Tell Me How It Ends

by Valeria Luiselli

Valeria Luiselli Character Analysis

The author and narrator of Tell Me How It Ends, Luiselli is a Mexican writer and professor living in the United States. While waiting to receive her green card in 2014, she goes on a road trip with her husband, daughter, and stepson, driving from their home in Harlem, New York City to southern Arizona. An immigrant herself, Luiselli is closely attuned to the sudden influx of child migrants coming to the United States from Central America. While driving close to the southern border, she and her family listen to radio programs covering the national reaction to the “immigration crisis.” Upon returning to New York, she finds that her green card hasn’t arrived like the rest of her family’s, so she obtains a temporary work permit. Shortly thereafter, she starts volunteering with her niece at a nonprofit called The Door, where she interviews child migrants by asking them 40 pre-determined questions. As she does this, she thinks about the complexities of the immigrant narrative, scrutinizing the ways in which children use language and how the immigration system is ill-equipped to understand the complexities of their situations. Her first interview is with a sixteen-year-old named Manu López, and though she usually doesn’t know what happens to the children after she interviews them, she later serves as his translator and interpreter when a team of lawyers decides to take on his case. Because of this, she gets to know Manu better, and even invites him to events put on by a nonprofit organization she and her students at Hofstra University establish. By the end of the final chapter, Luiselli still doesn’t have a green card, forcing her to stop working, though the epilogue makes clear that she does eventually receive it.

Valeria Luiselli Quotes in Tell Me How It Ends

The Tell Me How It Ends quotes below are all either spoken by Valeria Luiselli or refer to Valeria Luiselli. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Migration and Personal Sacrifice Theme Icon
).

Chapter 1 Quotes

I hear words, spoken in the mouths of children, threaded in complex narratives. They are delivered with hesitance, sometimes distrust, always with fear. I have to transform them into written words, succinct sentences, and barren terms. The children’s stories are always shuffled, stuttered, always shattered beyond the repair of a narrative order. The problem with trying to tell their story is that it has no beginning, no middle, and no end.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 7
Explanation and Analysis:

We wanted to become “resident aliens,” even though we knew what applying for green cards implied: the lawyers, the expenses, the many vaccinations and medical exams, the months of sustained uncertainty, the rather humiliating intermediate steps, such as having to wait for an “advance parole” document in order to be able to leave the country and be paroled back in, like a criminal, as well as the legal prohibition against traveling abroad, without losing immigration status, before being granted advance parole. Despite all that, we decided to apply.

Related Characters: Valeria Luiselli (speaker), Luiselli’s Stepson, Luiselli’s Daughter, Luiselli’s Husband
Page Number and Citation: 8
Explanation and Analysis:

The green card application is nothing like the intake questionnaire for undocumented minors. When you apply for a green card you have to answer things like “Do you intend to practice polygamy?” and “Are you a member of the Communist Party?” and “Have you ever knowingly committed a crime of moral turpitude?” And although nothing can or should be taken lightly when you are in the fragile situation of asking for permission to live in a country that is not your own, there is something almost innocent in the green card application’s preoccupations with and visions of the future and its possible threats: polyamorous debauchery, communism, weak morals! […] The intake questionnaire for undocumented children, on the other hands, reveals a colder, more cynical and brutal reality.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 10
Explanation and Analysis:

Their answers vary, but they often point to a single pull factor: reunification with a parent or another close relative who migrated to the U.S. years earlier. Other times, the answers point to push factors—the unthinkable circumstances the children are fleeing: extreme violence, persecution and coercion by gangs, mental and physical abuse, forced labor, neglect, abandonment. It is not even the American Dream that they pursue, but rather the more modest aspiration to wake up from the nightmare into which they were born.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 12
Explanation and Analysis:

We wonder if the reactions would be different were all these children of a lighter color: of better, purer breeds and nationalities. Would they be treated more like people? More like children? We read the papers, listen to the radio, see photographs, and wonder.

Related Characters: Valeria Luiselli (speaker), Luiselli’s Husband, Luiselli’s Daughter, Luiselli’s Stepson
Page Number and Citation: 15
Explanation and Analysis:

It’s curious, or perhaps just sinister, that the word “removal’ is still used to refer to the deportation of “illegal” immigrants—those bronzed barbarians who threaten the white peace and superior values of the “Land of the Free.”

Related Characters: Valeria Luiselli (speaker), Luiselli’s Daughter, Luiselli’s Stepson
Page Number and Citation: 17
Explanation and Analysis:

But, despite the dangers, people continue to take the risk. Children certainly take the risk. Children do what their stomachs tell them to do. They don’t think twice when they have to chase a moving train. They run along with it, reach for any metal bar at hand, and fling themselves toward whichever half-stable surface they may land on. Children chase after life, even if that chase might end up killing them. Children run and flee. They have an instinct for survival, perhaps, that allows them to endure almost anything just to make it to the other side of horror, whatever may be waiting there for them.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 19
Explanation and Analysis:

So when I have to ask children that seventh question—“Did anything happen on your trip to the U.S. that scared you or hurt you?”—all I want to do is cover my face and my ears and disappear. But I know better, or try to. I remind myself to swallow the rage, grief, and shame; remind myself to just sit still and listen closely, in case a child does happen to reveal a particular detail that can end up being key to his or her defense against deportation.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 28
Explanation and Analysis:

Numbers and maps tell horror stories, but the stories of deepest horror are perhaps those for which there are no numbers, no maps, no possible accountability, no words ever written or spoken. And perhaps the only way to grant any justice—were that even possible—is by hearing and recording those stories over and over again so that they come back, always, to haunt and shame us. Because being aware of what is happening in our era and choosing to do nothing about it has become unacceptable. Because we cannot allow ourselves to go on normalizing horror and violence. Because we can all be held accountable if something happens under our noses and we don’t dare even look.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 30
Explanation and Analysis:

Chapter 2 Quotes

In real and practical terms, what the creation of that priority docket meant was that the cases involving unaccompanied minors from Central America were grouped together and moved to the top of the list of pending cases in immigration court. Being moved to the top of a list, in this context, was the least desirable thing—at least from the point of view of the children involved. Basically, the priority juvenile docket implied that deportation proceedings against them were accelerated by 94 percent, and that both they and the organizations that normally provided legal representation now had much less time to build a defense.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 40
Explanation and Analysis:

The priority juvenile docket, in sum, was the government’s coldest, cruelest possible answer to the arrival of refugee children. Ethically, that answer was more than questionable. In legal terms, it was a kind of backdoor escape route to avoid dealing with an impending reality suddenly knocking at the country’s front doors.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 41
Explanation and Analysis:

From the beginning, the crisis was viewed as an institutional hindrance, a problem that Homeland Security was “suffering” and that Congress and immigration judges had to solve. Few narratives have made the effort to turn things around and understand the crisis from the point of view of the children involved. The political response to the crisis, therefore, has always centered on one question, which is more or less: What do we do with all these children now? Or, in blunter terms: How do we get rid of them or dissuade them from coming?

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 44
Explanation and Analysis:

In the media and much of the official political discourse, the word “illegal” prevails over “undocumented” and the term “immigrant” over “refugee.” How would anyone who is stigmatized as an “illegal immigrant” feel “safe” and “happy”?

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 40
Explanation and Analysis:

The MS-13 was originally a small coalition of immigrants from El Salvador who had sought exile in the U.S. during the long and ruthless Salvadoran Civil War (1979-1992), in which the military-led government relentlessly massacred left-wing opposition groups. […] The primary ally of that government, we discover (and should have predicted), was the United States. The Carter administration and, perhaps more actively, the Reagan administration funded and provided military resources to the government that massacred so many and led many others to exile. Around one-fifth of the population of El Salvador fled. Many of those who sought exile ended up as political refugees in the United States—around three hundred thousand of them in Los Angeles. The whole story is an absurd, circular nightmare.

Related Characters: Valeria Luiselli (speaker), Luiselli’s Niece
Page Number and Citation: 45
Explanation and Analysis:

Later on, in the 1990s, anti-immigration policies and programs in the U.S. led to massive deportations of Central Americans. Among them were thousands of MS-13 members—those perhaps quite understandably unwanted in the country. But the policies backfired: gang deportations became more of a metastasis than an eradication. Now the gang has become a kind of transnational army, with more than seventy thousand members spread across the United States, Mexico, and the Northern Triangle.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 46
Explanation and Analysis:

[…] until all the governments involved—the American, Mexican, Salvadoran, Honduran, and Guatemalan governments, at least—acknowledge their shared accountability in the roots and causes of the children’s exodus, solutions to the crisis will be impossible.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 46
Explanation and Analysis:

