Sweet Bird of Youth
by Tennessee Williams

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Act One, Scene One Quotes

SCUDDER: There’s a lot more to this which we feel ought not to be talked about to anyone, least of all to you, since you have turned into a criminal degenerate, the only right term for you, but, Chance, I think I ought to remind you that once long ago, the father of this girl wrote out a prescription for you, a sort of medical prescription, which is castration. You’d better think about that, that would deprive you of all you’ve got to get by on. […]

CHANCE: I’m used to that threat. I’m not going to leave St. Cloud without my girl.

Related Characters: Dr. George Scudder (speaker), Chance Wayne (speaker), Boss Finley, Heavenly Finley
Page Number and Citation: 10
Explanation and Analysis:
In this passage, Dr. George Scudder warns Chance about staying in St. Cloud. Without using any specific names, he reminds Chance that Boss Finley has threatened to castrate him. When he says, “You’d better think about that, that would deprive you of all you’ve got to get by on,” he points out that Chance has failed in his attempts to become a famous actor. Indeed, Chance has become a gigolo, someone who depends upon his ability to have sex. If he were to be castrated, then, he would be “deprived” of the only thing that keeps him afloat financially. What’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. A

For years they told me that it was ridiculous of me to feel that I couldn’t go back to the screen or the stage as a middle-aged woman. They told me I was an artist, not just a star whose career depended on youth. But I knew in my heart that the legend of Alexandra del Lago couldn’t be separated from an appearance of youth…

There’s no more valuable knowledge than knowing the right time to go. I knew it. I went at the right time to go. RETIRED!

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Page Number and Citation: 21
Explanation and Analysis:
The Princess says this to the audience early in the play, once she has recovered her memory. At first, she blocks out any remembrance of the embarrassment she suffered at the premiere of her comeback film, but now she finally explains the progression of her life as an actress. Although the people around her kept telling her that it was “ridiculous” of her to think that she “couldn’t go back to the screen or the stage as a middle-aged woman,” she felt sure that her age disqualified her from the kind of fame she enjoyed as a beautiful young star. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non

Well, sooner or later, at some point in your life, the thing that you lived for is lost or abandoned, and then…you die, or find something else. This is my something else…

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Page Number and Citation: 23
Explanation and Analysis:
In this moment, the Princess explains to Chance why she started using drugs: she realized that she had lost “the thing” she “lived for.” At first glance, one might think that the “thing” the Princess is referring to is the art of acting, but given her obsession with youth, it seems likelier that what she “lived for” was her own beauty. Indeed, she has built a career—and thus an entire life—on her good looks, and now that they have faded, she’s left with very little, which is why she uses drugs—she wants to forget the meaninglessness of her new existence. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

You were well born, weren’t you? Born of good Southern stock, in a genteel tradition, with just one disadvantage, a laurel wreath on your forehead, given too early, without enough effort to earn it…where’s your scrapbook, Chance? […] Where’s your book full of little theatre notices and stills that show you in the background of…

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Page Number and Citation: 29
Explanation and Analysis:
The Princess says this to Chance after discovering that he has blackmailed her by tape-recording her talking about smuggling hashish. Finally understanding what Chance wants from her, she turns a critical eye on him, observing that he must have been born “of good Southern stock” in a “genteel tradition.” However, she points out that his beauty—his unmatchable attractiveness—has actually hindered him over the years. Indeed, she frames his handsomeness as a “disadvantage” because he benefited from his good looks “too early, without enough effort to earn” the praise and kindness and leniency people showed him because of his appearance. “Where’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantiu

Whether or not I do have a disease of the heart that places an early terminal date on my life, no mention of that, no reference to it ever. No mention of death, never, never a word on that odious subject. I’ve been accused of having a death wish but I think it’s life that I wish for, terribly, shamelessly, on any terms whatsoever.

When I say now, the answer must not be later. I have only one way to forget these things I don’t want to remember and that’s through the act of love-making. That’s the only dependable distraction so when I say now, because I need that distraction, it has to be now, not later.

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Page Number and Citation: 30
Explanation and Analysis:
In this passage, the Princess outlines the conditions of her agreement to help Chance become famous. She explains to him that he must never speak of “death,” even if she ends up having “a disease of the heart” that makes her impending death quite likely. By saying this, she once again demonstrates her obsession with age and her fear of what time can do to a person. Although she’s powerless in the face of time, she resents its unavoidable effects, and so she tries to focus on living intensely by taking drugs and making love whenever she wants. Indeed, she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occae

Act One, Scene Two Quotes

Yes, well…the others…[…] are all now members of the young social set here. The girls are young matrons, bridge-players, and the boys belong to the Junior Chamber of Commerce and some of them, clubs in New Orleans such as Rex and Comus and ride on the Mardi Gras floats. Wonderful? No boring…I wanted, expected, intended to get, something better…Yes, and I did, I got it. I did things that fat-headed gang never dreamed of. Hell when they were still freshmen at Tulane or LSU or Ole Miss, I sang in the chorus of the biggest show in New York, in Oklahoma, and had pictures in LIFE in a cowboy outfit, tossin’ a ten-gallon hat in the air! […] And at the same time pursued my other vocation….Maybe the only one I was truly meant for, love-making…slept in the social register of New York!

Related Characters: Chance Wayne (speaker), Alexandra Del Lago / “The Princess Kosmonopolis”
Page Number and Citation: 33
Explanation and Analysis:
Chance speaks these words to the Princess, explaining that he has always believed that the stable and responsible lives of his peers are “boring.” Indeed, he thinks—and always has—that he deserves an extraordinary life. “I wanted, expected, intended to get, something better,’ he says, unselfconsciously revealing that he sees himself as better than other people. In this moment, it becomes overwhelmingly clear how arrogant Chance truly is, as he sings his own praises, saying: “Yes, and I did, I got it. I did things that fat-headed gang never dreamed of.” Despite his cocky enthusiasm, though, the “things” he has done Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

By the time I got out, Christ knows, I might be nearly thirty! Who would remember Chance Wayne? In a life like mine, you just can’t stop, you know, can’t take time out between steps, you’ve got to keep going right on up from one thing to the other, once you drop out, it leaves you and goes on without you and you’re washed up.

Related Characters: Chance Wayne (speaker), Alexandra Del Lago / “The Princess Kosmonopolis”
Page Number and Citation: 34
Explanation and Analysis:
Chance says this to the Princess while telling her his life story. In this passage, he is talking about his stint in the military, when he felt like he was rapidly running out of time. Because he was in his mid-twenties, he feared that he wouldn’t leave the military until he was “nearly thirty.” This is a terrifying prospect for a man as obsessed as Chance with the importance of youth when it comes to getting famous. If he stayed in the military, he feared, nobody would “remember Chance Wayne.” This statement is worth noting, since it reveals Chance’s fear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt

I got the idea I wouldn’t live through the war, that I wouldn’t come back, that all the excitement and glory of being Chance Wayne would go up in smoke at the moment of contact between my brain and a bit of hot steel that happened to be in the air at the same time and place that my head was…that thought didn’t comfort me any. Imagine a whole lifetime of dreams and ambitions and hopes dissolving away in one instant, being blacked out like some arithmetic problem washed off a blackboard by a wet sponge, just by some little accident like a bullet, not even aimed at you but just shot off in space, and so I cracked up, my nerves did.

Related Characters: Chance Wayne (speaker), Alexandra Del Lago / “The Princess Kosmonopolis”
Page Number and Citation: 35
Explanation and Analysis:
In this passage, Chance rehashes the thoughts that led to his nervous breakdown when he was in the military. Unsurprisingly, he lived in great fear of getting shot, finding himself unable to stop imagining a bullet passing through his head. What’s interesting, though, is that this fear has seemingly very little to do with death itself, and more to do with the fact that getting shot in the head would prevent him from achieving what he believes he’s destined to achieve. Indeed, he cowers at the thought of “all the excitement and glory of being Chance Wayne” going “up in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

Princess, the great difference between people in this world is not between the rich and the poor or the good and the evil, the biggest of all differences in this world is between the ones that had or have pleasure in love and those that haven’t and hadn’t any pleasure in love, but just watched it with envy, sick envy. The spectators and the performers. I don’t mean just ordinary pleasure or the kind you can buy, I mean great pleasure, and nothing that’s happened to me or to Heavenly since can cancel out the many long nights without sleep when we gave each other such pleasure in love as very few people can look back on in their lives…

Related Characters: Chance Wayne (speaker), Alexandra Del Lago / “The Princess Kosmonopolis” , Heavenly Finley
Page Number and Citation: 36
Explanation and Analysis:
Chance says this to the Princess as a way of explaining his fixation on reuniting with Heavenly and—essentially—living happily ever after with her. When he says that the “great difference” between people is whether or not they’ve experienced “pleasure in love,” he frames romantic engagement as a worldly delight, something small and tangible and physical. Whereas love is often presented as a metaphysical connection based on emotional resonance and mutual affection, Chance sees it as something tied to “pleasure,” and although he claims that he isn’t referring to “ordinary pleasure,” he doesn’t quite succeed in delivering a convincing argument to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accus

Act Two, Scene One Quotes

In her father, a sudden dignity is revived. Looking at his very beautiful daughter, he becomes almost stately. He approaches her […] like an aged courtier comes deferentially up to a crown princess or infant. It’s important not to think of his attitude toward her in the terms of crudely conscious incestuous feeling, but just in the natural terms of almost any aging father’s feeling for a beautiful young daughter who reminds him of a dead wife that he desired intensely when she was the age of his daughter.

Related Characters: Boss Finley (speaker), Heavenly Finley
Page Number and Citation: 49
Explanation and Analysis:
This stage note, which takes place in the middle of an argument between Boss Finley and Heavenly, is one of several in-depth notes that Tennessee Williams includes throughout Sweet Bird of Youth. What’s most interesting about these asides is how they go beyond the typical constraints of the average stage note, which is normally rather short and straightforward. In contrast, Williams’s notes are informative and searching, as is the case in this passage, when the playwright says: “It’s important not to think of [Boss Finley’s] attitude toward [Heavenly] in terms of crudely conscious incestuous feeling.” Rather than simply telling the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magna

Don’t give me your Voice of God speech. Papa, there was a time when you could have saved me, by letting me marry a boy that was still young and clean, but instead you drove him away, drove him out of St. Cloud. And when he came back, you took me out of St. Cloud, and tried to force me to marry a fifty-year-old money bag that you wanted something out of […] and then another, another, all of them ones that you wanted something out of. I’d gone, so Chance went away. Tried to compete, make himself big as these big shots you wanted to use me for a bond with. He went. He tried. The right doors wouldn’t open, and so he went in the wrong ones, and—Papa, you married for love, why wouldn’t you let me do it, while I was alive, inside, and the boy still clean, still decent?

Related Characters: Heavenly Finley (speaker), Boss Finley, Chance Wayne
Page Number and Citation: 51
Explanation and Analysis:
Heavenly says this to her father, Boss Finley, in an argument about Chance, whom Boss Finley hates. With these words, Heavenly raises a worthwhile question about culpability and corruption. By faulting her father for both her and Chance’s respective downfalls—a botched operation for her and a life of promiscuity for Chance—she destabilizes the notion that everyone ought to be held solely accountable for their own mistakes. Indeed, she says, “You could have saved me […] by letting me marry a boy that was still young and clean, but instead you drove him away.” As a result, Chance tried hard to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfere

You’re going to be wearing the stainless white of a virgin, with a Youth for Tom Finley button on one shoulder and a corsage of lilies on the other. You’re going to be on the speaker’s platform with me, you on one side of me and Tom Junior on the other, to scotch these rumors about your corruption. And you’re gonna wear a proud happy smile on your face, you’re gonna stare straight out at the crowd in the ballroom with pride and joy in your eyes. Lookin’ at you, all in white like a virgin, nobody would dare to speak or believe the ugly stories about you. I’m relying a great deal on this campaign to bring in young voters for the crusade I’m leading. I’m all that stands between the South and the black days of Reconstruction. And you and Tom Junior are going to stand there beside me in the grand crystal ballroom, as shining examples of white Southern youth—in danger.

Related Characters: Boss Finley (speaker), Tom Junior, Chance Wayne, Heavenly Finley
Page Number and Citation: 53
Explanation and Analysis:
In this passage, Boss Finley fully reveals his severe views about purity and corruption. First of all, he demonstrates his desire to present his daughter as the stereotype of an untouched young woman, someone who has never been “corrupt[ed]” by pre-marital sexual encounters. “You’re going to be wearing the stainless white of a virgin,” he tells Heavenly. Of course, he knows all too well that Heavenly isn’t a virgin. In fact, she has already contracted an STD. Regardless, Boss Finley wants to completely deny this fact by dressing his daughter in the “stainless white of a virgin,” as if he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

Act Two, Scene Two Quotes

Chance, when I saw you driving under the window with your head held high, with that terrible stiff-necked pride of the defeated which I know so well; I knew that your comeback had been a failure like mine. And I felt something in my heart for you. That’s a miracle, Chance. That’s the wonderful thing that happened to me. I felt something for someone besides myself. That means my heart’s still alive, at least some part of it is, not all of my heart is dead yet. Part’s alive still…Chance, please listen to me. I’m ashamed of this morning. I’ll never degrade you again, I’ll never degrade myself, you and me, again by—I wasn’t always this monster. Once I wasn’t this monster. And what I felt in my heart when I saw you returning, defeated, to this palm garden, Chance, gave me hope that I could stop being a monster. Chance, you’ve got to help me stop being the monster that I was this morning, and you can do it, can help me. I won’t be ungrateful for it. I almost died this morning, suffocated in a panic. But even through my panic, I saw your kindness. I saw a true kindness in you that you have almost destroyed, but that’s still there, a little…

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Page Number and Citation: 74
Explanation and Analysis:
The Princess speaks these words to Chance, trying desperately to convince him that he won’t ever succeed in his efforts to win over Heavenly Finley and become rich and famous. More importantly, though, this is the first time in Sweet Bird of Youth that the Princess speaks positively about the future. Rather than lamenting her faded youth or her (supposedly) demolished acting career, she acknowledges that her life as a star has made her into a “monster,” someone who can’t empathize with others. Seeing Chance’s failure, though, she is surprised to suddenly experience a rush of emotion. “Not all of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut

All day I’ve kept hearing a sort of lament that drifts through the air of this place. It says, “Lost, lost, never to be found again.” Palm gardens by the sea and olives groves on Mediterranean islands all have that lament drifting through them. “Lost, lost”…The isle of Cyprus, Monte Carlo, San Remo, Torremolenas, Tangiers. They’re all places of exile from whatever we loved. Dark glasses, wide-brimmed hats and whispers, “Is that her?” Shocked whispers…Oh, Chance, believe me, after failure comes flight. Nothing ever comes after failure but flight. Face it. Call the car, have them bring down the luggage and let’s go on along the Old Spanish Trail.

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne
Related Symbols: The Lament
Page Number and Citation: 79
Explanation and Analysis:
Considering “The Lament”—a musical motif that sometimes can be heard faintly in the background of the play—the Princess talks about her feeling of being “lost.” Although The Lament itself is a wordless tune, she hears lyrics, claiming that the song says, “Lost, lost, never to be found again.” This is most likely a thought that has been running through her head since she first started running from her embarrassing experience at the premiere of her comeback film. Indeed, she herself feels “lost,” as if no one from her past life as a movie star will ever find her again. What’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volup

Act Three Quotes

Of course, you were crowned with laurel in the beginning, your gold hair was wreathed with laurel, but the gold is thinning and the laurel has withered. Face it—pitiful monster. [She touches the crown of his head.] … Of course, I know I’m one too. But one with a difference. Do you know what that difference is? No, you don’t know. I’ll tell you. We are two monsters, but with this difference between us. Out of the passion and torment of my existence I have created a thing that I can unveil, a sculpture, almost heroic, that I can unveil, which is true. But you? You’ve come back to the town you were born in, to a girl that won’t see you because you put such rot in her body she had to be gutted and hung on a butcher’s hook, like a chicken dressed for Sunday….

Related Characters: Alexandra Del Lago / “The Princess Kosmonopolis” (speaker), Chance Wayne, Heavenly Finley
Page Number and Citation: 93
Explanation and Analysis:
In this passage, the Princess tells Chance that they are different despite the fact that they are interested in the same things in life. Although they both prize youthful beauty and cherish superficial or fleeting things like fame, there is a fundamental difference between them: talent. “Out of the passion and torment of my existence I have created a thing that I can unveil,” the Princess says, referring to the fact that she is a successful actress who can call upon her skills even when her looks have faded. Chance, on the other hand, has only ever had his looks. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est
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