Silence! The Court is in Session

by

Vijay Tendulkar

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Living Courtroom Term Analysis

A performance in which actors reenact a famous trial from the past.

Living Courtroom Quotes in Silence! The Court is in Session

The Silence! The Court is in Session quotes below are all either spoken by Living Courtroom or refer to Living Courtroom. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Performance and Self Expression Theme Icon
). Note: all page numbers and citation info for the quotes below refer to the Oxford University Press edition of Silence! The Court is in Session published in 1996.
Act One Quotes

BENARE. But Samant, ‘spreading enlightenment is also one of the Prime Objectives behind our programme’. So our chairman Kashikar will tell you. Kashikar can’t take a step without a Prime Objective! Besides him, there’s Mrs Hand-that- Rocks-the-Cradle. I mean Mrs Kashikar. What an excellent housewife the poor woman is! A real Hand-that-Rocks-the- Cradle type! But what’s the use? Mr Prime Objective is tied up with uplifting the masses. And poor Hand-that-Rocks-the- Cradle has no cradle to rock!

SAMANT. You mean they have no—[He rocks an imaginary baby in his arms.]

BENARE. Right. You seem to be very bright, too! Mr Kashikar and the Hand-that-Rocks-the-Cradle, in order that nothing should happen to either of them in their bare, bare house—and that they shouldn’t die of boredom!—gave shelter to a young boy. They educated him. Made him toil away. Made a slave out of him. His name’s Balu—Balu Rokde. Who else? . . . Well, we have an Expert on the Law. He’s such an authority on the subject, even a desperate client won't go anywhere near him! He just sits alone in the barristers’ room at court, swatting flies with legal precedents! And in his tenement, he sits alone killing houseflies! But for today’s mock trial, he’s a very great barrister. You'll see the wonders he performs! And there’s a‘Hmm! with us! [Puts an imaginary pipe in her mouth.] Hmm! Sci-en-tist! Inter-failed!

SAMANT. Oh, it does sound good fun!

BENARE. And we have an Intellectual too. That means someone who prides himself on his booklearning. But when there’s a real- life problem, away he runs! Hides his head. He’s not here today. Won't be coming, either. He wouldn’t dare!

Related Characters: Benare (speaker), Samant (speaker), Ponkshe , Mr. Kashikar, Mrs. Kashikar, Balu Rokde, Professor Damle
Page Number: 59
Explanation and Analysis:
Act Two Quotes

SUKHATME. Why are you so grave all of a sudden? After all, it’s a game. Just a game, that’s all. Why are you so serious?

BENARE [trying to laugh]. Who’s serious? I’m absolutely—light- hearted. I just got a bit serious to create the right atmosphere. For the court, that’s all. Why should I be afraid of a trial like this?

[…]

SUKHATME. Kashikar, you've really picked some charge! A first-class charge! There’s no fun in a case. unless there’s a really thundering charge!

KASHIKAR. Did you notice, also, Sukhatme, that this charge is important from the social point of view? The question of infanticide is one of great social significance. That’s why I deliberately picked it. We consider society's best interests in all we do. Come on, Miss Benare. Rokde, my gavel.

Related Characters: Benare (speaker), Sukhatme (speaker), Mr. Kashikar (speaker), Ponkshe , Balu Rokde
Page Number: 75
Explanation and Analysis:

KASHIKAR. Silence must be observed while the court is in session. Can’t shut up at home, can’t shut up here!

MRS KASHIKAR. But I was just telling Samant here—

SUKHATME. Let it pass, Mrs Kashikar. He’s just joking.

MRS KASHIKAR. So what? Scolding me at every step!

Related Characters: Mr. Kashikar (speaker), Mrs. Kashikar (speaker), Samant
Page Number: 76
Explanation and Analysis:

I think he’s gone there, inside. I'll do it myself. [At a bound, goes and fetches the dictionary. Placing his hand on it] I, Raghunath Bhikaji Samant, do hereby swear to tell the truth, the whole truth, and nothing but the truth. True enough for the trial, I mean. Of course, what’s true for the trial is quite false really. But I'm just taking the oath for practice. [His hand is stall on the dictionary.) You see, I don’t want the sin of falsehood. [In apologetic tones] I'm quite religious . . . The oath’s over. Now. [Enters the witness-box again.] Go on. [This is to Sukhatme; then, to Mrs Kashikar] You see? I'm not frightened. I just get confused because I’m new to all this. [To Sukhatme] Well, you may go on.

Related Characters: Samant (speaker), Benare, Ponkshe , Mr. Kashikar, Balu Rokde, Karnik, Professor Damle
Page Number: 89
Explanation and Analysis:
Act Three Quotes

SUKHATME [Looking at Benare as he puts on his gown ceremoniously]. Milord, in consideration of the grave aspect which the case before us has assumed, it is my humble submission that if your lordship were to wear your gown henceforth, it would appear more decorous.

