Summer of the Mariposas

by Guadalupe García McCall

Odilia Character Analysis

Odilia is a 15-year-old Mexican American girl who lives in Eagle Pass, Texas with her Mamá and five younger sisters: Juanita, Velia, Delia, and Pita. A year before the novel begins, her Papá abandons the family, leaving Odilia and her sisters deeply wounded. As the eldest Garza sister, Odilia assumes responsibility for her siblings while Mamá is at work, doing her best to keep them out of trouble. She acts as a mediator in her younger sisters’ frequent arguments, and keeps the older ones from picking on Pita, the youngest. When her sisters drag her to Mexico to return the dead man to his family, Odilia feels guilt and shame for failing to protect them from danger. La Llorona appears to Odilia alone to inform her of the quest she and her sisters must undertake in order to heal their family, implying that she is not only the eldest sister but also their de facto leader. As the novel progresses, Odilia steps more fully into this role, uniting her sisters as they struggle against various supernatural entities and providing comfort when it is needed. Her conversations with La Llorona and her use of the Aztec ear pendant help her develop a greater understanding of her cultural heritage and the importance of staying true to her moral principles. That she takes a genuine interest in Abuelita Remedios’s herbal remedies is evidence of her budding maturity, as is her realization that she and her sisters have failed to be there for Mamá. Encountering Papá is the greatest test of Odilia’s resilience and wisdom; having experienced much deception, she knows not to trust him based on words alone. Although it is painful to reject Papá, Odilia understands that it is necessary for her and her sisters to achieve peace and move forward. Her character parallels both Odysseus and his son Telemachus in Homer’s Odyssey.

Odilia Quotes in Summer of the Mariposas

The Summer of the Mariposas quotes below are all either spoken by Odilia or refer to Odilia. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sisterhood, Motherhood, and Family Theme Icon
).

Prologue Quotes

We splashed around in that cold, clear water like river nymphs, born to swim and bathe till the end of days. It was a magical time, full of dreaminess and charm, a time to watch the mariposas emerge out of their cocoons, gather their courage, and take flight while we floated faceup in the water. And that’s exactly what we were doing the morning the body of a dead man drifted into our swimming haven.

Related Characters: Odilia (speaker), Pita, Juanita, Velia, The Dead Man (Gabriel Pérdido), Delia, Papá
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 4
Explanation and Analysis:

Chapter 1 Quotes

“Don’t you see? There’s a reason we found him instead of the border patrol. He came looking for us because he knew we could help him. It’s not a coincidence that he’s from the same place as Papá.”

“What are you talking about?” I asked. “You’re not making any sense.”

Juanita continued passionately. “Don’t you get it? We were meant to find him, so we could go see our abuelita in Mexico again. It was fate that brought him to us.”

Related Characters: Odilia (speaker), Juanita (speaker), Abuelita Remedios, Papá, La Llorona, The Dead Man (Gabriel Pérdido)
Page Number and Citation: 21
Explanation and Analysis:

Chapter 2 Quotes

Yes. If I could have anything, I’d have Papá come back into our lives and take care of us. I wanted him to stop touring, get a real job, and be home every day like he used to be when we were young. I wanted Mamá to stop working and worrying all the time. It’s not like I wanted her to tuck us in at night and sing us a lullaby in Spanish like she used to. We were too old for that now. No. I just wanted to be a family again.

Related Characters: Odilia (speaker), Papá, Mamá
Page Number and Citation: 37
Explanation and Analysis:

Chapter 3 Quotes

“You were chosen for the goodness in your heart,” she explained. […] “Your sister was right when she said finding the body of the drowned man was not an accident.”

She took my hand once again, her touch still deathly cold. Standing beside the hackberry shrubs with hundreds of empty desiccated cocoons still clinging to their branches and a carpet of butterfly corpses under her feet, La Llorona did not look anything like a malevolent specter. She looked more like a tired, heavily burdened woman.

