Something Wicked This Way Comes

by Ray Bradbury
Will Halloway’s father. Charles is fifty-four years old, and he considers himself way too old be the father of a fourteen-year-old boy. He is described as an “old” and “ancient” man, and even the hairs on the backs of his hands are gray. Charles’s wife, Mrs. Halloway, who is ten years younger than he is, also serves to make him feel old, and she is frequently mistaken for his daughter. He believes that a father should run and play with his son, and when he can’t, he finds himself wishing that Will was never born. Charles spends many sleepless nights alone in the library across town where he works as the janitor, and Will implies that he is just as ashamed of his father’s job as he is his age. Each evening after work, Charles goes to the local bar where he enjoys his “nightly one-and-only drink,” which further hints at his deep unhappiness and implies that he can’t go home to his much younger family without first dulling the pain. Despite his sadness, however, Charles is described as a kind and loving—albeit distant—father to Will. After Robert frames Will and Jim for trying to steal Miss Foley’s jewelry, Charles goes to the police station to help get them out of trouble and never does tell the boys’ mothers. He immediately believes Will and Jim when they tell him about Mr. Dark and the carousel, and he is determined to find a way to save them. Nevertheless, it isn’t until Charles accepts his age and mortality that he is able to defeat the Dust Witch and destroy Mr. Dark, which he manages to do with the power of love and happiness. Thus, the character of Charles serves as an example of the power of good over evil, but he also underscores the danger of looking too wistfully back on one’s childhood. Once Charles accepts his age, he is finally able to run and play with Will, free of the resentment and deep unhappiness he feels in the beginning of the novel.

Charles Halloway Quotes in Something Wicked This Way Comes

The Something Wicked This Way Comes quotes below are all either spoken by Charles Halloway or refer to Charles Halloway. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Good vs. Evil Theme Icon
).

Chapter 2 Quotes

Dad winked at Will. Will winked back. They stood now, a boy with corn-colored hair and a man with moon-white hair, a boy with a summer-apple, a man with a winter-apple face. Dad, Dad, thought Will, why, why, he looks…like me in a smashed mirror!

Related Characters: Charles Halloway, Will Halloway
Page Number and Citation: 13
Explanation and Analysis:

Chapter 3 Quotes

And Will? Why he’s the last peach, high on a summer tree. Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they’re not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it’s not that. It’s just, you know, seeing them pass, that’s how they’ll be all their life; they’ll get hit, hurt, cut, bruised, and always wonder why, why does it happen? How can it happen to them?

Related Characters: Charles Halloway, Will Halloway
Page Number and Citation: 16-7
Explanation and Analysis:

But Jim, now, he sees it happen, he watches for it happening, he sees it start, and he sees it finish, he licks the wounds he expected, and never asks why; he knows. He always knew. Someone knew before him, a long time ago, someone who had wolves for pets and lions for night conversants. Hell, Jim doesn’t know with his mind. But his body knows. And while Will’s putting a bandage on his latest scratch, Jim’s ducking, weaving, bouncing away from the knockout blow which must inevitably come.

Related Characters: Charles Halloway, Will Halloway, Jim Nightshade
Page Number and Citation: 17
Explanation and Analysis:

Chapter 14 Quotes

For, he thought, it’s a special hour. Women never wake then, do they? They sleep the sleep of babes and children. But men in middle age? They know that hour well. Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death!

Related Characters: Will’s Mother / Mrs. Halloway, Charles Halloway
Page Number and Citation: 55-6
Explanation and Analysis:

His wife smiled in her sleep.

Why?

She’s immortal. She has a son.

Your son, too!

But what father ever really believes it? He carries no burden, he feels no pain. What man, like woman, lies down in darkness and gets up with child? The gentle, smiling ones own the good secret. Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of Time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who they know will live forever.

Related Characters: Will’s Mother / Mrs. Halloway, Will Halloway, Charles Halloway
Related Symbols: Clocks
Page Number and Citation: 56
Explanation and Analysis:

Chapter 22 Quotes

Will grabbed Jim’s shirt front, felt his heart bang under the chest bones. “Jim—”

“Let go.” Jim was terribly quiet. “If he knows you’re here, he won’t come out. Willy, if you don’t let go, I’ll remember when—”

“When what!”

“When I’m older, darn it, older!”

Related Characters: Charles Halloway (speaker), Jim Nightshade (speaker), Mr. Cooger / Robert / Mr. Electrico
Related Symbols: The Carousel
Page Number and Citation: 91
Explanation and Analysis:

Chapter 28 Quotes

“[…] Now, look, since when did you think being good meant being happy?”

“Since always.”

“Since now learn otherwise. Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles and smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he’s covering up. He’s had his fun and he’s guilty. And men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors, and smells. […]”

Related Characters: Will Halloway (speaker), Charles Halloway (speaker)
Page Number and Citation: 124-5
Explanation and Analysis:

“Oh, it would be lovely if you could just be fine, act fine, not think of it all the time. But it’s hard, right? With the last piece of lemon cake waiting in the icebox, middle of the night, not yours, but you lie awake in a hot sweat for it, eh? Do I need tell you? Or, a hot spring day, noon, and there you are chained to your school desk and away off there goes the river, cool and fresh over the rock-fall. Boys can hear clear water like that miles away. So, minute by minutes, hour by hour, a lifetime, it never ends, never stops, you got the choice this second, now this next, and the next after that, be good, be bad, that’s what the clock ticks, that’s what it says in the ticks.”

Related Characters: Charles Halloway (speaker), Will Halloway
Related Symbols: Clocks
Page Number and Citation: 125
Explanation and Analysis:

Chapter 38 Quotes

“‘For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.’”

Related Characters: Charles Halloway (speaker), Jim Nightshade, Will Halloway
Page Number and Citation: 176
Explanation and Analysis:

“Then—” Will swallowed— “does that make us…summer people?”

“Not quite.” Charles Halloway shook his head. “Oh, you’re nearer summer than me. If I was ever a rare fine summer person, that’s long ago. Most of us are half-and-half. The August noon in us works to stave off the November chills. We survive by what little Fourth of July wits we’ve stashed away. But there are times when we’re all autumn people.”

Related Characters: Will Halloway (speaker), Charles Halloway (speaker)
Page Number and Citation: 176-7
Explanation and Analysis:

Chapter 39 Quotes

“Oh gosh,” said Will. “It’s hopeless!”

“No. The very fact we’re here worrying about the difference between summer and autumn, makes me sure there’s a way out. You don’t have to stay foolish and you don’t have to be wrong, evil, sinful, whatever you want to call it. There’s more than three or four choices. They, that Dark fellow and his friends don’t hold all the cards, I could tell that today, at the cigar store. I’m afraid of him but, I could see, he was afraid of me. So there’s fear on both sides. Now how can we use it to advantage?”

Related Characters: Will Halloway (speaker), Charles Halloway (speaker), Mr. Dark / The Illustrated Man / Jed
Page Number and Citation: 178-9
Explanation and Analysis:

Chapter 40 Quotes

“Is…is it…Death?”

“The carnival?” The old man lit his pipe, blew smoke, seriously studied the patterns. “No. But I think it uses Death as a threat. Death doesn’t exist. It never did, it never will. But we’ve drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we’ve got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing. And the carnival wisely knows we’re more afraid of Nothing than we are of Something. You can fight Something. But…Nothing? Where do you hit it? Has it a heart, soul, butt-behind, brain? No, no. So the carnival just shakes a great croupier’s cupful of Nothing at us, and reaps us as we tumble back head-over-heels in fright.”

Related Characters: Charles Halloway (speaker), Will Halloway (speaker)
Related Symbols: Clocks
Page Number and Citation: 186-7
Explanation and Analysis:

“Why, that if you’re a miserable sinner in one shape, you’re a miserable sinner in another. Changing size doesn’t change the brain. If I made you twenty-five tomorrow, Jim, your thoughts would still be boy thoughts and it’d show! Or if they turned me into a boy of ten this instant, my brain would still be fifty and that boy would act funnier and older and weirder than any boy ever. Then, too, time’s out of joint another way.”

Related Characters: Charles Halloway (speaker), Jim Nightshade
Related Symbols: The Carousel
Page Number and Citation: 187
Explanation and Analysis:

“So, what happens? You get your reward: madness. Change of body, change of personal environment, for one thing. Guilt, for another, guilt at leaving your wife, husband, friends to die the way all men die—Lord, that alone would give a man fits. So more fear, more agony for the carnival to breakfast on. So with the green vapors coming off your stricken conscience you say you want to go back the way you were! The carnival nods and listens. Yes, they promise, if you behave as they say, in a short while they’ll give you back your twoscore and ten or whatever. On the promise alone of being returned to normal old age, that train travels with the world, its side show populated with madmen waiting to be released from bondage, meantime servicing the carnival, giving it coke for its ovens.”

Related Characters: Charles Halloway (speaker), Jim Nightshade
Related Symbols: The Carousel
Page Number and Citation: 188
Explanation and Analysis:

Chapter 49 Quotes

And then, at last, he gave the maze, the mirrors, and all Time ahead, Beyond, Around, Above, Behind, Beneath or squandered inside himself, the only answer possible.

