Silence

by

Shūsaku Endō

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Religious Arrogance Theme Analysis

Themes and Colors
Apostasy Theme Icon
Religious Arrogance Theme Icon
Faith Theme Icon
Western Religion vs. Eastern Culture Theme Icon
Persecution Theme Icon
LitCharts assigns a color and icon to each theme in Silence, which you can use to track the themes throughout the work.
Religious Arrogance Theme Icon

Although Rodrigues makes his missionary voyage to Japan out of a self-sacrificing desire to serve Japanese Christians, his actions and thoughts betray a notable and damning pride and selfish attitude that is intertwined with his desire to serve. Rodrigues’s character reveals the arrogance often present within the proselytizing missionary and suggests that even the most seemingly devout people can also be self-serving to a fault. Through Rodrigues, Endō argues that such arrogance is a great danger to others, especially those people whom the missionary hopes to help.

Although Rodrigues’s initial belief in the Gospel and evangelism is pure and unwavering, it is interspersed with his own pride, demonstrating that dedication to service and unrecognized arrogance may exist within the same individual. Rodrigues’s love for Jesus Christ compels him to share that love with the persecuted Japanese people, even though it means he will never return to Portugal and will most likely experience suffering and even death, as have the many missionaries who have preceded him in Japan. Such a conviction suggests a level of selflessness, as his desire to serve God is stronger than his desire to protect himself. However, in spite of Rodrigues’s desire to serve and his disregard for his own safety, he clearly harbors a heightened view of himself. Although Rodrigues feels compassion for the Japanese peasants, he also feels revulsion at their squalor and their smell. As he lives amongst them and shares in their poverty, Rodrigues often observes that the Japanese peasants live “like beasts,” but notably never refers to himself as such even when he shares their lifestyle, suggesting an innate sense of his own superiority over them. Rather, as a priest and the lone purveyor of Christianity to such apparently wretched people, Rodrigues regards his life and role as “deeply meaningful.”

Further intertwining his arrogance with his religious service, Rodrigues constantly parallels his own suffering with Christ’s suffering, seemingly equating himself with Christ in his own mind. When Rodrigues is reviled by a crowd of people, he pictures Christ reviled; when Rodrigues is on trial before the magistrate Inoue, he imagines Christ standing before Pilate; when he sees his own Haggard reflection in a pool of water, he pictures it as Christ’s face staring back at him. Imagining himself as Christ denotes a staggering level of self-importance—a literal savior complex, though robed in self-sacrificing religious conviction. This is particularly ironic, since it is the Japanese peasants who suffer the most pain and torture (like Christ) because of his refusal to apostatize, while Rodrigues himself experiences comparatively little physical pain. Even towards Ferreira, who has now apostatized and disgraced the Church, Rodrigues feels “the pity that a superior person feels for the wretched,” which is again hypocritical, since Rodrigues himself will eventually apostatize as well.

Although Rodrigues is laboring for “the conversion of Japan and the glory of God,” his arrogance leads him to have glorious expectations of his own martyrdom and sacrifice, suggesting that he (and other missionaries like him) strives after his own glory as well. Although Rodrigues expects he may be killed in Japan, the glorious death he pictures for himself is a childish fantasy: “I had long read about martyrdom in the lives of the saints—how the souls of the martyrs had gone home to Heaven, how they had been filled with glory in Paradise, how the angels had blown trumpets. This is the splendid martyrdom I had seen in my dreams.” Rodrigues’s dreams of a glorious death suggest that not only is he arrogant, but he also seeks his own glory as much as God’s glory through his missionary work. Rodrigues’s boldness seems at least partially motivated by the hope of leaving a legacy and being remembered well, indicating that he his religious purity is stained by his self-aggrandizing arrogance.

Rodrigues’s arrogance and glorious expectations ultimately lead to the Japanese peasants’ inglorious suffering, suggesting that such religious arrogance, though intertwined with a noble conviction to love and to serve, is a danger to everyone else. Rodrigues’s noble of vision of martyrdom is defeated when he sees the Japanese peasants executed for their faith. Rather than glorious, the deaths are agonizing, slow, and seem to leave no mark upon the world, no glory in their wake. After watching several men drowned for their faith, he reflects, “And the sea which killed them surges on uncannily—in silence.” There seems to be no redemption for them, or for Rodrigues himself, only pointless suffering and death. Although Rodrigues encourages several Japanese peasants to apostatize in order to save themselves, his arrogance as a priest prevents him from apostatizing for a long time, even though it causes the torture and deaths of several Japanese Christians, since it would make him a shameful and traitorous figure in the Church’s eyes. Ferreira and the Japanese officials scold Rodrigues for bringing suffering on others over his own ego, saying, “You make yourself more important than them. You are preoccupied with your own salvation.” As Ferreira recognizes Rodrigues’s arrogance, since he was once similarly prideful and caught in the exact same position. Rodrigues’s arrogance, though intertwined with his Christian convictions and love for Christ, ultimately endangers the people around him and causes more suffering than if Rodrigues had the humility to immediately shame and disgrace himself—as Christ did—and spare the suffering of others, even though it denies him a glorious martyr’s death condemns him to live out his days as a traitor to the Church.

The Christian missionaries’ pride in Silence is both relatable—for all people hope to leave a legacy of some kind—as well as deeply destructive, demonstrating how even a priest’s hidden sins and self-interest may rise to the surface and bring ruin to others.

