The Bad Beginning

by Lemony Snicket

Count Olaf Character Analysis

Count Olaf is the antagonist of The Bad Beginning. After Violet, Klaus, and Sunny’s parents die, Count Olaf assumes legal guardianship of them, as he’s their closest living relative. Count Olaf is tall, thin, unshaven, and dirty, and his eyes often appear “shiny,” giving him the look of someone who is simultaneously angry and hungry. As it turns out, Count Olaf’s personality matches his appearance: he is cruel, demanding, negligent, greedy, arrogant, and threatening. As a legal guardian, he also proves himself to be outwardly sadistic. He forces Violet, Klaus and Sunny to share a single bed in a tiny, dilapidated bedroom, gives them only a pile of rocks to play with as toys, and assigns them difficult chores, like chopping wood, cleaning his disgusting house, and cooking elaborate dinners for him and his theatre troupe. Though he is often out of the house, it seems like he is constantly watching the Baudelaire children, almost as though the eyes painted around the house are cameras. When the children report Olaf’s cruelty to Mr. Poe, for instance, Count Olaf finds out almost immediately. Then later, after Klaus confronts Count Olaf about his plan to marry Violet and steal their family fortune, the children discover he is already a step ahead of them and has kidnapped Sunny. Ultimately, Violet thwarts Olaf’s scheme and his malevolent plotting is publicly revealed. With the help of the crew, though, Count Olaf evades capture, promising Violet to kill them all and steal their fortune if it’s the “last thing [he] does.”

Count Olaf Quotes in The Bad Beginning

The The Bad Beginning quotes below are all either spoken by Count Olaf or refer to Count Olaf. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Family and Parenthood Theme Icon
).

Chapter 1 Quotes

One of the things Violet, Klaus, and Sunny really liked about their parents was that they didn’t send their children away when they had company over, but allowed them to join the adults at the dinner table and participate in the conversation as long as they helped clear the table.

Related Characters: Lemony Snicket (speaker), Mr. Poe, Violet, Klaus, Sunny, Count Olaf
Page Number and Citation: 6
Explanation and Analysis:

Chapter 2  Quotes

“But our parents never mentioned Count Olaf to us. Just how is he related to us, exactly?”

Mr. Poe sighed and looked down at Sunny, who was biting a fork and listening closely. “He is either a third cousin four time removed, or a fourth cousin three times removed. He is not your closest relative on the family tree, but he is the closest geographically.”

Related Characters: Klaus (speaker), Mr. Poe (speaker), Sunny, Count Olaf, Violet
Page Number and Citation: 15
Explanation and Analysis:

They could see, in the space of pale skin between his tattered trouser cuff and his black shoe, that Count Olaf had an image of an eye tattooed on his ankle, matching the eye on his front door. They wondered how many other eyes were in Count Olaf’s house, and whether, for the rest of their lives, they would always feel as though Count Olaf were watching them even when he wasn’t nearby.

Related Characters: Lemony Snicket (speaker), Violet, Sunny, Klaus, Mr. Poe, Count Olaf
Related Symbols: Eyes
Page Number and Citation: 25
Explanation and Analysis:

Chapter 3  Quotes

I don’t know if you’ve ever noticed this, but first impressions are often entirely wrong. You can look at a painting for the first time, for example, and not like it at all, but after looking at it a little longer you may find it very pleasing. The first time you try Gorgonzola cheese you may find it too strong, but when you are older you may want to eat nothing but Gorgonzola cheese. […] I wish I could tell you that the Baudelaire’s’ first impressions of Count Olaf and his house were incorrect, as first impressions so often are. But these impressions––that Count Olaf was a horrible person, and his house a depressing pigsty––were absolutely correct.

Related Characters: Lemony Snicket (speaker), Sunny, Count Olaf, Klaus, Violet
Page Number and Citation: 28
Explanation and Analysis:

I hate it here, Violet! I hate this house! I hate our room! I hate having to do all these chores, and I hate Count Olaf!”

“I hate it too,” Violet said, and Klaus looked at his older sister with relief. Sometimes, just saying you hate something, and having someone agree with you, can make you feel better about a terrible situation. “I hate everything about our lives right now, Klaus,” she said, “but we have to keep our chin up.” This was an expression the children’s father had used, and it meant “try to stay cheerful.”

“You’re right,” Klaus said. “But it is very difficult to keep one’s chin up when Count Olaf keeps shoving it down.”

Related Characters: Violet (speaker), Klaus (speaker), Sunny, Count Olaf
Page Number and Citation: 32
Explanation and Analysis:

“Goodness,” Justice Strauss said. “Cooking dinner for an entire theatre troupe seems like a lot to ask of children.”