He opened his mouth very wide, and let the loudest sound of all free.

The Witch, if she were alive, would have known that sound, and died again.

Related Characters: Charles Halloway, The Dust Witch
Page Number and Citation: 233
Explanation and Analysis:

Chapter 52 Quotes

He gathered the boy somewhat closer and thought, Evil has only the power that we give it. I give you nothing. I take back. Starve. Starve. Starve.

Related Characters: Mr. Dark / The Illustrated Man / Jed, Charles Halloway
Page Number and Citation: 249
Explanation and Analysis:

Chapter 54 Quotes

“Will!” His father savagely jabbed a finger at him and at Jim. “Damn it, Willy, all this, all these, Mr. Dark and his sort, they like crying, my God, they love tears! Jesus God, the more you bawl, the more they drink the salt off your chin. Wail and they suck your breath like cats. Get up! Get off your knees, damn it! Jump around! Whoop and holler! You hear! Shout, Will, sing, but most of all laugh, you got that, laugh!”

Related Characters: Charles Halloway (speaker), Mr. Dark / The Illustrated Man / Jed, Will Halloway, Jim Nightshade
Page Number and Citation: 255
Explanation and Analysis:

“Dad, will they ever come back?”

“No. And yes.” Dad tucked away his harmonica. “No, not them. But yes, other people like them. Not in a carnival. God knows what shape they’ll come in next. But sunrise, noon, or at latest, sunset tomorrow they’ll show. They’re on the road.”

“Oh, no,” said Will.

“Oh, yes,” said Dad. “We got to watch out the rest of our lives. The fight’s just begun.”

They moved around the carousel slowly.

“What will they look like? How will we know them?”

“Why,” said Dad, quietly, “maybe they’re already here.”

Both boys looked around swiftly.

But there was only the meadow, the machine, and themselves.

Related Characters: Charles Halloway (speaker), Will Halloway (speaker), Jim Nightshade
Related Symbols: The Carousel
Page Number and Citation: 260
Explanation and Analysis:

“Maybe this isn’t necessary,” said Charles Halloway. “Maybe it wouldn’t run anyway, without the freaks to give it power. But—” He hit the box a last time and threw down the wrench.

“It’s late. Must be midnight straight up.”

Obediently, the City Hall clock, the Baptist church clock, the Methodist, the Episcopalian, the Catholic church, all the clocks, struck twelve. The wind was seeded with Time.

Related Characters: Charles Halloway (speaker)
Related Symbols: Clocks
Page Number and Citation: 261
Explanation and Analysis:

The father hesitated only a moment. He felt the vague pain in his chest. If I run, he thought, what will happen? Is Death important? No. Everything that happens before Death is what counts. And we’ve done fine tonight. Even Death can’t spoil it. So, there went the boys…and why not…follow?

Related Characters: Jim Nightshade, Charles Halloway, Will Halloway
Page Number and Citation: 262
Explanation and Analysis:
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Charles Halloway Character Timeline in Something Wicked This Way Comes

