The Bad Beginning

by Lemony Snicket

Klaus Character Analysis

Twelve-year-old Klaus is the middle Baudelaire child, and like his older sister, Violet, Klaus is exceptionally smart. While Violet likes to invent, however, Klaus loves to read and consume knowledge. Before the tragic fire that killed his parents, Klaus would spend hours reading in their family’s enormous private library, often sneaking books upstairs to read at night with a flashlight. One of the things Klaus is saddest about after the accident is that he will never get to read all the books in their family library. When the children first move to Count Olaf’s house, one of the only things to lift Klaus’s spirits is the unlimited access that Justice Strauss gives them to her private library. Like Violet, Klaus is horribly unhappy living with Count Olaf, and though he finds respite––however temporary–– in his life-long love of reading. As the story progresses, however, Klaus’s love of reading slowly transforms from a hobby into a tool for survival. Suspecting Count Olaf of foul play, Klaus begins reading law books to figure out what Olaf could be planning, eventually uncovering his plot to marry Violet and steal their fortune. Though his plan to confront Count Olaf backfires in the short term, it is this discovery that ultimately leads to Violet’s being able to thwart Olaf’s scheme.

Klaus Quotes in The Bad Beginning

The The Bad Beginning quotes below are all either spoken by Klaus or refer to Klaus. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Family and Parenthood Theme Icon
).

Chapter 1 Quotes

One of the things Violet, Klaus, and Sunny really liked about their parents was that they didn’t send their children away when they had company over, but allowed them to join the adults at the dinner table and participate in the conversation as long as they helped clear the table.

Related Characters: Lemony Snicket (speaker), Mr. Poe, Violet, Klaus, Sunny, Count Olaf
Page Number and Citation: 6
Explanation and Analysis:

“Perished,” Mr. Poe said, means ‘killed.’”

“We know what the word ‘perished’ means, Klaus said crossly. He did know what the word “perished” meant, but he was still having trouble understanding what exactly it was that Mr. Poe had said. It seemed to him that Mr. Poe must somehow have misspoken.

Related Characters: Klaus (speaker), Mr. Poe (speaker)
Page Number and Citation: 8
Explanation and Analysis:

Chapter 2  Quotes

“But our parents never mentioned Count Olaf to us. Just how is he related to us, exactly?”

Mr. Poe sighed and looked down at Sunny, who was biting a fork and listening closely. “He is either a third cousin four time removed, or a fourth cousin three times removed. He is not your closest relative on the family tree, but he is the closest geographically.”

Related Characters: Mr. Poe (speaker), Klaus (speaker), Sunny, Count Olaf, Violet
Page Number and Citation: 15
Explanation and Analysis:

They could see, in the space of pale skin between his tattered trouser cuff and his black shoe, that Count Olaf had an image of an eye tattooed on his ankle, matching the eye on his front door. They wondered how many other eyes were in Count Olaf’s house, and whether, for the rest of their lives, they would always feel as though Count Olaf were watching them even when he wasn’t nearby.

Related Characters: Lemony Snicket (speaker), Violet, Klaus, Sunny, Count Olaf, Mr. Poe
Related Symbols: Eyes
Page Number and Citation: 25
Explanation and Analysis:

Chapter 3  Quotes

I don’t know if you’ve ever noticed this, but first impressions are often entirely wrong. You can look at a painting for the first time, for example, and not like it at all, but after looking at it a little longer you may find it very pleasing. The first time you try Gorgonzola cheese you may find it too strong, but when you are older you may want to eat nothing but Gorgonzola cheese. […] I wish I could tell you that the Baudelaire’s’ first impressions of Count Olaf and his house were incorrect, as first impressions so often are. But these impressions––that Count Olaf was a horrible person, and his house a depressing pigsty––were absolutely correct.

Related Characters: Lemony Snicket (speaker), Klaus, Sunny, Violet, Count Olaf
Page Number and Citation: 28
Explanation and Analysis:

I hate it here, Violet! I hate this house! I hate our room! I hate having to do all these chores, and I hate Count Olaf!”

“I hate it too,” Violet said, and Klaus looked at his older sister with relief. Sometimes, just saying you hate something, and having someone agree with you, can make you feel better about a terrible situation. “I hate everything about our lives right now, Klaus,” she said, “but we have to keep our chin up.” This was an expression the children’s father had used, and it meant “try to stay cheerful.”

“You’re right,” Klaus said. “But it is very difficult to keep one’s chin up when Count Olaf keeps shoving it down.”

