Summer of the Mariposas

by Guadalupe García McCall

Juanita Character Analysis

Juanita is a 14-year-old Mexican American girl. She is the second eldest daughter of Mamá and Papá, and the sister of Odilia, Velia, Delia, and Pita. Juanita is characterized as headstrong, stubborn, and precocious. Odilia calls her “gifted” (somewhat sarcastically); Juanita often uses flaunts her large vocabulary and possesses eclectic knowledge on a wide array of subjects. Juanita overrides Odilia and insists on returning the dead man to his family in Mexico, demonstrating her strong adherence to personal moral principles.

Juanita Quotes in Summer of the Mariposas

The Summer of the Mariposas quotes below are all either spoken by Juanita or refer to Juanita. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sisterhood, Motherhood, and Family Theme Icon
).

Prologue Quotes

We splashed around in that cold, clear water like river nymphs, born to swim and bathe till the end of days. It was a magical time, full of dreaminess and charm, a time to watch the mariposas emerge out of their cocoons, gather their courage, and take flight while we floated faceup in the water. And that’s exactly what we were doing the morning the body of a dead man drifted into our swimming haven.

Related Characters: Odilia (speaker), Pita, Juanita, Velia, The Dead Man (Gabriel Pérdido), Delia, Papá
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 4
Explanation and Analysis:

Chapter 1 Quotes

“Don’t you see? There’s a reason we found him instead of the border patrol. He came looking for us because he knew we could help him. It’s not a coincidence that he’s from the same place as Papá.”

“What are you talking about?” I asked. “You’re not making any sense.”

Juanita continued passionately. “Don’t you get it? We were meant to find him, so we could go see our abuelita in Mexico again. It was fate that brought him to us.”

Related Characters: Odilia (speaker), Juanita (speaker), Abuelita Remedios, Papá, La Llorona, The Dead Man (Gabriel Pérdido)
Page Number and Citation: 21
Explanation and Analysis:

Chapter 3 Quotes

“You were chosen for the goodness in your heart,” she explained. […] “Your sister was right when she said finding the body of the drowned man was not an accident.”

She took my hand once again, her touch still deathly cold. Standing beside the hackberry shrubs with hundreds of empty desiccated cocoons still clinging to their branches and a carpet of butterfly corpses under her feet, La Llorona did not look anything like a malevolent specter. She looked more like a tired, heavily burdened woman.

Related Characters: La Llorona (speaker), Odilia (speaker), Juanita, The Dead Man (Gabriel Pérdido)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 51
Explanation and Analysis:

“This is about all of you: your sisters, your parents, even your abuela,” La Llorona continued. “You must travel to the other side, into the land of your ancestors, to find each other again.”

Related Characters: La Llorona (speaker), Odilia, The Dead Man (Gabriel Pérdido), Abuelita Remedios, Papá, Delia, Mamá, Pita, Velia, Juanita
Page Number and Citation: 53
Explanation and Analysis:

Chapter 7 Quotes

“Who would’ve thought this guy had abandoned his family?” she asked, joining our conversation. “He looked so happy in the picture. I thought for sure they’d be waiting for him.”

“Nothing’s ever the way it seems, is it? I mean look at Papá,” Juanita whispered at no one in particular. She sounded distant, sad.

Related Characters: Juanita (speaker), Velia (speaker), Papá, Odilia, The Dead Man (Gabriel Pérdido)
Page Number and Citation: 114
Explanation and Analysis:

Chapter 10 Quotes

“What Cecilia has beset upon you is just the beginning. You must save the ear pendant’s remaining gifts. Use them sensibly, for there is so much more to life than nightmares and demons in the dark. In order to go home, to be truly happy again, you must face the worst enemy of all, the monster that lives among you.”

Related Characters: Teresita (speaker), Papá, Juanita, Cecilia, Pita, Delia, Velia, Odilia
Page Number and Citation: 165
Explanation and Analysis:

Chapter 14 Quotes

It felt weird, preparing for what might happen to us in the night. I felt like we were in a different world, a magical realm, where everything was larger than life. Did I think we could really kill the mythical chupacabras? Normally, I would have said not on your life, especially since we weren’t even sure if he was a vampire. […] Besides, there was something about being in those ruins in the Mexican countryside that made anything possible, because that night I believed in us—cinco hermanitas, five little sisters, together forever. No matter what.

Related Characters: Odilia (speaker), Velia, Delia, Pita, Juanita, El Chupacabras (Chencho)
Page Number and Citation: 229
Explanation and Analysis:

“Odilia is right. We’re the Garza girls, cinco hermanitas, five little sisters under the protection of the goddess,” she said, holding the stake in front of her with both hands and anchoring the sharp point of it on the ground.