The timeline below shows where the character Charles Halloway appears in Something Wicked This Way Comes. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 2
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...did.” Will looks, surprised, to an “old man” hard at work in the library. “That’s Charles William Halloway,” Will thinks, “not grandfather, not far-wandering, ancient uncle, as some might think, but…my... (full context)
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“Heck,” replies Jim. Charles reminds Jim that there is no such place and hands the boy a book. “But... (full context)
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Will winks back. As he stares at Charles, Will thinks, “why, why, he looks…like me in a smashed mirror!” Will remembers back to... (full context)
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“Huh?” responds Will, distractedly. “You need a white-hat or black-hat book?” Charles asks him. Will looks up at his father, confused. “Well, Jim,” Charles explains, “he wears... (full context)
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Will selects a copy of The Mysterious Island, and Jim asks Charles what all this talk of hats is about. “Why—” Charles stammers, “it’s just, a long... (full context)
Chapter 3
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As Charles watches Will and Jim run down the street, he fights the “sudden urge to run... (full context)
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“That’s Jim,” Charles thinks, “all bramblehair and itchweed.” But Will, he thinks, Will is the “the last peach,... (full context)
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Charles locks up the library and thinks that Will and Jim are “strangers.” “Go on,” he... (full context)
Chapter 5
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As Charles leaves the bar, his “gray hairs” stand up “like antennae.” Outside, a man in a... (full context)
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Charles crosses the street to the empty store. Inside are two sawhorses, side by side, holding... (full context)
Chapter 8
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...looks in and sees “the only theater he cares for now, the familiar stage” where Charles sits, usually holding a book. His parents look small in the big room and Will... (full context)
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Charles tells Will that the stone lion on the library steps has blown away and is... (full context)
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...the wall and listen to his parents talking in the next room. He listens to Charles’s faint voice, “the sound truth makes being said,” like a lesson “and the subject is... (full context)
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Will hears Charles go on about a carnival, and Will’s mother remarks that it is too late in... (full context)
Chapter 13
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From the empty library, Charles hears the painful shriek of the train’s whistle and the “disjointed calliope hymns.” He goes... (full context)
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“I’ll go there,” thinks Charles. “I won’t go there.” He leaves the library and passes the empty shop with the... (full context)
Chapter 14
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Back at home, Charles can’t imagine why a carnival would come at three in the morning. To Charles, three... (full context)
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Charles looks to his wife, who is sleeping with a faint smile on her face. “She’s... (full context)
Chapter 20
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...that they have been gone so long. Both boys are sent to their rooms. “Will…” Charles says to his son, “…be careful.” Will waits in his room. It is too early... (full context)
Chapter 25
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...Robert, she can’t wait to ride the carousel. Miss Foley goes to the telephone, calls Charles at the library, and tells him to meet her at the police station. (full context)
Chapter 26
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...hear voices from the police station, and they can see Miss Foley sitting next to Charles. “You saw their faces?” Will’s father asks. Miss Foley confirms, but she neglects to mention... (full context)
Chapter 27
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Charles walks Jim and Will home from the police station. He doesn’t see the point in... (full context)
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As Charles and Will approach their house, Charles looks at the ivy. “Our place, too?” he asks.... (full context)
Chapter 28
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Instead of going inside, Will and Charles sit together on the front porch. “Dad?” Will asks. “Am I a good person?” Charles... (full context)
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“Are you a good person?” Will asks Charles. After some thought, Charles tells his son that he is “all right.” Will is confused.... (full context)
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Charles continues. “So, minute by minute, hour by hour […] you got the choice this second”... (full context)
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Will is shocked. Death is sad, he tells Charles. His father explains that “death makes everything else sad. But death itself only scares.” Will... (full context)
Chapter 33
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The telephone rings and Charles answers it. Will is on the other end of the line, and he frantically tells... (full context)
Chapter 35
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Charles sits in the local bar drinking a cup of coffee. He hasn’t slept all night,... (full context)
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Back in the bar, The Illustrated Man stares at Charles. The bartender offers the stranger a drink, but he says he is only looking for... (full context)
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The Illustrated Man tells Charles that he is searching for two boys. The boys have won unlimited free passes to... (full context)
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...to feel their presence beneath the grille, and Will and Jim begin to panic. Suddenly, Charles lights his cigar. “Now, this is a fine cigar!” he says, blowing a huge cloud... (full context)
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“Your name, sir?” the Illustrated Man asks. “Halloway,” Charles answers. “Work in the library. Drop by sometime.” The Illustrated Man walks away, and Charles... (full context)
Chapter 37
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At seven o’clock, Charles waits in the library for Will and Jim. It has been the “longest day of... (full context)
Chapter 38
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...for a while in a church steeple. When they arrive at the library, they find Charles in the back room, staring at the clock made of books. “From the beginning,” Charles... (full context)
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Charles then shows Will and Jim a series of old newspaper advertisements for Cooger and Dark’s... (full context)
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“What?” Will and Jim ask, puzzled. Charles tells the boys about an old religious story he heard as a child in which... (full context)
Chapter 39
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“Oh gosh,” cries Will. “It’s hopeless!” Charles disagrees. “The very fact that we’re here worrying about the difference between summer and autumn,... (full context)