Related Characters: Klaus (speaker), Violet (speaker), Sunny, Count Olaf
Page Number and Citation: 32
Explanation and Analysis:

Chapter 4  Quotes

“I can’t tell you how much we appreciate this,” Violet said, carefully. With their kind parents dead and Count Olaf treating them to abominably, the three children were not used to kindness from adults and weren’t sure if they were expected to do anything back. “Tomorrow, before we use your library again, Klaus and I would be more than happy to do household chores for you. Sunny isn’t really old enough to work, but I’m sure we could find some way she could help you.”

Related Characters: Violet (speaker), Mr. Poe, Justice Strauss, Count Olaf, Klaus, Sunny
Page Number and Citation: 43
Explanation and Analysis:

Chapter 5  Quotes

“Whatever Count Olaf has done,” Mr. Poe said, glancing down at one of his papers and circling a number, “he has acted in loco parentis, and there’s nothing I can do about it. Your money will be well protected by myself and by the bank, but Count Olaf’s parenting techniques are his own business. Now, I hate to usher you out posthaste, but I have very much work to do.”

The children just sat there, stunned. Mr. Poe looked up, and cleared his throat. “Posthaste,” he said, “means––”

“––means you’ll do nothing to help us,” Violet finished for him. She was shaking with anger and frustration”

Related Characters: Violet (speaker), Mr. Poe (speaker), Count Olaf, Klaus, Sunny
Page Number and Citation: 67
Explanation and Analysis:

It is very useful, when one is young, to learn the difference between “literally” and “figuratively.” If something happens literally, it actually happens; if something happens figuratively, it feels like it’s happening.

Related Characters: Lemony Snicket (speaker), Mr. Poe, Klaus, Violet
Page Number and Citation: 68
Explanation and Analysis:

Chapter 6 Quotes

“I wish we knew something more about inheritance law,” Klaus said. “I’ll bet Count Olaf has cooked up some plan to get our money, but I don’t know what it could be.”

“I guess we could ask Mr. Poe about it,” Violet said doubtfully, as Klaus stood beside her and dried the dishes. “He knows all those Latin legal phrases.”

“But Mr. Poe would probably call Count Olaf again, and then he’d know we were on to him,” Klaus pointed out. “Maybe we should try to talk to Justice Strauss. She’s a judge, so she must know all about the law.”

“But she’s also Olaf’s neighbor,” Violet replied, “and she might tell him that we had asked.”

Related Characters: Violet (speaker), Klaus (speaker), Count Olaf, Mr. Poe, Sunny, Justice Strauss
Page Number and Citation: 80
Explanation and Analysis:

Chapter 7 Quotes

The man leaned over until his face was just inches from Klaus’s, so close that the man’s features flickered into a blur. “Listen to me very carefully, little boy,” he said, breathing out foul steam with every word. “The only reason Count Olaf hasn’t torn you limb from limb is that he hasn’t gotten hold of your money. He allows you to live while he works out his plans. But ask yourself this, you little bookworm: What reason will he have to keep you alive after he has your money? What do you think will happen to you then?”

Related Characters: The Hook-Handed Man (speaker), Klaus, Count Olaf, Violet, Justice Strauss
Page Number and Citation: 90
Explanation and Analysis:

Chapter 8  Quotes

The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally, his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.

Related Characters: Lemony Snicket (speaker), Klaus
Page Number and Citation: 94
Explanation and Analysis:

“The word ‘nuptial,’” Klaus said, “means ‘relating to marriage.”

“I know what the word means,” Count Olaf growled. “Where did you get that book.”

“From Justice Strauss’s library,” Klaus said. “But that’s not important. What’s important is that I have found out your plan.”

Related Characters: Count Olaf (speaker), Klaus (speaker), Violet, Justice Strauss, Mr. Poe
Page Number and Citation: 96
Explanation and Analysis:

Chapter 10 Quotes

As she worked, she remembered something her parents had said to her when Klaus was born, and again when they brought Sunny home from the hospital. “You are the eldest Baudelaire child,” they had said, kindly but firmly. “And as the eldest, it will always be your responsibility to look after your younger siblings. Promise us that you will always watch out for them and make sure they don’t get into trouble.” Violet remembered her promise, and thought of Klaus whose bruised face still looked sore, and Sunny, dangling from the top of the flower like a flag, and began working even faster. Even though Count Olaf was of course the cause of all this misery, Violet as though she had broken her promise to her parents, and vowed to make it right.

Related Characters: Lemony Snicket (speaker), Sunny, Violet, Count Olaf, Klaus
Related Symbols: Grappling Hook
Page Number and Citation: 117
Explanation and Analysis:

Chapter 11 Quotes

I am certain that over the course of your own life, you have noticed that people’s rooms reflect their personalities. In my room, for instance, I have gathered a collection of objects that are important to me, including a dusty accordion on which I can play a few sad songs, a large bundle of notes on the activities of the Baudelaire orphans, and a blurry photograph, taken a very long time ago, of a woman whose name is Beatrice. These are items that are very precious and dear to me.

Related Characters: Lemony Snicket (speaker), Violet, Count Olaf, Klaus, Sunny
Page Number and Citation: 124
Explanation and Analysis:

Chapter 13 Quotes

To Violet, Klaus, and Sunny, it seemed that Mr. Poe and the law had made the incorrect decision to take them away from the possibility of a happy life with Justice Strauss and toward an unknown fate with some unknown relative. They didn’t understand it, but like so many unfortunate events in life, just because you don’t understand it doesn’t mean it isn’t so.

Related Characters: Lemony Snicket (speaker), Klaus, Sunny, Mr. Poe, Violet, Justice Strauss, Count Olaf
Page Number and Citation: 161-162
Explanation and Analysis:
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Klaus Character Timeline in The Bad Beginning