Related Characters: La Llorona (speaker), Odilia (speaker), Juanita, The Dead Man (Gabriel Pérdido)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 51
Explanation and Analysis:

“This is about all of you: your sisters, your parents, even your abuela,” La Llorona continued. “You must travel to the other side, into the land of your ancestors, to find each other again.”

Related Characters: La Llorona (speaker), Odilia, The Dead Man (Gabriel Pérdido), Abuelita Remedios, Papá, Delia, Mamá, Pita, Velia, Juanita
Page Number and Citation: 53
Explanation and Analysis:

Chapter 7 Quotes

“Who would’ve thought this guy had abandoned his family?” she asked, joining our conversation. “He looked so happy in the picture. I thought for sure they’d be waiting for him.”

“Nothing’s ever the way it seems, is it? I mean look at Papá,” Juanita whispered at no one in particular. She sounded distant, sad.

Related Characters: Juanita (speaker), Velia (speaker), Papá, Odilia, The Dead Man (Gabriel Pérdido)
Page Number and Citation: 114
Explanation and Analysis:

Chapter 8 Quotes

As apprehension spread into every pore of my being, I did the one thing I could to quiet the guilt in my mind. I turned the radio on. But even with the sound of loud music reverberating through the car, I could still hear my conscience nagging at me. You could have stopped this, all of it, it whispered. This is more your fault than anyone else’s. You’re the eldest. You should have known better.

Related Characters: Odilia (speaker), The Dead Man (Gabriel Pérdido), La Llorona, Mamá
Page Number and Citation: 126
Explanation and Analysis:

Chapter 9 Quotes

My heart suddenly ached for her, and I wondered if this sadness, this pain that seemed to overwhelm La Llorona, was what Mamá felt after Papá had left, when she went to bed at night and cried alone in the dark. Did she miss having a family then? Was it the family and not Papá she had mourned? Had we misjudged her sorrow?

Related Characters: Odilia (speaker), Papá, La Llorona, Cecilia, Mamá
Page Number and Citation: 148
Explanation and Analysis:

From now on, I would look over my shoulder at every turn. I would make sure I knew who or what was lurking around me, waiting to harm us when we least expected it. For many people in this world were not who they claimed to be, and evil dwelled where you least expected it. It had certainly been that way with Cecilia, the beautiful butterfly who had turned out to be a poisonous wasp.

Related Characters: Odilia (speaker), Papá, Cecilia
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 149
Explanation and Analysis:

Chapter 10 Quotes

“What Cecilia has beset upon you is just the beginning. You must save the ear pendant’s remaining gifts. Use them sensibly, for there is so much more to life than nightmares and demons in the dark. In order to go home, to be truly happy again, you must face the worst enemy of all, the monster that lives among you.”

Related Characters: Teresita (speaker), Papá, Juanita, Cecilia, Pita, Delia, Velia, Odilia
Page Number and Citation: 165
Explanation and Analysis:

Chapter 12 Quotes

There were so many of them joining in the dance that soon they moved as one. Their bodies became a collective, a tapestry of wing and wind that fluttered with life, transforming into the figure of a young woman with dark hair and dark eyes. She was dressed in a shimmering tunic of gold and green jade. She looked like an Aztec goddess, but her face was that of a Mexican girl, the face of our many friends and cousins, a teenager, like us.

Related Characters: Odilia (speaker), Tonantzin (La Virgen)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 190
Explanation and Analysis:

Chapter 13 Quotes

With two lechuzas at their backs, they busted out of the barn as if their heels were on fire, never once looking back. Had they abandoned their hermanitas?

I looked at the barn doors noisily slapping back and forth with the force of the storm, and I couldn’t help but feel powerless. The twins’ desertion shattered any hope I had left of defeating the malevolent witches. And for the first time on our journey, I wanted to cry.

Related Characters: Odilia (speaker), Lechuzas, Velia, Delia
Page Number and Citation: 203
Explanation and Analysis:

Chapter 14 Quotes

It felt weird, preparing for what might happen to us in the night. I felt like we were in a different world, a magical realm, where everything was larger than life. Did I think we could really kill the mythical chupacabras? Normally, I would have said not on your life, especially since we weren’t even sure if he was a vampire. […] Besides, there was something about being in those ruins in the Mexican countryside that made anything possible, because that night I believed in us—cinco hermanitas, five little sisters, together forever. No matter what.

