Inoue is the antagonist of the story, the Japanese magistrate over Nagasaki, and the “architect of Christian persecution.” Although Rodrigues hears of Inoue long before meeting him and expects him to be evil incarnate, Inoue is surprisingly personable, kind, and meek, even though he inflicts brutal suffering and torture upon Japanese Christians. Inoue opposes Christianity’s presence in Japan, even though he himself was once baptized a Christian, because he feels it does not offer Japan anything new and in return grants too much of a foothold to England, Holland, Spain, and Portugal. Additionally, like Ferreira—who he drove to apostatize before the story begins—Inoue believes that Christianity is incompatible with the way the Japanese view the world, particularly in its dogmatic defense of universal truths and transcendent deities. The magistrate states his lack of hatred for Christianity, but admits to opposing to it on purely pragmatic grounds. This demonstrates that religious persecution, even when brutal and violent, may be a practical matter rather than an ideological one, and those who enact it may be regular individuals rather than hateful monstrosities. Although Inoue manages to make Rodrigues apostatize, the priest’s maintenance of his personal faith suggests that he is not entirely the victor in their struggle.
Inoue Quotes in Silence
The Silence quotes below are all either spoken by Inoue or refer to Inoue. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
Chapter 6
Quotes
Stupefied, [Rodrigues] gazed at the old man [Inoue] who, naïve as a child, returned his gaze still rubbing his hands. How could he have recognized one who so utterly betrayed all his expectations? The man whom Valignano had called a devil, who had made the missionaries apostatize one by one—until now he had envisaged the face of this man as pale and crafty. But here before his very eyes sat this understanding, seemingly good, meek man.
Related Characters:Sebastien Rodrigues, Inoue, Valignano
Related Themes:
Page Number and Citation:
118
Explanation and Analysis:
During his first cross-examination, Rodrigues is shocked to discover that Inoue is not a monstrous embodiment of evil as he had once supposed, but a portly old man with big ears and a gentle voice. The image of Inoue Rodrigues had formed in his head is typical of the way that human beings tend to vilify or demonize their opponents particularly when such an opponent has a reputation for brutality and oversees a fierce religious persecution campaign. However, by depicting Inoue as a kind, almost grandfatherly figure, the author denies the notion that one who persecutes others must be wholly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.
Chapter 7
Quotes
“You look upon missionary work as the forcing of love upon someone?”
“Yes, that’s what it is—from our standpoint.”
Related Characters:Inoue (speaker), Sebastien Rodrigues (speaker)
Related Themes:
Page Number and Citation:
131
Explanation and Analysis:
While Rodrigues and Inoue discuss the ethics of Christian missionary work, Inoue equates the missionary’s proselytism to the “persistent love of an ugly woman,” or unwanted affection thrust upon another person. Inoue’s challenge against evangelism or proselytism is a challenge to one of the fundamental principles of Christianity: that it must be spread to everyone. Rodrigues’s surprise at this assertion suggests that he has taken such proselytism for granted as a task one must naturally perform, which again highlights a marked difference between Eastern and Western culture. As Rodrigues previously states, Western culture tends to think of truth as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae e
The timeline below shows where the character Inoue appears in Silence. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
...work in Japan is strictly forbidden, not the least because of a newly-appointed magistrate named Inoue, the Lord of Chikugo, the same magistrate who cross-examined Ferreira as a Christian and hung...
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Chapter 1
...glorious martyrdom,” though he does not mention the possibility of apostasy. Moreover, this new man Inoue is a “terror of the Christians” and “cunning as a serpent.” He surpasses his predecessors...
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Chapter 5
The interpreter tells Rodrigues that he will meet Inoue before long, and lists all the priests who apostatized after Inoue cross-examined them, one of...
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Chapter 6
...punish him without reason, the priest remarks that they must not speak on behalf of Inoue, since Inoue certainly would punish. The officials laugh and reveal that the man with big...
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Chapter 7
Five days later, Rodrigues meets Inoue once again. The magistrate explains to the priest that though he does not think Christianity...
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...especially since he’d expected it for so long. He wonders if it is one of Inoue’s plots, that perhaps he will be softened by good treatment and then suddenly tortured. In...
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...priest sits, the first interpreter he’d met after his capture arrives and tells him that Inoue, though he himself won’t be there, has arranged for the priest to meet someone. The...
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...at the wall of his prison cell, mumbling to himself as the interpreter’s insults and Inoue’s arguments echo in his mind. The priest was unable to save the Christians, and unlike...
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...each ear, and explains that it is the mark left by the pit, one of Inoue’s inventions. When one hangs upside down in the pit, ropes bind their arms and legs...
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Chapter 8
The interpreter walks beside Rodrigues’s horse and leads him to Inoue’s house, telling him that Inoue has determined that the priest will apostatize this very evening....
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Chapter 10
The narration returns to third person. Rodrigues is called to meet Inoue at his home, the first time he has seen the magistrate since he apostatized. Inoue...
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Noting his defeated posture, Inoue reminds Rodrigues that he was not “defeated” by the magistrate himself, only by the “swamp...
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