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Word-Painting
Developing an aesthetic means gaining the “capacity to assert judgments about beauty and ugliness.” For de Botton, art and travel are valuable in large part because they allow individuals to notice what they find beautiful, exciting, and suited to their own disposition. This is also why art can inspire travel and travel art—both are fundamentally valuable to de Botton because of their subjective, aesthetic dimensions. By paying attention to their intuitions about beauty and ugliness, de Botton hopes, travelers can begin to understand their interior aesthetics by grasping the mental associations and rules of beauty to which they react. “Aesthetic” can also be used as an adjective (something involving beauty).
Aesthetic Quotes in The Art of Travel
The The Art of Travel quotes below are all either spoken by Aesthetic or refer to Aesthetic. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
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Chapter 7 Quotes
Because we find places to be beautiful as immediately and apparently spontaneously as we find snow to be cold or sugar sweet, it is hard to imagine that there is anything we might do to alter or expand our attractions. It seems that matters have been decided for us by qualities inherent in the places themselves or by hardwiring in our psyches, and that we would therefore be as helpless to modify our sense of the places we find beautiful as we would our preference for the ice creams we find appetizing.
Yet aesthetic tastes may be less rigid than this analogy suggests. We overlook certain places because nothing has ever prompted us to conceive of them as being worthy of appreciation, or because some unfortunate but random association has turned us against them.
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As he wonders why he (unlike so many “sensible people”) does not find Provence particularly beautiful, de Botton asks whether people’s aesthetic senses are truly inherent or can be affected by learning, effort, and circumstance. While he acknowledges the appeal of believing that people simply like things or do not, and that they therefore lack any real control over what they will feel in any given place, he rejects this thesis and maintains his faith in people’s ability to adopt new perspectives on beauty. De Botton’s insistence that aesthetic standards are mutable foreshadows the lessons he learns from van Gogh: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro per
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Aesthetic Term Timeline in The Art of Travel
The timeline below shows where the term Aesthetic appears in The Art of Travel. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 3: On the Exotic
...everyday life in the Netherlands, and thinks of the “openness toward foreign influences” and “Calvinist aesthetic” that play a prominent role in Dutch history.
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...to this particular Dutch house as a sign of his desire for the “modernity and aesthetic simplicity” that London lacks.
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Chapter 7: On Eye-Opening Art
People react instantaneously to the beauty of new places, so they might think that their aesthetic attractions are hardwired and inalterable. But de Botton disagrees, suggesting that a failure to see...
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Chapter 8: On Possessing Beauty
...the reasons behind our attraction to certain landscapes and buildings.” It lets people develop their “aesthetic,” which is a “capacity to assert judgments about beauty and ugliness.” People can move from...
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Ruskin’s word-paintings were about places’ psychological effects as much as their aesthetic qualities. He personified clouds, seeing them “as if they were animated by an inner will,...
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