring the fact that it is not a true court, and instead a play put on without Benare’s consent). The second meaning of “discipline means discipline” is a reprimand of Benare’s behavior outside of the meeting hall. Mrs. Kashikar earlier made it clear she disapproves of Benare’s lifestyle as an independent, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaec

Life is a book that goes ripping into pieces. Life is a poisonous snake that bites itself. Life is a betrayal. Life is a fraud. Life is a drug. Life is drudgery. Life is a something that’s nothing—or a nothing that’s something. […] Sack it from its job! But why? Why? Was I slack in my work? I just put my whole life into working with the children . . . I loved it! I taught them well! I knew that your own flesh and blood don’t want to understand you. Only one thing in life is all-important—the body! You may deny it, but it is true. Emotion is something people talk about with sentiment. It was obvious to me. I was living through it. It was burning through me. But—do you know?—I did not teach any of this to those tender, young souls. I swallowed that poison, but didn’t even let a drop of it touch them! I taught them beauty. I taught them purity. I cried inside, and I made them laugh. I was cracking up with despair, and I taught them hope. For what sin are they robbing me of my job, my only comfort? My private life is my own business. I'll decide what to do with myself; everyone should be able to! That can’t be anyone else's business; understand?

Related Characters: Benare (speaker), Mr. Kashikar, Benare’s Uncle, Professor Damle
Page Number and Citation: 116-117
Explanation and Analysis:
This quote is excerpted from a longer speech Benare deliver’s in the play’s climax. Mr. Kashikar gives her just ten seconds to respond to the closing arguments and defend herself. Although Benare remains silent during the actual trail, the action of the play freezes. Benare’s monologue is delivered to the audience, not to the other members of the Living Courtroom; the monologue represents her internal thoughts but has no direct effect on the play’s actions. Benare explains how difficult her life has been, specifically in the wake of two traumatic romances: her relationship with her uncle, and her relationship with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate

It’s true, I did commit a sin. I was in love with my mother’s brother. But in our strict house, in the prime of my unfolding youth, he was the one who came close to me. He praised my bloom every day. He gave me love…. How was I to know that if you felt like breaking yourself into bits and melting into one with someone—if you felt that just being with him gave a whole meaning to life—and if he was your uncle, it was a sin! Why, I was hardly fourteen! I didn’t even know what sin was—I swear by my mother, I didn’t! […] Again, I fell in love. As a grown woman. I threw all my heart into it; I thought, this will be different. This love is intelligent. It is love for an unusual intellect. It isn’t love at all—it’s worship! But it was the same mistake. I offered up my body on the altar of my worship. And my intellectual god took the offering—and went his way. He didn’t want my mind, or my devotion—he didn’t care about them! [Feebly.] He wasn’t a god. He was a man. For whom everything was of the body, for the body! That’s all! Again, the body! [Screaming.] This body is a traitor! [She is writhing with pain.] I despise this body—and I love it! I hate it—but—it’s all you have, in the end, isn’t it? It will be there. It will be yours. […] And now it carries within it the witness of that time—a tender little bud—of what will be a lisping, laughing, dancing little life—my son—my whole existence! I want my body now for him—for him alone.

Related Characters: Benare (speaker), Professor Damle, Sukhatme, Ponkshe , Mr. Kashikar, Benare’s Uncle
Page Number and Citation: 117-118
Explanation and Analysis:
With the play’s actions frozen in tie, Benare continues to express her inner thoughts to the audience. Benare is able to speak openly about herself for the first time confirming and nuancing facts about her life that have already been reported. She confirms she did have a relationship with her uncle, but what she describes is a predatory relationship. Clearly her older relative had groomed her and manipulated her. This crime, notably, is one Kashikar and Sukhatme are uninterested in prosecuting, as they instead like using this moment when Benare was made a victim as proof of her own active Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia
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Living Courtroom Term Timeline in Silence! The Court is in Session

The timeline below shows where the term Living Courtroom appears in Silence! The Court is in Session. The colored dots and icons indicate which themes are associated with that appearance.
Act One
Middle Class Status, Tradition, and Propriety  Theme Icon
...He knows it has “something to do with the court,” and Samant clarifies it’s a living courtroom , whose goal is “spreading enlightenment.” Benare beings to joke about the fellow members of... (full context)
Act Three
Performance and Self Expression Theme Icon
...cries, someone unlocks the door from the outside. A townsperson peeks in, and wonders if The Living Courtroom has begun. The people of the court shake themselves and “return … to normal.” Samant... (full context)