Related Characters: Odilia (speaker), Velia, Delia, Pita, Juanita, El Chupacabras (Chencho)
Page Number and Citation: 229
Explanation and Analysis:

“Odilia is right. We’re the Garza girls, cinco hermanitas, five little sisters under the protection of the goddess,” she said, holding the stake in front of her with both hands and anchoring the sharp point of it on the ground.

“That’s right,” I said. I looked down at Pita, who was clutching her ankle, wincing. “Remember what I told you? La Llorona said we must remain noble and kind. We should grant mercy when it is asked of us.”

Related Characters: Odilia (speaker), Juanita (speaker), La Llorona, Pita, Velia, Delia, Tonantzin (La Virgen), El Chupacabras (Chencho)
Page Number and Citation: 235-236
Explanation and Analysis:

Chapter 15 Quotes

“You mean he doesn’t love us anymore?” Pita asked.

“Would you? If you had us for daughters?” Delia asked Pita, looking at her sisters resentfully.

That’s when I realized the evil of what the lechuzas said about us. We had been bad, yes, but was what Papá did our fault? “Yes, I would still love us,” I said, angry with myself for not realizing the twins had been blaming themselves for Papá’s absence all this time. “The way I see it, we didn’t fail Papá, he failed us. He’s the adult here.”

Related Characters: Delia (speaker), Pita (speaker), Odilia (speaker), Juanita, Abuelita Remedios, Lechuzas, Papá, Velia
Page Number and Citation: 256-257
Explanation and Analysis:

“Sometimes, men leave, for whatever reason,” Abuelita continued. “Nothing you did or could have done differently would have changed that. So I want you to stop blaming yourselves or your Mamá for the choices your father has made. Instead, I want you to continue taking care of each other the way you’ve been doing so far. I’m so proud of you for standing up for your hermanitas against those evil creatures. I’m sure having to do that has taught you how important it is to stick together and love one another more than anything else in the world.”

Related Characters: Abuelita Remedios (speaker), Cecilia, Mamá, Odilia, Juanita, Delia, Inés, Pita, Papá, Velia, La Llorona
Page Number and Citation: 257
Explanation and Analysis:

Chapter 16 Quotes

“Your father is like the sun, splendid to behold, but he must descend and let darkness rule for a time.”

I don’t get it,” Pita said.

The virgen stepped down from her throne and touched Pita’s face. “Without night there would be no rest, no room for growth. It is just the way things are,” Tonantzin explained in a serene voice.

[…]

“I know you don’t understand what is happening with your family,” Tonantzin said gently. “But you will, when the time comes. A new dawn is approaching, but you are very clever, very brave. You will not be blinded by his light.”

Related Characters: Odilia, Papá, Juanita, Mamá, Pita, Tonantzin (La Virgen), Delia, Velia
Page Number and Citation: 273
Explanation and Analysis:

Chapter 17 Quotes

“Tenochtitlan,” Abuelita said, looking in wonder at the great city looming over the swampy lake. “The Aztecs decided to build it here, on the lake, when they saw the sign—an eagle sitting on a cactus, eating a snake. It was the center of a great empire, the home of our ancestors.”

I watched Ixtali row and row, taking us away from the city. “Why are we so far from home?” I asked.

“This is the goddess’s gift to you,” she said. “A vision, to always remember who you are, where you came from, as you develop a better future.”

Related Characters: Odilia (speaker), Ixtali (speaker), Abuelita Remedios (speaker), Tonantzin (La Virgen)
Page Number and Citation: 280
Explanation and Analysis:

Chapter 18 Quotes

Then, just as reluctantly as the last leaf of autumn falls off a desiccated branch, Juanita’s hand slackened and fell away from mine. She walked away from me, leaving me alone with my anger and resentment. Papá’s arrival had done what Cecilia and her Evil Trinity could not accomplish. His empty promises broke the code of the cinco hermanitas. We were five little sisters, together no more—cinco hermanitas torn completely apart.

