Tender Is the Night
Tender Is the Night
by F. Scott Fitzgerald
The young Hollywood film actress is incredibly beautiful and symbolizes the hope and innocence of the younger generation. She is completely devoted to her mother, Mrs. Speers, who has raised Rosemary to be independent and ambitious. At the beginning of the novel, Rosemary is a little precocious—having only been famous and successful for six months—and she desires constant excitement. She is charmed, therefore, when falling in with a fashionable crowd of American expatriates when holidaying with her mother on the French Riviera: Dick and Nicole Diver and Abe and Mary North. Rosemary adores the Divers, admiring Nicole for her beauty and wisdom and falling madly in love with Dick within a matter of minutes. She is initiated into the adult world, beyond her mother’s meticulous care, when traveling with them to Paris. It is here that she experiences their world of lavish parties and excessive drinking. Determined to seduce Dick, Rosemary encapsulates a series of contradictions—she is both pure and sexual, reckless and calculated, confident and self-conscious. Ever the actress, Rosemary approaches her whole life as if it were a film or show, throwing herself into her various performances, observing others closely and carefully curating her character depending on the situation. After her brief and wonderful romance with Dick—which he calls off after encountering a horrifying glimpse of Nicole’s illness—Rosemary gradually grows successful in the world of Hollywood.

Rosemary Hoyt Quotes in Tender Is the Night

The Tender Is the Night quotes below are all either spoken by Rosemary Hoyt or refer to Rosemary Hoyt. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Excess, Destruction, and the Failed American Dream Theme Icon
).

Book 1, Chapter 1 Quotes

Her eyes were bright, big, clear, wet, and shining, the color of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood—she was almost eighteen, nearly complete, but the dew was still on her.

Related Characters: Rosemary Hoyt
Related Literary Devices:
Page Number and Citation: 4
Explanation and Analysis:
The narrator’s description of Rosemary when she first arrives at Gausse’s beach emphasizes her youthful femininity. Her body is still distinctly childlike—with flushed cheeks, and bright eyes—but she has the sex appeal of an adult. The reference to “the dew” still clinging to her body compares her to a garden flower, fresh and bright in the morning. Indeed, throughout the novel Rosemary is compared to a flower several times: “blooming,” “a white carnation,” “a bud,” “a flower.” This motif symbolizes Rosemary’s virginity, and therefore her innocence and purity. The “strong pump of her heart” represents both her youthful vitality and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Poss

Book 1, Chapter 4 Quotes

Her naïveté responded whole-heartedly to the expensive simplicity of the Divers, unaware of its complexity and its lack of innocence, unaware that it was all a selection of quality rather than quantity from the run of the world’s bazaar; and that the simplicity of behavior also, the nursery-like peace and good will, the emphasis on the simpler virtues, was part of a desperate bargain with the gods and had been attained through struggles she could not have guessed at.

Related Characters: Rosemary Hoyt, Dick Diver, Nicole Diver (Nicole Warren)
Page Number and Citation: 26
Explanation and Analysis:
Getting to know the Divers on the beach at Gausse’s, Rosemary delights in their silliness and fun. The Divers enchant Rosemary—she is completely deceived by their carefully-constructed social performance. They appear elegant, sophisticated, innocent, virtuous, and “simple” all at once. However, Rosemary’s “naïveté” prevents her from seeing that the Divers’ life is in fact an illusion, designed to conceal the dark secrets and trauma that lie beneath the surface. With his reference to “the world’s bazaar,” Fitzgerald suggests that Nicole’s wealth affords the Divers the opportunity to purchase themselves a certain image and lifestyle, which again serve to mask the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostru

Book 1, Chapter 9 Quotes

“You were brought up to work—not especially to marry. Now you’ve found your first nut to crack and it’s a good nut—go ahead and put whatever happens down to experience. Wound yourself or him—whatever happens it can’t spoil you because economically you’re a boy, not a girl.”