“That’s right,” I said. I looked down at Pita, who was clutching her ankle, wincing. “Remember what I told you? La Llorona said we must remain noble and kind. We should grant mercy when it is asked of us.”

Related Characters: Odilia (speaker), Juanita (speaker), La Llorona, Pita, Velia, Delia, Tonantzin (La Virgen), El Chupacabras (Chencho)
Page Number and Citation: 235-236
Explanation and Analysis:

Chapter 15 Quotes

“You mean he doesn’t love us anymore?” Pita asked.

“Would you? If you had us for daughters?” Delia asked Pita, looking at her sisters resentfully.

That’s when I realized the evil of what the lechuzas said about us. We had been bad, yes, but was what Papá did our fault? “Yes, I would still love us,” I said, angry with myself for not realizing the twins had been blaming themselves for Papá’s absence all this time. “The way I see it, we didn’t fail Papá, he failed us. He’s the adult here.”

Related Characters: Delia (speaker), Pita (speaker), Odilia (speaker), Juanita, Abuelita Remedios, Lechuzas, Papá, Velia
Page Number and Citation: 256-257
Explanation and Analysis:

“Sometimes, men leave, for whatever reason,” Abuelita continued. “Nothing you did or could have done differently would have changed that. So I want you to stop blaming yourselves or your Mamá for the choices your father has made. Instead, I want you to continue taking care of each other the way you’ve been doing so far. I’m so proud of you for standing up for your hermanitas against those evil creatures. I’m sure having to do that has taught you how important it is to stick together and love one another more than anything else in the world.”

Related Characters: Abuelita Remedios (speaker), Cecilia, Mamá, Odilia, Juanita, Delia, Inés, Pita, Papá, Velia, La Llorona
Page Number and Citation: 257
Explanation and Analysis:

Chapter 16 Quotes

“Your father is like the sun, splendid to behold, but he must descend and let darkness rule for a time.”

I don’t get it,” Pita said.

The virgen stepped down from her throne and touched Pita’s face. “Without night there would be no rest, no room for growth. It is just the way things are,” Tonantzin explained in a serene voice.

[…]

“I know you don’t understand what is happening with your family,” Tonantzin said gently. “But you will, when the time comes. A new dawn is approaching, but you are very clever, very brave. You will not be blinded by his light.”

Related Characters: Odilia, Papá, Juanita, Mamá, Pita, Tonantzin (La Virgen), Delia, Velia
Page Number and Citation: 273
Explanation and Analysis:

Chapter 18 Quotes

Then, just as reluctantly as the last leaf of autumn falls off a desiccated branch, Juanita’s hand slackened and fell away from mine. She walked away from me, leaving me alone with my anger and resentment. Papá’s arrival had done what Cecilia and her Evil Trinity could not accomplish. His empty promises broke the code of the cinco hermanitas. We were five little sisters, together no more—cinco hermanitas torn completely apart.

Related Characters: Odilia (speaker), Delia, Pita, Mamá, Teresita, Papá, Cecilia, Juanita, Velia
Page Number and Citation: 298
Explanation and Analysis:

Chapter 19 Quotes

“We’re not tortas you can take out of the oven and set aside to cool off while you dillydally with a whole other life. Families are supposed to be important, and that’s one thing you never did: Make us important. And now you want to take away the only real parent we’ve ever had? Well, it’s not going to happen. We’re not going to let you get rid of Mamá.”

Related Characters: Odilia (speaker), Juanita, Mamá, Papá, Pita, Delia, Velia
Page Number and Citation: 308
Explanation and Analysis:
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Juanita Character Timeline in Summer of the Mariposas