Related Characters: Odilia (speaker), Delia, Pita, Mamá, Teresita, Papá, Cecilia, Juanita, Velia
Page Number and Citation: 298
Explanation and Analysis:

Chapter 19 Quotes

“We’re not tortas you can take out of the oven and set aside to cool off while you dillydally with a whole other life. Families are supposed to be important, and that’s one thing you never did: Make us important. And now you want to take away the only real parent we’ve ever had? Well, it’s not going to happen. We’re not going to let you get rid of Mamá.”

Related Characters: Odilia (speaker), Juanita, Mamá, Papá, Pita, Delia, Velia
Page Number and Citation: 308
Explanation and Analysis:

Chapter 21 Quotes

“You have done well, my daughter. Your migration through the voyage of pain and sorrow has been hard, but you are at the end of your journey. The Ancients have waited a long time for you to emerge, to spread your wings, to take flight. And now, they are ready for you to come home.”

Related Characters: Tonantzin (La Virgen) (speaker), La Llorona, Odilia
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 324
Explanation and Analysis:

“Only the sun is the alone in the sky,” the Virgen’s voice answered me from beyond the shadows of night. I couldn’t see anything, but I could feel her presence all around me. “I am with you every day. I am the moon, the stars, the sky. I am the river. I am the morning sigh. Remember mi Mariposa pequeña. You are one of many. You are one of us.”

At her words, a swarm of butterflies fluttered out of the hackberry shrubs and flitted around me, dusting me with delight.

Related Characters: Odilia (speaker), Tonantzin (La Virgen) (speaker)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 326-327
Explanation and Analysis:

Chapter 22 Quotes

In Aaron, Mamá had found a strong heart, and she’d attached herself to the offered hands slowly, cautiously, making sure he was the right man with whom to start a new life. But when she’d emerged from the safety of her cocoon, Mamá was happier and more radiant than we’d ever seen her. In our eyes, she was reborn into beauty—celestial, divine. And we couldn’t be happier for her.

Related Characters: Odilia (speaker), Papá, Mamá, Special Agent Gonzales
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 332
Explanation and Analysis:
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Odilia Character Timeline in Summer of the Mariposas