“Count Olaf give us a lot of responsibility,” Violet said. What she wanted to say was, “Count Olaf is an evil man,” but she was well mannered.

Related Characters: Justice Strauss (speaker), Violet (speaker), Count Olaf
Page Number and Citation: 37
Explanation and Analysis:

Chapter 4  Quotes

“I can’t tell you how much we appreciate this,” Violet said, carefully. With their kind parents dead and Count Olaf treating them to abominably, the three children were not used to kindness from adults and weren’t sure if they were expected to do anything back. “Tomorrow, before we use your library again, Klaus and I would be more than happy to do household chores for you. Sunny isn’t really old enough to work, but I’m sure we could find some way she could help you.”

Related Characters: Violet (speaker), Justice Strauss, Klaus, Sunny, Mr. Poe, Count Olaf
Page Number and Citation: 43
Explanation and Analysis:

“Come on, friends,” Count Olaf said to his comrades. “We’ll be late for our own performance.”

“If I know you, Olaf,” said the man with the hook-hands, “you’ll figure out a way to get at that Baudelaire money.”

“We’ll see,” Count Olaf said, but his eyes were shining bright as if he already had an idea.

Related Characters: Count Olaf (speaker), The Hook-Handed Man (speaker), Mr. Poe
Related Symbols: Eyes
Page Number and Citation: 54
Explanation and Analysis:

Chapter 5  Quotes

“Whatever Count Olaf has done,” Mr. Poe said, glancing down at one of his papers and circling a number, “he has acted in loco parentis, and there’s nothing I can do about it. Your money will be well protected by myself and by the bank, but Count Olaf’s parenting techniques are his own business. Now, I hate to usher you out posthaste, but I have very much work to do.”

The children just sat there, stunned. Mr. Poe looked up, and cleared his throat. “Posthaste,” he said, “means––”

“––means you’ll do nothing to help us,” Violet finished for him. She was shaking with anger and frustration”

Related Characters: Violet (speaker), Mr. Poe (speaker), Count Olaf, Sunny, Klaus
Page Number and Citation: 67
Explanation and Analysis:

Chapter 6 Quotes

“I wish we knew something more about inheritance law,” Klaus said. “I’ll bet Count Olaf has cooked up some plan to get our money, but I don’t know what it could be.”

“I guess we could ask Mr. Poe about it,” Violet said doubtfully, as Klaus stood beside her and dried the dishes. “He knows all those Latin legal phrases.”

“But Mr. Poe would probably call Count Olaf again, and then he’d know we were on to him,” Klaus pointed out. “Maybe we should try to talk to Justice Strauss. She’s a judge, so she must know all about the law.”

“But she’s also Olaf’s neighbor,” Violet replied, “and she might tell him that we had asked.”

Related Characters: Violet (speaker), Klaus (speaker), Sunny, Justice Strauss, Count Olaf, Mr. Poe
Page Number and Citation: 80
Explanation and Analysis:

Chapter 7 Quotes

The man leaned over until his face was just inches from Klaus’s, so close that the man’s features flickered into a blur. “Listen to me very carefully, little boy,” he said, breathing out foul steam with every word. “The only reason Count Olaf hasn’t torn you limb from limb is that he hasn’t gotten hold of your money. He allows you to live while he works out his plans. But ask yourself this, you little bookworm: What reason will he have to keep you alive after he has your money? What do you think will happen to you then?”

Related Characters: The Hook-Handed Man (speaker), Violet, Klaus, Count Olaf, Justice Strauss
Page Number and Citation: 90
Explanation and Analysis:

Chapter 8  Quotes

“The word ‘nuptial,’” Klaus said, “means ‘relating to marriage.”

“I know what the word means,” Count Olaf growled. “Where did you get that book.”

“From Justice Strauss’s library,” Klaus said. “But that’s not important. What’s important is that I have found out your plan.”

Related Characters: Klaus (speaker), Count Olaf (speaker), Mr. Poe, Justice Strauss, Violet
Page Number and Citation: 96
Explanation and Analysis:

Chapter 9 Quotes

The really frightening thing about Count Olaf, she realized, was that he was very smart after all. He wasn’t merely an unsavory drunken brute, but an unsavory, clever drunken brute.

Related Characters: Violet (speaker), Lemony Snicket (speaker), Count Olaf, Sunny
Page Number and Citation: 107
Explanation and Analysis:

Chapter 10 Quotes

As she worked, she remembered something her parents had said to her when Klaus was born, and again when they brought Sunny home from the hospital. “You are the eldest Baudelaire child,” they had said, kindly but firmly. “And as the eldest, it will always be your responsibility to look after your younger siblings. Promise us that you will always watch out for them and make sure they don’t get into trouble.” Violet remembered her promise, and thought of Klaus whose bruised face still looked sore, and Sunny, dangling from the top of the flower like a flag, and began working even faster. Even though Count Olaf was of course the cause of all this misery, Violet as though she had broken her promise to her parents, and vowed to make it right.