Chapter 3 Quotes

If the child answers the questionnaire “correctly,” he or she is more likely to have a case strong enough to increase its chances of being placed with a pro bono attorney. An answer is ‘correct’ if it strengthens the child’s case and provides a potential avenue of relief. So, in the warped world of immigration, a correct answer is when, for example, a girl reveals that her father is an alcoholic who physically or sexually abused her, or when a boy reports that he received death threats or that he was beaten repeatedly by several gang members after refusing to acquiesce to recruitment at school and has the physical injuries to prove it.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 61
Explanation and Analysis:

If the children are very young, in addition to translating from one language to another, the interpreters have to reconfigure the questions, shift them from the language of adults to the language of children.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 63
Explanation and Analysis:

Because immigration court is a civil court, these child “aliens” are not entitled to the free legal counsel that American law guarantees to persons accused of crimes. In other words, that fourth sentence in the well-known Miranda rights—“If you cannot afford an attorney, one will be provided for you”—does not apply to them. Therefore, volunteer organizations have stepped in to do the job.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 68
Explanation and Analysis:

As the Mexican government has progressively increased its hold on La Bestia, travel aboard the trains has become more and more risky and new routes have been improvised. There are now maritime routes that begin on the coasts of Chiapas, along which the migrants travel with coyotes aboard rafts and other precarious vessels. We’ve heard the many stories about migrants crossing the Mediterranean—that massive cemetery of a sea—so it’s easy to imagine what kinds of stories we’ll hear in the next few years, of migrants amid the enormous waves of the Pacific Ocean.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 78
Explanation and Analysis:

Between Hempstead and Tegucigalpa there is a long chain of causes and effects. Both cities can be drawn on the same map: the map of violence related to drug trafficking. This fact is ignored, however, by almost all of the official reports. The media wouldn’t put Hempstead, a city in New York, on the same plane as one in Honduras. What a scandal! Official accounts in the United States—what circulates in the newspaper or on the radio, the message from Washington, and public opinion in general—almost always locate the dividing line between “civilization” and “barbarity” just below the Río Grande.

Related Characters: Valeria Luiselli (speaker), Manu López
Page Number and Citation: 83
Explanation and Analysis:

No one suggests that the causes are deeply embedded in our shared hemispheric history and are therefore not some distant problem in a foreign country that no one can locate on a map, but in fact a transnational problem that includes the United States—not as a distant observer or passive victim that must now deal with thousands of unwanted children arriving at the southern border, but rather as an active historical participant in the circumstances that generated the problem.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 85
Explanation and Analysis:

The belief that the migration of all those children is “their” (the southern barbarians’) problem is often so deeply ingrained that “we” (the northern civilization) feel exempt from offering any solution. The devastation of the social fabric in Honduras, El Salvador, Guatemala, and other countries is often thought of as a Central American “gang violence” problem that must be kept on the far side of the border. There is little said, for example, of arms being trafficked from the United States into Mexico or Central America, legally or not; little mention of the fact that the consumption of drugs in the United States is what fundamentally fuels drug trafficking in the continent.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 86
Explanation and Analysis:

Chapter 4 Quotes

But not all schools are complying. For months now, Alina has been trying to find a different school for Manu. The two girls are not as vulnerable to gang coercion, she thinks, provided that they keep to themselves. But she tells me that Manu can no longer go unnoticed. For a while he was admitted to a school in Long Beach, but then they told him his English wasn’t good enough and that he needed to take language classes first. Other schools said he didn’t meet the eligibility criteria, or that he’s missing some document or another, or that there’s simply no space.

Related Characters: Valeria Luiselli (speaker), Manu López, Alina’s Daughters, Alina López
Page Number and Citation: 93
Explanation and Analysis:

There are things that can only be understood retrospectively, when many years have passed and the story has ended. In the meantime, while the story continues, the only thing to do is tell it over and over again as it develops, bifurcates, knots around itself. And it must be told, because before anything can be understood, it has to be narrated many times, in many different words and from many different angles, by many different minds.