Related Characters: Mrs. Elsie Speers (speaker), Nicole Diver (Nicole Warren), Rosemary Hoyt, Dick Diver
Page Number and Citation: 51
Explanation and Analysis:
As Rosemary lies awake in her hotel room after the Divers’ dinner party, she remembers something her mother had said to her about her love for Dick. Mrs. Speers had expressed her approval for Rosemary to pursue a romantic relationship with him, citing her financial security as a reason to throw caution to the wind. Explaining how Rosemary was not “especially” raised “to marry,” and knowing that Dick is taken anyhow, it becomes apparent here that Mrs. Speers is encouraging Rosemary to pursue a romantic or sexual affair. Mrs. Speers’ lack of consideration for Dick or Nicole, as well as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore

Book 1, Chapter 12 Quotes

Nicole was the product of much ingenuity and toil. For her sake trains began their run at Chicago and traversed the round belly of the continent to California; chicle factories fumed and link belts grew link by link in factories; men mixed toothpaste in vats and drew mouthwash out of copper hogsheads; girls canned tomatoes quickly in August or worked rudely at the Five-and-Tens on Christmas Eve; half-breed Indians toiled on Brazilian coffee plantations and dreamers were muscled out of patent rights in new tractors—these were some of the people who gave a tithe to Nicole, and as the whole system swayed and thundered onward it lent a feverish bloom to such processes of hers as wholesale buying, like the flush of a fireman’s face holding his post before a spreading blaze. She illustrated very simple principles, containing in herself her own doom, but illustrated them so accurately that there was grace in the procedure.”

Related Characters: Nicole Diver (Nicole Warren), Rosemary Hoyt
Page Number and Citation: 89
Explanation and Analysis:
When Nicole takes Rosemary shopping, she watches in awe as Nicole spends an immense amount of money on a vast number of items. Nicole represents American capitalism, and her attitude to money is symptomatic of the post-World War I economic boom. American expatriates found that their wealth went a great deal further in Europe, and they could easily live in splendor and luxury while abroad. The narrator explains that “Nicole was the product of much ingenuity and toil,” suggesting both that she was born into a capitalist family who made their fortune through exploiting workers and natural resources, and also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Vo

Book 1, Chapter 17 Quotes

They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.

Related Characters: Dick Diver, Mrs. Elsie Speers, Nicole Diver (Nicole Warren), Rosemary Hoyt
Page Number and Citation: 95
Explanation and Analysis:
While Rosemary and Dick kiss in a taxi on the way back to the hotel, relishing their new romance, the narrator reveals that their love is founded on “illusions.” One of these illusions is that the universe had brought them together without either of them actively making it happen. Of course, this is far from the truth—Rosemary and her mother carefully planned and plotted this romance. In addition, the reader learns later that this behavior is not unusual for Dick, who often pursues women much younger than him. Another of the illusions in Dick and Rosemary’s relationship is Dick’s delusion Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro

Book 1, Chapter 19 Quotes

They stood in an uncomfortable little group weighted down by Abe’s gigantic presence: he lay athwart them like the wreck of a galleon, dominating with his presence his own weakness and self-indulgence, his narrowness and bitterness. All of them were conscious of the solemn dignity that flowed from him, of his achievement, fragmentary, suggestive and surpassed. But they were frightened at his survivant will, once a will to live, now become a will to die.

Related Characters: Abe North, Mary North, Rosemary Hoyt, Nicole Diver (Nicole Warren)
Page Number and Citation: 105
Explanation and Analysis:
Mary, Rosemary, and Nicole observe Abe sadly. They have come to the train station to wish him farewell, but it is obvious to the whole group that his plans to return to America to continue writing music are optimistic. Abe is an alcoholic and has wasted his youthful years in a drunken stupor. He used to be a fantastic composer, and his past achievements bestow him with a degree of remaining “dignity.” However, it is clear that his self-worth is almost completely shattered, broken, and overcome by his strong “will to die.” Abe’s grim decline should serve as a warning Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Pro

However, everything had happened—Abe’s departure and Mary’s impending departure for Salzburg this afternoon had ended the time in Paris. Or perhaps the shots, the concussions that had finished God knew what dark matter, had terminated it. The shots had entered into all their lives: echoes of violence followed them out onto the pavement where two porters held a post-mortem beside them as they waited for a taxi.

Related Characters: Dick Diver, Maria Wallis, Abe North, Mary North, Rosemary Hoyt, Nicole Diver (Nicole Warren)
Page Number and Citation: 109
Explanation and Analysis:
This passage marks a significant turning point in the novel: the end of the Divers’ sparkling parties and illusions, and the beginning of Dick’s downfall. After they wave goodbye to Abe in the train station, the party witness Maria Wallis—an acquaintance from the Parisian party scene—shoot an unnamed man. Maria’s shots are a catalyst for the beginning of a new chapter for the Divers, who will be haunted by pain, violence, and destruction for the rest of the story. These “echoes of violence,” right at the end of their stay in Paris, symbolize a distinct change of mood and signal Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

Book 1, Chapter 20 Quotes

Only the image of a third person, even a vanished one, entering into his relation with Rosemary was needed to throw him off his balance and send through him waves of pain, misery, desire, desperation. The vividly pictured hand on Rosemary’s cheek, the quicker breath, the white excitement of the event viewed from outside, the inviolable secret warmth within.

—Do you mind if I pull down the curtain?

—Please do. It’s too light in here.

Related Characters: Dick Diver, Rosemary Hoyt, Hillis, Collis Clay
Related Symbols: The Blinds in the Train
Page Number and Citation: 113
Explanation and Analysis:
Dick is overcome with “pain, misery, desire, [and] desperation” when Collis Clay tells him that Rosemary is known to have gotten into trouble after being found in a locked train compartment with a young suitor, Hillis. Dick pictures Rosemary with Hillis—seeing them together and feeling the passion between them—and hears an imaginary conversation between them. Dick imagines Rosemary agreeing to Hillis pulling down the curtain in their train compartment, citing that it’s “too light.” Light has connotations of virginity, purity, goodness, and virtue. Thus, when Rosemary consents to blocking out the light, she welcomes the loss of her innocence. This Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit bea

Book 1, Chapter 21 Quotes

“Look, I’m in an extraordinary condition about you. When a child can disturb a middle-aged gent—things get difficult.”

“You’re not middle-aged, Dick—you’re the youngest person in the world.”

Related Characters: Dick Diver (speaker), Rosemary Hoyt (speaker)
Page Number and Citation: 119
Explanation and Analysis:
When Dick calls Rosemary at her hotel room after learning about her experience with Hillis, Dick admits that he’s completely consumed by his desire for her. He refers to the troubling age gap between them, acknowledging that she is just “a child.” The choice of the word “disturb” here is interesting, because for a modern audience, Dick’s relationship with Rosemary is certainly disturbing. Dick is disturbed, however, because Rosemary seems to have a great deal of power over him, and his life is unravelling around him. Notably, Dick is unable to finish the word “gentleman,” interrupting himself at “gent.” Perhaps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque

Book 1, Chapter 25 Quotes

“Look here, you mustn’t get upset over this—it’s only some nigger scrap.”

Related Characters: Dick Diver (speaker), Rosemary Hoyt, Jules Peterson, Abe North
Page Number and Citation: 141
Explanation and Analysis:
After Rosemary finds Jules Peterson dead on her hotel bed, Dick tries to reassure and comfort her. Not only is the sentiment of Dick’s speech extremely racist—Dick suggests that Peterson isn’t worth getting upset over because he’s black—but the pejorative slur is racist and offensive. Further, Dick is categorically wrong in suggesting that Peterson’s death is the result of a “scrap” between black people; his dear friend, Abe North, is actually responsible for the conflict that led to Peterson’s murder. The language Dick uses here is indicative of the racism littered throughout the novel. Black and ethnic minority characters are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est.