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Charles continues. “We can’t be good unless we know what bad is, and it’s a shame... (full context)
Chapter 40
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 So, Jim asks, does the carnival “buy souls?” No, Charles explains, they “get them for free.” “The carnival is like people, only more so,” he... (full context)
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“No,” Charles answers again. “But I think it uses Death as a threat.” According to Charles, death... (full context)
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“Oh, poor Miss Foley,” Will cries. Charles agrees. “They’ve probably thrown her in with the freaks,” he suggests. As Will and Jim... (full context)
Chapter 41
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Mr. Dark enters the library and formally introduces himself. “Where are the boys?” he asks. Charles doesn’t tell. “I could kill you,” Dark says, quietly. The Dust Witch is waiting outside,... (full context)
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Charles remains silent. Mr. Dark offers to make him young again if he tells him where... (full context)
Chapter 43
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...his own face as Mr. Dark grabs him with the other hand. “Dad!” yells Will. Charles runs into the room and punches Mr. Dark, and then the man grabs Charles’s left... (full context)
Chapter 44
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Back inside the library, Charles’s hand feels as if it has been placed in a “white-hot furnace.” Suddenly, he hears... (full context)
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As the Witch moves in closer for the kill, Charles is struck by a strong and inexplicable desire to laugh. “Why?” he thinks. “Why am... (full context)
Chapter 46
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Behind the parade the Dust Witch scurries to catch up, and behind her, Charles walks slowly with the “remembrance of age.” Mr. Dark leads Will and Jim to the... (full context)
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...the audience. He is met with silence and is about to cancel the show when Charles stands up. “Here,” Charles yells. (full context)
Chapter 47
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“Go get ‘em, Pop!” a man yells from the crowd as Charles makes his way to the stage. The Dust Witch begins to “tremble secretly,” and Mr.... (full context)
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“I need a boy volunteer to help,” Charles says. Several hands shoot up in the crowd, but he wants Will. “Hold on. My... (full context)
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Mr. Dark hands Charles a bullet. “Mark it with your initials,” he says. Instead, Charles carves a “crescent moon”... (full context)
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Charles ejects the bullet. “Let’s cut our mark more clearly, eh, boy?” Charles says to Will... (full context)
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Charles readies the rifle to fire and the crowd begins to laugh and clap. “Show the... (full context)
Chapter 48
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The Dust Witch screams and falls from the platform. Charles instantly knows she is dead. “It’s all right!” Mr. Dark reassures the audience. “Show’s over!... (full context)
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Inside the Mirror Maze, Charles can see the endless reflection of “one million sick-mouthed, frost-haired, white-tine-bearded men.” The man reflected... (full context)
Chapter 49
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Will stands behind Charles in the dark Mirror Maze and digs in his pockets. He produces a kitchen match... (full context)
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...I don’t care what, I don’t care anything! Oh, Dad, I love you!” he weeps. Charles stands and looks at his reflection in the mirror and sees his son reflected behind... (full context)
Chapter 50
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...Maze shatter simultaneously and fall to the ground, “all because of the sound” made by Charles. With his scream, Charles “accepts everything at last.” He “accepts the carnival,” and Will and... (full context)
Chapter 51
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...to the surrounding tents and sees the Dwarf standing near the other freaks. Will asks Charles why the freaks don’t try to stop them. “Scared,” answers Charles. They watched the Witch... (full context)
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...electric chair toward the carousel. Suddenly, the freaks “jump and scurry,” and drop the chair. Charles sneezes as a strong wind stirs up the dust around the tents. The chair sits... (full context)
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...to draw Jim in. As Will watches, Jim “walks slowly toward the free, free ride.” Charles tells Will to “go get him” and runs for the control box. (full context)
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...yells. “Jim, don’t leave me here!” Will runs next to the carousel, wildly screaming to Charles to shut it down. Jim’s eyes look blank. “Jim, please!” Will yells again as he... (full context)
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...Will rips Jim from the carousel, and both boys fall to the ground just as Charles shuts down the ride and the empty carousel slows. “Oh, God,” cries Will. “Is he... (full context)
Chapter 52
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As Charles and Will assess Jim, they hear someone cry for help in the distance. “Help! He’s... (full context)
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Charles runs to the young boy. “What’s your name?” he asks. “Jed,” the boy replies, still... (full context)
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“You can’t hurt me!” Jed cries. Charles disagrees and pulls the boy near, “almost lovingly, close, very close.” Jeb begins to scream,... (full context)
Chapter 53
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As Charles stands over Jed’s dead body, the freaks begin to come out of the tents. The... (full context)
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...the living Skeleton, the only remaining freak, lifts Jed from the ground and walks away. Charles looks to Will, still attempting to revive Jim. Jim is “cold as spaded earth.” (full context)
Chapter 54
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“He’s dead!” Will screams and starts to cry. “Stop that!” Charles yells as he slaps Will’s face. “Mr. Dark and his sort, they like crying, my... (full context)
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Charles drags Will to his feet and rifles through his pockets. He finds a harmonica and... (full context)
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As Will and Charles dance around Jim’s body, he begins to stir. They keep dancing and Jim begins to... (full context)
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“Dad,” Will asks, “will they ever come back.” Charles looks to the abandoned carnival. “No,” he answers. “And yes.” Charles says the carnival won’t... (full context)
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Charles, Will, and Jim turn to leave, and as they do, they walk by the still... (full context)
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...Crossing is an old lady!” Will and Jim yell as they run into the night. Charles “hesitates only for a moment.” He feels a familiar pain in his chest but decides... (full context)