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Religious Arrogance Quotes in Silence

Below you will find the important quotes in Silence related to the theme of Religious Arrogance.
Prologue Quotes

Their plan was to make their way into Japan in the throes of persecution in order to carry on an underground missionary apostolate and to atone for the apostasy of Ferreira which had so wounded the honor of the Church.

Related Characters: Sebastien Rodrigues, Francisco Garrpe, Christovao Ferreira / Sawano Chuan, Juan de Santa Marta
Page Number: 5
Explanation and Analysis:
Chapter 1 Quotes

“In that stricken land the Christians have lost their priests and are like a flock of sheep without a shepherd. Someone must go to give them courage and to ensure that the tiny flame of faith does not die out.”

Related Characters: Juan de Santa Marta (speaker), Sebastien Rodrigues, Francisco Garrpe
Page Number: 12
Explanation and Analysis:

Every day we keep praying that [Santa Marta’s] health may be restored as soon as possible. But he makes no progress. Yet God bestows upon man a better fate than human knowledge could possibly think of or devise […] Perhaps God in his omnipotence will make all things well.

Related Characters: Sebastien Rodrigues (speaker), Francisco Garrpe, Juan de Santa Marta
Page Number: 18
Explanation and Analysis:
Chapter 3 Quotes

Never have I felt so deeply how meaningful is the life of a priest. These Japanese Christians are like a ship lost in a storm without a chart. I see them without a single priest or brother to encourage and console, gradually losing hope and wandering bewildered in the darkness.

Related Characters: Sebastien Rodrigues (speaker), Francisco Garrpe
Page Number: 30
Explanation and Analysis:

These people who work and live and die like beasts find for the first time in our teaching a path in which they can cast away the fetters that bind them. The Buddhist bonzes [monks] simply treat them like cattle. For a long time they have lived in resignation to such a fate.

Related Characters: Sebastien Rodrigues (speaker)
Page Number: 44
Explanation and Analysis:
Chapter 4 Quotes

This was the splendid martyrdom I had often seen in my dreams. But the martyrdom of the Japanese Christians I now describe to you was no such glorious thing. What a miserable painful business it was! The rain falls unceasingly on the sea. And the sea which willed them surges on uncannily—in silence.

Related Characters: Sebastien Rodrigues (speaker), Mokichi, Ichizo
Related Symbols: The Sea
Page Number: 62
Explanation and Analysis:

I called out to the young man at the oars, asking him for water; but he made no answer. I began to understand that ever since that martyrdom, the people of Tomogi regarded me as a foreigner who had brought disaster to them all—a terrible burden to them.

Related Characters: Sebastien Rodrigues (speaker)
Page Number: 65
Explanation and Analysis:

If it is not blasphemous to say so, I have the feeling that Judas was no more than an unfortunate puppet for the glory of the drama which was the life and death of Christ.

Related Characters: Sebastien Rodrigues (speaker), Kichijiro
Page Number: 80
Explanation and Analysis:
Chapter 6 Quotes

On the day of my death, too, will the world go relentlessly on its way, indifferent just as now? After I am murdered, will the cicadas sing and the flies whirl their wings inducing sleep? Do I want to be as heroic as that? And yet, am I looking for the true hidden martyrdom or just for a glorious death? Is that I want to be honored, to be prayed to, to be called a saint?

Related Characters: Sebastien Rodrigues, The One-Eyed Man
Page Number: 128
Explanation and Analysis:
Chapter 7 Quotes

He had come to this country to lay down his life for other men, but instead of that, the Japanese were laying down their lives one by one for him.

Related Characters: Sebastien Rodrigues, Francisco Garrpe
Page Number: 142
Explanation and Analysis:

Yes, crouching on the ashen earth of Gethsemane that had imbibed all the heat of the day, alone and separated from his sleeping disciples, a man had said: “My soul is sorrowful even unto death.” And his sweat became like drops of blood. This was the face that was no before [Rodrigues’s] eyes. Hundreds and hundreds of times it had appeared in his dreams; but why was that only now did the suffering, perspiring face seem so far away? Yet tonight he focused all his attention on the emaciated expression on those cheeks.”

Related Characters: Sebastien Rodrigues, Francisco Garrpe
Related Symbols: Christ’s Face
Page Number: 147
Explanation and Analysis:
Chapter 8 Quotes

This guard did not possess any aristocratic cruelty; rather was it the cruelty of a low-class fellow toward beasts and animals weaker than himself. [Rodrigues] had seen such fellows in the countryside in Portugal, and he knew them well. This fellow had not the slightest idea of the suffering that would be inflicted on others because of his conduct. It was this kind of fellow who had killed that man whose face was the best and most beautiful than ever one could dream of.

Related Characters: Sebastien Rodrigues
Related Symbols: Christ’s Face
Page Number: 176
Explanation and Analysis:

“You make yourself more important than them. You are preoccupied with your own salvation. If you say that you will apostatize, those people will be taken out of the pit. This will be saved from suffering. And you refuse to do so. It’s because you dread to betray the Church. You dread to be the dregs of the Church, like me.”

Related Characters: Christovao Ferreira / Sawano Chuan (speaker), Sebastien Rodrigues
Page Number: 181
Explanation and Analysis:

[Rodrigues] will now trample what he has considered the most beautiful thing in his life, on what he has believed most pure, on what is filled with the ideals and the dreams of man. How his foot aches! And then the Christ in bronze speaks to the priest: “Trample! Trample! I more than anyone know of the pain in your foot. Trample! It was to be trampled on by men that I was born into this world. It was to share men’s pain that I carried my cross.”

Related Characters: Sebastien Rodrigues
Page Number: 183
Explanation and Analysis: