Summer of the Mariposas

by Guadalupe García McCall
La Llorona is a ghostly woman cursed to wander the banks of the Rio Grande, searching for her drowned children. She appears to Odilia near the riverbank and acts as the sisters’ guide throughout their journey through Mexico. Although the folklore surrounding La Llorona typically claims she drowned her own children, she tells Odilia this is not true. An argument between her and her husband frightened their sons, who ran away and fell to their deaths in the river. La Llorona’s guilt keeps her tethered to the earth, chasing apparitions of her sons night after night, never reaching them in time. Following orders from the Aztec goddess Tonantzin, she gifts Odilia the magical ear pendant and advises her that her sisters’ journey will heal their family. Unable to mother her own children, La Llorona stands in for Mamá, helping the sisters out of sticky situations and encouraging Odilia to have faith in herself. At the novel’s end, Tonantzin instructs Odilia to gift La Llorona magical roses that remind her who she is and redeem her. She is released from her penance and joins her children in a new constellation. Her character parallels the goddess Athena, who guides Odysseus in Homer’s Odyssey.

La Llorona Quotes in Summer of the Mariposas

The Summer of the Mariposas quotes below are all either spoken by La Llorona or refer to La Llorona. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sisterhood, Motherhood, and Family Theme Icon
).

Chapter 1 Quotes

“Don’t you see? There’s a reason we found him instead of the border patrol. He came looking for us because he knew we could help him. It’s not a coincidence that he’s from the same place as Papá.”

“What are you talking about?” I asked. “You’re not making any sense.”

Juanita continued passionately. “Don’t you get it? We were meant to find him, so we could go see our abuelita in Mexico again. It was fate that brought him to us.”

Related Characters: Odilia (speaker), Juanita (speaker), Abuelita Remedios, Papá, La Llorona, The Dead Man (Gabriel Pérdido)
Page Number and Citation: 21
Explanation and Analysis:

Chapter 3 Quotes

“You were chosen for the goodness in your heart,” she explained. […] “Your sister was right when she said finding the body of the drowned man was not an accident.”

She took my hand once again, her touch still deathly cold. Standing beside the hackberry shrubs with hundreds of empty desiccated cocoons still clinging to their branches and a carpet of butterfly corpses under her feet, La Llorona did not look anything like a malevolent specter. She looked more like a tired, heavily burdened woman.

Related Characters: La Llorona (speaker), Odilia (speaker), Juanita, The Dead Man (Gabriel Pérdido)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 51
Explanation and Analysis:

“This is about all of you: your sisters, your parents, even your abuela,” La Llorona continued. “You must travel to the other side, into the land of your ancestors, to find each other again.”

Related Characters: La Llorona (speaker), Odilia, The Dead Man (Gabriel Pérdido), Abuelita Remedios, Papá, Delia, Mamá, Pita, Velia, Juanita
Page Number and Citation: 53
Explanation and Analysis:

Chapter 8 Quotes

As apprehension spread into every pore of my being, I did the one thing I could to quiet the guilt in my mind. I turned the radio on. But even with the sound of loud music reverberating through the car, I could still hear my conscience nagging at me. You could have stopped this, all of it, it whispered. This is more your fault than anyone else’s. You’re the eldest. You should have known better.

Related Characters: Odilia (speaker), The Dead Man (Gabriel Pérdido), La Llorona, Mamá
Page Number and Citation: 126
Explanation and Analysis:

Chapter 9 Quotes

My heart suddenly ached for her, and I wondered if this sadness, this pain that seemed to overwhelm La Llorona, was what Mamá felt after Papá had left, when she went to bed at night and cried alone in the dark. Did she miss having a family then? Was it the family and not Papá she had mourned? Had we misjudged her sorrow?

Related Characters: Odilia (speaker), Papá, La Llorona, Cecilia, Mamá
Page Number and Citation: 148
Explanation and Analysis:

Chapter 14 Quotes

“Odilia is right. We’re the Garza girls, cinco hermanitas, five little sisters under the protection of the goddess,” she said, holding the stake in front of her with both hands and anchoring the sharp point of it on the ground.

“That’s right,” I said. I looked down at Pita, who was clutching her ankle, wincing. “Remember what I told you? La Llorona said we must remain noble and kind. We should grant mercy when it is asked of us.”

Related Characters: Odilia (speaker), Juanita (speaker), La Llorona, Pita, Velia, Delia, Tonantzin (La Virgen), El Chupacabras (Chencho)
Page Number and Citation: 235-236
Explanation and Analysis:

Chapter 15 Quotes

“Sometimes, men leave, for whatever reason,” Abuelita continued. “Nothing you did or could have done differently would have changed that. So I want you to stop blaming yourselves or your Mamá for the choices your father has made. Instead, I want you to continue taking care of each other the way you’ve been doing so far. I’m so proud of you for standing up for your hermanitas against those evil creatures. I’m sure having to do that has taught you how important it is to stick together and love one another more than anything else in the world.”

Related Characters: Abuelita Remedios (speaker), Cecilia, Mamá, Odilia, Juanita, Delia, Inés, Pita, Papá, Velia, La Llorona
Page Number and Citation: 257
Explanation and Analysis:

Chapter 21 Quotes

“You have done well, my daughter. Your migration through the voyage of pain and sorrow has been hard, but you are at the end of your journey. The Ancients have waited a long time for you to emerge, to spread your wings, to take flight. And now, they are ready for you to come home.”

Related Characters: Tonantzin (La Virgen) (speaker), La Llorona, Odilia
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 324
Explanation and Analysis:
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La Llorona Character Timeline in Summer of the Mariposas

The timeline below shows where the character La Llorona appears in Summer of the Mariposas. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...the other side of the Rio Grande. The woman disappears suddenly, and Odilia thinks of La Llorona , the Weeping Woman from folktales who searches rivers for the children she drowned. Odilia... (full context)
Chapter 3
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...close to the riverbank, followed by a frantic woman in a long white dress ( La Llorona ). As Odilia watches, the boys topple into the rushing water. Odilia jumps in after... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...drowned when morning comes. Her words chill Odilia, who realizes the woman is the fabled La Llorona , a ghost cursed to wander, searching for the children she drowned. (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
La Llorona tells Odilia she did not drown her children like the legends say. She and her... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
As the sun rises, La Llorona becomes fearsome; her hair turns white and her face shrivels. She tells Odilia she doesn’t... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Odilia protests that she cannot take her sisters to Mexico, abandoning Mamá. La Llorona insists that the sisters must work together to reunite their family, for they are lost... (full context)
Chapter 4
Sisterhood, Motherhood, and Family Theme Icon
Odilia puts La Llorona ’s ear pendant in her ear, which catches Juanita’s interest. Odilia blows off her questions... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...Odilia panics and spins the ear pendant, invoking the Aztec goddess Tonantzin for protection as La Llorona instructed. The officer seems hypnotized by the jewelry, and lets the girls through without further... (full context)
Chapter 5
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...spots an old woman with long gray hair standing in a field and thinks of La Llorona , taking it as a sign she needs to get back to her sisters. When... (full context)
Chapter 6
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...day,” and that he is a vagabond. He closes up shop without giving Odilia directions. La Llorona appears to Odilia in the shadows, telling her to follow the sound of the moon’s... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Odilia and her sisters find the pink house La Llorona mentioned. There is a large party happening in the front yard of the dead man’s... (full context)
Chapter 7
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...morning. Her sisters are quietly ecstatic about this visit, and Odilia internally decides to see La Llorona ’s plan for her family through to the end. Still concerned, Inés insists that they... (full context)
Chapter 8
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...As the eldest, she feels completely responsible for her sisters’ actions, and regrets listening to La Llorona . (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...and her sisters get to Abuelita’s house, and she becomes afraid. She calls out to La Llorona for help. (full context)
Chapter 9
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Odilia wakes to the apparition of La Llorona calling her name as if she were her own mother. She gives Odilia a bitter... (full context)
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...Odilia feels like she is in a fairytale. Determined to protect her sisters, she and La Llorona wait until Cecilia leaves before stealing the dangerous pies and feeding them to Cecilia’s pigs.... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Sensing La Llorona ’s sadness, Odilia wonders if Mamá mourns in the same way—not the loss of Papá,... (full context)
Chapter 10
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...Cecilia, who has called her evil children to torment them. Odilia tells her sisters—too late—about La Llorona ’s warnings to remain pure of heart, and how she did not take them seriously.... (full context)
Chapter 11
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...Charrito and that he can lead them to Abuelita’s house—raises Odilia’s suspicion, as she remembers La Llorona ’s warning and Teresita’s premonitions about the dangers waiting for them. (full context)
Chapter 13
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...in the nagual’s cave. Odilia is grateful that her sisters finally believe her story about La Llorona and the ear pendant’s powers. Velia wonders whether Mamá knows the lullaby she used to... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...in a fury, clawing and pecking at them while shouting in voices stolen from Mamá, La Llorona , Cecilia, and others. They call the girls evil children and demand that they repent.... (full context)
Chapter 14
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...Pita, but Odilia—seeing that he is only a little boy—resolves to show him mercy, as La Llorona directed. They send Chencho into the night, warning him that, if he returns, they will... (full context)
Chapter 20
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...that without them she would be like a ghost with no purpose. Odilia suddenly remembers La Llorona , thanks Mamá for loving them so much, and runs out of the house with... (full context)
Chapter 21
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Odilia finally understands that Tonantzin’s roses are meant for La Llorona , a mother defined by the terrible loss of her children, in need of a... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Tonantzin appears, declaring that La Llorona ’s journey through pain is at an end and it is time to be reunited... (full context)