The timeline below shows where the character Juanita appears in Summer of the Mariposas. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...her sisters panic. There are five of them: Odilia is the eldest, followed by 14-year-old Juanita, the twins Delia and Velia, and lastly Pita, the youngest. Getting quickly out of the... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...before calling the authorities. Odilia calls them “the pretty ones,” sure to dazzle any audience. Juanita tries to bring the focus back to the dead man. But the twins remain concerned... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Kindness, Mercy, and Morality Theme Icon
...the customs officers. She invokes their sisterly rule: “cinco hermanitas, together forever no matter what!” Juanita objects, claiming that border patrol will throw the man in an unmarked grave, assuming he... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Juanita pulls the dead man from the water without her sisters’ help. In response to Odilia... (full context)
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Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...El Sacrificio, Mexico. Odilia insists they need to turn everything—including the money—in to the authorities. Juanita argues, saying they need to return him to his family—pictured in his wallet—who must be... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Juanita declares that their discovery of a dead man from Papá’s birthplace is not coincidental, but... (full context)
Chapter 2
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Gender Dynamics and Female Solidarity Theme Icon
Leaving the dead man at the swimming hole, the sisters ride home. Juanita makes a plan to take the dead man back across the border by pretending he... (full context)
Sisterhood, Motherhood, and Family Theme Icon
...also lies about Mamá coming home early from work. The girls are enraged at Odilia, Juanita most of all. Odilia locks them inside the house when she leaves. Juanita calls after... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Juanita is disgusted by Odilia’s stalling tactics, but the girls are determined to make the trip... (full context)
Chapter 3
Sisterhood, Motherhood, and Family Theme Icon
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Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...and her sisters spend the night at the riverbank, prepping the dead man for travel. Juanita dresses him in some of Papá’s old clothing, since they will try to pass him... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
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Ancestral and Cultural Appreciation Theme Icon
...Llorona tells Odilia that she has been chosen for her purity of heart, and that Juanita is right—the dead man came to them for a reason. La Llorona is meant to... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...happiness. Odilia’s sisters burst through the brush looking for her, just as La Llorona vanishes. Juanita heard Odilia talking to someone and nags at her until Odilia admits she was talking... (full context)
Chapter 4
Sisterhood, Motherhood, and Family Theme Icon
Odilia puts La Llorona’s ear pendant in her ear, which catches Juanita’s interest. Odilia blows off her questions about it, and Juanita moves on to helping the... (full context)
Chapter 5
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...really wants money. Delia understands his meaning first and passes twenty dollars from the backseat. Juanita disguises it in an old receipt—their “travel permit”—and the man lets them pass. They drive... (full context)
Sisterhood, Motherhood, and Family Theme Icon
...worried about attracting attention. The couple running the convenience store seem suspicious of Odilia and Juanita after they argue about the number of sodas they need. When they return to the... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...They resume their drive with more sisterly affection than before, excited to reach El Sacrificio. Juanita says that they are doing an honorable thing, returning the dead man to his home,... (full context)
Chapter 6
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Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Velia and Delia refuse Juanita’s suggestion of returning to the woods, referencing evil owls—lechuzas—and other fairytale creatures that might be... (full context)
Chapter 7
Sisterhood, Motherhood, and Family Theme Icon
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Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...sleep and leaves them. The sisters bicker over sleeping positions before falling into bed. Odilia, Juanita, and Velia stay awake, talking about the day’s disappointing turn of events. Juanita remarks that... (full context)
Chapter 8
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...about his daughters’ disappearance. The article includes a picture of him in his mariachi suit. Juanita says she never noticed how conceited Papá is, how aware he is of his handsome... (full context)
Chapter 10
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...be bested by prayer and knots), and el chupacabras (a monster with no humanity left). Juanita becomes frustrated by the seer’s fantastical claims, but Teresita’s husband confirms he has seen el... (full context)
Chapter 11
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Velia jumps into the donkey’s wagon, grateful to stop walking. Juanita follows suit, feeling they should take advantage of better transport even if Pita has gone... (full context)
Chapter 12
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...of a young woman. She looks like an Aztec goddess and a teenager at once; Juanita calls her La Virgen de la Cueva and bows. The nagual addresses her as Tonantzin,... (full context)
Chapter 13
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...powers. Velia wonders whether Mamá knows the lullaby she used to sing them is magical. Juanita speculates that the song has been passed down from mothers to their children for centuries... (full context)
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Kindness, Mercy, and Morality Theme Icon
Odilia and Juanita investigate the barn first. It is clearly abandoned, with large holes in the roof and... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...remaining three sisters. They taunt each girl with her particular insecurities, mocking Pita’s chubbiness and Juanita’s self-righteousness. The one with Mamá’s voice criticizes Odilia for leaving Mamá and failing to keep... (full context)
Chapter 14
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...el chupacabras is immortal, like a vampire, cursed to be hunted by humans for eternity. Juanita has read a book about vampires and convinces her sisters to whittle branches into stakes.... (full context)
Chapter 16
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Ancestral and Cultural Appreciation Theme Icon
...quickly as possible. Delia and Velia refuse, fearing mistreatment at the hands of corrupt officers. Juanita also points out that things could get even worse for Mamá if Child Protection Services... (full context)
Chapter 18
Sisterhood, Motherhood, and Family Theme Icon
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...never leave them again. Delia and Velia, desperate for Papá’s love, run to him, and Juanita follows. Odilia remains with Mamá, breaking the code of the cinco hermanitas, together no more.  (full context)
Chapter 19
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...in their room. Papá calls for someone named Sarai, and a blonde woman emerges from Juanita’s room. She clings to Papá and urges him to tell the girls what is going... (full context)
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...will take care of them like she has been doing for so long. Sarai shoves Juanita as she leaves, and Mamá returns the blow, knocking the woman to the floor. Papá... (full context)
Chapter 22
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...him for coming and watches him leave, wondering if they will ever be close again. Juanita sees him too, and remarks that he didn’t even bring a present, but Odilia contradicts... (full context)