The timeline below shows where the character Odilia appears in Summer of the Mariposas. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
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The summer one year after Odilia’s father leaves her, her Mamá, and her sisters behind, American Snout butterflies swarm her hometown... (full context)
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Odilia and her sisters abandon Lotería and spend the summer running wild around their neighborhood, free... (full context)
Chapter 1
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When the dead man floats into their swimming hole, Odilia and her sisters panic. There are five of them: Odilia is the eldest, followed by... (full context)
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...time to go home and change out of their wet clothes before calling the authorities. Odilia calls them “the pretty ones,” sure to dazzle any audience. Juanita tries to bring the... (full context)
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After bickering some more, Odilia rallies her sisters and forms a plan: some of them will pull the dead man... (full context)
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Juanita pulls the dead man from the water without her sisters’ help. In response to Odilia calling her crazy, she claims she is compassionate and considerate. The man appears to the... (full context)
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The dead man’s wallet identifies him as Gabriel Pérdido from El Sacrificio, Mexico. Odilia insists they need to turn everything—including the money—in to the authorities. Juanita argues, saying they... (full context)
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...to find him and return him to his family, and visit Abuelita Remedios, she says. Odilia speculates that perhaps Abuelita knows what happened to Papá. As the girls fall momentarily silent,... (full context)
Chapter 2
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...they will use it to get him home. Juanita proposes using Papá’s old car, which Odilia alone has a permit to drive. Exasperated, Odilia tries to convince her sisters that their... (full context)
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Mamá is already at work waitressing when the girls arrive home. Everyone but Odilia begins packing for their trip to Mexico. Figuring they will realize soon enough that they... (full context)
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Odilia tells her sisters that she is sleeping over at a friend’s house, ruining their plan... (full context)
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Instead of going to a friend’s house, Odilia goes to the café where Mamá works. Mamá sees her through the window and meets... (full context)
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Mamá tells Odilia to take care of whatever is going on with her sisters and returns to work.... (full context)
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Odilia naps for a few hours on the bench before walking home. She sneaks into the... (full context)
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Juanita is disgusted by Odilia’s stalling tactics, but the girls are determined to make the trip to Mexico with or... (full context)
Chapter 3
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Odilia and her sisters spend the night at the riverbank, prepping the dead man for travel.... (full context)
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Odilia fights to keep the boys in sight as the current sweeps them away. By the... (full context)
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La Llorona tells Odilia she did not drown her children like the legends say. She and her husband were... (full context)
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...rises, La Llorona becomes fearsome; her hair turns white and her face shrivels. She tells Odilia she doesn’t have much time, but she has been sent to help her and her... (full context)
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Odilia protests that she cannot take her sisters to Mexico, abandoning Mamá. La Llorona insists that... (full context)
Chapter 4
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Odilia puts La Llorona’s ear pendant in her ear, which catches Juanita’s interest. Odilia blows off... (full context)
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The girls pile into the car and head for the border with Odilia driving. She asks the others if she looks silly wearing only one earring, only to... (full context)
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Lingering in line draws the officer’s suspicion. Odilia panics and spins the ear pendant, invoking the Aztec goddess Tonantzin for protection as La... (full context)
Chapter 5
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Odilia tries to move things along at the gas station, worried about attracting attention. The couple... (full context)
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Odilia drops her sisters off in the woods outside of a small town called Castaños and... (full context)
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...returning the dead man to his home, where he can receive a proper burial. Even Odilia seems to agree with her. The girls excitedly discuss how they will be famous heroines... (full context)
Chapter 6
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...The shop owner glimpses the dead man in the car and recognizes him. He tells Odilia the man should have stayed away, that he is going to ruin “that poor girl’s... (full context)
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Odilia and her sisters find the pink house La Llorona mentioned. There is a large party... (full context)
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...himself as Efraín Pérdido and asks if they are friends of Beatriz—the dead man’s daughter. Odilia realizes Efraín is Gabriel Pérdido’s son and dreads the bad news she and her sisters... (full context)
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...in the years after he abandoned his family and ply the Garza sisters for information. Odilia is grateful that her sisters have the sense to remain silent. Gabriel’s body is taken... (full context)
Chapter 7
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...sisters stay the night. She feeds them and questions them on their journey to Mexico. Odilia tries to give as little detail as possible, claiming that Mamá knew about their trip,... (full context)
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Odilia’s sisters question her use of the pendant, but they’re grateful for its results: Inés appears... (full context)