Related Characters: Valeria Luiselli (speaker)
Page Number and Citation: 97
Explanation and Analysis:
Get the entire Tell Me How It Ends LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Tell Me How It Ends PDF

Valeria Luiselli Character Timeline in Tell Me How It Ends

The timeline below shows where the character Valeria Luiselli appears in Tell Me How It Ends. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1: Border
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
In 2015, Valeria Luiselli begins volunteering as an interpreter whose job it is to interview undocumented child migrants in... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
After Luiselli interviews child migrants, she convenes with lawyers, relaying the information she has gathered. This is... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
In 2014, before Luiselli—a Mexican immigrant herself—volunteers as an interpreter, she goes on a road trip with her husband,... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
Luiselli compares the green card application with the intake questionnaire for child migrants. Next to the... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
...undocumented minors questions about their journey to the United States is called “screening,” a term Luiselli finds justifiably “cynical,” as if “the child is a reel of footage.” In these circumstances,... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
During Luiselli’s family road trip in 2014, she and her husband listen to the radio and hear... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
Gang Life vs. Community Engagement Theme Icon
“Why did you come to the United States?” Luiselli asks every child migrant she interviews in New York. Their answers, she explains, often differ,... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
...cities; they’ve walked and swum and hidden and run and mounted freight trains and trucks,” Luiselli writes. “They’ve turned themselves in to Border Patrol officers.” After this long journey, they can’t... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
On the road trip in 2014, Luiselli and her husband try to find any information they can about the child migrants coming... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Some of the news sources that Luiselli and her husband read frame the crisis as something like a “biblical plague.” Reading these... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
To pass the time in the car, Luiselli and her husband tell their children stories about the history of the American Southwest, “back... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
Luiselli and her husband try to talk to their children about the immigration crisis, but they... (full context)
Migration and Personal Sacrifice Theme Icon
...is, “What countries did you pass through?” Following this is, “How did you travel here?” Luiselli explains that the vast majority of the children she interviews come from Mexico, though there... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
...because they know it’s safer to be “formally detained” than to wander in the desert. Luiselli notes that the children will most likely remain “undocumented” forever if the “legal proceedings” don’t... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
...and don’t receive enough food. To illustrate the negligence that runs rampant in the icebox, Luiselli references a mishap that took place in 2015, when a Texan detention center gave 250... (full context)
Migration and Personal Sacrifice Theme Icon
Driving through New Mexico in 2014, Luiselli and her family pass groups of men driving pickup trucks. These people are “vigilante, patriotic... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
...anything happen on your trip to the U.S. that scared you or hurt you?” This, Luiselli explains, rarely elicits answers from the children. They are reticent to speak about the hardships... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
Luiselli relates a story from 2010, when 72 migrants from Central and South America were found... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Luiselli upholds that “numbers and maps tell horror stories,” but she also points out that the... (full context)
Migration and Personal Sacrifice Theme Icon
Luiselli’s family returns from their road trip to find their green cards waiting for them in... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
While Luiselli is sorting out the problems related to her green card, her lawyer gives her case... (full context)
Chapter 2: Court
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
In March of 2015, Luiselli begins work as an interpreter. She has encouraged her nineteen-year-old niece to join her, since... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Most of the children Luiselli and other workers at The Door speak to are from Guatemala, El Salvador, and Honduras,... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
On her first day, Luiselli and her niece are mainly “providing backup” for The Door as it scrambles to address... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
...priority juvenile docket, a number of nonprofits have made enormous efforts to represent undocumented minors. Luiselli lists a handful of New York organizations, such as Make the Road New York, the... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
Gang Life vs. Community Engagement Theme Icon
The first interview Luiselli ever conducts with an undocumented minor is quite memorable, she writes. Over the course of... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Luiselli once again considers the media coverage of the “immigration crisis,” illustrating that the predominant narrative... (full context)
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Luiselli turns her attention to the ninth, tenth, and eleventh questions on the intake questionnaire. These... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
Gang Life vs. Community Engagement Theme Icon
As a way of examining the underlying causes of the refugee crisis, Luiselli considers the violent history of countries like El Salvador. The Salvadoran Civil War, she explains,... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
Gang Life vs. Community Engagement Theme Icon
