Melinda begins Speak burdened by memory and trauma: she has been raped and relives the experience every day, yet is unable to speak to anyone about it. As for her happier memories, the rape and the events that followed it have stained them. When she remembers her friends, she realizes that they have since abandoned her. When she remembers her childhood, she feels pity and nostalgia for how innocent and carefree she used to be.
The novel is about the various events that happen to Melinda over the course of the school year, but it also focuses on how she interprets those events. As she experiences everything through the lens of her rape, Mel finds it difficult to enjoy anything, or to view any person or event without distrust and cynicism. In setting the entire novel with Mel’s mind, Laurie Halse Anderson is portraying the effects of trauma upon the impressionable consciousness of a fourteen-year-old girl. She shows how difficult it is for Mel to move past her trauma, and depicts how painful but inescapable the act of remembering is for her. As the novel progresses, Melinda begins to learn to communicate her trauma, a process that allows her to stop reliving the past and to begin making new memories. Her healing process is slow, but the book ends on an optimistic note, allowing readers to hope that the strong and resilient Mel will one day emerge from her trauma.
Memory and Trauma ThemeTracker
Memory and Trauma Quotes in Speak
I used to be like Heather. Have I changed that much in two months? She is happy, driven, aerobically fit. She has a nice mom and an awesome television. But she’s like a dog that keeps jumping into your lap. She always walks with me down the halls chattering a million miles a minute.
My goal is to go home and take a nap.
The cheerleaders cartwheel into the gym and bellow. The crow stomps the bleachers and roars back. I put my head in my hands and scream to let out the animal noise and some of that night. No one hears. They are all quite spirited.
It is getting harder to talk. My throat is always sore, my lips raw. When I wake up in the morning, my jaws are clenched so tight I have a headache. Sometimes my mouth relaxes around Heather, if we’re alone. Every time I try to talk to my parents or a teacher, I sputter or freeze. What is wrong with me? It’s like I have some kind of spastic laryngitis.
I know my head isn’t screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closet is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Applesmell soaks the air. One time when I was little, my parents took me to an orchard. Daddy set me high in an apple tree. It was like falling up into a storybook, yummy and red and leaf and the branch not shaking a bit. Bees bumbled through the air, so stuffed with apple they couldn’t be bothered to sting me. The sun warmed my hair, and a wind pushed my mother into my father’s arms, and all the apple-picking parents and children smiled for a long, long minute.
I almost tell them right then and there. Tears flood my eyes. They noticed I’ve been trying to draw. They noticed. I try to swallow the snowball in my throat. This isn’t going to be easy. I’m sure they suspect I was at the party. Maybe they even heard about me calling the cops. But I want to tell them everything as we sit there by our plastic Christmas tree while the Rudolph, the Red-Nosed Reindeer video plays.
I stumble from thornbush to thornbush— my mother and father who hate each other, Rachel who hates me, a school that gags on me like I’m a hairball. And Heather.
I just need to hang on long enough for my new skin to graft. Mr. Freeman thinks I need to find my feelings. How can I not find them? They are chewing me alive like an infestation of thoughts, shame, mistakes.
I open my mouth to breathe, to scream, and his hand covers it. In my head, my voice is as clear as a bell: “NO I DON’T WANT TO!” But I can’t spit it out. I’m trying to remember how we got on the ground and where the moon went and wham! shirt up, shorts down, and the ground smells wet and dark and NO!— I’m not really here, I’m definitely back at Rachel’s, crimping my hair and gluing on fake nails, and he smells like beer and mean and he hurts me hurts me hurts me and gets up
and zips his jeans
His lips move poison and she smiles and then she kisses him wet. Not a Girl Scout kiss. He gives her the notebook. His lips move. Lava spills out my ears. She is not any part of a pretend Rachelle-chick. I can only see third-grade Rachel who liked barbecue potato chips and who braided pink embroidery thread into my hair that I wore for months until my mom made me cut it out. I rest my forehead against the prickly stucco.
I am a deer frozen in the headlights of a tractor trailer. Is he going to hurt me again? He couldn’t, not in school. Could he? Why can’t I scream, say something, do anything? Why am I so afraid?
When I close the closet door behind me, I bury my face into the clothes on the left side of the rack, clothes that haven’t fit for years. I stuff my mouth with old fabric and scream until there are no sounds left under my skin.
I crouch by the trunk, my fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is
there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven’t seen in months. That is the seed I will care for.
I reach in and wrap my fingers around a triangle of glass. I hold it to Andy Evans’s neck. He freezes. I push just hard enough to raise one drop of blood. He raises his arms over his head. My hand quivers. I want to insert the glass all the way through his throat, I want to hear him scream. I look up. I see the stubble on his chin, a fleck of white in the corner of his mouth. His lips are paralyzed. He cannot speak. That’s good enough.
Me: “I said no.”
IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding. Andy Evans raped me in August when I was drunk and too young to know what was happening. It wasn’t my fault. He hurt me. It wasn’t my fault. And I’m not going to let it kill me. I can grow.
I look at my homely sketch. It doesn’t need anything. Even through the river in my eyes I can see that. It isn’t perfect and that makes it just right.
“You’ve been through a lot, haven’t you?”
The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up.
Me: “Let me tell you about it.”