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Velia asks if they are really going to visit Abuelita, and Odilia confirms the plan, inciting a chorus of cheers. Privately, she worries about what they will... (full context)
Chapter 8
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After purchasing all the newspapers at the corner store, Odilia retrieves her sisters from Inés’s house and departs. In the car, she informs the girls... (full context)
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...and even took some of his cash, which they now speculate could be “blood money.” Odilia is furious at herself for not considering how their actions might get Mamá into legal... (full context)
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Odilia continues to drive down an unpaved road, searching for the turnoff for Abuelita’s house as... (full context)
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...Cecilia does not have a car, but her house and garden are so beautiful that Odilia feels like they have stepped into a fantasy world. Inside, Cecilia feeds them sweet bread... (full context)
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...Gabriel Pérdido. Seeing how frightened the sisters are, she pushes them to eat more sweets. Odilia asks for a phone to call Mamá, but Cecilia ignores her, saying Mamá is lucky... (full context)
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...Cecilia’s insistence that they have a bath and sleep some more. In her own room, Odilia feels content and does not think of Mamá or Papá at all as she drifts... (full context)
Chapter 9
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Odilia wakes to the apparition of La Llorona calling her name as if she were her... (full context)
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...been drugging her and her sisters so they will never want to leave her house, Odilia feels like she is in a fairytale. Determined to protect her sisters, she and La... (full context)
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Sensing La Llorona’s sadness, Odilia wonders if Mamá mourns in the same way—not the loss of Papá, but how his... (full context)
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...She tries to feed the girls day-old sweet bread and becomes angry when they refuse. Odilia accuses her of medicating the food, but Cecilia plays dumb. Odilia threatens Cecilia, saying they... (full context)
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Frustrated, Odilia uses the ear pendant to hypnotize Cecilia into telling the truth. Cecilia tells them to... (full context)
Chapter 10
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...An old man (Teresita’s husband) greets them and offers them water from a well. Hesitantly, Odilia takes a sip; it is unspeakably refreshing. The man tells the girls Teresita has been... (full context)
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...pay for their transgressions against Cecilia, who has called her evil children to torment them. Odilia tells her sisters—too late—about La Llorona’s warnings to remain pure of heart, and how she... (full context)
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...more demons waiting for them at home that have yet to be faced, which worries Odilia. (full context)
Chapter 11
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...reach Abuelita’s house by nightfall. Once on the road, the bickering starts up again, until Odilia forces the sisters to walk separately in pairs. They come upon a lame donkey harnessed... (full context)
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...suit, feeling they should take advantage of better transport even if Pita has gone crazy. Odilia tries to stop her sisters, questioning where the donkey came from and suggesting he might... (full context)
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The girls in the wagon eat some of their provisions while Odilia struggles to keep up with the wagon. At a small creek, the donkey pulls off... (full context)
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...husband mentioned, the donkey speaks in a deep voice, exhorting them to listen to Pita. Odilia shouts that he is the nagual and tries to rally her sisters to run away.... (full context)
Chapter 12
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Odilia wakes in the nagual’s cave to see that she and her sisters are tied up,... (full context)
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Odilia tries to remember the song of the cave and the rain that Teresita mentioned, but... (full context)
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...the potion. Trying to flee, the nagual trips and falls into the cauldron, dying instantly. Odilia and her sisters run from the cave into the night. (full context)
Chapter 13
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...the dark. While they walk, they discuss what happened with Tonantzin in the nagual’s cave. Odilia is grateful that her sisters finally believe her story about La Llorona and the ear... (full context)
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Odilia and Juanita investigate the barn first. It is clearly abandoned, with large holes in the... (full context)
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As soon as Odilia removes the silk thread from her pocket, the lechuzas attack, screeching into the barn. They... (full context)
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...her particular insecurities, mocking Pita’s chubbiness and Juanita’s self-righteousness. The one with Mamá’s voice criticizes Odilia for leaving Mamá and failing to keep her sisters safe. Just when all hope seems... (full context)
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Odilia feels no remorse for killing the lechuzas, and she’s distressed to see that more are... (full context)
Chapter 14
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...afraid of el chupacabras, but her sisters assure her it only comes out at night. Odilia wakes at noon to a feeling of evil foreboding. Outside, the girls can hear bleating... (full context)
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...He is very dirty, with matted hair that covers one of his eyes. Up close, Odilia notes that he has more body hair than an average 12-year-old boy. Chencho offers them... (full context)
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Odilia waits an hour before leading her sisters out of the barn, but they still run... (full context)
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...camp at the abandoned cabin. Chencho makes a fire and coffee, glad to have company. Odilia asks him why he lives alone in the wilderness. Chencho says his mother died when... (full context)