“The whole story is an absurd, circular nightmare,” Luiselli writes, referring to the fact that the United States government is now trying to keep... (full context)
Migration and Personal Sacrifice Theme Icon
...crime since entering the United States and whether or not that crime has been reported. Luiselli explains that victims of “certain crimes” are eligible for something known as the U visa,... (full context)
Migration and Personal Sacrifice Theme Icon
Once more, Luiselli outlines the steps of the journey most child migrants make. However, not all stories are... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
...return.” “And, as unbelievable as it may seem, voluntary return is the most common verdict,” Luiselli writes, adding that an overwhelming majority of undocumented Mexican children are sent back to their... (full context)
Chapter 3: Home
Migration and Personal Sacrifice Theme Icon
Language and Storytelling Theme Icon
“So, how does the story of those children end?” Luiselli’s daughter asks her. This is a question she poses frequently, but Luiselli can’t answer, because... (full context)
Migration and Personal Sacrifice Theme Icon
...a chance to build a case for why the child should be allowed to stay. Luiselli explains that asylum and special immigrant juvenile (SIJ) status are the most “common forms of... (full context)
Language and Storytelling Theme Icon
...is that children increase their chances of avoiding deportation if they answer the questions “correctly.” Luiselli explains that a “correct” answer is one that “strengthens the child’s case and provides a... (full context)
Language and Storytelling Theme Icon
Luiselli knows that the manner in which she records the children’s answers might affect whether or... (full context)
Gang Life vs. Community Engagement Theme Icon
Over time, Luiselli and her niece become somewhat dispirited, though they don’t stop working at The Door. On... (full context)
Language and Storytelling Theme Icon
Luiselli returns to the story of her first interview. The migrant’s name is Manu López, and... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
Gang Life vs. Community Engagement Theme Icon
Manu doesn’t like talking about his mother, but he tells Luiselli that she “came and went as she pleased” because she “liked the streets.” He explains... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
“Did you ever have trouble with gangs or crime in your home country?” Luiselli asks Manu, reciting question 34. In response, he tells her a “fragmented” story, explaining that... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
Having told Luiselli that the Honduran government doesn’t help people protect themselves against gang violence, Manu takes out... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
Manu tells Luiselli that Alina paid a “coyote” $4,000 to bring him to the United States. Now, Alina... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
Luiselli explains that Enrique Peña Nieto, the president of Mexico from 2012 to 2018, oversaw a... (full context)
Language and Storytelling Theme Icon
Manu and Luiselli meet again six months after their initial interview. This time, they’re in a fancy building... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
...that Hempstead High School is “a hub for MS-13 and Barrio 18.” Upon hearing this, Luiselli goes “cold,” but Manu continues in a calm manner, explaining that he’s frightened of Barrio... (full context)
Migration and Personal Sacrifice Theme Icon
International Relations and Political Responsibility Theme Icon
Gang Life vs. Community Engagement Theme Icon
...saved him from losing the rest of his teeth, and now he owes them something,” Luiselli writes. Despite this, Manu says, he isn’t going to give in. He also vows to... (full context)
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
Luiselli once again considers the way people talk about immigration in the United States, suggesting that... (full context)
Language and Storytelling Theme Icon
International Relations and Political Responsibility Theme Icon
The crisis surrounding immigration, Luiselli argues, isn’t confined to just one region. This, she asserts, is why it’s important for... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
Several months after meeting with Manu and his new lawyers, Luiselli speaks on the phone with Alina. Alina explains that she spent years working in the... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
Alina tells Luiselli that she had to pay $7,500 to get her eldest daughter out of an adult... (full context)
Chapter 4: Community
Language and Storytelling Theme Icon
Luiselli has started teaching a Spanish conversation class at Hofstra University, which is in Hempstead, Long... (full context)
Gang Life vs. Community Engagement Theme Icon
...for child migrants, implementing rules that make it hard for them to access free education. Luiselli explains that Nassau County—where Hempstead is located—is one of the places where school districts have... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
One day, Luiselli’s students tell her they want to form a nonprofit organization to address the issues they’ve... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
Luiselli’s students decide that their organization should provide “intensive English classes, college prep sessions, team sports,... (full context)
Language and Storytelling Theme Icon
Luiselli acknowledges that some things “can only be understood retrospectively.” The nuances of the immigration crisis,... (full context)
Language and Storytelling Theme Icon
When Luiselli begins writing Tell Me How It Ends in 2015, her green card has still not... (full context)
Migration and Personal Sacrifice Theme Icon
Gang Life vs. Community Engagement Theme Icon
“Why did you come to the United States?” Luiselli asks herself, examining the question once again. “Perhaps no one knows the real answer.” All... (full context)
Coda: (Eight Brief Postscripta)
Language and Storytelling Theme Icon
Luiselli writes that it’s now 2017. She has received her green card, and Donald Trump is... (full context)
Gang Life vs. Community Engagement Theme Icon
Luiselli writes that Manu has received special immigrant juvenile status. He has also become a member... (full context)