KASHIKAR. Exactly. Rokde, give me my gown.

[He puts on the black gown that Rokde unpacks and hands to him. After that, his gravity and dignity increase.]

SUKHATME. Mr Samant, Mrs Kashikar, Ponkshe, Karnik, seat yourselves there exactly as you should. [He straightens up, closes his eyes, and meditates for a while. Then, slapping himself piously on the face, he raises his hands to his forehead in prayer twice or thrice.] My father taught me the habit, Kashikar, of praying to our family god at the beginning of any new enterprise. How pure it makes one feel! The mind takes on new strength.

Related Characters: Sukhatme (speaker), Mr. Kashikar (speaker), Benare, Samant, Balu Rokde, Professor Damle
Page Number: 96
Explanation and Analysis:

All right. She’s not less than thirty-four. I'll give it to you in writing! What I say is, our society should revive the old custom of child marriage. Marry off the girls before puberty. All this promiscuity will come to a full stop. If anyone has ruined our society it’s Agarkar and Dhondo Keshav Karve. That's my frank opinion, Sukhatme, my frank opinion.

Related Characters: Mr. Kashikar (speaker), Benare, Sukhatme
Page Number: 98
Explanation and Analysis:

Discipline means discipline.

Related Characters: Mrs. Kashikar (speaker), Benare
Page Number: 106
Explanation and Analysis:

Life is a book that goes ripping into pieces. Life is a poisonous snake that bites itself. Life is a betrayal. Life is a fraud. Life is a drug. Life is drudgery. Life is a something that’s nothing—or a nothing that’s something. […] Sack it from its job! But why? Why? Was I slack in my work? I just put my whole life into working with the children . . . I loved it! I taught them well! I knew that your own flesh and blood don’t want to understand you. Only one thing in life is all-important—the body! You may deny it, but it is true. Emotion is something people talk about with sentiment. It was obvious to me. I was living through it. It was burning through me. But—do you know?—I did not teach any of this to those tender, young souls. I swallowed that poison, but didn’t even let a drop of it touch them! I taught them beauty. I taught them purity. I cried inside, and I made them laugh. I was cracking up with despair, and I taught them hope. For what sin are they robbing me of my job, my only comfort? My private life is my own business. I'll decide what to do with myself; everyone should be able to! That can’t be anyone else's business; understand?

Related Characters: Benare (speaker), Mr. Kashikar, Professor Damle, Benare’s Uncle
Page Number: 116-117
Explanation and Analysis:

It’s true, I did commit a sin. I was in love with my mother’s brother. But in our strict house, in the prime of my unfolding youth, he was the one who came close to me. He praised my bloom every day. He gave me love…. How was I to know that if you felt like breaking yourself into bits and melting into one with someone—if you felt that just being with him gave a whole meaning to life—and if he was your uncle, it was a sin! Why, I was hardly fourteen! I didn’t even know what sin was—I swear by my mother, I didn’t! […] Again, I fell in love. As a grown woman. I threw all my heart into it; I thought, this will be different. This love is intelligent. It is love for an unusual intellect. It isn’t love at all—it’s worship! But it was the same mistake. I offered up my body on the altar of my worship. And my intellectual god took the offering—and went his way. He didn’t want my mind, or my devotion—he didn’t care about them! [Feebly.] He wasn’t a god. He was a man. For whom everything was of the body, for the body! That’s all! Again, the body! [Screaming.] This body is a traitor! [She is writhing with pain.] I despise this body—and I love it! I hate it—but—it’s all you have, in the end, isn’t it? It will be there. It will be yours. […] And now it carries within it the witness of that time—a tender little bud—of what will be a lisping, laughing, dancing little life—my son—my whole existence! I want my body now for him—for him alone.

Page Number: 117-118
Explanation and Analysis:
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Living Courtroom Term Timeline in Silence! The Court is in Session

The timeline below shows where the term Living Courtroom appears in Silence! The Court is in Session. The colored dots and icons indicate which themes are associated with that appearance.
Act One
Middle Class Status, Tradition, and Propriety  Theme Icon
...He knows it has “something to do with the court,” and Samant clarifies it’s a living courtroom , whose goal is “spreading enlightenment.” Benare beings to joke about the fellow members of... (full context)
Act Three
Performance and Self Expression Theme Icon
...cries, someone unlocks the door from the outside. A townsperson peeks in, and wonders if The Living Courtroom has begun. The people of the court shake themselves and “return … to normal.” Samant... (full context)