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...to “bash its head in,” the girls stay up waiting for the beast to attack. Odilia feels again like she has entered a magical world, and she finds that she believes... (full context)
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Despite her best intentions, Odilia falls asleep. She dreams of Chencho’s missing eye and wakes to the sound of Pita... (full context)
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...monster often overcomes him. Velia and Delia want to kill Chencho for attacking Pita, but Odilia—seeing that he is only a little boy—resolves to show him mercy, as La Llorona directed.... (full context)
Chapter 15
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...making it too painful to walk. They continue their journey toward Abuelita’s house with difficulty. Odilia considers using the last spin of the ear pendant, but she knows that Abuelita will... (full context)
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...she questions the other sisters about the bite. Not sure if Abuelita will believe her, Odilia withholds that it was el chupacabras until one of the hired men recognizes the distinctive... (full context)
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...the girls will stay with her as long as it takes for her to recuperate. Odilia lies to Abuelita to prevent her from calling Mamá immediately, telling her their phone is... (full context)
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...sisters recall how Papá used to spoil them with gifts whenever he came home, but Odilia thinks he did this because he felt guilty for being gone so much. (full context)
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...to the United States. Grasping the permanence of their father’s abandonment, the sisters are heartbroken. Odilia reflects that she was not alone in holding out hope that Papá would return, and... (full context)
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...just like Papá did, and that they have to get home to make things right. Odilia suggests that the lechuzas were right: they are wicked children, running wild when they should... (full context)
Chapter 16
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...next morning, the girls prepare to return home. Abuelita Remedios gifts several seed packets to Odilia so she can start a garden of her own, and invites them to come back... (full context)
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...that things could get even worse for Mamá if Child Protection Services is called. Suddenly, Odilia realizes where they are: the Santuario de Nuestra Señora de Guadalupe, the sanctuary of the... (full context)
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Inside the church, Odilia leads her sisters and Abuelita to the virgin’s altar before spinning the ear pendant a... (full context)
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Tonantzin is proud of the sisters, but Odilia regrets their journey because Pita and Mamá have been hurt. Tonantzin states that mothers are... (full context)
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Tonantzin asks Odilia for one last favor: “to remind the mother that she is the flower, the bud,... (full context)
Chapter 17
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Odilia asks Ixtali why they are so far away from home, and she responds that it... (full context)
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...butterflies. When they find the roses, they are shining brightly, surrounded by hundreds of mariposas. Odilia and Velia set out to collect some, as per the goddess’s instructions, while the other... (full context)
Chapter 18
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...sees no proof of negligence on her part. Another officer brings Mamá the roses, and Odilia waits for her mother to undergo some magical transformation, but nothing changes. Mamá says she... (full context)
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...says she has something to tell them—everything is going to change. They step inside, and Odilia embraces her mother and apologizes, comforted by her mother’s nearness. Mamá responds that they will... (full context)
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...to him, but only Pita responds, running into his arms. Despite her desire to hope, Odilia knows Papá is not here for them. She urges her sisters not to go to... (full context)
Chapter 19
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Odilia’s intuition tells her to be suspicious of Papá. Suddenly, the twins’ bedroom door opens and... (full context)
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...so they cannot mistreat them. They will be his stepdaughters once the divorce is finalized. Odilia is shocked by the callousness of this declaration, realizing Abuelita was right: her father wants... (full context)
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...that Alison and Ashley and Sarai will all live in the house with the girls. Odilia asks where Mamá will live, and Papá implies that she will have to leave. Facing... (full context)
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...provide for them—an ironic question, since he has not sent them anything for a year—and Odilia replies that the Virgen will take care of them like she has been doing for... (full context)
Chapter 20
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...for the Virgen, they take some time to pray and light candles before her statue. Odilia notices white roses similar to the ones she picked for Mamá. Since Mamá did not... (full context)
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That evening, the girls play Lotería with Mamá, enjoying being together again. Odilia lingers after her sisters go to bed, still thinking about Tonantzin’s roses. Mamá wants to... (full context)
Chapter 21
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Odilia finally understands that Tonantzin’s roses are meant for La Llorona, a mother defined by the... (full context)
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...children. Llorona ascends to form a new constellation among the stars—a woman with two children. Odilia realizes this is what Tonantzin meant when she said they would create “new life in... (full context)
Chapter 22
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In the weeks after Papá leaves for good, Odilia’s sisters talk about him, wishing things might have turned out different. Odilia keeps her wounds... (full context)
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...love with Agent Gonzales. Her daughters are so proud and happy for her. Through rumors, Odilia has heard that Sarai abandoned Papá, taking all his money with her. Papá tries to... (full context)