Book 2, Chapter 20 Quotes

For three years Dick had been the ideal by which Rosemary measured other men and inevitably his stature had increased to heroic size. She did not want him to be like other men, yet here were the same exigent demands, as if he wanted to take some of herself away, carry it off in his pocket.

Related Characters: Dick Diver, Rosemary Hoyt
Page Number and Citation: 274
Explanation and Analysis:
When Rosemary meets Dick again in Rome, three years after she had fallen in love with him on the beach at Gausse’s, he and his “demands” disappoint her. As a younger girl, Rosemary had placed Dick upon a pedestal and idealized him as the perfect man and an example of perfect masculinity. However, when she sees him again, he looks tired and much older. After Dick tries to determine how sexually experienced Rosemary is, she becomes frustrated at his failure to live up to her expectations of him; she had thought he was different, but he has the same preoccupation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque

Book 3, Chapter 7 Quotes

For what might occur thereafter she had no anxiety—she suspected that that would be the lifting of a burden, an unblinding of eyes. Nicole had been designed for change, for flight, with money as fins and wings. The new state of things would be no more than if a racing chassis, concealed for years under the body of a family limousine, should be stripped to its original self. Nicole could feel the fresh breeze already—the wrench it was she feared, and the dark manner of its coming.

Related Characters: Nicole Diver (Nicole Warren), Dick Diver, Rosemary Hoyt
Page Number and Citation: 357
Explanation and Analysis:
On her way to meet Rosemary at the beach, Nicole reflects upon Dick’s deterioration and the end of their marriage. Here, Dick is described as “a burden.” This subverts the couple’s dynamics because, throughout the majority of the story, Nicole has been presented as a burden for Dick. It becomes clear then, that Dick’s drinking problem has inverted their previous parent-child, doctor-patient relationship, giving Nicole the power and control over their relationship. Nicole has accepted that they will separate and, after years of living in Dick’s shadow, she welcomes the change. Nicole’s large inheritance has equipped her “for flight,” and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Du
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Rosemary Hoyt Character Timeline in Tender Is the Night

