Olive Leech Quotes in Summer of the Seventeenth Doll
That's what the lay-off is. Not just playing around and spending a lot of money, but a time for livin'. You think I haven't sized that up against what other women have? I laugh at them every time they try to tell me. Even waiting for Roo to get back is more exciting than anything they've got.
All round would be the regulars—soft city blokes...and then in would come Roo and Barney. They wouldn't say anything...there'd just be the two of them walkin' in, then a kind of wait for a second or two, and quiet. After that, without a word, the regulars'd stand side to let 'em through, just as if they was a—a coupla kings. She always reckoned they made the rest of the mob look like a bunch of skinned rabbits.
Not as good as Roo when he's fit, mind yer, but he could run rings round the best of us. And this time he even made Roo look like a has-been. I never seen Roo git so mad, in no time at all he made it like a running fight between 'em, tryin' to git the better of this kid.
Olive: You didn't go with him?
Olive: Why not?
Barney: I dunno. It was all messed up. You know what Roo's always been to me, a sort of little tin god. I've never seen him in the wrong before.
No, they're not. Someone's taking special care. Other times they've been pretty, but this one's beautiful. You can see.
The way you went on about everythin'—sounded just as if when they arrived, the whole town was gunna go up like a balloon.
...We come down here for the lay-off, five months of the year, December to April. That leaves another seven months still hangin'—what d'yer reckon Olive does in that time? Knocks around with other blokes, goes out on the loose every week? No, she doesn't, she just waits for us to come back again—coz she thinks our five months is worth all the rest of the year put together!
H-how can I? All that's happened in a house makes a feeling—you can't tell anyone that. It's between people.
I started off trying to fix up what they broke. After that, I couldn't seem to stop. Emma always sez tryin' to shift heavy furniture on your own's a sign you're crooked on the world. Wonder what spring cleanin' at two o'clock in the morning means?
All right. But the least you can do is to see what you've got as it really is. Take a look at this place now you've pulled down the decorations—what's so wonderful about it? Nothing! It's just an ordinary little room that's a hell of a lot the worse for the wear. And if you'd only come out of your day dream long enough to take a grown up look at the lay off, that's what you'd find with the rest of it.
And it's more than looking—it's havin' another woman walking around knowin' your inside and sorry for you 'coz she thinks you've never been within cooee of the real thing. That's what hurts. It was all true, everythin' I told her was true, an'—and she didn't see any of it.