Summary
Analysis
Instead of going inside, Will and Charles sit together on the front porch. “Dad?” Will asks. “Am I a good person?” Charles tells his son that he is sure of it, and Will asks if being good will “help when things get really tough.” Charles assures him that being good in the face of evil will help, but it may not be enough. “Good is no guarantee for your body. It’s mainly for peace of mind,” Charles says.
This conversation again reflects Bradbury’s argument that good and evil are choice. Will may be naturally good, but he is still capable of choosing to be evil. Charles also recognizes that being good doesn’t always mean succeeding in life—often the world rewards the sinners.
“Are you a good person?” Will asks Charles. After some thought, Charles tells his son that he is “all right.” Will is confused. “Then, Dad,” he says, “why aren’t you happy?” Charles explains that being good and being happy are two different things. Often, he says, those who appear the happiest have the most sin. “And men do love sin, Will,” Charles says, “oh how they love it, never doubt, in all shapes, sizes, colors, and smells.”
Here, Charles explains the temptation of sin and the instant gratification that the carousel promises. His explanation suggests that being good is often a difficult and painful choice that does not automatically mean that one will be happy. This is apparently reflected in Charles’s own unhappiness.
Charles continues. “So, minute by minute, hour by hour […] you got the choice this second” to be either good or bad. “That’s what the clock ticks,” Charles says, “that’s what it says in the ticks.” Will tells his father that he wants him to be happy, and that he would do “anything” to make him happy. “Just tell me I’ll live forever,” Charles says. “That would do nicely.” Will asks Charles what doesn’t make him sad. “Death,” Charles answers.
Will is shocked. Death is sad, he tells Charles. His father explains that “death makes everything else sad. But death itself only scares.” Will begs his father not to go near the carnival, and Charles tells Will the same. As they stand to go inside, Charles motions towards the iron ladder. “They way you came out,” Charles says, “is the way you go in.” Will asks Charles if he is climbing the ladder too, and he quickly answers “no, no.” Will smiles. “You ain’t got the stuff!” he whispers. Will and Charles both scramble up the ladder, “laughing without sound.”
Death scares Charles because it represents the ultimate unknown. As Charles follows Will up the ladder, he essentially ignores his age and behaves like a child. In that moment, Charles accepts his age and is happy, as evidenced by his silent laughter. Moreover, Charles’s ability to climb the ladder suggests that he isn’t quite as old as he feels.
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