The timeline below shows where the character Rosemary Hoyt appears in Tender Is the Night. The colored dots and icons indicate which themes are associated with that appearance.
Book 1, Chapter 1
The Pursuit of Youth and Innocence Theme Icon
It’s a June morning and a woman of “fading prettiness” and her astonishingly beautiful daughter arrive at Gausse’s Hotel. The girl exudes a magical youthfulness and a lovely brightness, “like... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
The mother and daughter crave “high excitement,” and they sense that they’re not going to enjoy their stay. The... (full context)
The Pursuit of Youth and Innocence Theme Icon
Moving with the grace of a ballet dancer, the daughter walks out into the bright sun, noticing the attention directed towards her from strangers on... (full context)
The Pursuit of Youth and Innocence Theme Icon
As Rosemary walks slowly through the water, she sees “a bald” and hairy man watching her through... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
The Pursuit of Youth and Innocence Theme Icon
Slightly self-conscious, Rosemary scans the beach for a place to sit among the different families. Lying on her... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Just then, the man with the monocle interrupts Rosemary, complimenting her on her swimming. He introduces himself as Campion, and invites her to join... (full context)
Book 1, Chapter 2
The Pursuit of Youth and Innocence Theme Icon
Rosemary does not like the company she finds herself in and is uncomfortable with their jokes.... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Mr. McKisco, “a scrawny, freckle-and-red man,” attempts to make conversation with Rosemary, but when his wife, Violet, cracks a joke he doesn’t like, Mr. McKisco snaps at... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Noticing the woman with the pearls once more, Rosemary asks after her. Violet explains that she’s called Mrs. Diver, but her and her family... (full context)
The Pursuit of Youth and Innocence Theme Icon
Waking up, Rosemary finds herself drenched in sweat and almost alone on the beach. The man in the... (full context)
Book 1, Chapter 3
The Pursuit of Youth and Innocence Theme Icon
When Rosemary and her mother, Mrs. Speers, seat themselves in the dining room, the former announces that... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
With no “stimuli” to entertain them after lunch, the women become easily bored, and Rosemary confirms they should only stay three days. When her mother enquires after the man she... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
The Pursuit of Youth and Innocence Theme Icon
Rosemary travels to Cannes by herself. She is “embarrassed” by the silence in the bus, and... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
The next day, Mrs. Speers and Rosemary hire a car and a chauffeur and enjoy a pleasant drive along the Riviera. Hearing... (full context)
Book 1, Chapter 4
The Pursuit of Youth and Innocence Theme Icon
The following morning, Dick Diver approaches Rosemary on the beach. He asks where she was the previous day, adding, “We worried about... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
The Pursuit of Youth and Innocence Theme Icon
Racism and Otherness Theme Icon
Once Rosemary has joined the group, Abe North explains affectionately that Dick and Nicole Diver were the... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Rosemary’s new friends share disparaging remarks about Violet and Mr. McKisco and their party, whom they... (full context)
The Pursuit of Youth and Innocence Theme Icon
Dick looks at Rosemary, telling her, “you’re the only girl I’ve seen for a long time that actually did... (full context)
Book 1, Chapter 5
Excess, Destruction, and the Failed American Dream Theme Icon
The Pursuit of Youth and Innocence Theme Icon
That afternoon Rosemary travels to Monte Carlo to visit Earl Brady at his film studio. Sensing almost immediately... (full context)
Book 1, Chapter 6
Excess, Destruction, and the Failed American Dream Theme Icon
Rosemary and Mrs. Speers are the first dinner guests to arrive at the villa, and Dick... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Racism and Otherness Theme Icon
Rosemary finds Tommy Barban’s talk of war glum and repulsive and is glad to escape him... (full context)
Book 1, Chapter 7
Excess, Destruction, and the Failed American Dream Theme Icon
...the others enjoy themselves and the friendly atmosphere. Enchanted by Dick and Nicole’s warm glow, Rosemary senses their whole table rise “a little toward the sky,” like magic. (full context)
Gender, Mental Illness, and Psychiatry Theme Icon
Rosemary notices that Nicole and Dick have disappeared. In that moment, Violet McKisco accosts Rosemary to... (full context)
Book 1, Chapter 8
Excess, Destruction, and the Failed American Dream Theme Icon
...the group by indulging McKisco in a conversation about literature. When at last Dick leads Rosemary through the garden, leaving the others behind, she feels strongly that she has deserved this... (full context)
Gender, Mental Illness, and Psychiatry Theme Icon
The Pursuit of Youth and Innocence Theme Icon
Although Rosemary has a tempting appeal, and Dick doesn’t want to shut her out forever, he feels... (full context)
Book 1, Chapter 9
Excess, Destruction, and the Failed American Dream Theme Icon
As Brady’s car passes the one with Tommy Barban and the others, Rosemary and her mother hear a “blur of voices” and see Dick and Nicole’s chauffeur smiling... (full context)
The Pursuit of Youth and Innocence Theme Icon
Back at the hotel, Rosemary is restless and overcome with erotic thoughts about Dick. She wonders how she should approach... (full context)
The Pursuit of Youth and Innocence Theme Icon
...her mother’s position—which felt like the “final severance of the umbilical cord”—and unable to sleep, Rosemary walks onto the terrace to find Luis Campion weeping, “shaking in the same parts as... (full context)
Gender, Mental Illness, and Psychiatry Theme Icon
A voice from a room above instructs them to be quiet, so Rosemary stifles her laugh when Abe arrives and asks her why she’s up so early. Abe... (full context)
Book 1, Chapter 10
Gender, Mental Illness, and Psychiatry Theme Icon
Abe—who is very loyal to Dick and Nicole—tells his version of events to Rosemary, recounting how Violet, McKisco, and Tommy had argued in the car and arranged the resulting... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Gender, Mental Illness, and Psychiatry Theme Icon
Abe heads upstairs to check on McKisco, bringing Rosemary with him. McKisco has been drinking all night and looks “puny and cross and white”... (full context)
Book 1, Chapter 11
Gender, Mental Illness, and Psychiatry Theme Icon
Campion invites Rosemary to ride with him in the hotel car to watch the duel. She is reluctant... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
Returning to her bedroom, Rosemary tells her mother what has happened. Mrs. Speers instructs Rosemary to go and watch the... (full context)
Gender, Mental Illness, and Psychiatry Theme Icon
“Gasping” with excitement and shock, Campion is “the only casualty of the duel.” Rosemary laughs at him as her thoughts turn to meeting Dick on the beach later. (full context)
Book 1, Chapter 12
Excess, Destruction, and the Failed American Dream Theme Icon
At a restaurant in Paris, Dick, Abe, Mary, Rosemary, and two musicians make a game of observing men at different tables, watching to see... (full context)
Excess, Destruction, and the Failed American Dream Theme Icon
...suit like a stray segment of the weather outside.” The three women at the table—Mary, Rosemary, and Nicole—symbolize different faces of American life. Nicole “was the granddaughter of a self-made American... (full context)
The Pursuit of Youth and Innocence Theme Icon
While in a phone booth at the back of the restaurant, Rosemary overhears Dick and Nicole talking in hushed voices. Rosemary doesn’t understand what Dick means when... (full context)
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Rosemary sees Nicole in a new light while shopping with her after lunch; she is beautiful,... (full context)
Book 1, Chapter 13
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...visiting a memorial at a World War I battlefield in Somme, northern France, Dick leads Rosemary around, teaching her things about the war. Abe and Dick disagree about whether there could... (full context)
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...brother’s grave, she follows Dick’s advice to just place the wreath on a random grave. Rosemary cries at the woman’s story as they all drive together to Amiens. (full context)
Book 1, Chapter 14
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Rosemary is relieved when Nicole decides not to join them all at an art show that... (full context)
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Sitting by the river with Dick and Abe and Mary North, Rosemary takes note of how much they drink, particularly Abe. She decides to have a glass... (full context)
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...fondly, “he had long lost hope” for him, and so when Abe tries to pour Rosemary another drink, Dick decides it’s time for him and Rosemary to leave. Before he does,... (full context)
Book 1, Chapter 15
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In a taxi on the way back to the hotel, Rosemary turns her face towards Dick to be kissed. First, he looks at her gravely, calling... (full context)
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Once back at the hotel, Rosemary encourages Dick to join her in her room. Behind closed doors, she is as pale... (full context)
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Dick refuses Rosemary’s advances and comforts her as she cries. As he leaves her room, Dick wishes her... (full context)
Book 1, Chapter 16
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Rosemary wakes feeling ashamed but is consoled as things return to normal when she accompanies Nicole... (full context)
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They meet the others and Rosemary’s eyes find Dick’s. She is “wildly happy” when realizing that “he was beginning to fall... (full context)
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An American man named Collis Clay, who Rosemary had held hands with last year, joins them to go to the cinema to watch... (full context)
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In the taxi with Dick and Collis, Rosemary explains that she had planned to send Dick’s screen test to Hollywood, hoping that he... (full context)
Book 1, Chapter 17
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Dick and Rosemary enter a very historical looking house but find it to be very modern inside. Dick... (full context)
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...into each other’s arms, kissing and murmuring to one another. Dick declares that he loves Rosemary but admits that it’s “not the best thing that could happen.” For a short while... (full context)
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Breaking the spell, Dick announces that “Nicole mustn’t suffer.” When he senses that Rosemary is not convinced about the love between him and Nicole, Dick states that his marriage... (full context)
Book 1, Chapter 18
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Even amid the chaos and excitement, Rosemary never stops thinking of Dick. The “enthusiasm, the selflessness behind the whole performance ravished her,”... (full context)
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Much later that night, Dick asks Rosemary to leave with him and Nicole, but she refuses “almost defiantly,” explaining that she must... (full context)
Book 1, Chapter 19
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...trembling. His eyes are sunken, and his skin is grey; he barely resembles the man Rosemary had met on the beach two weeks before. Before he has time to buy a... (full context)
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Rosemary and Mary join Nicole and Abe. The three women are saddened to detect Abe’s “bitterness”... (full context)
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...control and rushes off to phone Maria’s sister, Laura, who lives in Paris. Left alone, Rosemary and Dick feel their love for one another rushing back, and it swells between them... (full context)
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...“will any of us ever see a train pulling out without hearing a few shots?” Rosemary and Nicole are “horrified” by the whole affair and wish, somewhat unconsciously, for Dick to... (full context)
Book 1, Chapter 20
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Nicole, Rosemary, and Dick feel suffocated by the city that morning. Dick is “profoundly unhappy,” but his... (full context)
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...Dick notices a “flash of unhappiness on her mouth.” Nicole is aware how people like Rosemary might interpret Dick’s “interest and enthusiasm,” but she also knows that he has never “spent... (full context)
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...“post-war.” Dick is startled, however when he realizes that Collis is confiding in him about Rosemary. He claims that Rosemary had gotten into trouble doing “some heavy stuff” behind a locked... (full context)
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Dick twice pictures Rosemary in the compartment with Hillis, hearing an imaginary snippet of conversation between them: “—Do you... (full context)
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Arriving at the studio to try and find Rosemary, Dick is “swayed and driven as an animal.” He realizes that this is “a turning... (full context)
Book 1, Chapter 21
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Deciding that Rosemary must have left already, Dick rings her hotel room from a café. “I’m in an... (full context)
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After she has hung up the phone, Rosemary finishes a letter to her mother. She tells her of a man she’s recently met... (full context)
Book 1, Chapter 22
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...phone, dismisses the whole affair, and heads out to go shopping instead. She bumps into Rosemary and they have fun “spending money in the sunlight of the foreign city.” (full context)
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Returning to the hotel to find Dick—who looks fresh and bright—Rosemary and Nicole share “a moment of complete childish joy.” Dick tells them of the unintelligible... (full context)
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In the hotel restaurant, different groups of American expatriates surround Rosemary, Dick and Nicole. A party of Gold Star Mothers has lunch at a table beside... (full context)
Book 1, Chapter 24
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Rosemary—now a “little wild thing—is also full of intense emotions. She is “absorbed in playing around... (full context)
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Nonetheless, Dick invites Rosemary to sit on his lap on the bed. As they kiss, her “dazzling” skin astounds... (full context)
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Rosemary finds the whole affair distasteful. Abe is so drunk he’s “walking in a slow dream,”... (full context)
Book 1, Chapter 25
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Rosemary and Dick embrace before she makes an impressive exit, leaving him alone. Back in her... (full context)
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Rosemary hurries to find Dick and they run together into her room. Dick discovers that Peterson... (full context)
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Hearing Nicole calling, and wanting to protect Rosemary’s reputation, Dick leaves Peterson’s lifeless body in a plausible position in the corridor. Dick rings... (full context)
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Rosemary adores Dick for protecting her and she listens “in wild worship to his strong, sure,... (full context)
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Rosemary is completely shaken, realizing what Violet McKisco must have seen in Dick and Nicole’s villa... (full context)
Book 2, Chapter 10
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...with her family, translating a recipe for Chicken à la Maryland into French. They spot Rosemary, who she doesn’t recognize. Nicole thinks that Rosemary is “lovely,” but that “there can be... (full context)
Book 2, Chapter 11
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...have coffee on the coast near Cannes to discuss the end of his affair with Rosemary.  Mrs. Speers thanks him for looking after Rosemary in Paris and assures him kindly that... (full context)
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Dick thinks back forlornly to when they had left Paris without even saying goodbye to Rosemary. He had sat in the train with Nicole, hoping that a nice lunch could help... (full context)
Book 2, Chapter 12
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...her. While playing the piano, Dick worries that Nicole will realize he’s still yearning after Rosemary, and he stops playing immediately.  (full context)
Book 2, Chapter 18
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...Dick knows that he has “lost himself” somewhere along the way, between meeting Nicole and Rosemary. (full context)
Book 2, Chapter 19
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...he had come to see, the person for whom he had made the Mediterranean crossing.” Rosemary, startled, hurries over immediately, telling Dick that she’s in Rome to shoot a new movie.... (full context)
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After he has slept, washed, and eaten, Dick turns his thoughts to Rosemary. He concedes that Rosemary is “young and magnetic, but so [is] Topsy.” Longing gets the... (full context)
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On his way to meet Rosemary, Dick bumps into Collis Clay at the bar. Collis tells Dick that Rosemary is now... (full context)
Book 2, Chapter 20
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Wearing pajamas inside her hotel room, Rosemary is more beautiful than ever. She calls Dick “youngster” and tells him that she was... (full context)
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Rosemary breaks away from Dick, leaving him lying on her hotel bed alone. “Are you actually... (full context)
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The next morning Dick wakes early to accompany Rosemary to the film set. As Dick is given a tour around the set, he notices... (full context)
Book 2, Chapter 21
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Rosemary has dinner obligations with the film company, leaving Dick with some time to assess his... (full context)
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Over lunch with Rosemary the next day, Dick discovers that he is no longer in love with her, “nor... (full context)
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Dick becomes irritated when Nicotera calls up to his hotel room to speak with Rosemary, and he directs her to brushoff Nicotera for the remainder of his stay. Forced to... (full context)
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...wanting “to be hurt again,” Dick resolves to put an end to his love for Rosemary once and for all, even “if he had to bring all the bitterness and hatred... (full context)
Book 2, Chapter 22
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...insulting Italians loudly enough for those around them to hear. Dick receives a note from Rosemary telling him she’ll be waiting for him in her hotel room, but Dick hands the... (full context)
Book 3, Chapter 2
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...“drab old story,” Dick turns his attention to his own experiences—“His love for Nicole and Rosemary, is friendship with Abe North, with Tommy Barban.” Dick reflects on the necessity of “taking... (full context)
Book 3, Chapter 6
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...him saying he’ll be in Nice. That very same morning, Dick opens a telegram from Rosemary, explaining that she’ll be at Gausse’s beach the next day. “Grimly,” Nicole pretends that she’ll... (full context)
Book 3, Chapter 7
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On the way to meet Rosemary at the beach the next day, Nicole worries about Dick. Their relationship has been “unhappy”... (full context)
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...of nostalgia, Nicole is sorry that “tasteless” visitors have ruined their beach resort. Nicole spots Rosemary in the water and Dick suggests that they swim out to her. (full context)
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Nicole stays in the water while Dick sits beside Rosemary on the raft. Nicole is shocked by Rosemary’s youthful beauty but rejoices “that the young... (full context)
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Rosemary’s friends have a boat and aquaplane and Dick is keen to exhibit his physicality—standing on... (full context)
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Back on the beach, Dick fetches some sherry for them. Rosemary expresses how glad she is to see that the rumors about Dick’s “deterioration” aren’t true,... (full context)
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Nicole grows impatient as Dick turns on his charm and prattles away to Rosemary about her latest movies. When Rosemary suggests that Topsy would “make a fine actress,” Nicole... (full context)
Book 3, Chapter 8
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...realizes Tommy meant nothing by it. She tells him that Dick’s gone away, probably with Rosemary, and asks Tommy what she should do. “For the first time in ten years [Nicole]... (full context)
Book 3, Chapter 9
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Dick returns early from his trip and tells Nicole he’s been with Rosemary. He “wanted to find out if she had anything to offer” but decided that she... (full context)
Book 3, Chapter 11
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...opinion, Dick listens to his wife tell him that “Things were never the same after Rosemary.” The two men jostle over Nicole and their love for her until the Tour de... (full context)