Related Characters: Lemony Snicket (speaker), Klaus, Count Olaf, Sunny, Violet
Related Symbols: Grappling Hook
Page Number and Citation: 117
Explanation and Analysis:

Chapter 11 Quotes

I am certain that over the course of your own life, you have noticed that people’s rooms reflect their personalities. In my room, for instance, I have gathered a collection of objects that are important to me, including a dusty accordion on which I can play a few sad songs, a large bundle of notes on the activities of the Baudelaire orphans, and a blurry photograph, taken a very long time ago, of a woman whose name is Beatrice. These are items that are very precious and dear to me.

Related Characters: Lemony Snicket (speaker), Klaus, Violet, Sunny, Count Olaf
Page Number and Citation: 124
Explanation and Analysis:

Chapter 13 Quotes

To Violet, Klaus, and Sunny, it seemed that Mr. Poe and the law had made the incorrect decision to take them away from the possibility of a happy life with Justice Strauss and toward an unknown fate with some unknown relative. They didn’t understand it, but like so many unfortunate events in life, just because you don’t understand it doesn’t mean it isn’t so.

Related Characters: Lemony Snicket (speaker), Violet, Sunny, Mr. Poe, Klaus, Justice Strauss, Count Olaf
Page Number and Citation: 161-162
Explanation and Analysis:
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Count Olaf Character Timeline in The Bad Beginning

