Summer of the Mariposas

by Guadalupe García McCall

Tonantzin (La Virgen) Character Analysis

Tonantzin is a maternal Aztec goddess, also known by her Christianized title, La Virgen de Guadalupe. She sends La Llorona to speak with Odilia about how she and her sisters must go to Mexico, the land of their ancestors, in order to heal their family. Though Odilia invokes her name whenever she uses La Llorona’s ear pendant, Tonantzin does not appear in the flesh until she rescues the girls from the nagual’s cave, taking the shape of a teenager—like the girls themselves—dressed in Aztec finery. The nagual is frightened by her presence and power, since she is revered among supernatural and earthly beings alike. She is associated with the mariposas that follow the girls, symbolic of their ancestors keeping them company on their journey and the collective metamorphosis that the sisters experience. Tonantzin’s involvement in the Garza sisters’ journey fosters a new appreciation of their cultural heritage.

Tonantzin (La Virgen) Quotes in Summer of the Mariposas

The Summer of the Mariposas quotes below are all either spoken by Tonantzin (La Virgen) or refer to Tonantzin (La Virgen). For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sisterhood, Motherhood, and Family Theme Icon
).

Chapter 12 Quotes

There were so many of them joining in the dance that soon they moved as one. Their bodies became a collective, a tapestry of wing and wind that fluttered with life, transforming into the figure of a young woman with dark hair and dark eyes. She was dressed in a shimmering tunic of gold and green jade. She looked like an Aztec goddess, but her face was that of a Mexican girl, the face of our many friends and cousins, a teenager, like us.

Related Characters: Odilia (speaker), Tonantzin (La Virgen)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 190
Explanation and Analysis:

Chapter 14 Quotes

“Odilia is right. We’re the Garza girls, cinco hermanitas, five little sisters under the protection of the goddess,” she said, holding the stake in front of her with both hands and anchoring the sharp point of it on the ground.

“That’s right,” I said. I looked down at Pita, who was clutching her ankle, wincing. “Remember what I told you? La Llorona said we must remain noble and kind. We should grant mercy when it is asked of us.”

Related Characters: Odilia (speaker), Juanita (speaker), Velia, El Chupacabras (Chencho), La Llorona, Pita, Tonantzin (La Virgen), Delia
Page Number and Citation: 235-236
Explanation and Analysis:

Chapter 16 Quotes

“Your father is like the sun, splendid to behold, but he must descend and let darkness rule for a time.”

I don’t get it,” Pita said.

The virgen stepped down from her throne and touched Pita’s face. “Without night there would be no rest, no room for growth. It is just the way things are,” Tonantzin explained in a serene voice.

[…]

“I know you don’t understand what is happening with your family,” Tonantzin said gently. “But you will, when the time comes. A new dawn is approaching, but you are very clever, very brave. You will not be blinded by his light.”

Related Characters: Papá, Tonantzin (La Virgen), Mamá, Odilia, Juanita, Delia, Pita, Velia
Page Number and Citation: 273
Explanation and Analysis:

Chapter 17 Quotes

“Tenochtitlan,” Abuelita said, looking in wonder at the great city looming over the swampy lake. “The Aztecs decided to build it here, on the lake, when they saw the sign—an eagle sitting on a cactus, eating a snake. It was the center of a great empire, the home of our ancestors.”

I watched Ixtali row and row, taking us away from the city. “Why are we so far from home?” I asked.

“This is the goddess’s gift to you,” she said. “A vision, to always remember who you are, where you came from, as you develop a better future.”

Related Characters: Odilia (speaker), Ixtali (speaker), Abuelita Remedios (speaker), Tonantzin (La Virgen)
Page Number and Citation: 280
Explanation and Analysis:

Chapter 21 Quotes

“You have done well, my daughter. Your migration through the voyage of pain and sorrow has been hard, but you are at the end of your journey. The Ancients have waited a long time for you to emerge, to spread your wings, to take flight. And now, they are ready for you to come home.”

Related Characters: Tonantzin (La Virgen) (speaker), Odilia, La Llorona
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 324
Explanation and Analysis:

“Only the sun is the alone in the sky,” the Virgen’s voice answered me from beyond the shadows of night. I couldn’t see anything, but I could feel her presence all around me. “I am with you every day. I am the moon, the stars, the sky. I am the river. I am the morning sigh. Remember mi Mariposa pequeña. You are one of many. You are one of us.”

At her words, a swarm of butterflies fluttered out of the hackberry shrubs and flitted around me, dusting me with delight.

Related Characters: Tonantzin (La Virgen) (speaker), Odilia (speaker)
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 326-327
Explanation and Analysis:
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Tonantzin (La Virgen) Character Timeline in Summer of the Mariposas

The timeline below shows where the character Tonantzin (La Virgen) appears in Summer of the Mariposas. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 4
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...draws the officer’s suspicion. Odilia panics and spins the ear pendant, invoking the Aztec goddess Tonantzin for protection as La Llorona instructed. The officer seems hypnotized by the jewelry, and lets... (full context)
Chapter 7
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...they call Mamá to let her know the girls are safe. Odilia panics, and invokes Tonantizin, spinning the ear pendant to hypnotize Inés. (full context)
Chapter 12
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...her right hand from the ropes and spins the ear pendant. This time, she asks Tonantzin for the song of the cave, and the music emanates from the pendant, a song... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...Juanita calls her La Virgen de la Cueva and bows. The nagual addresses her as Tonantzin, begging her forgiveness. Tonantzin tells the nagual he was warned that the sisters—cinco estrellitas (five... (full context)
Chapter 13
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...the right path again in the dark. While they walk, they discuss what happened with Tonantzin in the nagual’s cave. Odilia is grateful that her sisters finally believe her story about... (full context)
Chapter 16
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...to the virgin’s altar before spinning the ear pendant a final time. She calls upon Tonantzin, proclaiming that she and her sisters have done what was asked of them, and asking... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Tonantzin is proud of the sisters, but Odilia regrets their journey because Pita and Mamá have... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Tonantzin asks Odilia for one last favor: “to remind the mother that she is the flower,... (full context)
Chapter 17
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...the sun rises, a woman (Ixtali) paddles up to them and says the Great Mother (Tonantzin) sent her to take them across the water to their own world. They board the... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...are so far away from home, and she responds that it is a gift from Tonantzin, a vision to remember where they came from as the move toward a brighter future.... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
The girls walk through the woods in search of Tonantzin’s rosebushes, noting the absence of butterflies. When they find the roses, they are shining brightly,... (full context)
Chapter 19
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...ironic question, since he has not sent them anything for a year—and Odilia replies that the Virgen will take care of them like she has been doing for so long. Sarai shoves... (full context)
Chapter 20
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...Since Mamá did not undergo a magical transformation, Odilia worries that she did not complete Tonantzin’s last request correctly. She prays for wisdom and inspiration. (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...enjoying being together again. Odilia lingers after her sisters go to bed, still thinking about Tonantzin’s roses. Mamá wants to play Lotería again, but Odilia gets upset when she finds out... (full context)
Chapter 21
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Odilia finally understands that Tonantzin’s roses are meant for La Llorona, a mother defined by the terrible loss of her... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Tonantzin appears, declaring that La Llorona’s journey through pain is at an end and it is... (full context)