Static

by

Cate Kennedy

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Themes and Colors
Family, Marriage, and Dissatisfaction Theme Icon
Communication and Authenticity Theme Icon
Happiness, Consumerism, and Guilt Theme Icon
LitCharts assigns a color and icon to each theme in Static, which you can use to track the themes throughout the work.
Communication and Authenticity Theme Icon

Throughout Anthony’s family Christmas party, it becomes clear that his relationships with his family members are far from close. The family rarely gathers together, and when they do, they’re emotionally closed off from one another. None of them say what they actually think: Anthony’s mother expresses herself through subtle passive-aggression and judgmental glances; his wife, Marie, has an entirely contrived personality and mannerisms; and Anthony and his father avoid conflict by keeping their thoughts and feelings private. As a result, the family doesn’t communicate openly, and so they aren’t able to genuinely connect and bond with one another. Through a series of tense and forced interactions, the story shows how ineffective communication and artificial personas can erode relationships and isolate people from one another.

Both Anthony’s mother and Marie put on false personas around other people, which makes Anthony feel like he can’t have a real relationship with either of them. Both women primarily communicate not through words, but through harsh, judgmental looks that Anthony calls “Evil Rays.” His mother’s Evil Rays are particularly full of “contempt, accusation, disdain, puzzled faux-innocence.” Alongside this, she makes comments throughout the story (about Anthony and Marie’s choice of home decor, for instance) that sound polite but are actually meant as subtle insults. In this way, Anthony’s mother never outright says what she thinks—instead, she conveys her true feelings through passive-aggressive compliments or nonverbally through facial expressions. And, as a result, Anthony feels like they can’t be open or trust each other.

Marie, too, is emotionally closed-off and inauthentic. Anthony remembers how, years ago, Marie used to have a “broad and unselfconscious” grin. Now, however, she has a different smile. It’s a “trained one—lips closed and chin raised like a model of cool serenity, a perfected study of herself.” Instead of openly expressing what she feels, Marie appears “trained” and “cool” at all times; she speaks and emotes in a measured, polite way, even when she’s angry. Anthony can’t stand this, as her artificial persona prevents the couple from hashing out their problems and leaves Anthony feeling resentful and distant from his wife.

Anthony and his father also fail to openly express themselves, which further compounds the family’s rift in communication. As a result of his mother and Marie’s behavior, Anthony, too, feels pressured to put on a faux-polite persona and mediate his family’s disagreements. In particular, he wants to “thwart [his mother] with unrelenting good cheer” rather than stand up for himself or stoop to her level during the Christmas gathering. He also passively accepts that whenever he leaves the room, his mother will openly criticize him in front of the rest of the family, and Marie may or may not defend him. In essence, Anthony quietly endures his mother and Marie’s snide remarks and “murderous[]” looks, and so they continue to treat him like this throughout the party. His silent toleration of his wife and mother’s mistreatment prevents him from truly resolving conflicts with either of them. Anthony’s father, meanwhile, is similarly passive. Readers aren’t given insight into his thoughts, and he’s only mentioned a briefly, when the narration describes him watching a televised cricket game and good-naturedly eating one of Marie’s appetizers to “keep the peace” during the party. He never challenges Anthony’s mother’s rude behavior or plays an active role in any of the family’s conversations. This suggests that he, like Anthony, has chosen to stay quiet rather than involve himself in conflict—which further impedes the family’s ability to communicate and meaningfully connect.

These issues of emotional repression and poor communication have caused Anthony’s relationships to suffer over time, which leaves him feeling isolated even when surrounded by family. Anthony reflects that, before the party, he told Marie that his parents wouldn’t come to Christmas lunch unless they invited his sister Margaret and her husband and children. Moreover, during the party, Anthony’s mother points out that “There's so few occasions we're all together like this.” All of this hints that Anthony’s family relationships are deeply broken, so much so that his parents aren’t interested in seeing him and Marie, only Margaret’s side of the family. They’re all estranged from one another and rarely make an effort to gather together, likely as a direct result of their failure to open up and genuinely connect.