The timeline below shows where the character Klaus appears in The Bad Beginning. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...beginning, middle, or end. He explains that, despite the intelligence, charm, and attractiveness of Violet, Klaus, and Sunny Baudelaire, the siblings were very unlucky, and their life was filled with despair.... (full context)
Intelligence and Ethics Theme Icon
...her thoughts, which are often filled with things one would use in inventions, like gears. Klaus is the middle child and wears glasses. He has spent much of his life reading... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...fire that destroyed their house. At first, the children are too shocked to believe him. Klaus sadly imagines all the books that burned that he won’t get to read. Mr. Poe... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...forever. Mr. Poe goes to grab Violet’s hand, requiring her to drop her skipping stone. Klaus grabs Violet’s other hand, and Sunny grabs Klaus’s hand. Then they walk away from the... (full context)
Chapter 2 
Family and Parenthood Theme Icon
...that only those who have lost loved ones can understand. They are so sad that Klaus loses interest in books, the “gears” in Violet’s brain stop whirring, and Sunny bites with... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...ideal. Mr. Poe is never there, Mrs. Poe buys them ugly, itchy clothes, and Violet, Klaus, and Sunny are forced to share a room Mr. Poe’s two rude sons, Edgar, and... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...Since Count Olaf is the only relative living in the same city, he was chosen. Klaus and Violet are still uncertain about the choice, however, and question why their parents never... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Klaus knocks on Count Olaf’s door, and the door opens, revealing a tall, thin man in... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...goodbye and wishes the children luck, saying they can always contact him at the bank. Klaus points out they don’t know where the bank is, but Count Olaf says he has... (full context)
Chapter 3 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...they hate Count Olaf and the house. Violet says they need to stay optimistic, and Klaus agrees and suggests that they find a cookbook. (full context)
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...like to be with their parents again. They say none of those things, however, and Klaus only asks to borrow a cookbook, explaining what Count Olaf had asked them to do.... (full context)
Children vs. Adults Theme Icon
...in the direction of the cookbooks, and then Violet asks after books about mechanical engineering, Klaus asks after books about wolves, and Sunny shrieks (her way of asking for picture book).... (full context)
Chapter 4 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
...“No!” and Count Olaf angrily picks her up and stares at her, making her cry. Klaus tries to rescue Sunny, but he’s too short, and Count Olaf looks at him with... (full context)
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
The children are traumatized by their encounter with Count Olaf and the troupe. Klaus and Sunny cry while Violet shakes with fear and disgust. A troupe member shouts for... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Upset by the night’s events, Klaus retorts that they only have one bed, to which Count Olaf replies that, if they... (full context)
Chapter 5 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...after having cried all night long. As they chop wood in the backyard, Violet and Klaus discuss what they can do to improve their situation. Klaus says he would rather be... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Klaus wonders if Justice Strauss would adopt them. Violet thinks it is unlikely, despite Justice Strauss’s... (full context)
Children vs. Adults Theme Icon
...not calling to schedule an appointment. The children apologize, explaining that the situation is urgent. Klaus explains that Count Olaf is a “madman” and that they need to leave his custody.... (full context)
Children vs. Adults Theme Icon
...raise them how he sees fit. Violet protests, pointing out again that Count Olaf struck Klaus, but Mr. Poe coughs and doesn’t seem to hear. He assures them that while their... (full context)
Chapter 6
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
...Olaf invites the children to participate in his upcoming play, The Marvelous Marriage. He tells Klaus and Sunny that they will play cheering crowd members while Violet will play the bride... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
...Olaf responds that she will participate in the play—either voluntarily or not. Then he leaves. Klaus speculates that Count Olaf is after their fortune. To figure out what his plan is,... (full context)
Chapter 7
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...to be in a play but has never gotten to. She asks if Violet and Klaus are excited, too, and they answer ambiguously. However, Judge Strauss is too distracted by her... (full context)
Intelligence and Ethics Theme Icon
Violet and Klaus decide that Justice Strauss can’t help them, and they reiterate their need to find a... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
The man’s threat terrifies Klaus, who begins to shake all over. The man tells Klaus to be a little nicer... (full context)
Chapter 8 
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Klaus spends the whole night reading, something he used to do for pleasure back when his... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Count Olaf claims that Violet is not old enough to legally marry. Klaus retorts that it is legal with the permission of her legal guardian—Count Olaf.  Klaus. Count... (full context)
Family and Parenthood Theme Icon
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Klaus returns to their room and wakes Violet, telling her of Count Olaf’s plan. When they... (full context)
Chapter 9
Surveillance, Supervision, and Guardianship Theme Icon
Children vs. Adults Theme Icon
...ignores her and says that if they follow him out back, they’ll see. Violet and Klaus follow him to the backyard and initially don’t see anything out of the ordinary. Count... (full context)
Intelligence and Ethics Theme Icon
...is that he is intelligent and a monster. Count Olaf then explains that Violet and Klaus are like stubborn mules, which only move when there’s a carrot in front of them... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
...lets Sunny go, but Count Olaf agrees only to let her go after the performance. Klaus calls him a bad person, but Count is unbothered and brags about figuring out how... (full context)
Intelligence and Ethics Theme Icon
...Olaf asks for the law book back and tells the children to finish their chores. Klaus starts to follow him into the house but sees that Violet is not following them.... (full context)
Chapter 10
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
Like Klaus the night before, Violet stays up the whole night working. Earlier that day, she brought... (full context)
Chapter 11
Intelligence and Ethics Theme Icon
...has captured Violet. Count Olaf is reportedly unhappy, and the man goes off to grab Klaus and lock them in the tower together. Violet goes to reassure Sunny that everything is... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
The man brings Klaus up to the tower and leaves to help Count Olaf prepare for the performance. Klaus... (full context)
Intelligence and Ethics Theme Icon
...associated will drop Sunny if anything goes awry during the performance. Feeling hopeless, Violet and Klaus leave with Count Olaf. Violet reaches out with her right hand to grab the banister... (full context)
Chapter 12
Intelligence and Ethics Theme Icon
Violet and Klaus stand backstage at the theatre. They feel “dread” because of Count Olaf’s evil plan, but... (full context)
Children vs. Adults Theme Icon
Violet and Klaus realize that Justice Strauss is there with them, and she expresses her excitement for the... (full context)
Family and Parenthood Theme Icon
Intelligence and Ethics Theme Icon
Klaus suggests they pretend to be sick, but Violet shoots down this plan; Count Olaf would... (full context)
Surveillance, Supervision, and Guardianship Theme Icon
Mr. Poe arrives backstage to wish the children good luck. Klaus attempts to tell Mr. Poe of Count Olaf’s plot but is interrupted by Count Olaf... (full context)
Intelligence and Ethics Theme Icon
...Justice Strauss produces the legal document for Violet to sign, and a troupe member warns Klaus not to do anything. Klaus thinks of Sunny in the birdcage and does nothing. Violet... (full context)
Chapter 13
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Intelligence and Ethics Theme Icon
...it is true, and laments being tricked so easily. Count Olaf starts to leave, but Klaus demands that he free Sunny before doing so. Count Olaf calls his henchman on the... (full context)
Children vs. Adults Theme Icon
...a button the walkie-talkie, but it is too late: Sunny has already arrived. Violet and Klaus hug their sister and ask for food to feed her. Count Olaf becomes angry and... (full context)
Family and Parenthood Theme Icon
Children vs. Adults Theme Icon
Intelligence and Ethics Theme Icon
Justice Strauss agrees with Mr. Poe’s decision and hugs the children. Violet, Klaus and Sunny think of their parents and wish that the fire never happened. They want... (full context)