The timeline below shows where the character Count Olaf appears in The Bad Beginning. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 2 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...to leave. Mr. Poe explains that they will be moving in a distant relative named Count Olaf , and Violet, Klaus, and Sunny are unsure what to think: they don’t like Mr.... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Mr. Poe explains why Count Olaf was chosen as their guardian, claiming that their parents’ will says they should be raised... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...doorway holding a flowerpot. She says hello to the children, stating that they must be Count Olaf ’s new adopted children. Violet shakes the woman’s hand and notices how warm it is.... (full context)
Family and Parenthood Theme Icon
...a judge on the High Court, prompting Violet to ask whether she is married to Count Olaf . Justice Strauss emphatically expresses that she is not, claiming that he is her neighbor,... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Klaus knocks on Count Olaf ’s door, and the door opens, revealing a tall, thin man in a stained suit.... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Count Olaf turns angrily to Mr. Poe, and Violet thinks he is going to hit him. He... (full context)
Chapter 3 
Intelligence and Ethics Theme Icon
...good examples. He regretfully tells his readers, however, that the Baudelaire children’s first impression of Count Olaf was not wrong: he is a bad person, and his house is gross. According to... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
According to Lemony Snicket, Count Olaf doesn’t even have a nice personality to make up for the awful accommodations: he is... (full context)
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...none of those things, however, and Klaus only asks to borrow a cookbook, explaining what Count Olaf had asked them to do. Violet wants to say that Count Olaf is evil, but... (full context)
Children vs. Adults Theme Icon
...With Justice Strauss as their neighbor, the children feel more optimistic about their future with Count Olaf . (full context)
Chapter 4 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...for dessert. They thank Justice Strauss for her help, and she expresses her concern about Count Olaf having asked them to do so much. She invites them back over, and the children... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...how great Justice Strauss and her library are. Just as they’re finishing the pudding, however, Count Olaf returns home. He angrily asks where the roast beef is, and the children tell him... (full context)
Intelligence and Ethics Theme Icon
Count Olaf ’s theatre troupe is a strange group. They are all different sizes and shapes, and... (full context)
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
The children are traumatized by their encounter with Count Olaf and the troupe. Klaus and Sunny cry while Violet shakes with fear and disgust. A... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Upset by the night’s events, Klaus retorts that they only have one bed, to which Count Olaf replies that, if they want, they can buy another one using their fortune. Klaus reminds... (full context)
Chapter 5 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...do to improve their situation. Klaus says he would rather be homeless than stay with Count Olaf , but Violet is unsure, suggesting it may be better to have a roof over... (full context)
Children vs. Adults Theme Icon
...schedule an appointment. The children apologize, explaining that the situation is urgent. Klaus explains that Count Olaf is a “madman” and that they need to leave his custody. Violet explains how Count... (full context)
Children vs. Adults Theme Icon
Mr. Poe explains that as “loco parentis,” or acting parent, Count Olaf is entitled to raise them how he sees fit. Violet protests, pointing out again that... (full context)
Chapter 6
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
The children wake the next morning to find Count Olaf waiting for them with breakfast. The children are suspicious, for such behavior is unusual for... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
Lemony Snicket comments on Count Olaf ’s use of the word “standoffish,” suggesting that it does not appropriately describe his mean-spirited... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
Violet politely tells Count Olaf that she is not talented enough to perform and does not want to ruin the... (full context)
Chapter 7
Intelligence and Ethics Theme Icon
...children are not reading law books to make money—they’re reading them to save themselves from Count Olaf ’s schemes. Even so, the children have difficulty motivating themselves to read the law books... (full context)
Intelligence and Ethics Theme Icon
...to the library until after the performance. Then he tells Klaus that the only reason Count Olaf has not killed him and his siblings is that he has not gotten their money... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...begins to shake all over. The man tells Klaus to be a little nicer because Count Olaf might leave Klaus to him to deal with. Then the man leaves to collect the... (full context)
Chapter 8 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...By morning, Klaus discovers what he needs to, and goes downstairs by himself to confront Count Olaf . When Count Olaf arrives, Klaus explains that he has figured out his scheme to... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Count Olaf claims that Violet is not old enough to legally marry. Klaus retorts that it is... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Klaus returns to their room and wakes Violet, telling her of Count Olaf ’s plan. When they go to wake Sunny to go to Mr. Poe’s office, however,... (full context)
Chapter 9
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Count Olaf agrees that it is strange for such a small child to be missing. Violet asks... (full context)
Intelligence and Ethics Theme Icon
Violet begs Count Olaf to let Sunny go, but Count Olaf points out that if he lets her go,... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Count Olaf asks Violet again whether she will marry him. Violet imagines the horrible life she would... (full context)
Intelligence and Ethics Theme Icon
Count Olaf asks for the law book back and tells the children to finish their chores. Klaus... (full context)
Chapter 10
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...it makes a loud sound each time. Violet is nervous that the noise will wake Count Olaf , and she almost gives up, but then thinks of Sunny. She gives the hook... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...horror that her grappling hook is stuck to another hook – the hook-hand of one of Count Olaf ’s troupe members, the hook-handed man. He reaches toward Violet with his other hook. (full context)
Chapter 11
Surveillance, Supervision, and Guardianship Theme Icon
...sad songs, notes on the Baudelaire children, and a photograph of someone named Beatrice. Similarly, Count Olaf ’s room is filled with his prized possessions, like evil notes, flickering candles, empty wine... (full context)
Intelligence and Ethics Theme Icon
The hook-handed man calls Count Olaf on a walkie-talkie, telling him that he has captured Violet. Count Olaf is reportedly unhappy,... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
The man brings Klaus up to the tower and leaves to help Count Olaf prepare for the performance. Klaus asks Violet what is happening, and Violet describes her failed... (full context)
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Count Olaf arrives well-groomed and wearing a special suit. The children, distracted by their conversation, are surprised... (full context)
Chapter 12
Intelligence and Ethics Theme Icon
Violet and Klaus stand backstage at the theatre. They feel “dread” because of Count Olaf ’s evil plan, but also fascination, as they have never been backstage at a theatre... (full context)
Children vs. Adults Theme Icon
...is there with them, and she expresses her excitement for the play. She describes how Count Olaf instructed her to read the real wedding ceremony from the law book to make the... (full context)
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Intelligence and Ethics Theme Icon
Klaus suggests they pretend to be sick, but Violet shoots down this plan; Count Olaf would not be so easily tricked. Act Three begins, and backstage becomes hectic with actors... (full context)
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...arrives backstage to wish the children good luck. Klaus attempts to tell Mr. Poe of Count Olaf ’s plot but is interrupted by Count Olaf holding a walkie-talkie. Instead of exposing the... (full context)
Intelligence and Ethics Theme Icon
...happy to be performing, though she does not realize the part she is playing in Count Olaf ’s evil plan. Finally, she asks Count Olaf and Violet whether they will take each... (full context)
Chapter 13
Intelligence and Ethics Theme Icon
Count Olaf addresses the audience, informing them that the play is over. He explains that it does... (full context)
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...disbelief, but Justice Strauss tells him it is true, and laments being tricked so easily. Count Olaf starts to leave, but Klaus demands that he free Sunny before doing so. Count Olaf... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
...This means that she did not sign in her “own hand,” as the law requires. Count Olaf contests her claim, but Justice Strauss rules that Violet is right and that the marriage... (full context)
Children vs. Adults Theme Icon
Count Olaf goes to push a button the walkie-talkie, but it is too late: Sunny has already... (full context)
Children vs. Adults Theme Icon
...chaos, and Violet searches for the light switch. As she’s about to pull the switch, Count Olaf hisses in her ear that he will get their fortune and kill them. Violet screams... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Mr. Poe and the children realize that not only is Count Olaf gone, but so is his much of his troupe. Mr. Poe leads them all outside,... (full context)