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Spots of Time
A term that denotes the feeling of awe people experience when they encounter vast, awe-inspiring power like that of certain natural landscapes. Irish philosopher Edmund Burke, perhaps the most prominent theorist of the sublime, argued that beautiful things are often pleasant and diminutive, weaker than and therefore subject to the human will, but sublime things evoke a sense of human insignificance and impotence by putting the human subject in contact with a force that vastly exceeds them. This experience often inspires faith in God and allows people to more easily accept their failures and inadequacies, which is why 18th century critics often conceived of the sublime as both pleasurable and morally good.
The Sublime Quotes in The Art of Travel
The The Art of Travel quotes below are all either spoken by The Sublime or refer to The Sublime. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
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Chapter 6 Quotes
The value of landscapes would henceforth be decided not solely on the basis of formal aesthetic criteria (the harmony of colours, for example, or the arrangement of lines) or even economic or practical concerns, but rather according to the power of places to arouse the mind to sublimity.
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As 18th-century critics increasingly turned an eye to the sublime, de Botton explains, they began to reconsider the way they judged a landscape’s value for the human observer: a landscape became great because of its psychological effects on people, and not merely because of any objective beauty standard. Just as Wordsworth’s poetry has brought centuries of English city-dwellers to the Lake District and Nietzsche argued that visiting Florence might teach people about a few dedicated artists’ disproportionate impact on the course of history, the notion of the sublime forever transformed public concepts of aesthetic value and demonstrates the core role Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur
The world may appear illogical to you, but it does not follow that it is illogical per se. Our lives are not the measure of all things: consider sublime places for a reminder of human insignificance and frailty.
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In his discussion of the Book of Job from the Old Testament, this is how de Botton summarizes God’s ultimate lesson to Job. After Job lost most of his possessions and his eldest son to a string of natural disasters, he asks God what he could have possibly done to deserve his fate, but God tells him that he cannot fathom the workings of the universe and, as proof, asks him to ponder the vast wonders of nature that later became associated with the sublime. De Botton sees God’s message as reflecting the universal truth that humans have much less Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Comm
Chapter 8 Quotes
A dominant impulse on encountering beauty is to wish to hold on to it, to possess it and give it weight in one’s life. There is an urge to say, “I was here, I saw this and it mattered to me.”
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De Botton suggests one important mechanism that translates the experience of observing beauty into the incorporation of that beauty into oneself, or what John Ruskin called the “transfer of goodness from without to within.” Clearly, this is an essential part of travel because it determines whether people can truly learn and benefit from the things they see abroad. And, throughout The Art of Travel, this metaphorical ingestion of beauty must be psychological: Wordsworth’s moments in nature are valuable because he preserves them as spots of time, encounters with the sublime help people overcome their troubles only if they can remember Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et.
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The Sublime Term Timeline in The Art of Travel
The timeline below shows where the term The Sublime appears in The Art of Travel. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 6: On the Sublime
...their reactions to “precipices and glaciers, night skies and boulder-strewn deserts” as a sense of the sublime .
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After an ancient Greek treatise on the sublime was retranslated into English in 1712, writers began taking an interest in it as “an...
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Why, de Botton asks, do people seek out the sublime and derive pleasure from it? He first responds that “not everything that is more powerful...
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Indeed, many early theorists of the sublime saw it as proof of God’s existence, and de Botton sees a connection between the...
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De Botton thinks that God’s answer to Job also holds value for secular people, for the sublime can still lead them to see that certain problems are insurmountable and certain events inexplicable...
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