Later that afternoon, while the family is opening gifts, Anthony looks over at Marie and wonders, “Does she love him? She lets him see her in the morning without makeup, does that count?” His uncertainty suggests that the lack of openness and authenticity in the couple’s relationship has left them completely alienated from each other, to the point that Marie going makeup-free around Anthony is as intimate and vulnerable as they get. As a result of these strained relationships, Anthony feels completely alone, even on Christmas in a room full of his closest relatives. Any time there’s a task or activity for him to do in another room, he “eagerly” jumps up and rushes to escape the “deoxygenated” feeling of being around his family. With this, the story suggests that a relationship devoid of authentic communication isn’t much of a relationship at all—it’s merely an obligation, one that’s suffocating and emotionally exhausting rather than fulfilling.

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Communication and Authenticity ThemeTracker

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Communication and Authenticity Quotes in Static

Below you will find the important quotes in Static related to the theme of Communication and Authenticity.
Static Quotes

Anthony listens to the asthmatic wheeze of the leather chair his father’s just vacated, sucking back air into itself as if desperate for breath, the only noise in the room for a few seconds. In the deoxygenated silence, he feels what he thinks of as Evil Rays, like something in one of his old comics, jagged lightning bolts shooting across the room. They’re crackling from the fingertips of the archenemies seated on either side of him. Take that, Ice Maiden! No, you take THAT, Bitch Crone!

Related Characters: Anthony, Marie, Anthony’s Mother, Frank
Page Number: 205-206
Explanation and Analysis:

She can get every secret weapon into those rays—contempt, accusation, disdain, puzzled faux-innocence, the works. Anthony is determined, fully determined, to thwart her with unrelenting good cheer today.

Related Characters: Anthony, Anthony’s Mother
Page Number: 207
Explanation and Analysis:

She flashes him a smile as she heads for the door. The ghost of an old smile, one he misses; she’s trained herself not to do it because it shows the tooth she’s convinced is crooked. He’s told her he loves that tooth, but she just rolls her eyes. In every one of their wedding photos, stored over there in the handtooled leather albums, she has on the other smile, the trained one—lips closed and chin raised like a model of cool serenity, a perfected study of herself. But somewhere in a drawer, Anthony has an old photo of her, pulling off her mask and snorkel at the Great Barrier Reef, just out of the water and her grin broad and unselfconscious. Years ago.

Related Characters: Anthony, Marie, Anthony’s Mother
Page Number: 211-212
Explanation and Analysis:

How to broach it with Margaret, how to offer? Tell her he never uses the one in the bedroom? Yeah, tell her it’s been sitting in the guest bedroom gathering dust, be great if she could take it off his hands. A loan. As long as they’d like it. His fault for buying the gadget. Anthony has to squeeze his hands together between his knees to stop himself grabbing Tom and hugging him as hard as he can. A thin boy. Too troubled for a ten-year-old. Reading out those stupid knock-knock jokes at the table, trying his best to do just what's expected of him, to decipher all those signals and stand in the firing line of all those deadly rays.

Related Characters: Anthony, Marie, Anthony’s Mother, Tom, Margaret, Ian
Page Number: 218
Explanation and Analysis:

[…] Anthony’s praying for her to just shut up for a minute, just one fucking minute for once in her life, but she can't, of course, she has to start in on how he’s got to look after it because it cost a lot of money and he can’t take it to school, it’s just to be played with at his house, and she accepts Tom’s muted kiss on the cheek without even looking at him, not really, because what she wants are babies, she only likes them when they're babies, by the time they’re Tom’s and Hannah’s age they’ve learned to be wary and submissive and not to trust her, and who can blame them?

Related Characters: Anthony, Marie, Anthony’s Mother, Tom, Hannah
Page Number: 218-219
Explanation and Analysis:

Anthony squeezes his hands between his knees again and looks over at Marie clasping her gift basket of toiletries. He thinks of the kilometres she tries to cover each night on that stationary bike, the endless net surfing she’s done on sperm motility and ovarian cysts, like someone gathering evidence for a case they have to win. Does she love him? She lets him see her in the morning without makeup, does that count?

Related Characters: Anthony, Marie
Page Number: 219
Explanation and Analysis: